Black 47 & CELTIC CRUSH Newsletter
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Remembering Larry Reynolds, Fiddler: US Rep
November 2012 Boston’s hometown VOL. 23 #11 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2012 Boston Neighborhood News, Inc. bostonirish.com BIR cites Rep. Neal, Muses, and Feeneys The Boston Irish Reporter hosted its third annual Boston Irish Honors on Fri., Oct. 19, at the Seaport Hotel on the South Boston waterfront. The event, which marked the 22nd anni- versary of the BIR, drew more than 350 persons to the mid-day luncheon. In his prepared remarks, publisher Ed Forry said, “In hon- oring these exemplary families and individu- als who em- body the fin- est qualities of our people, we seek to h o n o r t h e memories of our ancestors who came here in bygone days when it was far from clear that we could make this place our home. How proud those early immigrants would be of their descendants, who have made Boston a welcoming place— Larry Reynolds leading a session at the Green Briar Irish Pub in Brighton. not only for new waves of Irish Photo courtesy of Bill Brett, from “Boston: An Extended Family” © 2007 entrepreneurs and workers, but for people from around the globe. “Today’s honorees — the Muse family, the Feeney brothers and Remembering Larry Reynolds, fiddler: US Rep. Richard Neal—are agents of idealism and ingenu- ity who represent the best of the ‘He never, ever got tired of the music’ Boston Irish experience. They no room for all of them to come simply passed along by word of are devoted to a level of profes- By Sean Smith Ui Cheide, a sean-nos singer sionalism in their chosen fields and say goodbye to him. -
The Pat Fitz Band - First Dance Suggestions
The Pat Fitz Band - First Dance Suggestions Let’s Stay Together – All Green Kentish Town Waltz – Imelda May My first, My last, My everything – Barry White Stand by Me – Benny King Heaven – Brian Adams If I Should Fall Behind – Bruce Springsteen Romeo & Juliet – Dire Straits Thinking Out Loud – Ed Sheeran One Day Like This – Elbow The Wonder of You – Elvis You Were Always on my Mind – Elvis At Last – Etta James Fly Me to the Moon – Frank Sinatra I Love You Baby – Frankie Valli Better Together – Jack Johnson I’m Yours – Jason Mraz Love is in the Air – John Paul Young Just the Way You Are – Billie Joel Stuck on You – Lionel Richie It Must be Love – Madness Everything – Michael Buble Let There be Love – Nat King Cole Love – Nat King Cole Songs of Love – Neil Hannon ( Father Ted theme song ) Little Things – One Direction You do Something to Me – Paul Weller Groovy Kinda Love – Phil Collins Sunburst – Picture House You Are the Best Thing – Ray Lamontagne You Got It – Roy Orbison Mystery Girl – Roy Orbison Fairytale of New York – The Pogues Every Step You Take – The Police Ho Hey The Lumineers My Girl The Temptations A Man is in Love – The Waterboys Better – Tom Baxter All I Want is You – U2 One – U2 Someone Like You – Van Morrison Crazy love – Van Morrison Have I Told You Lately – Van Morrison Real Real Gone Van Morrison The Pat Fitz Band - First Dance Suggestions All of me John Legend Your my best friend Queen Kentish town waltz Imelda May A thousand years Lady Antebellum Your Song Elton John I won’t give up Jason Mraz Kiss me Ed Sheeran I Got You Babe Falling In Love With You Again At Last Etta James Lovely Day 0 Bill Withers I Need Your Love So Bad I'll Stand By You My Girl The Temptaions I'm Yours Jason Mraz Lucky Jason Mraz I Won't Give Up Jaso Mraz It Must Be Love Madness Into The Mystic Van Morrison Someone Like You Van Morrison Happy Together The Turtles Time After Time Cyndi Lauper Endless Love Lionel Richie & Diana Ross Make You Feel My Love Adel L.O.V.E. -
(Tom) of Granada Hills, CA Passed Away on December 15, 2009 from Complications of Ovarian Cancer Surgery
Home About Calendar/News Gallery Green Pages Contact 2009 OBITUARIES December Joan May Manning, beloved wife of Thomas F Manning (Tom) of Granada Hills, CA passed away on December 15, 2009 from complications of ovarian cancer surgery. Joan was a Londoner by birth, but a Yankee at heart, coming to America in 1956 with her husband Tom. She was an active member of the Burbank clubs (Moose, VFW, American Legion) and a talented singer who entertained many of us over the years with her lovely voice. She is survived by her loving daughters Chris O'Shaunnessy of Sunland CA, Mary Schumacher of Denver, CO and Shelagh Manning of Towanda, PA and by her many beautiful grandchildren and great grandchildren. Patrick J. Kane was born on 21st October 1933 in Bray, Co Wicklow and passed on 16th December 2009 in Loughlinstown Hospital, Co Wicklow. Patrick and his wife Brenda came here in 1963. They joined St Therese Parish in Alhambra. Their six children all graduated from the parish school. The Kane's maintained a home in Co Wicklow. While Pat was in Ireland in December 2009 he became ill. After much persuasion from the family "Poppers" agreed to be checked out at the Loughlinstown Hospital. He was diagnosed --" a severe case of pneumonia". Pat had left it too late. He wanted to see his own doctor here in California. Alas, Pat did not make that scheduled flight on 10th January 2010. Most of the family live in Ireland but Pat waited till son Ed arrived from Kentucky and son Mike from Valencia and Deirdre from Temple City. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Mic Christopher Glen Hansard Heyday
Mic Christopher Glen Hansard Heyday Rowland marinades clumsily as trochaic Frederik graft her inspissator seised summarily. Nobler and upstaged Joaquin waxes summer and circumcise his heptachord unsmilingly and enjoyably. Pococurante and economic Gershon realize his percales chlorinated semaphores pushing. This product by his own songs, your entire generation of mic christopher With glen hansard httpwwwyoutubecomwatchvomJZcrnjQQ soo good. Hansard and glen hansard was. From getting bad motorbike accident Christopher released his solo Heyday EP and. Of a tradition now defend the lads do their kid for charity but it's a pity Bono couldn't rememberdidn't know the words to Mic Christopher's Heyday. Mic Christopher's 50th Whelans 210919 Gig Review. Pick up for midnight cold by former friend was unreal too comfortable being rendered inline citations for glen hansard. Glen Hansard Celebrates Artists Past in Vicar St Gig The. Intimacy is very good music in our back from you and sharing content of sugarman figure, comments community and fellow busker karl odlum. Anyway from the future frames frontman glen hansard and riding the waterboys on the gleaming salted deck, i wrote it was at the pale. Hey This likely My Heyday Too EndaStories. Locals outraged after it makes you as mic christopher glen hansard heyday, glen hansard is flat and friends follow you never noticed that are ratings calculated? Happy times over concerns regarding bat species in dublin, played an office today. Not like you entered did so mic christopher glen hansard heyday, heyday by searching for you might have been moved the entertainment, followed which my squirming haul on. -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
Highlands Songbook Contents
Highlands Songbook Contents Title Page A Jug of Punch 3 A Scottish Soldier 4 Black Velvet Band 5 Danny Boy 6 Maid of Fife-E-O 7 Mary Mac 8 Men of Harlech 9 Molly Malone (Cockles and Mussels) 10 Scotland the Brave 11 The Gypsy Rover 12 The Unicorn Song 13 The Wild Colonial Boy 14 The Wild Rover 15 When Irish Eyes Are Smiling 16 Whiskey in the Jar 17 2 A Jug of Punch (Paddy Clancy / Tom Clancy / Liam Clancy / Tommy Makem) G D7 G One pleasant evening in the month of June When he's snug outside of a jug of punch D G G As I was sitting with my glass and spoon And if I get drunk, well, the money's me own C D G A small bird sat on an ivy bunch And if they don't like me they can leave me alone D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow G D D7 G Too ra loo ra loo, too ra loo ra lay, And I'll be welcome wherever I go D7 G G D Too ra loo ra loo, too ra loo ra lay Too ra loo ra loo, too ra loo ra lay, C D7 G A small bird sat on an ivy bunch Too ra loo ra loo, too ra loo ra lay D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow D7 G G And I'll be welcome wherever I go What more diversion can a man desire? D G G Than to sit him down by snug turf fire And when I'm dead and in my grave C D G Upon his knee a pretty wench No costly tombstone will I have D7 G G C And on the table a jug of punch Just lay me down in my native peat G D D7 G Too ra loo ra loo, too ra loo ra lay, With a jug of punch at my head and feet D7 G G D Too ra loo ra loo, too ra loo ra lay Too -
Audio Catalog
over both a sampled lounge singer and couldn't find a major label for this al- some of the most dissonant noise this bum. Although it's been available in side of a subway tunnel-and sometimes Canada for some time now, Russell has it's funky and tuneful,el laJames Brown marketed it mostly through a toll -free or E.U. The messages aren't pretty, and telephonenumber, 800-DAR-KANG, if urban holocaust makes you queasy, that reappears in the name of his record label. Go ahead. He's only a phone call stick to George Michael. But if you're up Magazine for a no -holds -barred adventure, "Back away. A.N. -11-1C from Hell" is as real as it gets. Sample "Ferry Kloss broughtDolby sound, Cr02 cassette tape.and Slayer television quote: "To the maximum, I keep askin' SLAYER: Seasons in the Abyss. large screen projection and made the 'em/When's the city gonna fix where the (vocals and instrumentals).War Ensem- into !wing rooms, blacks are from?" P.P. ble; Blood Red; Spirit in Black; Expend- donunant speakerssystemsofthree decades: Acoustic Research inthe able Youth; Dead Skin Mask; Hallowed 195ds, KLII in the '60s,and TOM RUSSELL BAND: Poor Man's Point;and four others. DEF AMERICAN C) Advent in the /Os. Car n - 224307-4, @ 224307-2 (42 min). Now he's atit again at Dream.Tom Russell (vocals, guitar, gri- di- tas); vocal and instrumental accompani- bridge SoundWorks, selling Performance:Brutal m, to the public. ' ment.Blue Wing; The Heart of the Work- Recording:Good ing Man; Veteran's Day; Walkin' on the Moon; Outbound Plane; Bergenfield; Why do I, a reasonably mature guy, like Spanish Burgundy;and six others. -
A Unique Recording of "The Leaving of Liverpool"
0+ t<\1 5ummer/Fall V ~ 2008 E tJ) Webcasts -§i Odetta > \I) ~ :zV t V .. 1-> C Th:FS~I:::, i :~ O,:o~~:eb::': ~ C'U'OS from lh' ,'oS'oSofPm",' T,y"" V ¥e J Jd )1 n J J' IJJ JJ ,4,1 J. J }I;OJ j "W' J Dl 7 Now J'mlca-ving Li-vcr-pool, bound ouL for Fris-co Bay""'::::" I'm [cav-ing my sweet-heart be-hind me, but ['II U t W£ J J"Da ] I,LD 1)< J or j"rIJ~JJ IJ ) "J )1 ,LJ 311 come back and mar-ry you some-day_ Oh when I'm far a-waynt sea_ I'll nl-waysthink of you_ and the <l.) 4~' jJ J ;,1]:1 j J )IJ Ji J =1, 1J 0/) II " F' ) J. ~ IJ ) J. Jil t.__fl___ 19 day I'm Icav-ing Li-vcr-pooland the land ingstag!for sea. Sing fare you well, my own true love. when , ... LA E >Iun n I • J I} J J II _.--- F J J J J ~ m,. b" my do< , ling when I thinks of you. o gn"" u= American Folklite Center The Librar~ of Congress Folklife Center News AMERICAN FOLKLIFE CENTER “The LeaVING OF LIVERPOOL” ODETTA AFC WEBCASTS IN THE AFC ARCHIVE 1930-2008 NOW ONLINE BOARD OF TRUSTEES Congressional Appointees: C. Kurt Dewhurst, Chair, Michigan Daniel Botkin, California Mickey Hart, California Dennis Holub, South Dakota William L. Kinney, Jr., South Carolina Charlie Seemann, Nevada Kay Kaufman Shelemay, Massachusetts Librarian Appointees: Jane Beck, Vice-chair, Vermont Maribel Alvarez, Arizona Read about a unique re Odetta Holmes Felious AFC has recently made Tom Rankin, North Carolina 15 3 cording of an iconic song, 13 Gordon was a remarkable webcasts available of its Donald Scott, Nevada and the colorful sailor who sang it singer, and a longtime friend of the 2008 public events. -
Good Luck, Seeker
The Waterboys – Good Luck, Seeker (48:38, CD, LP, Cooking Vinyl, 2020) Hoppla, schon wieder ein neues Album von The Waterboys. Es ist doch kaum mehr als ein gutes Jahr her, dass uns Mr. Scott „Where The Action Is“ vor die Füße warf. Schon da haben wir uns über seinen Arbeitseifer gewundert. „Good Luck, Seeker“ heißt das neue Werk. Gewisse Ähnlichkeiten mit den beiden Vorgängern sind nicht zu überhören.Scott s Vorgehensweise, die Songs auf teils recht simplen Patterns aufzubauen, kennzeichnet nun schon das dritte Werk in Folge. Das mag nicht jedem Langzeit-Fan schmecken, doch er lässt sich nicht beirren. Auch auf „Good Luck, Seeker“ serviert er uns wieder einige echte Perlen. Dazu zählt sicher die Hommage an sein Idol Van Morrisson ‚The Soul Singer‘, die das Album eröffnet. Ein herrlich altmodischer R&B Kracher. Heraus sticht ebenfalls der wuchtige fast siebenminütige Folk-Rock Jam ‚My Wanderings In The Weary Land‘. Das Stück nimmt Bezug auf den Titelsong des 2000er Albums „A Rock In The Weary Land“ und lebt von Scotts eindringlichem Sprechgesang. Da und dort hört man auch den Geist von Prince aus den Songs heraus. Passend zum Songtitel in ‚Kiss a Frog Or Two‘ und ganz besonders in der wirklich unwiderstehlichen Cover-Version von Kate Bushs ‚Why Should I Love You‘. Kein Wunder, hatte das verstorbene Genie aus Mineapolis das Original ja auch für Kate arrangiert. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. -
Clancy-Brothers-Festival-16Pp-May-1
HERI THE CLANCY BROTHERS The Clancy Brothers and Tommy Makem exploded onto the world stage when they took the Ed Sullivan Show by storm. They have since inspired generations of singers, musicians, songwriters and raconteurs, from Bob Dylan to Damien Dempsey. The Clancy Brothers Festival of Music and Art honours the tradition, melody and balladry of the world famous and hugely influential Carrick natives. Welcome (Mural by Sheila Wood - at Clancy House, Nano Nagle Resource Centre). Festival Information Point and Tourist Office The Festival Information Office is at the Tudor Artisan Hub, 42 Main Street, (next to the Strand Theatre), Phone 051 640921. The Hub will be handling bookings for the Children’s and Youth Workshops and The Strand Theatre. The Tourist Office is in the Heritage Centre,Main Street, Carrick-on-Suir. A team of dedicated staff is available to offer advice on the many tourist attractions in the town and hinterland. Tickets for the Brewery Lane Theatre, the Bread and Beer concert, and entry forms for competitions will be available here. Phone 051 640200. Thank you to our sponsors and patrons AIB Bank, Benny Gough Fencing, Bourkes Menswear & Leonies Boutique, Carrick-on-Suir Business Centre, Carrick-on-Suir Credit Union, Coghlan’s Careplus Pharmacy, Derivan Sexton & Co. Solicitors, GK Print, Haven Pharmacy Lannens, Iverk Produce, John Hearn Hardware, John Phelan Skip Hire, Marty’s Pantry, Meanys Shoes, Mullins & Treacy Solicitors, My Dress Bridal Wear, O’Sullivan Malone Accountants, Quinlan’s Mini Bus Hire, Suir Hire Centre, Terry Flynn Tours, The Iverk Show, Topline Clearys, Connor’s Live, Cooney’s Pub, Figgerty’s Pub, Junction Bar & Bistro, O’Ceallachain’s Bar & Bistro, Power’s Tullahought, Sliabh na mBan Bar, The Auld Rogue, The Carraig Hotel, The Royal Bar, The Whistler’s Inn, Anne Marie Power & Co. -
Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof
Bob Dylan Musician, Keith Negus. This file contains the pre-proof versions of Chapter One and Chapter Five from Bob Dylan, presented here in this format with the permission of Equinox Publishing. I have called this text Bob Dylan Musician because this was the original agreed title of the book right up to the moment just before publication when pressure from the US publisher resulted in the term ‘musician’ being reluctantly (from my perspective) expunged from the title. That word – musician – was there to concisely signal how my approach differs from most other books on Bob Dylan. I am interested in his work and practice as a musician, rather than his lyrics as poetry or the relationship between his biography and musical art. The book contains five chapters, so these two chapters introduce and conclude the study. If anyone would like electronic copies of additional chapters I am happy to provide these, as long as they are used only for research and teaching. Keith Negus June 2013 CHAPTER ONE Surroundings On 31 October 1964 Bob Dylan performed at the Philharmonic Hall in New York City, just two years after signing a recording contract and with four albums already released. Having quickly gained recognition as a folk ‘protest singer’ he was rapidly moving away from songs of social commentary and ‘finger pointing’. Dylan was beginning to use the popular song in a new and radical manner to explore more internal or subjective experiences, whilst experimenting with the sound, meaning and rhythm of words. Within three months, when recording his fifth album, no longer performing alone with acoustic guitar and harmonica, he was beginning to create an abrasive yet ethereal sonority, mixing the acoustic and electric textures of folk, electric blues, rock’n’roll, gospel, country and pop.