Book of John
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Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
The Canmore Highland Games and the Canmore Ceilidh – at the Canmore MIKE HURLEY Was Elected the Highland Games at Canmore, Alberta on August 31-September 1
ISSUE 28 VOLUME 4 Proudly Serving Celts in North America Since 1991 MAY/JUNE 2019 Inside This Issue PHOTO: Creative Commons/Flickr CIARÁN CANNON (R) the Irish Minister of State at the Depart- ment of Foreign Affairs and Trade, Diaspora and International De- velopment, was in western Canada and Washington State for the St. Patrick’s Day celebrations this March. He met with Premier John Horgan (L) in Victoria while in British Columbia to discuss common priorities and bi-lateral cooperation. [Full coverage of the Minister’s visit pages 7, 18, 19] SHOCK and sorrow across Ireland and the U.K. following news of the tragic death of 29-year-old journalist Lyra McKee. She was killed by dissident republicans while covering a disturbance in the ARTWORK by Wendy Andrew Creggan area of Derry on the evening of Thursday, April 18. BELTANE – Rhiannon-the lover, dances the blossoms into being. The white horse maiden brings joy, [Read more on page 27] creativity and a lust for life...a time of love and celebration. Beltane or Beltaine is the Gaelic May Day festival. Most commonly it is held on May 1, or about halfway between the spring equinox and the summer solstice. Historically, it was widely observed throughout Ireland, Scotland and the Isle of Man. In Irish the name for the festival day is Lá Bealtaine, in Scottish Gaelic Là Bealltainn, and in Manx Gaelic Laa Boaltinn/Boaldyn. It is one of the four Gaelic seasonal festivals—along with Samhain, Imbolc and Lughnasadh – and is similar to the Welsh Calan Mai. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Sponsorship Opportunity: I Am Ireland Film For
the Irish Fellowship Club of Chicago presents A concert being presented at Old Saint Pat’s in Chicago for broadcast on PBS “There will be all manner of celebrations during next year’s centennial but it’s hard – almost impossible – to imagine any will be as moving, entertaining, enlightening or soaring as I AM IRELAND.” – rick kogan, the chicago tribune I AM IRELAND The History of Ireland’s Road to Freedom 1798 ~ 1916 “As told through songs of her people” TELLING THE STORY OF IRISH INDEPENDENCE AND CREATING A LEGACY THAT WILL LIVE FOR GENERATIONS TO COME he goal of the I AM IRELAND show is to record the story of Ireland’s road to freedom filmed before a live audience at Old St. TPatrick’s Church in Chicago over a three-day period in the Fall of 2019, for distribution through the PBS Television Network. We are seek- ing to raise $500,000 to cover the cost of this production while simulta- neously raising scholarship funds for the Irish Fellowship Educational and Cultural Foundation. This filming and recording will be carried out by the acclaimed HMS Media Group, who recently filmed for broadcast the highly rated Chicago Voices Concert, (2017) featuring Renée Fleming and more recently, Jesus Christ Superstar for PBS. The I AM IRELAND show will feature traditional Irish Tenor Paddy Homan, together with 35 musicians from The City Lights Orchestra, under the direction of Rich Daniels. Additionally, there will be three traditional Irish musicians, along with an All-Ireland traditional Irish step dancer. The ninety-minute show takes audiences on a journey through the songs and speeches of Ireland’s road to freedom between 1798 and 1916. -
Napper Tandy
Napper Tandy The Story of a real Irish Patriot by Brian Igoe, Published: 2016 J J J J J I I I I I Table of Contents Introduction & Chapter 1 … The Last Invasion of Ireland. Chapter 2 … Meath and Dublin. Chapter 3 … London, Philadelphia. Chapter 4 … North Sea and Bergen. Chapter 5 … Hamburg. Chapter 6 … London. Chapter 7 … Dublin. Chapter 8 … Lifford. Chapter 9 … Bordeaux. Historical Note. Principal Sources. J J J J J I I I I I Introduction I met with Napper Tandy and he took me by the hand, How is dear old Ireland, and how does she stand? It's the most disgraceful country that I have ever seen, They're hanging men and women for the wearing of the green . —Anon, 1798 If you ask most people today, they will never have heard of Napper Tandy, unless they are Irish. Then they may, just MAY, remember the words of the ballad quoted above. By way of introduction, some words on the state of Ireland in general and Dublin in particular in the second half of the 18th century, the backdrop against which much of this story is painted, may be of interest. If not, skip forward to Chapter 1. It was in many respects a lawless place, quite literally, for there was no effective police force until well into the 19th century. And yet they were an extremely litigious crowd, those Georgian Irish. They fought with their tongues and their pens with great skill. But equally they fought with their swords and their pistols too. -
Lyrics – by Popular Demand
By Popular Demand Lyrics – By Popular Demand Finnegan's Wake (Trad.) Tim Finnegan lived in Watling St., a gentleman Irish mighty odd, He had a brogue both rich and sweet, and to rise in the world he carried a hod. Tim had a sort of a tippler's way, with a love for the liquor poor Tim was born To help him on his work each day, he'd a drop of the craytur every morn. Chorus: Whack fol-de-da now, dance to your partners, welt the floor, yer trotters shake, Wasn't it the truth I told ye, lots of fun at Finnegan's Wake. One morning Tim was rather full, his head felt heavy which made him shake, Fell off a ladder and he broke his skull, and they carried him home his corpse to wake, They wrapped him up in a nice clean sheet and laid him out upon the bed, With a barrel of whiskey at his feet and a bucket of porter at his head. Chorus: The guests assembled at the wake, when Mrs. Finnegan called for Lunch, First she brought them tea and cake, pipes, tobacco, and brandy punch. Then the Widow Malone began to cry, "Such a nice clean corpse did you ever see? "Tim mavourneen, why did ye die?" "Hould yer gob." said Molly Magee. Chorus: Then Molly Malone takes up the job; "Ah Biddy" says she, "you're wrong I'm sure." Biddy fetched her a belt in the gob that left her sprawling on the floor. Civil war did then engage, woman to woman and man to man, Shillelagh law was all the rage and a row and a ruction soon began. -
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits. -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
MUG Songsheets Book 7: Contents
MUG Songsheets Book 7: Contents 1. Walk of Life Dire Straits 2. The Locomotion Little Eva 3. Rockin’ in the Free World Neil Young 4. The Letter The Box Tops 5. Lazy Sunday Small Faces 6. The Young Ones Cliff Richard & The Shadows 7. Early Morning Rain Gordon Lightfoot 8. The Wanderer Dion 9. Hang On Sloopy The McCoys 10. Black Velvet Band The Dubliners, etc. 11. Wild Rover The Dubliners, etc. 12. Rock and Roll Music Chuck Berry, The Beatles 13. A Picture of You Joe Brown 14. Lucy in the Sky with Diamonds The Beatles 15. Wonderful World Sam Cooke 16. Paint It Black The Rolling Stones 17. Shotgun George Ezra 18. Ruby Kaiser Chiefs 19. Alright Supergrass 20. Here Comes My Baby Cat Stevens, The Tremeloes 21. You Were Made For Me Freddie and the Dreamers 22. Golden Brown The Stranglers 23. Sundown Gordon Lightfoot 24. Dakota Stereophonics 25. Bad Moon Rising Creedence Clearwater Revival 26. Dancing In the Dark Bruce Springsteen 27. Honky Tonk Women The Rolling Stones 28. Sweet Dreams are Made of This The Eurythmics 29. I Haven’t Told Her, She Hasn’t Told Me Art Fowler 30. Echo Beach Martha and the Muffins 31. Take It Easy The Eagles 32. Poetry In Motion Johnny Tillotson 33. Manic Monday The Bangles 34. Singin’ In The Rain Gene Kelly 35. The Last Time The Rolling Stones 36. The Gambler Kenny Rogers 37. Gimme! Gimme! Gimme! ABBA 38. With a Little Help From My Friends The Beatles 39. All You Need is Love The Beatles MUG Songsheets Book 7: Alphabetical Contents 13. -
Airs Ii Barndances Ii Hornpipes Ii Jigs Ii Marches Iv Pipe Marches
Airs ii Barndances ii Hornpipes ii Jigs ii Marches iv Pipe Marches, Pibrochs v Polkas v Quicksteps vi Reels vi Schottisches viii Shetland_Reels viii Slip_Jigs viii Slow_Airs viii Strathspeys viii Two-Steps ix Waltzes ix Miscellaneous x i Airs 1. 59. The Greencastle Hornpipe #1 41. 1. The Haunting 2. 60. The Galway Hornpipe 42. 2. Macfarlane O'The Sprots O'Burnieboozie 3. 61. The Kildare Hornpipe #1 43. 3. A Guid New Year 4. 62. Phil The Fluter's Ball 44. 4. This Is No My Ain Lassie #1 4. 63. The Humours of California 44. 5. Sally Gardens #1 5. 64. The Boys of Bluehill 45. 6. This Is No My Ain Lassie #2 5. 65. The Echo 45. 7. Sally Gardens #2 6. 66. The Gypsies Hornpipe #2 46. 8. The Sally Gardens #3 6. 67. The Greencastle Hornpipe 46. 9. Fear a Phige 7. 68. The Liverpool Hornpipe 47. 10. Pentland Hills 7. 69. Dunphy's Hornpipe 47. 11. John Roy Lyall 8. 70. The Kildare Hornpipe #2 48. 12. The Dark Woman of The Glen 9. 71. The Stack of Barley 48. 13. The Dying Year 10. 72. Julia's Wedding 49. 14. Griogal Chridhe 10. 73. Jock Tamson's Hornpipe 49. 15. The Pipers Weird 11. 74. The Strand Hornpipe 50. 75. The Dundee Hornpipe 50. Barndances 13. 76. Silver Star Hornpipe 51. 16. Scott Skinner's Compliments To Dr.MacDonald 14. 77. Fisher's Hornpipe 51. 17. The Inverness Gathering 15. 78. The Gypsie's Hornpipe 52. 18. Dornoch Links #2 15. 79. -
Volunteer Women: Militarized Femininity in the 1916 Easter Rising
Chapman University Chapman University Digital Commons War and Society (MA) Theses Dissertations and Theses Spring 5-20-2019 Volunteer Women: Militarized Femininity in the 1916 Easter Rising Sasha Conaway Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/war_and_society_theses Part of the Women's History Commons, and the Women's Studies Commons Recommended Citation Conaway, Sasha. Volunteer Women: Militarized Femininity in the 1916 Easter Rising. 2019. Chapman University, MA Thesis. Chapman University Digital Commons, https://doi.org/10.36837/chapman.000079 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in War and Society (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Volunteer Women: Militarized Femininity in the 1916 Easter Rising A Thesis by Sasha Conaway Chapman University Orange, CA Wilkinson College of Arts, Humanities, and Social Sciences Submitted in partial fulfillment of the requirements for the degree of Master of Arts in War and Society May 2019 Committee in Charge Jennifer Keene, Ph.D., Chair Charissa Threat, Ph.D. John Emery, Ph. D. May 2019 Volunteer Women: Militarized Femininity in the 1916 Easter Rising Copyright © 2019 by Sasha Conaway iii ACKNOWLEDGEMENTS I would like to thank my parents, Elda and Adam Conaway, for supporting me in pursuit of my master’s degree. They provided useful advice when tackling such a large project and I am forever grateful. I would also like to thank my advisor, Dr. -
John Bull's Other Ireland
John Bull’s Other Ireland: Manchester-Irish Identities and a Generation of Performance Item Type Thesis or dissertation Authors O'Sullivan, Brendan M. Citation O'Sullivan, B. M. (2017). John Bull’s Other Ireland: Manchester- Irish identities and a generation of performance (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Download date 28/09/2021 05:41:52 Link to Item http://hdl.handle.net/10034/620650 John Bull’s Other Ireland Manchester-Irish Identities and a Generation of Performance Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Brendan Michael O’Sullivan May 2017 Declaration The material being presented for examination is my own work and has not been submitted for an award of this, or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis has been undertaken collaboratively, the nature of my individual contribution has been made explicit. ii Table of Contents Preface .......................................................................................................... 2 Locating Theory and Method in Performance Studies and Ethnography. .. 2 Chapter 1 ..................................................................................................... 12 Forgotten but not Gone ............................................................................ 12 Chapter 2 ....................................................................................................