Béla Fleck & Abigail Washburn
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Uncle Earl's Homecoming
EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen
|--Abigail Washburn | |--City of Refuge | | |--01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen | | |--04 Chains | | |--05 Ballad of Treason | | |--06 Last Train | | |--07 Burn Thru | | |--08 Corner Girl | | |--09 Dreams Of Nectar | | |--10 Divine Bell | | |--11 Bright Morning Stars | | |--cover | | `--folder | |--Daytrotter Studio | | |--01 City of Refuge | | |--02 Taiyang Chulai | | |--03 Bring Me My Queen | | |--04 Chains | | |--06 What Are They Doing | | `--07 Keys to the Kingdom | |--Live at Ancramdale | | |--01 Main Stageam Set | | |--02 Intro | | |--03 Fall On My Knees | | |--04 Coffee’s Cold | | |--05 Eve Stole The Apple | | |--06 Red & Blazey | | |--07 Journey Home | | |--08 Key To The Kingdom | | |--09 Sometime | | |--10 Abigail talks about the trip to Tibet | | |--11 Song Of The Traveling Daughter | | |--12 Crowd _ Band Intros | | |--13 The Sparrow Watches Over Me | | |--14 Outro | | |--15 Master's Workshop Stage pm Set | | |--16 Tuning, Intro | | |--17 Track 17 of 24 | | |--18 Story about Learning Chinese | | |--19 The Lost Lamb | | |--20 Story About Chinese Reality TV Show | | |--21 Deep In The Night | | |--22 Q & A | | |--23 We’re Happy Working Under The Sun | | |--24 Story About Trip To China | | |--index | | `--washburn2006-07-15 | |--Live at Ballard | | |--01 Introduction | | |--02 Red And Blazing | | |--03 Eve Stole The Apple | | |--04 Free Internet | | |--05 Backstep Cindy_Purple Bamboo | | |--06 Intro. To The Lost Lamb | | |--07 The Lost Lamb | | |--08 Fall On My Knees | | |--Aw2005-10-09 | | `--Index -
Sewanee Purple, 1998-2000
etoanee purple SEWANEE, TENNESSEE "OaobeT23, 1998 Vol. CLXXVIH No. 4 Sewanee remembers Anita Goodstein this summer The influential civil rights leader and honored Sewanee professor passed away by Kelly Smilh, News Edilor Knoxville and Ib.in ( Klein ol just before her death el delivery how wc rial but the fj Sewanee • j sity, she married Marvin Goodstein. and tour grandchil "I hope stays alway Goodstein is survived by her bus Portland, Oregon, students and bow we gel them in- Bits than just a who was a Cornell Ph.D. in econom- the liberal society, more " bind .ind two children. S.ir.ih HovU dren volved in what they re doing classroom or school, but a liberal arts ics The couple moved to Sewanee in She developed new academic society where so 1955 when Mr including American Intellec- much can be ap- Goodstein was ap- courses and Social History, Indians and preciated," said pointed to teach in the tual Blacks in America, and Women in Anita Goodstein economics depart- Anita History. "I try to help students to see at the beginning ment began that history is exciting," Goodstein of the Campaign Goodstein !•> with the Uni- said. Ii concerned human for Sewanee teaching at versityoftheSouthin experience, and the> need to be con- "It's a humane bacme cerned with human experience as society thai 1963 and later they're trying to grow up." Goodstein draws people to- chail of the history de- was concerned with human experience gether around partment and a faculty not only in the classroom, but also in things that are trustee. -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
Ben Sollee Annual Institute Performance an Evening of Music, Storytelling, and Community Fellowship
E T U T I Welcome to Berea T RK INS RK O Y F Y A small town with a big story! H Each year the Brushy Fork Annual Institute brings PHOTO: BRUS PHOTO: together a group of dedicated regional leaders from across Appalachia to share ideas and resources to Agenda address community needs and challenges. We invite you to join us this September here on the campus of Berea College. While here, you'll participate in regional networking, hands-on training, and spend some time Tuesday, September 22 getting to know our campus and community. 12:00 p.m. – 5:00 p.m. Registration 2:00 p.m. – 5:00 p.m. Early Bird Sessions Berea is home to a thriving population of weavers, 5:30 p.m. – 6:30 p.m. Dinner on the Lawn instrument makers, furniture artisans, jewelry designers, glass workers, potters, painters, sculptors, Wednesday, September 23 and musicians. 7:30 a.m. Breakfast The story of Berea's artisan community is interwoven 8:00 a.m. Registration Opens with historic Berea College, the first interracial 9:00 a.m. Opening Plenary and Address and coeducational college in the South. Berea has a 10:30 a.m. – 12:00 p.m. Concurrent Track Sessions long-standing tradition of diversity, social justice, 12:00 p.m. – 1:00 p.m. Picnic Lunch environmental responsibility, and community service. 1:00 p.m. – 5:00 p.m. Concurrent Track Sessions Both college and town are committed to the practice 6:00 p.m. – 7:00 p.m. Dinner at Historic Boone Tavern of sustainability and conservation. -
Bluegrass Legend Sam Bush Plans UM Concert
University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 2-5-2002 Bluegrass legend Sam Bush plans UM concert University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "Bluegrass legend Sam Bush plans UM concert" (2002). University of Montana News Releases, 1928, 1956-present. 17696. https://scholarworks.umt.edu/newsreleases/17696 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. .6^ m ^ University of \m Montana UNIVERSITY RELATIONS • MISSOULA, MT 59812 • 406-243-2522 • FAX: 406-243-4520 Feb. 5, 2002 Contact: Tom Webster, director, University Theatre Productions, 243-2853. BLUEGRASS LEGEND SAM BUSH PLANS UM CONCERT MISSOULA— New Grass Revival founder Sam Bush will put a little spring in the steps of western Montanans when he performs in concert Monday, March, 4, at The University of Montana. The bluegrass legend will take the stage at 8 p.m. in the University Theatre. Tickets are $19 in advance or $21 the day of the show at all Tic-It-E-Z locations or by calling (888) MONTANA or 243-4051. Sam Bush started out young, earning three consecutive National Junior Fiddle Champion titles before his 17th birthday and recording "Poor Richard’s Almanac" in 1969. -
Chick Corea and Béla Fleck
Chick Corea and Béla Fleck Thu, April 24 ABOUT THE PROGRAM Royce Hall Chick Corea & Béla Fleck, two master songwriters, musicians, and band leaders 8pm meet in a historic duet of piano and banjo, combining Corea and Fleck’s classic tunes with music from their 2007 Grammy-winning album The Enchantment. With a mix of jazz and pop standards, crossing a myriad of genres, from jazz, PERFORMANCE DURATION: bluegrass, rock, flamenco and gospel, this will be a casual, intimate evening Approximately two hours; with two legends from different musical worlds. One Intermission The original Enchantment recording came about after the two artists had admired each other’s music for several years. Chick had previously recorded PRE-SHOW CONCERT three songs on Béla’s 1994 CD, Tales From the Acoustic Planet, as well as on the SCA Terrace Series featuring group’s 1996 live CD, Live Art. Sean Stevens and Andrew Davis. FREE - ROYCE TERRACE - 7PM Chick, in turn, had enlisted Fleck to perform with him and Bobby McFerrin on the 2002 Rendezvous in New York project. Fleck said that The Enchantment was “one of my greatest experiences as a Supported in part by the musician … playing with my hero, Chick Corea.” Chick returned the compliment Evelyn & Mo Ostin Endowment by saying that for the Performing Arts the album broke new ground for him, with Fleck inspiring him to delve into “unfamiliar territory.” “I love those kinds of challenges, and we had a blast on The Enchantment, which MEDIA SPONSORS: has a totally new kind of sound,” Chick says. ABOUT THE ARTISTS MESSAGE FROM THE CENTER: Chick Corea Since embarking on a solo career in 1966, Chick has been at the We’re incredibly proud to bring two of the most acclaimed forefront of jazz, both as a renowned pianist forging new ground with instrumentalists in the world to the Royce Hall stage. -
The Return of Spring at St. Patrick's
ISSUE 24 VOLUME 2 Proudly Serving Celts in North America Since 1991 MARCH 2015 INSIDE THIS ISSUE HOLLYWOOD actor Michael Sheen delivered a fiery anti- austerity speech on St. David’s Day in Tredegar, South Wales, the birthplace of Aneurin Bevan. He quotes the Welsh Labour Party politician who es- tablished the British National Health Service in 1946 and who was a lifelong champion of so- cial justice and the rights of The Return of Spring working people. [For more, see page 30] PHOTO: Catholine Butler at St. Patrick’s Day GERRY O’NEIL and his magnificent team of shire horses all dressed in green will lead the St. Patrick’s Day parade in T the surface, Saint Patrick’s Day is an downtown Vancouver on Sunday, March 15. Irish festival. Another look reveals the [For more about CelticFest Vancouver 2015, see page 6] deeper reason for its enduring popular- A ity – resilience. St. Patrick’s Day is a celebra- By CYNTHIA 2015 SEATTLE IRISH FESTIVAL tion of things quaint, historic, WALLENTINE March 12-15 cultural and noble. It is a day [Full details, Pages 28 & 29] BITTER memories endure 30 that captures the imagination, Halfway between mortal and myth re- years after the end of Welsh and holds it fast. side the symbols of the season. The coal miners’ strike on March 3, wearin’ of the green is an Irish tradi- 1985. [Read more on page 30] Ostensibly the feast day of a tion, but speaks to the mystery and fer- WIN FREE TICKETS tility associated with the greening of the Catholic saint, St. -
Béla Fleck & Abigail Washburn
FOR IMMEDIATE RELEASE CAP UCLA presents Béla Fleck & Abigail Washburn December 6 at Royce Hall "As musicians and as songwriters, Fleck and Washburn are predisposed to embrace the entire world — its sounds and its occupants alike. Echo in the Valley ties the many threads of their interests into a work that dazzles without sacrificing a shred of approachability.” - NPR Music “Echo in the Valley is to bluegrass as Charlie Parker was to New Orleans in the ’20s: respectful of its roots, untethered in its ambitions and triumphant in bringing it all together.” – Downbeat UCLA’s Center for the Art of Performance (CAP UCLA) presents husband and wife duo, Béla Fleck and Abigail Washburn on Thursday, Dec. 6 at 8 p.m. at Royce Hall. Tickets for $26–$66 are available now at cap.ucla.edu, via Ticketmaster, by phone 310-825-2101, and at the UCLA Central Ticket Office. Béla Fleck and Abigail Washburn will perform songs from their new album, Echo in the Valley (Rounder). Serving as a follow-up to their acclaimed self-titled debut earning the 2016 Grammy for Best Folk Album. This performance is a reflection of the times, including the single “Come All You Coal Miners,” written by coal miner advocate Sarah Ogan Gunning. “‘Come All You Coal Miners,” a vintage agitprop lament about coal mining as wage slavery, opens this track in unexpected form, a long way from traditionalism, with Abigail Washburn's near a cappella vocal over eerie electronic tones that may involve banjos in reverse,” writes The New York Times. With seven banjos between them, Béla Fleck and Abigail Washburn joined forces in 2013 for a very banjo-centric touring project. -
Exploring the Bluegrass Nation As an Imagined Community
NOTIONS OF NATION: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN L. LANEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2013 Department of Appalachian Studies NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN LANEY May 2013 APPROVED BY: Nancy S. Love Chairperson, Thesis Committee David Haney Member, Thesis Committee Fred Hay Member, Thesis Committee Patricia D. Beaver Director, Center for Appalachian Studies Edelma D. Huntley Dean, Cratis Williams Graduate School Copyright by Jordan L. Laney 2013 All Rights Reserved Abstract NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY Jordan L. Laney B.F.A., Goddard College M.A., Appalachian State University Chairperson: Nancy S. Love While bluegrass music has been a topic of conversation within the discipline of Appalachian Studies, research concerning the emergence of the community in cyberspace is relatively rare. Appalachian music’s role as a transnational facilitator is groundbreaking in areas of social networking, and as a member of the bluegrass community, I am fascinated by the communication that results now that members of that community can connect to friends in Europe, Japan, and France as easily as to next door neighbors. Noting that music is what brings these individuals together, this study addresses ways in which the bluegrass community embodies an imagined community and uses political language to gather in cyberspace. The study is not meant to discredit the direct ties the music has to Appalachia, but rather to applaud and understand the work of enthusiasts in the field who have found ways to mobilize the music through the Internet. -
Abigail Washburn & Wu
Abigail Washburn & Wu Fei Wu Fei and Abigail Washburn's duo project is as unlikely, perhaps, as it was inevitable—a manifest sonic consequence of politics and vibrations commingling across continents. There is a directness in the musical duo format that makes it such a good vehicle for melodic conversations between close friends who obviously listen to each other with an athletic respect matched by their respective virtuosity. Abigail Washburn, daughter of idealistic, hardworking midwestern parents from Evanston, IL wasn't particularly musical as a child—that would come later. As a young girl in Beijing, Wu Fei was a musical prodigy, fast-tracked to be one of the very best musicians in a country of over a billion people. Abigail expected to become a lawyer with the goal of bettering US-China relations. Fei was to become a professional musician performing state-sanctioned works in austere settings. But both women chose a fork in the road. Abigail has improved US-China relations with a banjo not with a briefcase, touring the world and releasing a number of records that mingle Appalachian and Chinese folk music. She is one of the few foreign artists currently touring China independently and regularly and her journeys include a month-long tour (Nov-Dec 2011) of China's Silk Road supported by grants from the US Embassy, Beijing. Abigail, along with 24 other innovative and creative thinkers worldwide, was named a TED Fellow and gave a talk at the 2012 TED Convention in Long Beach about building US-China relations through music. Abigail was also awarded the Grammy for Best Folk Album in 2016, for her debut collaboration with her husband and fellow banjo-lover, Bela Fleck.