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Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Seanad Éireann
Vol. 250 Wednesday, No. 6 23 February 2017 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES SEANAD ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Insert Date Here 23/02/2017A00100Business of Seanad 371 23/02/2017A00225Commencement Matters 372 23/02/2017A00250Schools Building Projects �������������������������������������������������������������������������������������������������������������������������������������372 23/02/2017B00400Road Projects 373 23/02/2017C00400General Register Office 375 23/02/2017D00400Cancer Services Provision 377 23/02/2017G00100Order of Business 380 23/02/2017L01700Intoxicating Liquor (Amendment) Bill 2017: First Stage ������������������������������������������������������������������������������������390 23/02/2017M00100Establishment of Special Committee on Withdrawal of United Kingdom from European Union: Motion 390 23/02/2017M00500Business of Seanad 392 23/02/2017W00100The Diaspora: Statements �������������������������������������������������������������������������������������������������������������������������������������392 SEANAD ÉIREANN Déardaoin, 23 Feabhra 2017 -
Seanad Éireann
SEANAD ÉIREANN Dé Céadaoin, 21 Meitheamh, 2017 Wednesday, 21st June, 2017 ____________________ RIAR NA hOIBRE ORDER PAPER 43 SEANAD ÉIREANN 999 Dé Céadaoin, 21 Meitheamh, 2017 Wednesday, 21st June, 2017 10.30 a.m. ____________________ RIAR NA hOIBRE Order Paper ___________________ GNÓ POIBLÍ Public Business ____________________ 1. (l) An Bille um Theanga Chomharthaíochta na hÉireann do na Bodhair a Aithint, 2016 – An Coiste. (a) Recognition of Irish Sign Language for the Deaf Community Bill 2016 – Committee. – Senators Mark Daly, Catherine Ardagh, Keith Swanick. ____________________ 2. An Bille um Fhorbairt Peitriliam agus Mianraí Eile (Toirmeasc ar Scoilteadh Hiodrálach i dTír Mór), 2016 athraithe ó An Bille um Thoirmeasc ar Pheitriliam i dTír Mór a Thaiscéaladh agus a Astarraingt, 2016 [Dáil] — An Dara Céim. Petroleum and Other Minerals Development (Prohibition of Onshore Hydraulic Fracturing) Bill 2016 changed from Prohibition of the Exploration and Extraction of Onshore Petroleum Bill 2016 [Dáil] — Second Stage. ____________________ 3. An Bille Meabhair-Shláinte (Leasú), 2016 – An Dara Céim. Mental Health (Amendment) Bill 2016 – Second Stage. – Senators Joan Freeman, Gerard P. Craughwell, Marie-Louise O'Donnell. ____________________ 4. Bille an Bhainc Ceannais agus Údarás Seirbhísí Airgeadais na hÉireann (Leasú), 2014 [Dáil] – An Dara Céim. Central Bank and Financial Services Authority of Ireland (Amendment) Bill 2014 [Dáil] – Second Stage. ____________________ 5. An Bille um Cheartas Coiriúil, 2016 athraithe ó An Bille um Bannaí -
John Bull's Other Ireland
John Bull’s Other Ireland: Manchester-Irish Identities and a Generation of Performance Item Type Thesis or dissertation Authors O'Sullivan, Brendan M. Citation O'Sullivan, B. M. (2017). John Bull’s Other Ireland: Manchester- Irish identities and a generation of performance (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Download date 28/09/2021 05:41:52 Link to Item http://hdl.handle.net/10034/620650 John Bull’s Other Ireland Manchester-Irish Identities and a Generation of Performance Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Brendan Michael O’Sullivan May 2017 Declaration The material being presented for examination is my own work and has not been submitted for an award of this, or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis has been undertaken collaboratively, the nature of my individual contribution has been made explicit. ii Table of Contents Preface .......................................................................................................... 2 Locating Theory and Method in Performance Studies and Ethnography. .. 2 Chapter 1 ..................................................................................................... 12 Forgotten but not Gone ............................................................................ 12 Chapter 2 .................................................................................................... -
Fhfest Walk 2012
‘Dublin‘Dublin CanCan BeBe Heaven’Heaven’ TraditionalTraditional SingingSinging andand WalkingWalking TourTour SundaySunday 23rd23rd September,September, 11:00am,11:00am, TrinityTrinity CollegeCollege EnEntrance.trance. CollegeCollege GreenGreen Frank Harte Festival 2012 AN GÓILÍN - FRANK HARTE FESTIVAL Dublin Traditional Singing and Walking Tour Sunday 23rd September his year’s Frank Harte Festival walk will commence at the main entrance to Trinity College at College Green. TCD, the Alma Mater of Bram Stoker Twhose centenary is celebrated this year is appropriately the starting point for the walk as many of those featured in the walk were educated there including the lyricist Thomas Moore whose adjacent statue provides the second stop on the tour. This is the first of the many of the statues and memorials to famous Irish people and events which shaped the city’s and Ireland’s history that this years walk will visit. At each of the selected memorials a relevant tune, song or poem will be per- formed by Góilín regulars or festival guests maintaining Frank Harte’s belief that ‘those in power write the history and those who suffer write the songs’. The route this year will explore historic College Green then saunter up Grafton Street and its environs into St Stephens Green and continue along Merrion Row, turn into Merrion Street to Merrion Square to the last stop at the memorial to Oscar Wilde. The walkers are invited to then proceed to O’Donoghue’s of Merrion Row where the music and songs of the Dubliners will be fondly remembered. The theme of this year’s walk is Dublin Can Be Heaven better known as The Dublin Saunter – a song made famous by Dublin actor and entertainer Noel Purcell who was born in the Grafton Street vicinity. -
Niall Burgess to Receive Prestigious Macbride Award in New Orleans Promoting Membership in the Order
D A T OUR job E ake it Y D M ® rder O M to grow the A T E R I A L —HIS EMINENCE, PATRICK CARDINAL O’DONNELL of Ireland Vol. LXXXIV No. 3 USPS 373340 June-July 2017 1.50 Niall Burgess to Receive Prestigious MacBride Award in New Orleans Niall Burgess, Secretary General of the Department of Foreign the border counties. Affairs and Trade, Dublin, Ireland, will receive the prestigious As a director in the Anglo MacBride award during the National AOH-LAOH Presidents’ Irish Department, a large part dinner in New Orleans this October 14. The award was established of his task was dealing with to memorialize the Human Rights contributions made by Nobel politicians such as the Peace Laureate Dr. Sean MacBride and to recognize the efforts of Reverend Ian Paisley on behalf others who made similar contributions in the cause of peace, of the Irish government, and justice and the economic well being of the Irish people. Niall ensuring that lines of Burgess, who was appointed Secretary General of the Department communication were kept In This Issue… of Foreign Affairs in April 2014, exemplifies everything this award open. In May 2007 Burgess was stands for. appointed Consul General in Project St. Patrick Niall is a descendant of 1916 Rising hero Cathal Brugha New York with a broad range (Burgess in Gaelic). He served as a diplomat on the front line in the of responsibilities, including Niall Burgess historic run-up to the Good Friday Agreement and the shared business, cultural and com - government in Northern Ireland Executive. -
Review of Implementation of Global Irish – Ireland's Diaspora Policy
Review of Implementation of Global Irish – Ireland’s Diaspora Policy www.dfa.ie/global-irish/ Civic Forum IRISH ABROAD UNIT Annual Report 2017 Contents Introduction 3 Part I 4 More accessible support 4 More targeted/prioritised support 5 More accountable support 6 More joined up/comprehensive support 7 More strategic support/next generation 8 Part II 9 1. Supporting the Diaspora 9 2. Connecting with the Diaspora 13 3. Facilitating Diaspora Engagement 19 4. Recognising the Diaspora 26 5. Evolving Diaspora Policy 29 Conclusion 32 2 www.dfa.ie/global-irish | @Globalirish Civic Forum IRISH ABROAD UNIT Review of Implementation of Global Irish – Ireland’s Diaspora Policy Introduction Global Irish – Ireland’s Diaspora Policy was published in March 20151. It was the first comprehensive articulation of the Irish Government’s policy in relation to the Irish diaspora around the world. The vision put forward is of a Government policy which supports, engages and encourages: ‘A vibrant, diverse global Irish community, connected to Ireland and to each other.’ One of the most important initiatives of Global Irish – Ireland’s Diaspora Policy (hereafter referred to as the Diaspora Policy) was the creation of a new Inter-Departmental Committee on the Irish Abroad. The role of the Committee is to ensure that government works in a joined-up way to realise the objectives of the diaspora strategy, including addressing issues affecting the Irish abroad and those seeking to return. The Policy commits the Committee to review the implementation of this policy after two years. Having considered in some detail the implementation of the Policy to date, and building on input from diaspora stakeholders through events like the Global Irish Civic Forum, Part I of this document sets out a renewed focus for support for the diaspora over the coming period. -
Trotskyists Debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 Reason in Revolt Trotskyists Debate Ireland 1939, Mid-50S, 1969
Trotskyists debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 www.workersliberty.org Reason in revolt Trotskyists debate Ireland 1939, mid-50s, 1969 1 Workers’ Liberty Trotskyists debate Ireland Introduction: freeing Marxism from pseudo-Marxist legacy By Sean Matgamna “Since my early days I have got, through Marx and Engels, Slavic peoples; the annihilation of Jews, gypsies, and god the greatest sympathy and esteem for the heroic struggle of knows who else. the Irish for their independence” — Leon Trotsky, letter to If nonetheless Irish nationalists, Irish “anti-imperialists”, Contents Nora Connolly, 6 June 1936 could ignore the especially depraved and demented charac - ter of England’s imperialist enemy, and wanted it to prevail In 1940, after the American Trotskyists split, the Shachtman on the calculation that Catholic Nationalist Ireland might group issued a ringing declaration in support of the idea of gain, that was nationalism (the nationalism of a very small 2. Introduction: freeing Marxism from a “Third Camp” — the camp of the politically independent part of the people of Europe), erected into absolute chauvin - revolutionary working class and of genuine national liberation ism taken to the level of political dementia. pseudo-Marxist legacy, by Sean Matgamna movements against imperialism. And, of course, the IRA leaders who entered into agree - “What does the Third Camp mean?”, it asked, and it ment with Hitler represented only a very small segment of 5. 1948: Irish Trotskyists call for a united replied: Irish opinion, even of generally anti-British Irish opinion. “It means Czech students fighting the Gestapo in the The presumption of the IRA, which literally saw itself as Ireland with autonomy for the Protestant streets of Prague and dying before Nazi rifles in the class - the legitimate government of Ireland, to pursue its own for - rooms, with revolutionary slogans on their lips. -
TUNE BOOK Kingston Irish Slow Session
Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected]. -
The Sound of Freedom Ann Murtagh
The Sound of Freedom ISBN 978-1-78849-125-9 eBook ISBN 978-1-78849-199-0 Ann Murtagh Historical note from the author The Sound of Freedom is a fictional story, but it is based ‘I could be drilling with the men in the fields by firmly on history. Here are some facts that are woven into Sunday.’ the story, along with references for those who want to Local companies, such as the Glenidan Company, often find out more. drilled in the fields at night. Chapter 1 IMA, BMH, WS 1439, James Maguire. ‘Soldiers are we, whose lives are pledged to … the cold air was filled with the clanging of Joe Ireland.’ Lynch’s hammer on the hoop of a barrel. This is the first line of the chorus of the ‘Soldier’s Song’, Joe Lynch was a cooper in the local area (Ankerland). composed by Peadar Kearney and Patrick Heeney in 1907. www.duchas.ie/en/cbes/5009029/4979045 It later became a popular marching song for the Irish Volunteers. It was translated into Irish in the 1920s and Chapter 2 used as the Irish national anthem from 1926. historyireland.com/20th-century-contemporary-history/ Sinn Féin members and supporters were well countdown-to-2016-a-soldiers-song-amhran-na-bhfiann/ used to being called by the nickname ‘Rainbow Chasers’. ‘We’re all under instructions from Dev not to ‘Rainbow Chasers’ was the name given to members have anything to do with the RIC and it’s not of the Sinn Féin party and its supporters by the Irish sitting well with them.’ Parliamentary Party or Home Rule Party. -
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords. -
Area Irish Music Events
MOHAWK VALLEY IRISH CULTURAL Volume 13, Issue 4 EVENTS NEWSLETTER Apr 2016 “Hel-l-o-o-o-o Central New York!” Elders Headline “An Irish Night at the Stanley” The boys – and lady -- are back! Area favorites and Great American Irish Festival perennials, the Elders, make a rare return to the area this weekend, bringing their high-energy Celtic roots show to the magnificent Stanley Theater, on Friday, April 8th; headlining “An Irish Night at the Stanley.” Kicking off the 7:30 concert will be Hair of the Dog from the Capitol District, and local favorites, the Blarney Rebel Band. Also appearing during the show will be dancers from the Butler-Sheehan Academy of Traditional Irish Dance and the Johnston School of Irish Dance. The Elders – guitarist Steve Phillips, multi-instrumentalist Brent Hoad, bassist Norm Dahlor, fiddler Diana Ladio, drummer/mandolinist Kian Byrne and indefatigable front man, Ian Byrne – captured the hearts and ears of Central New York in their first GAIF appearance in 2007, and while their lineup has seen some changes since then, their infectious energy has, if anything, gotten stronger. Since forming in 1998, The Elders have set the American music scene on its ear, thanks to a skillful mix of amped-up roots rock, augmented with powerful vocals, blazing instrumentals and top-notch song writing. Their songs are mystical, comical, political and cultural and cover a variety of topics like poverty, civil war, family bonds, spirituality, love and friendship; recounting stories of people, places and events, real and imagined. The Elders have produced seven full-length studio CDs and three live CD/DVDs, and their latest album “Story Road” cements their position as a great band at the top of their game.