Sewanee Purple, 1998-2000

Total Page:16

File Type:pdf, Size:1020Kb

Sewanee Purple, 1998-2000 etoanee purple SEWANEE, TENNESSEE "OaobeT23, 1998 Vol. CLXXVIH No. 4 Sewanee remembers Anita Goodstein this summer The influential civil rights leader and honored Sewanee professor passed away by Kelly Smilh, News Edilor Knoxville and Ib.in ( Klein ol just before her death el delivery how wc rial but the fj Sewanee • j sity, she married Marvin Goodstein. and tour grandchil "I hope stays alway Goodstein is survived by her bus Portland, Oregon, students and bow we gel them in- Bits than just a who was a Cornell Ph.D. in econom- the liberal society, more " bind .ind two children. S.ir.ih HovU dren volved in what they re doing classroom or school, but a liberal arts ics The couple moved to Sewanee in She developed new academic society where so 1955 when Mr including American Intellec- much can be ap- Goodstein was ap- courses and Social History, Indians and preciated," said pointed to teach in the tual Blacks in America, and Women in Anita Goodstein economics depart- Anita History. "I try to help students to see at the beginning ment began that history is exciting," Goodstein of the Campaign Goodstein !•> with the Uni- said. Ii concerned human for Sewanee teaching at versityoftheSouthin experience, and the> need to be con- "It's a humane bacme cerned with human experience as society thai 1963 and later they're trying to grow up." Goodstein draws people to- chail of the history de- was concerned with human experience gether around partment and a faculty not only in the classroom, but also in things that are trustee. She retired lis community; an advocate of il worth doing from teaching in the rights, she played a vital role in end- Anita Shafer I-J44 ing segregation in Sewanee and in the Goodstein, Wil- Anita Goodstein model for Franklin County public schools. liam R Kenan was a role [n recognition Of her contributions students, especially minority students, Jr. Professor of History Emeritus, died University and community, the for making stu- to the on May 12, 1998 at the age of 84. and she was known her with I Ii that University honored a Goodstein was born in 1929 in dents think critically, demanding ( >-'4 degree in l The Uni- history, and of Civil Law Brooklyn. N Y and attended Mount students question writers, versity has further honored this re Holyokc College for her undergradu- even her. professor with the Amu S about teaching takes a spected ate studies, where she was elected to "Thinking Endowed Lectureship in Goodstein once said. Goodstein Phi Beta Kappa. While earning her lot of time." Women's History, a lecture problem often is not the mate- PhD in history from Cornell Univer- "The which promotes hei :als Goodstein's contihutions to com- munity extended outside the Univer- • sity gates as well. She was the audi it of Nashville 1780-J^l' From Fron- Tennessee tier to City, which w> the Rare jellyfish discovered History Book Award i 1989 She was instrumental indocun ntmg women's history in Tennessee md was a lead- in Sewanee's Lake Trez ing organizer ofTenn see's 75th eel ebration of worn 's suffrage. latest axel" to find Goodstein's re rily because they are so difficult Jae wrote numer- by Edwin Gerber southern feminists: in uny given place for a prolonged wi -men's rights and ous articles on period ol time Polyps are capable ol from a crowded party, completed an artk le for the May is- Returning asexual reproduction, new polyps and ot Tre/ History you find the cool waters lake ol sue of the Journal < f Southern sometimes medusa will grow oul strangely appealing. There were jusl maturing. entitled "A Kare Vlliance \frican- the polyp and separate after that small room a American and W ute Women in the [00 many people in Medusa, on the other hand, procreate 1919-1920' dip would be refreshing Slip- Tennessee Elections of cool strictly through sexual reproduction. your clothes and into the ping out of As they will not reproduce in i lab cool waters, you'd probably never search setting Ii ii very difficult to n shadows just Tennessee and warm champagne: notice the translucent Waddes and McGlolhlin hope thai B surface First a slight tin- below the belter knowledge Ol the reprodu gling sensation then blackness might explain I,,, bus ol medusa help there Idllei Could it happen' Are and dis- with Jane Smith their myslerious ap|H.-.ir.inces interview in our midst? an jellyfish lurking right appearances ma toclyn Waddey s senioi biolog) the freshwa i he daily behavioi ol Fiore celebrated lifty-five years of by Charles and eventually as- cently tellies, as of "Oklahoma." studying the I .ike Tre/ mysterious Most how much jOl terJellyfish Isjust as Arts Editor Lawrence. She mam age. so I don't know sumed the role of Jane that such dire circumstances hidden in the >•'" sured me Of the time, they lie of a mistake it w also sang Electra in Mozart"s any Sewanee studeni weekends ago. in the continu- will never befall depths ol the lake The only time to Two They had three children together, in the Saltzburg Summer one ol the I ike Tennes- "Idomeneo" uld pick up is an tlOUl hctore sun celebration of playwright tra- see them about ing co i rilie the family by George Solli. two of whom thing! Festival conducted ire,- jellyfish with out feeling a point they use m see Williams's life and works. Theatre down, al winch dition of artistry nh much sui Equally skilled in both the dramatic is no reason lor alarm. presented two one-acts and While there swarms \sWaddey explained Sewanee daughter Kiki is known interna- operatic arts. Smith smiled when Her lake nolue. Iiesh the devel- and . reason to she would get out a little IO0 a poem which showcased D work, and hei times preferred. They're tionally for her are I asked which she in the medusa form rhen, character Blanche from illyfish md initially find nothing opment of the daughter S ilivi in Parisand same horse for me." she ad- other are right here (see review both the extremely rare, and they instance, hund outof "Streetcar Named Desire" showing through December at the nexi like both equally." is now City resident mitted "I m Sewanee the depths section ) New York children. this which Tennes- the Whitney Museum. The But it was her voice are polymorphic, meaning Ol tellies in successfulat Jellyfish I,, keep a lull Supply Smith.. I highly as Ms Jane The two met of course, did n ome easy, see Williams admired that members ol the same s| Waddey makes longtime dear fnend of Williams, years the lab for research, and gave up he i .orkfor lhin> Hollywood. California, and Will- Smith tonus Jellyfishcan collect in exist in two body runs to I ake lie/ (0 read the role of Lucretia in "Portrait with them If her to her fu- so that she could that cling iams shortly introduced polyps, stationary buds to collect with Stirring results how be them md e importantly, Ol a Madonna" "Tennessee a iyS asked me renowned artist Tony 01 tree lloalmg husband, plants I Ms Smith further. ture I |d plankton foi then. 10 e.il II Wanting to talk to just gi\ ip foi those thirty Williams, in fact, was the best I could shapt translucent I Sunday after- Smith medusa, the lection involves I 'aiioe trip in ak< with her one I (old him I I sat down years." she adit n "But at their wedding, an experience *>* jellyfish designed nets. man most often and .1 lev. gpet tally discus I re/ the Sewanee Inn to ho noon in I *a$." with a twinkling in her was busy. And mtcicoricersion between Smith recalls There is no . delicate thai a sweep with ,i K e | her life, her friendship Smith re j family, And "busy" i "hat Ms two tonus each individual jelly net tllSh views on the world eye. the througliwilh.iregul.il might Williams, and her mains. Since I" (the year Williams Smith and 1 were married al the othei 'or its from , lsh 'Tony | ii,e plankton musi come of an. acting in ofl them Peace, and we needed died) Smith h.i *n freshwater the Justice Ol life cycle While lake on campus has Smith. I was struck 1 ake [rex. as each When 1 met Ms produ nons in New York witnesses. Tennessee was Broadway sightings to have two . are nol uncommon plankton rhis may class with which Kitchen ,ts own form ol with the amount of tl i 'he needed one more So City in such rare and too no there, hut we ihwater medusa are be one ol the reasons that the jellies herself There was well is she carried the Perform Oarage, as cab driver if he would and In a lake or si. earn CODl lining Keeping we asked the lMimd.it I ike Ire/ hand, that I ,ls doubt, upon shaking her n us. She enjoys the the second. He told us he in independent medusa might in- who mind being freshwater polypi, illyfish alive in lab is a whol was talking to a true lady, one until she now per for the job. be- community ol suited the Ifl humbled any was perfectlj seen. in itself; the conditions in commanded respect and lino ih il five brothers who were formswith.be< ire/, the medusa form ol cause he had In I ake tank musi pre< Isely mirroi those of own sell losing tory preconceived notions my are small, thei no risk ol pnests.
Recommended publications
  • Béla Fleck & Abigail Washburn
    BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Bluegrass Legend Sam Bush Plans UM Concert
    University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 2-5-2002 Bluegrass legend Sam Bush plans UM concert University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "Bluegrass legend Sam Bush plans UM concert" (2002). University of Montana News Releases, 1928, 1956-present. 17696. https://scholarworks.umt.edu/newsreleases/17696 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. .6^ m ^ University of \m Montana UNIVERSITY RELATIONS • MISSOULA, MT 59812 • 406-243-2522 • FAX: 406-243-4520 Feb. 5, 2002 Contact: Tom Webster, director, University Theatre Productions, 243-2853. BLUEGRASS LEGEND SAM BUSH PLANS UM CONCERT MISSOULA— New Grass Revival founder Sam Bush will put a little spring in the steps of western Montanans when he performs in concert Monday, March, 4, at The University of Montana. The bluegrass legend will take the stage at 8 p.m. in the University Theatre. Tickets are $19 in advance or $21 the day of the show at all Tic-It-E-Z locations or by calling (888) MONTANA or 243-4051. Sam Bush started out young, earning three consecutive National Junior Fiddle Champion titles before his 17th birthday and recording "Poor Richard’s Almanac" in 1969.
    [Show full text]
  • Chick Corea and Béla Fleck
    Chick Corea and Béla Fleck Thu, April 24 ABOUT THE PROGRAM Royce Hall Chick Corea & Béla Fleck, two master songwriters, musicians, and band leaders 8pm meet in a historic duet of piano and banjo, combining Corea and Fleck’s classic tunes with music from their 2007 Grammy-winning album The Enchantment. With a mix of jazz and pop standards, crossing a myriad of genres, from jazz, PERFORMANCE DURATION: bluegrass, rock, flamenco and gospel, this will be a casual, intimate evening Approximately two hours; with two legends from different musical worlds. One Intermission The original Enchantment recording came about after the two artists had admired each other’s music for several years. Chick had previously recorded PRE-SHOW CONCERT three songs on Béla’s 1994 CD, Tales From the Acoustic Planet, as well as on the SCA Terrace Series featuring group’s 1996 live CD, Live Art. Sean Stevens and Andrew Davis. FREE - ROYCE TERRACE - 7PM Chick, in turn, had enlisted Fleck to perform with him and Bobby McFerrin on the 2002 Rendezvous in New York project. Fleck said that The Enchantment was “one of my greatest experiences as a Supported in part by the musician … playing with my hero, Chick Corea.” Chick returned the compliment Evelyn & Mo Ostin Endowment by saying that for the Performing Arts the album broke new ground for him, with Fleck inspiring him to delve into “unfamiliar territory.” “I love those kinds of challenges, and we had a blast on The Enchantment, which MEDIA SPONSORS: has a totally new kind of sound,” Chick says. ABOUT THE ARTISTS MESSAGE FROM THE CENTER: Chick Corea Since embarking on a solo career in 1966, Chick has been at the We’re incredibly proud to bring two of the most acclaimed forefront of jazz, both as a renowned pianist forging new ground with instrumentalists in the world to the Royce Hall stage.
    [Show full text]
  • Edgar Meyer Biography by IMG Artists - IMG Artists Imgartists.Com
    Edgar Meyer Biography by IMG Artists - IMG Artists imgartists.com Edgar Meyer In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “...the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002. As a solo classical bassist, Mr. Meyer can be heard on a concerto album with the St. Paul Chamber Orchestra conducted by Hugh Wolff featuring Bottesini’s Gran Duo with Joshua Bell, Meyer’s own Double Concerto for Bass and Cello with Yo-Yo Ma, Bottesini’s Bass Concerto No. 2, and Meyer’s own Concerto in D for Bass. He has also recorded an album featuring three of Bach’s Unaccompanied Suites for Cello. In 2006, he released a self-titled solo recording on which he wrote and recorded all of the music, incorporating piano, guitar, mandolin, dobro, banjo, gamba, and double bass. In 2007, recognizing his wide-ranging recording achievements, Sony/BMG released a compilation of “The Best of Edgar Meyer”. In 2011 Mr. Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the Sony Masterworks recording “The Goat Rodeo Sessions” which was awarded the 2012 Grammy® Award for Best Folk Album. As a composer, Mr. Meyer has carved out a remarkable and unique niche in the musical world.
    [Show full text]
  • The Return of Spring at St. Patrick's
    ISSUE 24 VOLUME 2 Proudly Serving Celts in North America Since 1991 MARCH 2015 INSIDE THIS ISSUE HOLLYWOOD actor Michael Sheen delivered a fiery anti- austerity speech on St. David’s Day in Tredegar, South Wales, the birthplace of Aneurin Bevan. He quotes the Welsh Labour Party politician who es- tablished the British National Health Service in 1946 and who was a lifelong champion of so- cial justice and the rights of The Return of Spring working people. [For more, see page 30] PHOTO: Catholine Butler at St. Patrick’s Day GERRY O’NEIL and his magnificent team of shire horses all dressed in green will lead the St. Patrick’s Day parade in T the surface, Saint Patrick’s Day is an downtown Vancouver on Sunday, March 15. Irish festival. Another look reveals the [For more about CelticFest Vancouver 2015, see page 6] deeper reason for its enduring popular- A ity – resilience. St. Patrick’s Day is a celebra- By CYNTHIA 2015 SEATTLE IRISH FESTIVAL tion of things quaint, historic, WALLENTINE March 12-15 cultural and noble. It is a day [Full details, Pages 28 & 29] BITTER memories endure 30 that captures the imagination, Halfway between mortal and myth re- years after the end of Welsh and holds it fast. side the symbols of the season. The coal miners’ strike on March 3, wearin’ of the green is an Irish tradi- 1985. [Read more on page 30] Ostensibly the feast day of a tion, but speaks to the mystery and fer- WIN FREE TICKETS tility associated with the greening of the Catholic saint, St.
    [Show full text]
  • Béla Fleck & Abigail Washburn
    FOR IMMEDIATE RELEASE CAP UCLA presents Béla Fleck & Abigail Washburn December 6 at Royce Hall "As musicians and as songwriters, Fleck and Washburn are predisposed to embrace the entire world — its sounds and its occupants alike. Echo in the Valley ties the many ​ ​ threads of their interests into a work that dazzles without sacrificing a shred of approachability.” - NPR Music ​ ​ “Echo in the Valley is to bluegrass as Charlie Parker was to New Orleans in the ’20s: ​ ​ respectful of its roots, untethered in its ambitions and triumphant in bringing it all together.” – Downbeat ​ UCLA’s Center for the Art of Performance (CAP UCLA) presents husband and wife duo, Béla Fleck and Abigail Washburn on Thursday, Dec. 6 at 8 p.m. at Royce Hall. Tickets for $26–$66 are available now at cap.ucla.edu, via Ticketmaster, by phone 310-825-2101, and at the UCLA Central Ticket Office. Béla Fleck and Abigail Washburn will perform songs from their new album, Echo in the ​ Valley (Rounder). Serving as a follow-up to their acclaimed self-titled debut earning the ​ ​ ​ 2016 Grammy for Best Folk Album. This performance is a reflection of the times, including the single “Come All You Coal Miners,” written by coal miner advocate Sarah Ogan ​ ​ Gunning. “‘Come All You Coal Miners,” a vintage agitprop lament about coal mining as wage slavery, opens this track in unexpected form, a long way from traditionalism, with Abigail Washburn's near a cappella vocal over eerie electronic tones that may involve banjos in reverse,” writes The New York Times. ​ With seven banjos between them, Béla Fleck and Abigail Washburn joined forces in 2013 for a very banjo-centric touring project.
    [Show full text]
  • Tony Kevin: Knowledge of the Unfolding Tragedy
    Semper acknowieedges that the University of Queenslanti stands on indigenous land. We hope all who walk across it show it the sanae respect as the traditional owners. Qwi kP@m ffllTOBS: Vm HmW, M^m Bm^im w Tr« telly Oaodte ¥kmv Pim^ piiAisfed fey p^f UQ yo3@p LfPi 4 {MM M&^ Blmm Halteri) MA Mm^B St Lysin Q.LO 40i hbmSmn Mnu »te!ts Fii 33?? 2237 ¥m 33?? 2220 Tim Ctendter W^mmm }^M[m '^'^ D'BMMB: r15 Septambr ttUt-toTs: ey mm^m Im mt tiMnq py mt f@r mmh m @yr bAday, Erie Itoessainniibaoi 7my Kmh SmSi's ibfsegils arid Mlnre f@ir A© rdreslbmerts. mm Okj>%F s*'fe cmm t Dofj; fHkyy (N/f Anri'pw). He'io Semoer Fonbase. I have been reading Semper Floreat - on S off - for over twenty I've been instructed by o Semper editor to write a congratulatory years. It has changed a great deal from the Eighties version of letter to Semper's editorial section re Sempers last edition, which the magazine, where I 'irst mode an acquaintance with Semper I'll do so willingly: Some of these changes have been all for good, I see the It's because I said to the editor in question any number of the overall magazine has a much improved physical quality: better following: fonts, more colours, shny cover etc. I can only express un­ (a) kudos for getting a little bit ballsier; animal lib was a good qualified approval for the animal rights stance, done in a fresh direction manner while still getting the point across, though maybe it was (b) the Tony Abbott bit made me very jolly too heavy-handed: - you can drive people in the wrong direction (c) even/ self-respecting student publication needs to be when you repeatedly beat them over the head with a topic.
    [Show full text]
  • Bomnewsletter #347Web
    B.O.M.Newsletter #347web 界最速のフラットピッキン……!?」、尾崎ブラザーズ「ブ ルーグラス・パイオニア顕彰式」、マイケル・マーティ 2009 年 9 月 6 日 ン・マーフィー「この夏一番涼しいブルーグラス !?」、 ラッシー「夫婦デュオのデビュー 10 周年」、吉田瑞男 ◆ここ宝塚では立秋までにわずか3日間だけの夏空とい の IBMA2008 リポート、ブルーグラス入門「ジャムの うケッタイな夏が過ぎもう9月……。梅雨明けもせず、 作法」、連載クラレンス・ホワイト物語⑥、闘魂バンジョー 局地豪雨の警報にもかかわらず今年 38 年目の宝塚ブ 「ダニエル・グラインドスタッフ」ほか。 ルーグラス・フェスには 115 バンドが参加、8月1日 月刊ムーンシャイナー定期購読は1年間(12 冊) 土曜日プログラムも雨の影響を受けることなく、4バン ¥6,000- 半年間(6冊)¥3,300-。単冊 ¥525- ですが、 ドのアンコールを含めてプログラムを 20 分オーバーす できれば年契をお願いします。購読開始希望月をお知ら るだけで無事終了しました。みなさん、ありがとうござ せください、早速お送りします ...!! いました !! ◆8月7日、マイク・シーガーが亡くなりました。オー ルドタイムはもちろん、ブルーグラスにとっても、現在 今月の新入荷注目作品 の隆盛を導いた、おそらくもっとも重要な人物だと、わ 先月のレター #346 がウェブ版のみのため、今回の印刷 たしは思います。彼とニュー・ロスト・シティ・ランブラー 版には先月分も新入荷として掲載します。 ズがいなければ、この音楽の原点が世界の人々に認めら TUT-1D AEREO PLAIN BAND REUNION『Troy, れる機会がなかったかも知れないと感じます。ブルーグ New York; Nov.18, 2000』DVD¥2,888-(本 ラスを心から楽しもうとする人には、その基であるオー 体 ¥2,750-、111 分) ルドタイムをもっと知って欲しくなりました。マイク ハートフォード最晩年、ものすごい !! 感動のお宝映像 が教えてくれたことを次世代に伝えなくてはね ! ……感 ……だが !?。映像新入荷参照。 謝 !! ARH-204D NEW LOST CITY RAMBLERS ◆ 9 月 28 日 か ら 10 月 7 日 ま で BOM の ス タ ッ フ は IBMA WOB 参加のため営業を休みます。新鮮な情報を 『Always Been a Rambler』DVD¥3,255-(本 持って帰りますのでお楽しみに。Fax, メールは通常どう 体 ¥3,100-、58 分+ 30 分、カラー+白黒、 り受け付けています。 stereo, widescreen 16:9) ◆月刊ムーンシャイナー最新9月号は、マイク・シーガー 60 年代以降アメリカン・ルーツ系の音楽を動かした人 追悼①、ブルーグラス・フィドルの原点「チャビー・ワ たちがベースにした NLCR のすべてを表現し尽くした秀 イズ/ベニー・マーティン/ハウディ・フォレスター」、 作 DVD。オールドタイムブルーグラス音楽の入門とし カーリー・セクラーとジム・シューメイト 60 年目の共 ても秀逸 !! 映像新入荷参照。 演、吉崎ひろし& N.B. プロジェクト、ビル・ハレル追悼、 SF-40180 NEW LOST CITY RAMBLERS『50 水戸ブルーグラス・フェス、少路健介「フィドル修行中」、 Years: Where Do You Come From? Where 連載クラレンス・ホワイト物語⑦、京の華舞台:カント
    [Show full text]
  • SKI JORING Page 2
    Brought to you by Publishers of The Your Valley Source & The Promised Land FREE TAKE ONE THE FREE Alternative Guide to Entertainment, Arts & News for February 2011 SKI JORING Page 2 Introducing Denver’s Best for the West Pages 9 - 12 Photo by www.sundayphotography.com GRAND JUNCTION Test Drive the All New 2011 Dodge 2500 Ram CHRYSLER • JEEP • DODGE 2578 HWY 6 & 50 Grand Junction (on the corner of motor & funny little street) 245-3100 • 1-800-645-5886 BADASS MEET THE REAL • THE MEET www.grandjunctionchrysler.com 0-5:30, Sat 9:00-2:00 • Service: Mon-Fri 7:30-5:30, Sat/Sun Closed Sat/Sun 7:30-5:30, Mon-Fri Service: • 9:00-2:00 Sat 0-5:30, 7:3 Fri - Mond Parts: • 8:30-5:00 Sat 8:30-6:00, Mon-Fri Sales: www.grandjunctionchrysler.comMEET THE • Sales: Mon-Fri 8:30-6:00, REAL Sat 8:30-5:00 • Parts: Mond - Fri 7:3BADASS0-5:30, Sat 9:00-2:00 • Service: Mon-Fri 7:30-5:30, Sat/Sun Closed 245-3100 • 1-800-645-5886 • 245-3100 (on the corner of motor & funny little street) little funny & motor of corner the (on 2578 HWY 6 & 50 Grand Junction Grand 50 & 6 HWY 2578 CHRYSLER • JEEP • DODGE • JEEP • CHRYSLER GRAND JUNCTION GRAND Test Drive the All New 2011 Dodge 2500 Ram 2500 Dodge 2011 New All the Drive Test RoadTrippin’ The SOURCE Ski Joring What, you may ask, is Ski Joring? it today was born. Ski Joring is a competition where a horse and rider pull a skier at a Leadville Ski-Joring Rules 2011 fast pace through a course that has If you plan to sign up for com- gates, jumps and rings.
    [Show full text]