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Olly, All Ye, in Come Free
OLLY, ALL YE, IN COME FREE SUNDAY APRIL 14, 2013 8:00 OLLY, ALL YE, IN COME FREE ARTISTIC DIRECTOR: GIL ROSE SUNDAY APRIL 14, 2013 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY 20122013 Presentation of Honorary Doctorate to Oliver Knussen by NEC President Tony Woodcock Introduction by NEC composition faculty and Score Board member Kati Agócs ORCHESTRAL SERIES JORDAN HALL The Midsummer Marriage AT NEW ENGLAND SATURDAY, NOVEMBER 10, 2012 — 7:30 CONSERVATORY OLIVER KNUSSEN Music for a Puppet Court (1983) composer: Michael Tippett Pre-concert talk hosted by Sara Heaton soprano | Julius Ahn tenor I. Puzzle I “Iste tenor ascendit” The Score Board David Kravitz baritone | Deborah Selig soprano II. Toyshop Music after “tris” one hour prior to concert Matthew DiBattista tenor | Joyce Castle mezzo-soprano (except The Midsummer III. Antiphon after “Iste tenor ascendit...” Marriage) Lynn Torgove mezzo-soprano | Robert Honeysucker baritone IV. Puzzle II “tris” subscriptions ALBERTO GINASTERA Harp Concerto (1956) available Voilà! Viola! Krysten Keches, harp FRIDAY, FEBRUARY 15, 2013 — 8:00 Winner of the 2012–13 BMOP/NEC Concerto Competition composers: Crockett | Jacob | Perle | Ung | Yi Wenting Kang viola | Lizhou Liu viola | I. Allegro giusto Susan Ung viola | Kate Vincent viola II. Molto moderato III. Liberamente capriccioso – Vivace Olly, All Ye, In Come Free INTERMISSION SUNDAY, APRIL 14 2013 — 8:00 MICHAEL GANDOLFI The Nature of Light (2012) *FREE CONCERT* New England premiere composers: Gandolfi | Ginastera | Knussen Laura Ardan, clarinet I. Waves (Anthem) Gen OrcXstrated II. Particles (Shape Shifter) FRIDAY, MAY 17, 2013 — 8:00 OLIVER KNUSSEN Symphony No. 2 (1971) composers: Bates | Norman | Ruo Sonja Tengblad, soprano I. -
Alejandro Frutos-Comparetto Vídeo 7 Альбома
01/06/2019 Vídeos de Alejandro Frutos-Comparetto | VK Pesquisa Para cima Alejandro Frutos-Comparetto Vídeo 7 альбома 240 97 vídeo vídeo Arias subtituladas en español Documentales Miniseries renovado há 8 meses renovado há 10 meses Renovado há três anos Ver todos os 7 álbuns Adicionados 2,535 Carregados 2,751 por 1:49:38 1:50:00 En la cuerda floja (Tuggle, 1984) Lola (Fassbinder, 1981) Sillas de montar calientes (Brook Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 14 visualizações · Há 19 dias 12 visualizações · Há 19 dias 2 visualizações · Há 19 dias 1:13:30 1:37:45 The great Flamarion (Mann, 1945) El caso Thomas Crown (Jewison, 1968) Fallen angel (Preminger, 1945) Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 3 visualizações · Há 19 dias 14 visualizações · Há 19 dias 6 visualizações · Há 20 dias 1:22:43 1:32:37 No time to die (Young, 1958) Mickey One (Penn, 1965) El repartidor de hielo (Frankenhei Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 1 visualização · Há 20 dias 3 visualizações · Há 20 dias 2 visualizações · Há 20 dias 1:57:35 1:44:48 Siete días de Mayo (Frankenheimer, 1964) Grand Prix - Parte 1 (Frankenheimer, 1966) Grand Prix - Parte 2 (Frankenheim Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 3 visualizações · Há 20 dias 1 visualização · Há 20 dias 1 visualização · Há 20 dias https://vk.com/videos262003746 1/129 01/06/2019 Vídeos de Alejandro Frutos-Comparetto | VK Pesquisa Para cima 1:47:15 1:41:23 Llegaron los paracaidistas (Frankenheim… A rage to live (Grauman, 1965) La casa de los espíritus (August, Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto Alejandro Frutos-Comparetto 1 visualização · Há 20 dias 4 visualizações · Há 20 dias 3 visualizações · Há 20 dias 1:56:14 1:46:00 S.O.B. -
The Abandoned Child in Contemporary German
THE ABANDONED CHILD IN CONTEMPORARY GERMAN LITERATURE AND FILM by Heidrun Jadwiga Kubiessa Tokarz A dissertation submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Languages and Literature The University of Utah August 2016 Copyright © Heidrun Jadwiga Kubiessa Tokarz 2016 All Rights Reserved The University of Utah Graduate School STATEMENT OF DISSERTATION APPROVAL The dissertation of Heidrun Jadwiga Kubiessa Tokarz has been approved by the following supervisory committee members: Katharina Gerstenberger , Chair 02/18/2016 Date Approved Joseph Metz , Member 02/18/2016 Date Approved Karin Baumgartner , Member 02/18/2016 Date Approved Esther Rashkin , Member 02/18/2016 Date Approved Maeera Shreiber , Member 02/18/2016 Date Approved and by Katharina Gerstenberger , Chair/Dean of the Department/College/School of Languages and Literature and by David B. Kieda, Dean of The Graduate School. ABSTRACT This dissertation examines the motif of the abandoned child as a symptom of postwar German memory culture in German literature and film from the late 1980s to the second decade of the 21st century. As part of German postwar memory culture, the abandoned child motif emerged in the early postwar years and established itself in German memory discourse as Kriegskind (war baby), while representing certain war- related experiences of victimization. This study focuses on the change the motif reflects against the backdrop of Germany’s unification, the surge toward normalization, and globalization. The abandoned child motif in German cultural texts at the end of the 20th and at the beginning of the 21st century is a threshold figure which is symptomatic of the past as well as the present, of the victim and the perpetrator, and of suffering as well as guilt. -
In Kampf Um Rom Historischer Roman (1876)
Felix Dahn Ein Kampf um Rom Historischer Roman (1876) 1. BUCH:THEODERICH Dietericus de Berne, de quo cantant rustici usque hodie. 1. KAPITEL Es war eine schwüle Sommernacht des Jahres 526 nach Christus. Schwer lagerte dichtes Gewölk über der dunklen Fläche der Adria, deren Küsten und Gewässer zusammenflossen in unterscheidungslo- sem Dunkel: nur ferne Blitze warfen hier und da ein zuckendes Licht über das schweigende Ravenna. In ungleichen Pausen fegte der Wind durch die Steineichen und Pinien auf dem Höhenzug, welcher sich eine gute Strecke westlich von der Stadt erhebt, einst gekrönt von ei- nem Tempel des Neptun, der, schon damals halb zerfallen, heute bis auf dürftige Spuren verschwunden ist. Es war still auf dieser Waldhöhe: nur ein vom Sturm losgerissenes Felsstück polterte manchmal die steinigen Hänge hinunter und schlug zuletzt platschend in das sumpfige Wasser der Kanäle und Gräben, die den ganzen Kreis der Seefestung umgürteten. Oder in dem alten Tempel löste sich eine verwitterte Platte von dem getäfelten Dach der Decke und fiel zerspringend auf die Marmorstu- fen, – Vorboten von dem drohenden Einsturz des ganzen Gebäudes. Aber dies unheimliche Geräusch schien nicht beachtet zu werden von einem Mann, der unbeweglich auf der zweithöchsten Stufe der Tempeltreppe saß, den Rücken an die höchste Stufe gelehnt, und schweigend und unverwandt in einer Richtung über die Höhe hinab nach der Stadt zu blickte. Lange saß er so: regungslos, aber sehnsüchtig wartend: er achtete es nicht, daß ihm der Wind die schweren Regentropfen, die einzeln zu 1 — 2 — fallen begannen, ins Gesicht schlug und ungestüm in dem mächtigen, bis an den ehernen Gurt wallenden Bart wühlte, der fast die ganze breite Brust des alten Mannes mit glänzendem Silberweiß bedeckte. -
Histlit 2009-2.Pdf —
Historisc e Literatur Band 7 · 2009 · Hef 2 April – Juni Rezensionszeitsc rif von IS N 1611-9509 H-Soz-u-Kult Veröff entlic ungen von Clio-online, Nr. 1 Cover_Bd7_1.indd 1 06.11.2009 10:28:37 Redaktion 1 Themenschwerpunkt: Forschungsberichte 4 Olaf Stieglitz, Jürgen Martschukat, Kirsten Heinsohn Sportreportage: Sportgeschichte als Kultur- und Sozialgeschichte . 4 Elsbeth Bösl Dis/ability History: Grundlagen und Forschungstand . 22 Alte Geschichte 42 Behrwald, Ralf: Die Stadt als Museum? Die Wahrnehmung der Monumente Roms in der Spätantike. Berlin 2009. (Kathrin Schade)..................... 42 Binder, Carsten: Plutarchs Vita des Artaxerxes. Ein historischer Kommentar. Berlin u.a. 2008. (André Heller)................................... 44 Conwell, David H.: Connecting a City to the Sea. The History of the Athenian Long Walls. Leiden 2008. (Oliver Hülden).......................... 45 Demoen, Kristoffel; Praet, Danny (Hrsg.): Theios Sophistes. Essays on Flavius Philo- stratus’ Vita Apollonii. Leiden u.a. 2009. (Lieve Van Hoof) . 48 Edwell, Peter M.: Between Rome and Persia. The Middle Euphrates, Mesopotamia, and Palmyra under Roman Control. London u.a. 2008. (Henning Börm) . 51 Eggenstein, Georg; Börste, Norbert; Zöller, Helge; Zahn-Biemüller, Eva (Hrsg.): Eine Welt in Bewegung. Unterwegs zu Zentren des frühen Mittelalters. Katalog zur Ausstellung. München 2008. (Hajnalka Herold).................... 54 Elm von der Osten, Dorothee; Rüpke, Jörg; Waldner, Katharina (Hrsg.): Texte als Me- dium und Reflexion von Religion im römischen Reich. Stuttgart 2006. (Joachim Losehand)......................................... 56 Freitag, Klaus; Funke, Peter; Haake, Matthias (Hrsg.): Kult - Politik - Ethnos. Überre- gionale Heiligtümer im Spannungsfeld von Kult und Politik. Kolloquium, Müns- ter, 23.-24. November 2001. Stuttgart 2006. (Joachim Losehand) . 59 Gehrke, Hans-Joachim; Schneider, Helmuth (Hrsg.): Geschichte der Antike - Quellen- band. -
70 Jahre Ccc Filmkunst Inhalt Grusswort 3
FILMREIHE 70 JAHRE CCC FILMKUNST INHALT GRUSSWORT 3 03 Grußwort Wer hätte im September 1946 gedacht, dass sich die Gründung der CCC Filmkunst durch 04 70 Jahre CCC Filmkunst / Claudia Dillmann den Produzenten Artur Brauner zu einer für die deutsche Filmgeschichte beispiellosen Er- folgsgeschichte entwickeln würde, die das Unternehmen in den 1950ern nicht nur zur er- DIE FILME folgreichsten unabhängigen Filmproduktion Europas machte, sondern auch allen Kinokrisen 10 MORITURI zum Trotz bis heute andauert. Mit mehr als 250 Kinofilmen und unzähligen TV-Produktionen 12 DIE SPUR FÜHRT NACH BERLIN hat die Produktionsfirma ihr Publikum über die Jahrzehnte hinweg begeistert und beglückt, 14 LIEBE, TANZ UND 1000 SCHLAGER brüskiert und herausgefordert. Nun kann die CCC ihr 70. Jubiläum feiern. Gratulation! 16 VOR SONNENUNTERGANG 18 ES GESCHAH AM HELLICHTEN TAG / EL CEBO Zum Jubiläum präsentieren die Deutsche Kinemathek (Berlin) und das Deutsche Filmins- 20 AM TAG, ALS DER REGEN KAM titut – DIF (Frankfurt am Main) gemeinsam diese Werkschau. Beide Institutionen sind der 22 DIE 1000 AUGEN DES DR. MABUSE / IL DIABOLICO CCC eng verbunden: Die Deutsche Kinemathek archiviert und verleiht die Filme der Firma, DR. MABUSE / LE DIABOLIQUE DOCTEUR MABUSE während das Deutsche Filminstitut – DIF die reichhaltigen Produktionsunterlagen der CCC 24 DER BRAVE SOLDAT SCHWEJK bewahrt, erschließt und zugänglich macht. 28 EICHMANN UND DAS DRITTE REICH 30 OLD SHATTERHAND / LA BATTAGLIA DI FORT APACHE / Die für die Filmreihe ausgewählten Filme dokumentieren die enorme Bandbreite -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. WHO CARES WHODUNIT? ANTI-DETECTION IN WEST GERMAN CINEMA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Yogini Joglekar, M.A. ***** The Ohio State University 2002 Dissertation Committee: Approved by Professor John Davidson, Adviser Professor Anna Grotans Adviser Professor Linda Mizejewski ic Languages and Literatures Graduate Program Reproduced with permission of the copyright owner. -
University of Cincinnati
U UNIVERSITY OF CINCINNATI Date: June 10, 2009 I, Susanne Koch , hereby submit this original work as part of the requirements for the degree of: Doctor of Philosophy in German Studies It is entitled: In the Footsteps of Pascal and Kierkegaard: Ethics and Faith in Wolfgang Koeppen's Postwar Novels Susanne Koch Student Signature: This work and its defense approved by: Dr. Sara Friedrichsmeyer Committee Chair: Dr. Katharina Gerstenberger Dr. Richard Schade Approval of the electronic document: I have reviewed the Thesis/Dissertation in its final electronic format and certify that it is an accurate copy of the document reviewed and approved by the committee. Committee Chair signature: Sara Friedrichsmeyer In the Footsteps of Pascal and Kierkegaard: Ethics and Faith in Wolfgang Koeppen’s Postwar Novels A dissertation submitted to the Division of Research and Advanced Studies at the University of Cincinnati in partial fulfillment of the requirements of the Doctorate of Philosophy (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2009 by Susanne Koch Master of Arts, University of Cincinnati, 2003 Bachelor of Arts, University of Cincinnati, 2001 Committee Chair: Professor Sara Friedrichsmeyer Abstract In focus of this dissertation are the philosophical and Christian dimensions of Wolfgang Koeppen’s postwar novels, Tauben im Gras (1951), Das Treibhaus (1953), and Der Tod in Rom (1954). The author claimed to be neither a philosophical nor a religious writer. Nevertheless, Koeppen raised in his postwar novels fundamental -
Tierhorrorfilm
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Caroline Amann Tierhorrorfilm: Ein Dossier 2013 https://doi.org/10.25969/mediarep/12783 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Amann, Caroline: Tierhorrorfilm: Ein Dossier. Hamburg: Universität Hamburg, Institut für Germanistik 2013 (Medienwissenschaft: Berichte und Papiere 150). DOI: https://doi.org/10.25969/mediarep/12783. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0150_13.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 150, 2013: Tierhorrorfilm. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff, Caroline Amann. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0150_13.pdf Letzte Änderung: 18.3.2013. Tierhorrorfilm: Ein Dossier Inhalt: tent gegen allzu schnelle Variation. Sie spielen mit Hans J. Wulff: Tierhorror. Einleitende Bemerkungen. dem Wiedererkennen (auf einer realistischen wie auf Caroline Amann (Komp.): Tierhorror-Filme, 1930-2012. einer imaginären Ebene, -
37^ A8/J- //<5.Wc»7 GERHART HAUPTMANN: GERMANY THROUGH the EYES of the ARTIST DISSERTATION Presented to the Graduate Council
37^ A8/J- //<5.Wc»7 GERHART HAUPTMANN: GERMANY THROUGH THE EYES OF THE ARTIST DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By William Scott Igo, B.S., M.Ed. Denton, Texas August, 1996 37^ A8/J- //<5.Wc»7 GERHART HAUPTMANN: GERMANY THROUGH THE EYES OF THE ARTIST DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By William Scott Igo, B.S., M.Ed. Denton, Texas August, 1996 1$/C. I go, William Scott, Gerhart Hauptmann: Germany through the eyes of the artist. Doctor of Philosophy (History), P / C if August, 1996, 421 pp., references, 250 entries. Born in 1862, Gerhart Hauptmann witnessed the creation of the German Empire, the Great War, the Weimar Republic, the Third Reich, and World War II before his death in 1946. Through his works as Germany's premier playwright, Hauptmann traces and exemplifies Germany's social, cultural, and political history during the late-nineteenth to mid- twentieth centuries, and comments on the social and political climate of each era. Hauptmann wrote more than forty plays, twenty novels, hundreds of poems, and numerous journal articles that reveal his ideas on politics and society. His ideas are reinforced in the hundreds of unpublished volumes of his diary and his copious letters preserved in the Prussian Staatsbibliothek, Berlin. In the 1960s, Germans celebrated Hauptmann's centenary as authors who had known or admired Hauptmann published biographies that chronicled his life but revealed little of his private thoughts. -
Du Träumst Vielleicht Und Fährst in Schwarzen Booten Noch Einmal Die
TVeR – 182 – Romania+ medial – in TV, Radio etc. | 2021-03-23 … -------------------------------------------------------------------------------------------------------------------------------------- * Informationsdienst zur unmittelbaren und mittelbaren Unterstützung von Lehre und Studium der Romanistik * To whom it may concern - A quien pueda interesar - … *** Versos versus Coronas Du träumst vielleicht und fährst in schwarzen Booten noch einmal die vertanen Welten ab, und du befreundest dich mit all den Toten, die diese Stadt ins Meer gespien hat, die steigen noch ein letztes Mal ins Leben und feiern Feste, und mit festem Tritt und dunklen Rufen lassen sie die Erde beben: Es ist soweit: Venedig sinkt, und du sinkst mit. Konstantin Wecker -------------------------------------------------------------------------------------------------------------------------------------------------------------------- (Zusammenstellung: Svend Plesch, Institut für Romanistik, Universität Rostock) Nach Sender-Angaben – Änderungen / Abweichungen sind möglich. „Irrtum vorbehalten“. | Seite 1 von 138 TVeR – 182 – Romania+ medial – in TV, Radio etc. | 2021-03-23 … -------------------------------------------------------------------------------------------------------------------------------------- * Informationsdienst zur unmittelbaren und mittelbaren Unterstützung von Lehre und Studium der Romanistik * To whom it may concern - A quien pueda interesar - … ¡Ojo! ¡Oiga! - Besondere Empfehlungen: Sa, 2021-03-27, 00:05 – 03:00 dlf Tango mortale. Eine Lange Nacht -
The Mass Ornament Weimar Essays
Siegfried Kracauer, late 1920s THE MASS ORNAMENT WEIMAR ESSAYS • • • SIEGFRIED KRACAUER Translated, Edited, and with an Introduction by Thomas Y. Levin Harv ard Univ er si ty Press Cambridge, Massachusetts London, England Copyright © 1995 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America This book was originally published as Das Ornament der Masse: Essays, by Suhrkamp Verlag, copyright© 1963 by Suhrkamp Verlag. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Kracauer, Siegfried, 1889-1966. [Ornament der Masse. English] The mass ornament: Weimar essays I Siegfried Kracauer; rranslated, edited, and with an introduction by Thomas Y. Levin. p. cm. Originally published as: Das Ornament der Masse: Essays, by Suhrkamp Verlag, cl963. Includes bibliographical references and index. ISBN 0-674-55162-1. - ISBN 0-674-55163-X {pbk.) I. Levin, Thomas Y. II. Title. AC35.K64613 1995 081-dc20 94-47397 CIP For Theodor W. Adorno ••• Contents ••• Translator's Note x Introduction, by Thomas Y. Levin 1 Lead-In: Natural Geometry Lad and Bull 33 Two Planes 37 Analysis of a City Map 41 External and Internal Objects Photography 47 Travel and Dance 65 The Mass Ornament 75 On Bestsellers and Their Audience 89 The Biography as an Art Form of the New Bourgeoisie 101 Revolt of the Middle Classes 107 Those Who Wait 129 Constructions The Group as Bearer of Ideas 143 The Hotel Lobby 173 Perspectives The Bible in German 189 Catholicism and Relativism 203 The Crisis of Science 213 • vii • CO NTENTS ••• Georg Simmel