The Return of Spring at St. Patrick's
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DECEMBER 2019 News for AOH Fr
DECEMBER 2019 News for AOH Fr. Con C. Woulfe Division 1 Ulster County Bill Kearney, Editor P.O. Box 2026 Neil Murray, Columnist/Historian AOH Jean Steuding, Columnist LAOH Kingston, NY 12402 Fr. Edmund Burke, Chaplain AOH www.ulsteraoh.com Fr. John Kearney, Chaplain LAOH Jim Carey, President AOH Division 1 Patricia Gilpatric, President LOAH Division 5 NEXT MEETING YEAR. PAST GRAND MARSHAL TUESDAY DAVE DOYLE WILL BE COOKING IN THE KITCHEN AND WILL PROVIDE DECEMBER 10, 2019 GRAND MARSHAL US A HEARTY MEAL 7:00 PM 2020 ST PATRICK’S PARADE PLEASE NOTE THE EARLIER TIME HARRY WOLTMAN WHITE EAGLE HALL FOR THE DECEMBER MONTH’S DELAWARE AVENUE MEETING. KINGSTON, NY SEE YOU THERE. ELECTIONS Mark Geary Our Immediate Past President will be conducting our Hello, my name is Harry MERRY CHRISTMAS election for our 2020 slate of Woltman and I'm honored to be NOLLAG SHONA DUIT officers. Here are the offices we the 2020 Grand Marshall. I am a lifelong Kingston resident the son will be voting on for the of Tom and Brigid (Bridie) “MAY PEACE AND PLENTY President Woltman. Dad was a native of BE THE FIRST TO LIFT THE Vice President Staten Island, NY and Mom LATCH ON YOUR DOOR Recording Secretary immigrated from Dungloe, AND HAPPINESS BE GUIDED Financial Secretary County Donegal, Ireland to NYC. TO YOUR HOUSE BY THE Treasurer Mom and Dad met at an Irish CANDLE OF CHRISTMAS.” Marshall Sentinel dance in Manhattan and went on Chairman of Standing to marry several years later. After Committees a honeymoon in Donegal, when Dad met his new family for the 1st time, they relocated to DECEMBER DINNER Kingston to start a new life and DECEMBER 10, 2019 raise a family. -
Béla Fleck & Abigail Washburn
BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee. -
Lyrics – by Popular Demand
By Popular Demand Lyrics – By Popular Demand Finnegan's Wake (Trad.) Tim Finnegan lived in Watling St., a gentleman Irish mighty odd, He had a brogue both rich and sweet, and to rise in the world he carried a hod. Tim had a sort of a tippler's way, with a love for the liquor poor Tim was born To help him on his work each day, he'd a drop of the craytur every morn. Chorus: Whack fol-de-da now, dance to your partners, welt the floor, yer trotters shake, Wasn't it the truth I told ye, lots of fun at Finnegan's Wake. One morning Tim was rather full, his head felt heavy which made him shake, Fell off a ladder and he broke his skull, and they carried him home his corpse to wake, They wrapped him up in a nice clean sheet and laid him out upon the bed, With a barrel of whiskey at his feet and a bucket of porter at his head. Chorus: The guests assembled at the wake, when Mrs. Finnegan called for Lunch, First she brought them tea and cake, pipes, tobacco, and brandy punch. Then the Widow Malone began to cry, "Such a nice clean corpse did you ever see? "Tim mavourneen, why did ye die?" "Hould yer gob." said Molly Magee. Chorus: Then Molly Malone takes up the job; "Ah Biddy" says she, "you're wrong I'm sure." Biddy fetched her a belt in the gob that left her sprawling on the floor. Civil war did then engage, woman to woman and man to man, Shillelagh law was all the rage and a row and a ruction soon began. -
Celtic Thunder Legacy on Tour Across the US
ISSUE 25 VOLUME 5 Proudly Serving Celts in North America Since 1991 SEPTEMBER/OCTOBER 2016 THE BIGGEST Gaelic Games event in North America took place in Seattle on the weekend of September 2-4, 2016 with over 1,500 players and 85 teams from across the USA, Canada and the Caribbean competing. [Pictured above] Seattle Mayor Ed Murray [second from right] presents the Championship Trophy to Donie Breathnach, captain of the San Francisco Naomh Padraig hurling team after they won the North American Sen- ior Hurling Championship final. Pictured on the left is Seattle BREAKING GROUND by Norfolk, England artist, Rob Barnes. Police Chief Kathleen O’Toole and Irish Consul General Philip [Read more about the artist inside on page 2] Grant on the right. [Read more on pages 20, 21 & 23] Walking the Path at Samhain Into the Twilight of the Year OME would At Samhain, that path rises, careens, By CYNTHIA WALLENTINE motivates, tears down, and drives us on. argue that a Order is lost, but structure remains – it path that can- At Samhain, whose bonfires burn will push, drag, or pull even the ridicu- brightly at dusk on October 31, the year lously stubborn to their fate. not be seen descends to its finish. S Those not gripped entirely by the expe- does not ex- In the ashes of that same fire, on No- rience may instead find destiny, the con- ist. But vision is only one vember 1, the Celtic New Year is born, scious transformation of the cultivated IRELAND’S O’Donovan brothers are the latest Olympic Internet along with the winter season. -
Free! Introductions / Réamhrá
Free! Introductions / Réamhrá On behalf of Donegal County Council, I am very Our newly-commissioned cover artwork is our happy to welcome the 24th Earagail Arts Festival, invitation to you to come and join us in the wilds which once again lights up the county’s summer of Donegal for an extended programme of street in a wonderful celebration of all that Donegal is circus, family and children’s events. As well as renowned for: the best of music, theatre, visual international music performances from as far afield arts and literature, to be enjoyed in that enviable as Mali and Palestine, this year’s festival hosts variety of intimate venues and spectacular settings home-grown stars of the nation’s indie scene, which we are privileged to have at our doorstep. I Beijing opera theatre and acclaimed UK and Irish am also delighted that the Festival is an enthusiastic drama productions. Coupled with intimate literary participant in Donegal County Council’s “Donegal and discursive events including Leviathan’s Political Gathering” initiative, preceding the national Cabaret and a celebration of the Field Day Theatre Gathering next year, and I look forward greatly to Company there’s no excuse not to visit Donegal what they have in store for 2013 and the years ahead. this summer. Cllr. Noel McBride, Paul Brown Mayor of County Donegal Festival Director Thar ceann Chomhairle Contae Dhún na nGall, tá Is cuireadh í an obair ealaíne nua-choimisiúnaithe áthas orm fáilte a chur roimh 24ú Féile Ealaíne an atá le feiceáil ar an chlúdach duitse a bheith linn Earagail, a chuirfidh brí agus beocht sa samhradh i gcontae álainn Dhún na nGall, áit a mbeidh clár Chonallach agus ar ceiliúradh iontach í ar na rudaí fairsing imeachtaí á reáchtáil againn – sorcas sráide, a tharraingíonn clú ar an chontae: ceol, drámaíocht, cuir i gcás, imeachtaí don teaghlach agus do pháistí. -
Sewanee Purple, 1998-2000
etoanee purple SEWANEE, TENNESSEE "OaobeT23, 1998 Vol. CLXXVIH No. 4 Sewanee remembers Anita Goodstein this summer The influential civil rights leader and honored Sewanee professor passed away by Kelly Smilh, News Edilor Knoxville and Ib.in ( Klein ol just before her death el delivery how wc rial but the fj Sewanee • j sity, she married Marvin Goodstein. and tour grandchil "I hope stays alway Goodstein is survived by her bus Portland, Oregon, students and bow we gel them in- Bits than just a who was a Cornell Ph.D. in econom- the liberal society, more " bind .ind two children. S.ir.ih HovU dren volved in what they re doing classroom or school, but a liberal arts ics The couple moved to Sewanee in She developed new academic society where so 1955 when Mr including American Intellec- much can be ap- Goodstein was ap- courses and Social History, Indians and preciated," said pointed to teach in the tual Blacks in America, and Women in Anita Goodstein economics depart- Anita History. "I try to help students to see at the beginning ment began that history is exciting," Goodstein of the Campaign Goodstein !•> with the Uni- said. Ii concerned human for Sewanee teaching at versityoftheSouthin experience, and the> need to be con- "It's a humane bacme cerned with human experience as society thai 1963 and later they're trying to grow up." Goodstein draws people to- chail of the history de- was concerned with human experience gether around partment and a faculty not only in the classroom, but also in things that are trustee. -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
MUG Songsheets Book 7: Contents
MUG Songsheets Book 7: Contents 1. Walk of Life Dire Straits 2. The Locomotion Little Eva 3. Rockin’ in the Free World Neil Young 4. The Letter The Box Tops 5. Lazy Sunday Small Faces 6. The Young Ones Cliff Richard & The Shadows 7. Early Morning Rain Gordon Lightfoot 8. The Wanderer Dion 9. Hang On Sloopy The McCoys 10. Black Velvet Band The Dubliners, etc. 11. Wild Rover The Dubliners, etc. 12. Rock and Roll Music Chuck Berry, The Beatles 13. A Picture of You Joe Brown 14. Lucy in the Sky with Diamonds The Beatles 15. Wonderful World Sam Cooke 16. Paint It Black The Rolling Stones 17. Shotgun George Ezra 18. Ruby Kaiser Chiefs 19. Alright Supergrass 20. Here Comes My Baby Cat Stevens, The Tremeloes 21. You Were Made For Me Freddie and the Dreamers 22. Golden Brown The Stranglers 23. Sundown Gordon Lightfoot 24. Dakota Stereophonics 25. Bad Moon Rising Creedence Clearwater Revival 26. Dancing In the Dark Bruce Springsteen 27. Honky Tonk Women The Rolling Stones 28. Sweet Dreams are Made of This The Eurythmics 29. I Haven’t Told Her, She Hasn’t Told Me Art Fowler 30. Echo Beach Martha and the Muffins 31. Take It Easy The Eagles 32. Poetry In Motion Johnny Tillotson 33. Manic Monday The Bangles 34. Singin’ In The Rain Gene Kelly 35. The Last Time The Rolling Stones 36. The Gambler Kenny Rogers 37. Gimme! Gimme! Gimme! ABBA 38. With a Little Help From My Friends The Beatles 39. All You Need is Love The Beatles MUG Songsheets Book 7: Alphabetical Contents 13. -
Highlands Songbook Contents
Highlands Songbook Contents Title Page A Jug of Punch 3 A Scottish Soldier 4 Black Velvet Band 5 Danny Boy 6 Maid of Fife-E-O 7 Mary Mac 8 Men of Harlech 9 Molly Malone (Cockles and Mussels) 10 Scotland the Brave 11 The Gypsy Rover 12 The Unicorn Song 13 The Wild Colonial Boy 14 The Wild Rover 15 When Irish Eyes Are Smiling 16 Whiskey in the Jar 17 2 A Jug of Punch (Paddy Clancy / Tom Clancy / Liam Clancy / Tommy Makem) G D7 G One pleasant evening in the month of June When he's snug outside of a jug of punch D G G As I was sitting with my glass and spoon And if I get drunk, well, the money's me own C D G A small bird sat on an ivy bunch And if they don't like me they can leave me alone D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow G D D7 G Too ra loo ra loo, too ra loo ra lay, And I'll be welcome wherever I go D7 G G D Too ra loo ra loo, too ra loo ra lay Too ra loo ra loo, too ra loo ra lay, C D7 G A small bird sat on an ivy bunch Too ra loo ra loo, too ra loo ra lay D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow D7 G G And I'll be welcome wherever I go What more diversion can a man desire? D G G Than to sit him down by snug turf fire And when I'm dead and in my grave C D G Upon his knee a pretty wench No costly tombstone will I have D7 G G C And on the table a jug of punch Just lay me down in my native peat G D D7 G Too ra loo ra loo, too ra loo ra lay, With a jug of punch at my head and feet D7 G G D Too ra loo ra loo, too ra loo ra lay Too -
February 2015 Ianohio.Com
February 2015 ianohio.com Erie to Eire: Michael Lavelle from Achill, piping from Cleveland’s Lake Eire shore 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com FEBRUARY 2015 The National Anthem, The Plun- more, in this issue. Editor’s Corner ketts, Patriot Games, Hunger I was able to attend the swear- Strike, Kilmainham Jail, Brendan in ceremony for new Cuyahoga and Dominic Behan, W.B. Yeats, County Common Pleas Judge Kevin Barry, The Proclamation, Shannon Gallagher on Thurs- There Were Roses, Canon O’Neill, day. She is bright, energetic the Dublin Lockout, Paul Mc- and insightful, and not jaded or Cartney, A Soldier’s Song, Mi- encumbered by political chits or chael Collins, Joe MacDonnell, allegiances. She has collabora- Tommy Makem, we know the tive ideas and knows the current John O’Brien, Jr. pivotal names in song and places, system is NOT working. She will but what people and events have to work her way up, but I birthed the song? The Troubles am excited about what she will Well, it is done; our 8th year did run on the airwaves though, do. She has taken the first step, is complete, our 9th begun with and the power of the people winning election, and will work last month’s issue. Next issue found and forged its own bards for a better system of productiv- will be our 99th. I have also out of pure necessity and the ity, best practices and most of all, finished my new book, 99 Years Bard in their blood. Their only justice for all. -
Bluegrass Legend Sam Bush Plans UM Concert
University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 2-5-2002 Bluegrass legend Sam Bush plans UM concert University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "Bluegrass legend Sam Bush plans UM concert" (2002). University of Montana News Releases, 1928, 1956-present. 17696. https://scholarworks.umt.edu/newsreleases/17696 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. .6^ m ^ University of \m Montana UNIVERSITY RELATIONS • MISSOULA, MT 59812 • 406-243-2522 • FAX: 406-243-4520 Feb. 5, 2002 Contact: Tom Webster, director, University Theatre Productions, 243-2853. BLUEGRASS LEGEND SAM BUSH PLANS UM CONCERT MISSOULA— New Grass Revival founder Sam Bush will put a little spring in the steps of western Montanans when he performs in concert Monday, March, 4, at The University of Montana. The bluegrass legend will take the stage at 8 p.m. in the University Theatre. Tickets are $19 in advance or $21 the day of the show at all Tic-It-E-Z locations or by calling (888) MONTANA or 243-4051. Sam Bush started out young, earning three consecutive National Junior Fiddle Champion titles before his 17th birthday and recording "Poor Richard’s Almanac" in 1969. -
Chick Corea and Béla Fleck
Chick Corea and Béla Fleck Thu, April 24 ABOUT THE PROGRAM Royce Hall Chick Corea & Béla Fleck, two master songwriters, musicians, and band leaders 8pm meet in a historic duet of piano and banjo, combining Corea and Fleck’s classic tunes with music from their 2007 Grammy-winning album The Enchantment. With a mix of jazz and pop standards, crossing a myriad of genres, from jazz, PERFORMANCE DURATION: bluegrass, rock, flamenco and gospel, this will be a casual, intimate evening Approximately two hours; with two legends from different musical worlds. One Intermission The original Enchantment recording came about after the two artists had admired each other’s music for several years. Chick had previously recorded PRE-SHOW CONCERT three songs on Béla’s 1994 CD, Tales From the Acoustic Planet, as well as on the SCA Terrace Series featuring group’s 1996 live CD, Live Art. Sean Stevens and Andrew Davis. FREE - ROYCE TERRACE - 7PM Chick, in turn, had enlisted Fleck to perform with him and Bobby McFerrin on the 2002 Rendezvous in New York project. Fleck said that The Enchantment was “one of my greatest experiences as a Supported in part by the musician … playing with my hero, Chick Corea.” Chick returned the compliment Evelyn & Mo Ostin Endowment by saying that for the Performing Arts the album broke new ground for him, with Fleck inspiring him to delve into “unfamiliar territory.” “I love those kinds of challenges, and we had a blast on The Enchantment, which MEDIA SPONSORS: has a totally new kind of sound,” Chick says. ABOUT THE ARTISTS MESSAGE FROM THE CENTER: Chick Corea Since embarking on a solo career in 1966, Chick has been at the We’re incredibly proud to bring two of the most acclaimed forefront of jazz, both as a renowned pianist forging new ground with instrumentalists in the world to the Royce Hall stage.