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Index of English Plays, Masques, Entertainments, and Other Dramatic Forms, by Author

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Cambridge University Press 978-0-521-82115-5 - The Cambridge Companion to English Renaissance Drama, Second Edition Edited by A. R. Braunmuller and Michael Hattaway Index More information INDEX OF ENGLISH PLAYS, MASQUES, ENTERTAINMENTS, AND OTHER DRAMATIC FORMS, BY AUTHOR Anonymous plays are grouped alphabetically at the end of this index. Barnes, Barnabe, Devil’s Charter 168 Daniel, Samuel, Philotas 183; Queen’s Beaumont, Francis, Cupid’s Revenge 240; Arcadia 148; Tethys’ Festival 141, 147, Knight of the Burning Pestle 19, 31, 60, 150; Vision of the Twelve Goddesses 107, 222, 233–5; Masque of the Inner 147 Temple and Gray’s Inn 150; Woman Hater Davenant, Sir William, Just Italian 34; 73, 103, 109 Salmacida Spolia 151; Temple of Love Beaumont, Francis and John Fletcher, King 368; Triumphs of the Prince D’Amour and No King 34, 244–5, 249, 306; Maid’s 158; Unfortunate Lovers 27, 37; Wits Tragedy 87, 176, 306; Philaster 63, 186, 362–4 240, 241–4, 246 Davenport, Robert, King John and Matilda Boyle, William, Jugurth (lost) 58 166 Brome, Richard, Antipodes 57, 59, 86, Davison, Francis, Proteus and the 358–9; Weeding of Covent Garden Adamantine Rock 140 362 Day, John, Travels of the Three English Browne, William, Ulysses and Circe 156 Brothers 20, 31, 224 Dekker, Thomas, 1 & 2 Honest Whore 98, Campion, Thomas, Lords’ Masque 150; 118; If it be Not Good, the Devil is in it Somerset Masque 142 166; Old Fortunatus 82, 98, 134; Campion, Thomas and Francis Davison, Shoemaker’s Holiday 20, 100, 103, 107, Proteus and the Adamantine Rock 118, 221, 300; Whore of Babylon 61, 168, 158 189; Wonder of a Kingdom 166 Carew, Thomas, Coelum Britannicum 151 Dekker, Thomas, William Rowley, and John Carlell, Lodowick, Deserving Favourite 133 Ford, Witch of Edmonton 94, 111, 117 Cartwright, William, Royal Slave 153 Dekker, Thomas and John Webster, Sir Cavendish, Lady Jane and Lady Elizabeth Thomas Wyatt 189 Brackley, Concealed Fancies 159 Drayton, Michael et al., 1 & 2 Sir John Chapman, George, All Fools 16, 263, 265; Oldcastle 37, 187, 189 An Humorous Day’s Mirth 274; Bussy Drue, Thomas, Duchess of Suffolk 189 d’Ambois 37, 66, 73, 84, 104, 183–4; Caesar and Pompey 60; Conspiracy and Edwards, Richard, Damon and Pithias 235 Tragedy of Byron 28, 79–81, 183; Gentleman Usher 110, 267, 286; Fane, Mildmay, Candy Restored 159 Memorable Masque 150; Widow’s Tears 86 Field, Nathan, Amends for Ladies 31, 44; Chapman, George, Ben Jonson, and John Woman is a Weathercock 44 Marston, Eastward Ho 223 Field, Nathan et al., Honest Man’s Fortune Chettle, Henry (?), Hoffman 88 45 448 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82115-5 - The Cambridge Companion to English Renaissance Drama, Second Edition Edited by A. R. Braunmuller and Michael Hattaway Index More information Index of English plays by author Fletcher, John, Bonduca 63, 186, 340; Elder Queens 141; Neptune’s Triumph 147, 191; Brother 111; Faithful Shepherdess 43, 229, New Inn 101, 364–6; News from the New 243, 367; Monsieur Thomas 249; Rule a World 147; Oberon 148; Pan’s Wife and Have a Wife 272–3; Scornful Anniversary 145; Pleasure Reconciled to Lady 31, 73; Wild Goose Chase 44, 270, Virtue 145; Poetaster 25, 71; Prince 272; Woman’s Prize 272 Henry’s Barriers 148–50; Sejanus 59, 167, Fletcher, John and Nathan Field, Four Plays 182, 185–6, 355; Staple of News 279–81; or Moral Representations in One 87 Time Vindicated 147; Volpone 73, 86, 101, Fletcher, John and Philip Massinger, Beggar’s 106 Bush 103; Sir John van Olden Barnavelt 171, 190 Killigrew, Thomas, Parson’s Wedding 368 Ford, John, Broken Heart 352; Lover’s Kyd, Thomas, Soliman and Perseda 64; Melancholy 356; Love’s Sacrifice 352; Spanish Tragedy 30, 56, 65, 70, 71, 73, 88, Perkin Warbeck 186; ’Tis Pity She’s a 90, 102, 104, 207, 208, 232, 234, 303, Whore 34, 323, 352–4 309, 311–15, 320 Gascoigne, George, Supposes 259, 274 Lodge, Thomas, Wounds of Civil War 214 Gascoigne, George and F. Kinwelmershe, Lyly, John, Campaspe 77; Endymion 24, Jocasta 157 134–5, 261–2; Gallathea 62, 74–7, 134–5; Goffe, Thomas, Careless Shepherdess 36, Midas 24, 261; Sappho and Phao 134–5 45 Greene, Robert, Alphonsus, King of Aragon Marlowe, Christopher, Dido Queen of 207; Friar Bacon and Friar Bungay 263; Carthage 199, 214; Edward II 70, 73, George a Greene, the Pinner of Wakefield 214; Doctor Faustus 16, 34, 42, 83, 215; James IV 82, 87, 236 107, 117, 214, 289, 296, 307; Jew of Greene, Robert and Thomas Lodge, Looking Malta 42, 58, 66, 94, 214, 232, 236, 300, Glass for London and England 65 321, 340; Massacre at Paris 167, 179–80, 214; 1&2Tamburlaine 19, 20, 42, 56, Hall, Joseph, see Parnassus Plays 58, 59, 62, 65, 71, 73, 83, 84, 100, 105, Hatton, Christopher et al., Misfortunes of 121, 197, 207, 209, 216, 218, 231 Arthur 157, 303 Marmion, Shackerly, Holland’s Leaguer Heywood, John, Four P.P. 257 360–1, 367 Heywood, Thomas, ‘Ages’ plays 225; 1 and Marston, John, Antonio and Mellida 26, 30, 2 Edward IV 167, 178; Four Prentices of 55–6, 230–2; Antonio’s Revenge 24, 26, London 16, 20, 31, 222–3; 1&2IfYou 230–2; Dutch Courtesan 73, 78–9, 281, Know Not Me 31, 189; Royal King and 286; Fawn 60; Histriomastix 134, 153, Loyal Subject 166; Woman Killed with 156; Jack Drum’s Entertainment 28, 229; Kindness 102, 112 Malcontent xii, 26, 42, 60, 84, 237–9, 247; What You Will 26, 53, 55; Sophonisba Jonson, Ben, Alchemist 73, 98, 102, 224, 340 276; Bartholomew Fair 8, 96, 101, 103, Massinger, Philip, Believe as You List 48, 111, 133, 223–4; Challenge at Tilt 144–5; 171; Bondman 167, 191; City Madam 73, Christmas his Masque 145; Cynthia’s 100, 107, 285; Emperor of the East 167; Revels 19, 25, 31, 134; Devil is an Ass 27, Guardian 111; King and the 99, 108, 167, 269; Epicene 31; Every Man Subject 167; Maid of Honour 73; New In his Humour 21, 54, 123, 273–5; Every Way to Pay Old Debts 102, 108, 167; Man Out of his Humour 71, 107, 134, Picture 349–50; Roman Actor 87, 156; Golden Age Restored 145; Hymenaei 355 –6 141, 142–3, 147; Irish Masque 144; Love Medwall, Henry, Fulgens and Lucrece 82 Restored 144; Magnetic Lady 36; Masque Middleton, Thomas, Chaste Maid in of Augurs 147; Masque of Beauty 142–3; Cheapside 12, 283; Game at Chess 94, Masque of Blackness 142–3; Masque of 167, 168, 189, 191–3, 300; Hengist, King Metamorphosed Gypsies 137; Masque of of Kent 189; Masque of Heroes 156; 449 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82115-5 - The Cambridge Companion to English Renaissance Drama, Second Edition Edited by A. R. Braunmuller and Michael Hattaway Index More information Index of English plays by author Middleton, Thomas (cont.) King Lear 54, 93, 122, 165, 167, 176, 182, Revenger’s Tragedy 23, 37, 73, 84, 86, 87, 186, 200, 310; Love’s Labour’s Lost 79, 88, 185, 320–4; Trick to Catch the Old 136, 206; Macbeth 62, 296; Measure for One 31, 108, 124–5; Widow 111; Witch Measure 102, 111, 133, 286–7; Midsummer 63; Women Beware Women 87, 185, 304 Night’s Dream 81, 133, 136, 206, 240; Middleton, Thomas and Thomas Dekker, Much Ado about Nothing 78; Othello 42, Roaring Girl 18, 49, 111 300, 307, 328–33; Pericles 83, 200, 224; Middleton, Thomas and William Rowley, Richard II 94, 165, 166, 176, 179–82, 185; Changeling 36, 44, 63, 68, 81, 87, 111, Richard III 19, 42, 176–7; Taming of the 340; Fair Quarrel 249–50; Old Law Shrew 112–17, 272; Tempest 97, 120, 124, 101 133, 200; Timon of Athens 183–4; Titus Milton, John, Masque at Ludlow (Comus) Andronicus 18–20, 120, 212, 232; Troilus 160–1, 224–5 and Cressida 156, 286; Twelfth Night 87; Munday, Anthony et al., 1 & 2 Robert, Earl Winter’s Tale 87, 119, 197, 200, 207, 224 of Huntingdon 83; Sir Thomas More Shakespeare, William and John Fletcher, 170–1 Two Noble Kinsmen 224 Shirley, James, Brothers 60; Cardinal 351; Nabbes, Thomas, Covent Garden 361; Coronation 38; Hyde Park 346–9, 361; Tottenham Court 32 Love’s Cruelty 351; Traitor 351–2; Nashe, Thomas, Isle of Dogs (lost) 6, 40; Triumph of Peace 158; Wedding 44 Summer’s Last Will and Testament 132, Sidney, Sir Philip, LadyofMay137, 138 138 Tailor, Robert, Hog hath Lost his Pearl 9 Peele, George, Arraignment of Paris 24, 77, Tomkis, Thomas, Albumazar 154; Lingua 133, 136, 263; Battle of Alcazar 48, 154 303; David and Bethsabe 62; Edward I 19, Tourneur, Cyril, Atheist’s Tragedy 102; 48, 173; Old Wives Tale 61, 82, 206 Revenger’s Tragedy see Middleton, Pickering, John, Interlude of Vice (Horestes) Thomas 84, 303 Porter, Henry, Two Angry Women of Udall, Nicholas, Ralph Roister Doister Abington 111, 268, 270, 273 258 Preston, Thomas, Cambises 70, 73, 84, 235, 303 Vennar, Richard, ‘England’s Joy’ (hoax) 13 Randolph, Thomas, Jealous Lovers 155; Webster, John, Devil’s Law-Case 60, 99, Muses’ Looking Glass 155 247–8; Duchess of Malfi 37, 42, 44, 63–4, Rowley, Samuel, When You See Me You 84, 100, 103, 111, 184, 308, 331, 333–8; Know Me 188 White Devil 44, 60, 85, 87, 104, 185 Whetstone, George, Promos and Cassandra ‘S., Mr’, Gammer Gurton’s Needle 258 288 Sackville, Thomas and Thomas Norton, Wilkins, George, Miseries of Enforced Gorboduc 82, 152, 157, 166, 168, 303, 307 Marriage Shakespeare, William, All’s Well that Ends Wilmot, R.
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    “HERE LAY MY HOPE”: ATTRIBUTION, COLLABORATION, AND THE AUTHORSHIP OF THE THIRD ADDITION TO THE SPANISH TRAGEDY Keegan Cooper Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of English, Indiana University October 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee ______________________________________ Dr. Terri Bourus, Chair ______________________________________ Dr. Jonathan Eller ______________________________________ Dr. April Witt ii Dedication For Mom, who first introduced me to Shakespeare and inspired me to imagine and create. For Char, Beeg, and Pops. Without your company and counsel, this thesis might not have been completed. iii Acknowledgements A huge thank you to my thesis committee: Dr. Jonathan Eller and Dr. April Witt. Your feedback in and out of class has been vital these past few years. And I cannot thank my mentors enough: my thesis chair, Dr. Terri Bourus, and Dr. Gary Taylor. Without your support and guidance over the past three years, I would not have been able to finish my educational career as successfully as I have. (And thanks for employing me too!) iv Table of Contents Introduction 1 Part 1: Backstory 3 Part 2: Control Tests 19 First Segment 25 Second Segment 42 Part 3: Conclusion 50 Bibliography 52 Curriculum Vitae v Introduction The authorship of the five additions to Thomas Kyd’s The Spanish Tragedy remains a conundrum. Ben Jonson was first thought responsible, but a majority of scholars argue against his involvement.