DOCSLIB.ORG

Highlands Songbook Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Highlands Songbook Contents Title Page A Jug of Punch 3 A Scottish Soldier 4 Black Velvet Band 5 Danny Boy 6 Maid of Fife-E-O 7 Mary Mac 8 Men of Harlech 9 Molly Malone (Cockles and Mussels) 10 Scotland the Brave 11 The Gypsy Rover 12 The Unicorn Song 13 The Wild Colonial Boy 14 The Wild Rover 15 When Irish Eyes Are Smiling 16 Whiskey in the Jar 17 2 A Jug of Punch (Paddy Clancy / Tom Clancy / Liam Clancy / Tommy Makem) G D7 G One pleasant evening in the month of June When he's snug outside of a jug of punch D G G As I was sitting with my glass and spoon And if I get drunk, well, the money's me own C D G A small bird sat on an ivy bunch And if they don't like me they can leave me alone D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow G D D7 G Too ra loo ra loo, too ra loo ra lay, And I'll be welcome wherever I go D7 G G D Too ra loo ra loo, too ra loo ra lay Too ra loo ra loo, too ra loo ra lay, C D7 G A small bird sat on an ivy bunch Too ra loo ra loo, too ra loo ra lay D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow D7 G G And I'll be welcome wherever I go What more diversion can a man desire? D G G Than to sit him down by snug turf fire And when I'm dead and in my grave C D G Upon his knee a pretty wench No costly tombstone will I have D7 G G C And on the table a jug of punch Just lay me down in my native peat G D D7 G Too ra loo ra loo, too ra loo ra lay, With a jug of punch at my head and feet D7 G G D Too ra loo ra loo, too ra loo ra lay Too ra loo ra loo, too ra loo ra lay, C D7 G Upon his knee a pretty wench Too ra loo ra loo, too ra loo ra lay D7 G G C And on the table a jug of punch Just lay me down in my native peat D7 G G With a jug of punch at my head and feet Let the doctors come with all their art G D BARITONE D G G D They'll make no impression upon my heart C Even a cripple forgets his hunch D7 G When he's snug outside of a jug of punch G D C Too ra loo ra loo, too ra loo ra lay, C D7 G Too ra loo ra loo, too ra loo ra lay C Even a cripple forgets his hunch 3 A Scottish Soldier (Green Hills of Tyrol) G G There was a soldier, a Scottish soldier And now this soldier, this Scottish soldier D G D G Who wandered far away and soldiered far away Will wander far no more and soldier far no more G G There was none bolder, with good broad And on a hillside, a Scottish hillside shoulders D D7 G D D7 G You’ll see a piper play his soldier home He fought in many a fray, and fought and won G G He’s seen the glory, he’s told the story He’d seen the glory, he’d told the story D G D G Of battles glorious and deeds victorious Of battles glorious and deeds victorious G G The bugles cease now, he is at peace now But now he’s sighing, his heart is crying D D7 G D D7 G Far from those green hills of Tyrol To leave these green hills of Tyrol (Chorus) Chorus: C G Because those green hills are not Highland Hills G D C D G Or the Island Hills, they’re not my land’s hills C G And fair as these green foreign hills may be, D D7 G They are not the hills of home G And now this soldier, this Scottish soldier D G Who wandered far away and soldiered far away G Sees leaves are falling, and Death is calling D D7 G And he will fade away in that far land BARITONE G G D C D7 He called his piper, his trusty piper D G And bade him sound a lay a pibroch sad to play G Upon a hillside, a Scottish hillside D D7 G Not on these green hills of Tyrol (Chorus) 4 Black Velvet Band (Ronnie Drew, Luke Kelly, Barney Mac Kenna, Ciaran Bourke, John Sheehan) C (Chorus) In a neat little town they call Belfast F G But before the Judge and the Jury Apprenticed to trade I was bound Next morning I had to appear C Am And the judge he says to me "Young man, And many an hour of sweet happiness Your case it is proven and clear F G C I've I spent in that neat little town I'll give you seven years penal servitude To be spent far away from the land But a sad misfortune's come over me Far away from your friends and companions" Which caused me to stray from the land Betrayed by the black velvet band Far away from me friends and companions Betrayed by the black velvet band (Chorus) Chorus: So come all you jolly young fellows C A warning take from me Her eyes they shone like diamonds And if you go out on the town, me boys, F G Beware of the pretty Colleens I thought her the queen of the land C Am And her hair hung over her shoulder They'll feed you with strong drink, my lads, F G C 'Til you are unable to stand Tied up with a black velvet band And the very first thing that you'll know is You've landed in Van Diemen’s Land I took a stroll down Broadway Intending not long for to stay C When who should I meet but this pretty fair maid Her eyes they shone like diamonds Come traipsing along the highway F G I thought she was queen of the land She was both fair and handsome C Am Her neck it was white like a swan Now I'm far from my friends and companions And her hair hung down from her shoulders F G C Held up with a black velvet band Betrayed by the black velvet band C F G Am (Chorus) I took a stroll with this pretty fair maid Met a gentleman as he passed by Sure, I knew she meant the doing of him By the look in her roguish black eye BARITONE A gold watch she took from his pocket C F G Am And placed it right into my hand And the very first thing that I said was "What's this?" to the black velvet band 5 Danny Boy (Rory Dall O’Cahan) G7 C C7 F G7 C C7 Oh Danny boy, the pipes, the pipes are calling C Em F G7 From glen to glen and down the mountain side C C7 F The summer's gone and all the flowers are dying C Dm G7 C G7 F Dm 'Tis you, 'tis you must go and I must bide Am F G7 C But come ye back when summer's in the meadow Am F Em D7 G7 Or when the valley's hushed and white with snow Am C F C Am And I'll be here in sunshine or in sha-dow C F G7 C G7 Oh Danny boy, oh Danny boy, I love you so G7 C C7 F And if you come and all the flowers are dying C Em F G7 And I am dead, as dead I well may be G7 C C7 F You'll come and find the place where I am lying C Dm G7 C G7 And kneel and say an “Ave” there for me Am F G7 C And I shall hear, though soft you tread above me Am F Em D7 G7 And all my dreams will warm and sweeter be C F C Am For you’ll not fail to tell me that you love me C F G7 C G7 I’ll sleep in peace until you come to me BARITONE G7 C C7 F Em Dm Am D7 6 Maid of Fife-E-O (Traditional) G G There once was a troop of Irish dragoons Long ere we came to the town of Ackerglass D D Come march-ing down through Fife-e-O We had our captain to carry-O G G7 C G G7 C And the captain fell in love with a very bonny lass, And long ere we reached the streets of Aberdeen G D G C G G D G C G And her name it was called pretty Peg-gy-O We had our captain to bu-ry-O G G There's many a bonny lass in the town of Ackerglass, Green grow the birks on bonny Ethen-side, D D There's many a bonny lassie in the cheerie-O And low lie the lowlands of Fife-e-O G G7 C G G7 C There's many a bonny Jean in the streets of Aberdeen, Well, the captain's name was Ned, and he died for a G D G C G maid, But the flower of them all is in Fife-e-O G D G C G He died for the chambermaid of Fife-e-O Chorus: (Chorus) G Come down the stairs, pretty Peggy, my dear, D Come down the stairs, pretty Peggy-O G D C G7 G G7 C Oh, come down the stairs, comb back your yellow hair, G D G C G Bid a long farewell to your mam-my-O G "I never did intend a soldiers's lady for to be, D I never will marry a soldier-O G G7 C I never did intend to go to a foreign land G D G C G And I never will marry a soldier-O” G The colonel he cried: "Mount, mount, boys, mount", D The captain he cried: "Tarry-O, G G7 C BARITONE Oh, tarry for a while, for another day or twa, D G D G C G G C G7 ‘Til I see if this bonny lass will mar-ry-O" (Chorus) 7 Mary Mac (Traditional) Dm There's a little lass and her name is Mary Mac Dm C The Wedding's on a Wednesday Make no mistake, she's the girl I'm gonna track And everything's arranged Dm C Lots of other fellows, wanna get up on her back Soon her name will change to mine C Dm But I'm thinking that they'd have to get up early Unless her mind is changed Dm Chorus: We’re making the arrangements Dm And I'm just about deranged Mary Mac's father's making Mary Mac marry me C Dm C For marriage is an awful undertaking My father's making me marry Mary Mac Dm (Chorus) Well, I'm gonna marry Mary Dm For my Mary to take care of me Sure to be a grand affair C Dm We'll all be making merry when I marry Mary Mac And grander than a fair C Dm C Rumply umpty dumpty dumty dumty dumty ay There's goin' to be a coach and pair For every pair that's there Dm Dm Well, this little lass, she has a lot of class We'll dine upon the finest fare, C I'm sure to get me share Got a lot of brass C Dm And her father thinks I'm gas If I don't I'll be very much mistaken Dm So I'd be a silly ass (Chorus) for to let the matter pass Repeat Verse 1: C Dm My father says she suits me really fairly (Chorus) (Chorus) (Optional: 2 or 3 times, getting faster) Dm Mary and her mother go an awful lot together C BARITONE In fact you'd hardly ever see Dm Dm C C The one without the other Dm And all the people wonder if it’s Mary or her mother C Dm Or the both of them together that I'm courting (Chorus) 8 Men of Harlech (Traditional / version by the Royal Regiment of Wales’ Band) G C G D G G C G D G Tongues of fire on Id-ris flaring Loud the martial pipes are sounding C Am D C Am D News of foe-men near declaring Every manly heart is bounding G C G D G C G C G D G C To heroic deeds of da-ring As our trusted
Recommended publications

  • (Tom) of Granada Hills, CA Passed Away on December 15, 2009 from Complications of Ovarian Cancer Surgery

    Home About Calendar/News Gallery Green Pages Contact 2009 OBITUARIES December Joan May Manning, beloved wife of Thomas F Manning (Tom) of Granada Hills, CA passed away on December 15, 2009 from complications of ovarian cancer surgery. Joan was a Londoner by birth, but a Yankee at heart, coming to America in 1956 with her husband Tom. She was an active member of the Burbank clubs (Moose, VFW, American Legion) and a talented singer who entertained many of us over the years with her lovely voice. She is survived by her loving daughters Chris O'Shaunnessy of Sunland CA, Mary Schumacher of Denver, CO and Shelagh Manning of Towanda, PA and by her many beautiful grandchildren and great grandchildren. Patrick J. Kane was born on 21st October 1933 in Bray, Co Wicklow and passed on 16th December 2009 in Loughlinstown Hospital, Co Wicklow. Patrick and his wife Brenda came here in 1963. They joined St Therese Parish in Alhambra. Their six children all graduated from the parish school. The Kane's maintained a home in Co Wicklow. While Pat was in Ireland in December 2009 he became ill. After much persuasion from the family "Poppers" agreed to be checked out at the Loughlinstown Hospital. He was diagnosed --" a severe case of pneumonia". Pat had left it too late. He wanted to see his own doctor here in California. Alas, Pat did not make that scheduled flight on 10th January 2010. Most of the family live in Ireland but Pat waited till son Ed arrived from Kentucky and son Mike from Valencia and Deirdre from Temple City.
  • Lyrics – by Popular Demand

    Lyrics – by Popular Demand

    By Popular Demand Lyrics – By Popular Demand Finnegan's Wake (Trad.) Tim Finnegan lived in Watling St., a gentleman Irish mighty odd, He had a brogue both rich and sweet, and to rise in the world he carried a hod. Tim had a sort of a tippler's way, with a love for the liquor poor Tim was born To help him on his work each day, he'd a drop of the craytur every morn. Chorus: Whack fol-de-da now, dance to your partners, welt the floor, yer trotters shake, Wasn't it the truth I told ye, lots of fun at Finnegan's Wake. One morning Tim was rather full, his head felt heavy which made him shake, Fell off a ladder and he broke his skull, and they carried him home his corpse to wake, They wrapped him up in a nice clean sheet and laid him out upon the bed, With a barrel of whiskey at his feet and a bucket of porter at his head. Chorus: The guests assembled at the wake, when Mrs. Finnegan called for Lunch, First she brought them tea and cake, pipes, tobacco, and brandy punch. Then the Widow Malone began to cry, "Such a nice clean corpse did you ever see? "Tim mavourneen, why did ye die?" "Hould yer gob." said Molly Magee. Chorus: Then Molly Malone takes up the job; "Ah Biddy" says she, "you're wrong I'm sure." Biddy fetched her a belt in the gob that left her sprawling on the floor. Civil war did then engage, woman to woman and man to man, Shillelagh law was all the rage and a row and a ruction soon began.
  • MUSIC of IRELAND Fact Sheet PRESS FINAL

    MUSIC of IRELAND Fact Sheet PRESS FINAL

    Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music
  • MUG Songsheets Book 7: Contents

    MUG Songsheets Book 7: Contents

    MUG Songsheets Book 7: Contents 1. Walk of Life Dire Straits 2. The Locomotion Little Eva 3. Rockin’ in the Free World Neil Young 4. The Letter The Box Tops 5. Lazy Sunday Small Faces 6. The Young Ones Cliff Richard & The Shadows 7. Early Morning Rain Gordon Lightfoot 8. The Wanderer Dion 9. Hang On Sloopy The McCoys 10. Black Velvet Band The Dubliners, etc. 11. Wild Rover The Dubliners, etc. 12. Rock and Roll Music Chuck Berry, The Beatles 13. A Picture of You Joe Brown 14. Lucy in the Sky with Diamonds The Beatles 15. Wonderful World Sam Cooke 16. Paint It Black The Rolling Stones 17. Shotgun George Ezra 18. Ruby Kaiser Chiefs 19. Alright Supergrass 20. Here Comes My Baby Cat Stevens, The Tremeloes 21. You Were Made For Me Freddie and the Dreamers 22. Golden Brown The Stranglers 23. Sundown Gordon Lightfoot 24. Dakota Stereophonics 25. Bad Moon Rising Creedence Clearwater Revival 26. Dancing In the Dark Bruce Springsteen 27. Honky Tonk Women The Rolling Stones 28. Sweet Dreams are Made of This The Eurythmics 29. I Haven’t Told Her, She Hasn’t Told Me Art Fowler 30. Echo Beach Martha and the Muffins 31. Take It Easy The Eagles 32. Poetry In Motion Johnny Tillotson 33. Manic Monday The Bangles 34. Singin’ In The Rain Gene Kelly 35. The Last Time The Rolling Stones 36. The Gambler Kenny Rogers 37. Gimme! Gimme! Gimme! ABBA 38. With a Little Help From My Friends The Beatles 39. All You Need is Love The Beatles MUG Songsheets Book 7: Alphabetical Contents 13.
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004

    The Sam Eskin Collection, 1939-1969, AFC 1999/004

    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
  • University of Sheffield Library

    University of Sheffield Library

    FOLK MUSIC & WORLD MUSIC The University of Sheffield Library RECORDINGS OF FOLK MUSIC AND WORLD MUSIC UNI - ZIM 1 The Garland encyclopedia of world music The following Compact Discs have been removed from the Recordings collection. CD 507 Southeast Asia [Vol.4] CD 508 Africa [Vol. 1] CD 509 Australia and the Pacific Islands [Vol.9] CD 522 South America, Mexico, Central America and the Caribbean [Vol.2] CD 746 South Asia : the Indian Subcontinent [Vol.5] CD 752 Europe [Vol.8] CD 1018 Middle East [Vol.6] CD 1019 East Asia: China, Japan and Korea [Vol.7] They are now to be found accompanying the volumes of the Garland encyclopedia of world music, kept at REF 780.91 (G). Garland encyclopedia of world music is also available online; see http://www.shef.ac.uk/library/cdfiles/garland.html 2 United Kingdom God save the queen E 3 The Voice of the People collection of cds - also includes material from Ireland A M Shinnie CD 819 The bonnie lass o ’Fyvie CD 801 Abroad as I was walking CD 801 The bonnie wee lass who never Adieu unto all true lovers CD 810 said no CD 813 The Aghalee heroes CD 808 The bonnie wee lassie fae Gouroch CD 801 Airlin’s fine braes CD 820 The bonnie wee tramping lass CD 810 The American stranger CD 811 The bonny bunch o’ roses CD 808 An spailpin fanach (the migrant Bonny Kate CD 814 labourer) CD 820 Bonny North Tyne: waltz CD 819 Another man’s weddin CD 806 Bonny Tavern green CD 815 Australia CD 804 The Boscastle breakdown: stepdance CD 809 The Aylesbury girl CD 815 The bottom of the punchbowl CD 813 Bacca pipes: morris jig
  • A Unique Recording of "The Leaving of Liverpool"

    A Unique Recording of "The Leaving of Liverpool"

    0+ t<\1 5ummer/Fall V ~ 2008 E tJ) Webcasts -§i Odetta > \I) ~ :zV t­ V .. 1-> C Th:FS~I:::, i :~ O,:o~~:eb::': ~ C'U'OS from lh' ,'oS'oSofPm",' T,y"" V ¥e J Jd )1 n J J' IJJ JJ ,4,1 J. J }I;OJ j "W' J Dl 7 Now J'mlca-ving Li-vcr-pool, bound ouL for Fris-co Bay""'::::" I'm [cav-ing my sweet-heart be-hind me, but ['II U t W£ J J"Da ] I,LD 1)< J or j"rIJ~JJ IJ ) "J )1 ,LJ 311 come back and mar-ry you some-day_ Oh when I'm far a-waynt sea_ I'll nl-waysthink of you_ and the <l.) 4~' jJ J ;,1]:1 j J )IJ Ji J =1, 1J 0/) II " F' ) J. ~ IJ ) J. Jil t.__fl___ 19 day I'm Icav-ing Li-vcr-pooland the land ingstag!for sea. Sing fare you well, my own true love. when , ... LA E >Iun n I • J I} J J II _.--- F J J J J ~ m,. b" my do< , ling when I thinks of you. o gn"" u= American Folklite Center The Librar~ of Congress Folklife Center News AMERICAN FOLKLIFE CENTER “The LeaVING OF LIVERPOOL” ODETTA AFC WEBCASTS IN THE AFC ARCHIVE 1930-2008 NOW ONLINE BOARD OF TRUSTEES Congressional Appointees: C. Kurt Dewhurst, Chair, Michigan Daniel Botkin, California Mickey Hart, California Dennis Holub, South Dakota William L. Kinney, Jr., South Carolina Charlie Seemann, Nevada Kay Kaufman Shelemay, Massachusetts Librarian Appointees: Jane Beck, Vice-chair, Vermont Maribel Alvarez, Arizona Read about a unique re­ Odetta Holmes Felious AFC has recently made Tom Rankin, North Carolina 15 3 cording of an iconic song, 13 Gordon was a remarkable webcasts available of its Donald Scott, Nevada and the colorful sailor who sang it singer, and a longtime friend of the 2008 public events.
  • The Return of Spring at St. Patrick's

    The Return of Spring at St. Patrick's

    ISSUE 24 VOLUME 2 Proudly Serving Celts in North America Since 1991 MARCH 2015 INSIDE THIS ISSUE HOLLYWOOD actor Michael Sheen delivered a fiery anti- austerity speech on St. David’s Day in Tredegar, South Wales, the birthplace of Aneurin Bevan. He quotes the Welsh Labour Party politician who es- tablished the British National Health Service in 1946 and who was a lifelong champion of so- cial justice and the rights of The Return of Spring working people. [For more, see page 30] PHOTO: Catholine Butler at St. Patrick’s Day GERRY O’NEIL and his magnificent team of shire horses all dressed in green will lead the St. Patrick’s Day parade in T the surface, Saint Patrick’s Day is an downtown Vancouver on Sunday, March 15. Irish festival. Another look reveals the [For more about CelticFest Vancouver 2015, see page 6] deeper reason for its enduring popular- A ity – resilience. St. Patrick’s Day is a celebra- By CYNTHIA 2015 SEATTLE IRISH FESTIVAL tion of things quaint, historic, WALLENTINE March 12-15 cultural and noble. It is a day [Full details, Pages 28 & 29] BITTER memories endure 30 that captures the imagination, Halfway between mortal and myth re- years after the end of Welsh and holds it fast. side the symbols of the season. The coal miners’ strike on March 3, wearin’ of the green is an Irish tradi- 1985. [Read more on page 30] Ostensibly the feast day of a tion, but speaks to the mystery and fer- WIN FREE TICKETS tility associated with the greening of the Catholic saint, St.
  • Black Velvet Band (Ronnie Drew, Luke Kelly, Barney Mac Kenna, Ciaran Bourke, John Sheehan)

    Black Velvet Band (Ronnie Drew, Luke Kelly, Barney Mac Kenna, Ciaran Bourke, John Sheehan)

    Black Velvet Band (Ronnie Drew, Luke Kelly, Barney Mac Kenna, Ciaran Bourke, John Sheehan) C (Chorus) In a neat little town they call Belfast F G But before the Judge and the Jury Apprenticed to trade I was bound Next morning I had to appear C Am And the judge he says to me "Young man, And many an hour of sweet happiness Your case it is proven and clear F G C I've I spent in that neat little town I'll give you seven years penal servitude To be spent far away from the land But a sad misfortune's come over me Far away from your friends and companions" Which caused me to stray from the land Betrayed by the black velvet band Far away from me friends and companions Betrayed by the black velvet band (Chorus) Chorus: So come all you jolly young fellows C A warning take from me Her eyes they shone like diamonds And if you go out on the town, me boys, F G Beware of the pretty Colleens I thought her the queen of the land C Am And her hair hung over her shoulder They'll feed you with strong drink, my lads, F G C 'Til you are unable to stand Tied up with a black velvet band And the very first thing that you'll know is You've landed in Van Diemen’s Land I took a stroll down Broadway Intending not long for to stay C When who should I meet but this pretty fair maid Her eyes they shone like diamonds Come traipsing along the highway F G I thought she was queen of the land She was both fair and handsome C Am Her neck it was white like a swan Now I'm far from my friends and companions And her hair hung down from her shoulders F G C Held up with a black velvet band Betrayed by the black velvet band C F G Am (Chorus) I took a stroll with this pretty fair maid Met a gentleman as he passed by Sure, I knew she meant the doing of him By the look in her roguish black eye BARITONE A gold watch she took from his pocket C F G Am And placed it right into my hand And the very first thing that I said was "What's this?" to the black velvet band 5 .
  • Clancy-Brothers-Festival-16Pp-May-1

    Clancy-Brothers-Festival-16Pp-May-1

    HERI THE CLANCY BROTHERS The Clancy Brothers and Tommy Makem exploded onto the world stage when they took the Ed Sullivan Show by storm. They have since inspired generations of singers, musicians, songwriters and raconteurs, from Bob Dylan to Damien Dempsey. The Clancy Brothers Festival of Music and Art honours the tradition, melody and balladry of the world famous and hugely influential Carrick natives. Welcome (Mural by Sheila Wood - at Clancy House, Nano Nagle Resource Centre). Festival Information Point and Tourist Office The Festival Information Office is at the Tudor Artisan Hub, 42 Main Street, (next to the Strand Theatre), Phone 051 640921. The Hub will be handling bookings for the Children’s and Youth Workshops and The Strand Theatre. The Tourist Office is in the Heritage Centre,Main Street, Carrick-on-Suir. A team of dedicated staff is available to offer advice on the many tourist attractions in the town and hinterland. Tickets for the Brewery Lane Theatre, the Bread and Beer concert, and entry forms for competitions will be available here. Phone 051 640200. Thank you to our sponsors and patrons AIB Bank, Benny Gough Fencing, Bourkes Menswear & Leonies Boutique, Carrick-on-Suir Business Centre, Carrick-on-Suir Credit Union, Coghlan’s Careplus Pharmacy, Derivan Sexton & Co. Solicitors, GK Print, Haven Pharmacy Lannens, Iverk Produce, John Hearn Hardware, John Phelan Skip Hire, Marty’s Pantry, Meanys Shoes, Mullins & Treacy Solicitors, My Dress Bridal Wear, O’Sullivan Malone Accountants, Quinlan’s Mini Bus Hire, Suir Hire Centre, Terry Flynn Tours, The Iverk Show, Topline Clearys, Connor’s Live, Cooney’s Pub, Figgerty’s Pub, Junction Bar & Bistro, O’Ceallachain’s Bar & Bistro, Power’s Tullahought, Sliabh na mBan Bar, The Auld Rogue, The Carraig Hotel, The Royal Bar, The Whistler’s Inn, Anne Marie Power & Co.
  • Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof

    Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof

    Bob Dylan Musician, Keith Negus. This file contains the pre-proof versions of Chapter One and Chapter Five from Bob Dylan, presented here in this format with the permission of Equinox Publishing. I have called this text Bob Dylan Musician because this was the original agreed title of the book right up to the moment just before publication when pressure from the US publisher resulted in the term ‘musician’ being reluctantly (from my perspective) expunged from the title. That word – musician – was there to concisely signal how my approach differs from most other books on Bob Dylan. I am interested in his work and practice as a musician, rather than his lyrics as poetry or the relationship between his biography and musical art. The book contains five chapters, so these two chapters introduce and conclude the study. If anyone would like electronic copies of additional chapters I am happy to provide these, as long as they are used only for research and teaching. Keith Negus June 2013 CHAPTER ONE Surroundings On 31 October 1964 Bob Dylan performed at the Philharmonic Hall in New York City, just two years after signing a recording contract and with four albums already released. Having quickly gained recognition as a folk ‘protest singer’ he was rapidly moving away from songs of social commentary and ‘finger pointing’. Dylan was beginning to use the popular song in a new and radical manner to explore more internal or subjective experiences, whilst experimenting with the sound, meaning and rhythm of words. Within three months, when recording his fifth album, no longer performing alone with acoustic guitar and harmonica, he was beginning to create an abrasive yet ethereal sonority, mixing the acoustic and electric textures of folk, electric blues, rock’n’roll, gospel, country and pop.
  • 13Thlaochra Gael

    13Thlaochra Gael

    Cumann Lúthchleas Gael Coiste Chontae Thiobrad Arann Laochra Gael 13th PRESENTATIONS by Iar-Uachtarán Liam Ó Néill at The Dome, Semple Stadium November 15th, 2015 ag tosnú 16.30pm 1 Cumann na Sean Ghael - Coiste Chontae Thiobrad Arann INAUGURAL MEETING Thurles, April 23th, 2003 he inaugural meeting of Cumann na Sean Ghael, Coiste Chontae Thiobrad Arann, was held in Hayes’s Hotel, Thurles on April 23, 2003. The attendance included John Moloney, Noel Morris, John Costigan, Pat Moroney, Seamus J., King and Michael TO’Meara. Seamus McCarthy was unable to be present. At the outset John Moloney was unanimously appointed chairman amd Michael O’Meara secretary. The chairman outlined the aims of the group, which were chiefly to honour annually persons over 70 years of age, who had given significant service to the G.A.A. in whatever capacity - player, official, groundsman, jersey carrier, tea maker, referee, umpire, etc. A sample of a framed certificate, which was presented annually in Dublin, was shown by the chairman to the meeting and the secretary undertook to get quotations for same. It was agreed that approximately 40 annual presentations would be made, i.e. an average of 10 per division. The consensus was that the general public should be asked to nominate suitable persons and justify why they were considered worthy. It was agreed that the presentations would be made in Brú Ború, Cashel on November 16th or 23rd and that the evening’s programme would consist of a chat, light refreshments and entertainment before the presentations. It was also agreed that the wives of the recipients be invited to the presentations.