John Bull's Other Ireland

Total Page:16

File Type:pdf, Size:1020Kb

John Bull's Other Ireland John Bull’s Other Ireland: Manchester-Irish Identities and a Generation of Performance Item Type Thesis or dissertation Authors O'Sullivan, Brendan M. Citation O'Sullivan, B. M. (2017). John Bull’s Other Ireland: Manchester- Irish identities and a generation of performance (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Download date 28/09/2021 05:41:52 Link to Item http://hdl.handle.net/10034/620650 John Bull’s Other Ireland Manchester-Irish Identities and a Generation of Performance Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Brendan Michael O’Sullivan May 2017 Declaration The material being presented for examination is my own work and has not been submitted for an award of this, or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis has been undertaken collaboratively, the nature of my individual contribution has been made explicit. ii Table of Contents Preface .......................................................................................................... 2 Locating Theory and Method in Performance Studies and Ethnography. .. 2 Chapter 1 ..................................................................................................... 12 Forgotten but not Gone ............................................................................ 12 Chapter 2 ..................................................................................................... 29 A Nation Once Again? .............................................................................. 29 Chapter 3 ..................................................................................................... 61 From Masks to Voices .............................................................................. 61 Chapter 4 ..................................................................................................... 91 Intimacy and Distance .............................................................................. 91 Chapter 5 ................................................................................................... 177 Terry Christian ........................................................................................ 177 “Who the f*** does Terry Christian think he is?” ..................................... 177 Chapter 6 ................................................................................................... 211 Steve Coogan ......................................................................................... 211 “I’m a bit Irish… mmm you know what I mean”. ...................................... 211 Conclusion ................................................................................................. 279 Considerations and suggestions for further research ............................. 284 The Final Word? ..................................................................................... 287 Appendix A ................................................................................................ 312 Spreadsheet of Contributors................................................................... 312 Appendix B ................................................................................................ 314 Example email follow up to initial telephone conversation ...................... 314 Appendix C ................................................................................................ 317 Interview prompts ................................................................................... 317 Appendix D ................................................................................................ 320 Consent form .......................................................................................... 320 iii Abstract This thesis provides an auto-ethnographically informed ‘making strange’ of the mise-en-scène of Irish working class domesticity in the North West of England as it was lived during the 1960s, 1970s and into the 1980s. The liminality of being a child of migrant parents is considered and the interstices of experience and identity in and of England and Ireland, Englishness and Irishness are explored. The first chapter of the thesis draws the reader into the initial frame of reference, the personal childhood ethnography that inspired this wider study, and considers Bhabha’s ‘shadow of the nation’ falling ‘on the condition of exile’ as one context for the development of individual identities. The second chapter examines the ways in which a performance studies approach provides a useful method for interrogating matters of place, personhood and citizenship whilst the third chapter introduces performance theory as a mechanism for exploring the ways in which quotidian and cultural performance have been harnessed as tools of negotiation. These are sometimes resistant, sometimes affirmative and sometimes celebratory acts in the construction of new identities. Ongoing performances reveal the embodied histories of individual performers, shaped in part by culture and memory, masking and unmasking to both construct and reveal layered identities. The fourth chapter, provides the most obvious example of traditional fieldwork, and draws on interview extracts to provide key insights into aspects of the diasporic context, identifying and analyzing the many rehearsal and performance opportunities provided by growing up in Irish households in England, where identities were initially formed, informed, and performed. Bridging the distinction between autoethnography, performance ethnography and the ethnography of performance, this chapter engages in discussion with a range of contributors defamiliarising the domestic mise-en-scène whilst simultaneously recognizing a commonality of experience. These interviews are themselves a celebration of Irish identity performance and form an important bridge between the theoretical framework explored in the opening chapters and the subsequent case studies. iv The final section of the thesis searches out a mirroring of these processes in the construction of theatrical and mediatised performance – providing opportunities to both utilize and observe performance ethnography and the ethnography of performance. It is suggested that Terry Christian provides an affirmative yet angry celebration in a complex performed response to a complex mise-en-scène. A new reading of Steve Coogan’s work then suggests three modes of performance: first, Coogan the outsider satirises British mores; second, Coogan plays sophisticated games of revealing and masking multiple versions of self; third, a searching and ultimately serious engagement with his engagement with Ireland. The application of a performance theory perspective, in the context of this fraction of the Irish diaspora, reveals a playful and generous spirited approach to complex and serious matters of identity and place in the world – to the ways in which lives are led and meanings made through and for the generation of performance. v Acknowledgements I would like to express deep gratitude to my supervisor Professor Peter Harrop. Spotting potential in early drafts he has propelled my work from being, in his words, “the beginnings of the first third of an idea” to the thesis presented here. Having worked closely together in the Faculty of Arts and Media and now having supervised this thesis, Peter probably knows more about me than just about any other living person. My appreciation goes to Professor Darren Sproston, Associate Dean and Head of the Department of Performing Arts for his unswerving optimism and incalculable levels of personal and professional support. Thanks must also go to Faculty Administrators Wendy Miller and Debbie Wilkinson who have supported me and the faculty through some very demanding times. I am also most grateful to the University of Chester and many university colleagues who recognized and engineered the flexibility required to engage in such study. I am particularly appreciative to Steve Coogan and Terry Christian, who took time to share their personal reflections with me in support of this research, and to all of those who agreed to be interviewed for this study. Though you are mostly anonymised in the pages of this thesis you have brought to life, in a most illuminating and compelling way, the complexity and the fun of being raised in Irish households in England during the latter half of the twentieth century. In writing this thesis I must recognise my Brother and Sister, Paul and Marie, who have intrinsically informed this work. Those nights performing as The Bards of Bantry will live long in the memory. Also to Paul, Andy and Kieran who wrote and performed now long forgotten songs by The Quiet Men. My wife, Caroline, deserves particular thanks for not “pampering life’s complexities” yet understanding my anxieties and shortcomings and who, alongside Peter, ensured that I kept this work on track. I genuinely could not have completed this work without her love and support. Also my beautiful daughter Leah, who kept me both grounded and confused, diluting my vi authorial pretentions by reminding me that I was simply writing about “people who were half-Irish” First and last, this thesis is dedicated to my father and in memoriam my mother. vii John Bull’s Other Ireland Manchester-Irish Identities and the Generation of Performance. Well now we’re second generation and we’ve lived here all our lives
Recommended publications
  • Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000.
    [Show full text]
  • Sponsorship Opportunity: I Am Ireland Film For
    the Irish Fellowship Club of Chicago presents A concert being presented at Old Saint Pat’s in Chicago for broadcast on PBS “There will be all manner of celebrations during next year’s centennial but it’s hard – almost impossible – to imagine any will be as moving, entertaining, enlightening or soaring as I AM IRELAND.” – rick kogan, the chicago tribune I AM IRELAND The History of Ireland’s Road to Freedom 1798 ~ 1916 “As told through songs of her people” TELLING THE STORY OF IRISH INDEPENDENCE AND CREATING A LEGACY THAT WILL LIVE FOR GENERATIONS TO COME he goal of the I AM IRELAND show is to record the story of Ireland’s road to freedom filmed before a live audience at Old St. TPatrick’s Church in Chicago over a three-day period in the Fall of 2019, for distribution through the PBS Television Network. We are seek- ing to raise $500,000 to cover the cost of this production while simulta- neously raising scholarship funds for the Irish Fellowship Educational and Cultural Foundation. This filming and recording will be carried out by the acclaimed HMS Media Group, who recently filmed for broadcast the highly rated Chicago Voices Concert, (2017) featuring Renée Fleming and more recently, Jesus Christ Superstar for PBS. The I AM IRELAND show will feature traditional Irish Tenor Paddy Homan, together with 35 musicians from The City Lights Orchestra, under the direction of Rich Daniels. Additionally, there will be three traditional Irish musicians, along with an All-Ireland traditional Irish step dancer. The ninety-minute show takes audiences on a journey through the songs and speeches of Ireland’s road to freedom between 1798 and 1916.
    [Show full text]
  • The Drama of German Expressionism He National Theatre Recently Staged a Pile of the Bank’S Money; His Wife and the Fate of the Main Character
    VOLUME 14 NO.3 MARCH 2014 journal The Association of Jewish Refugees The drama of German Expressionism he National Theatre recently staged a pile of the bank’s money; his Wife and the fate of the main character. an important, but rarely seen, play Daughters, representing the conventional The play’s language is stripped down to its by the best-known of the German family life that he abandons; and the various basics for maximum expressive effect, in line TExpressionist dramatists, Georg Kaiser figures that he subsequently encounters in with the Expressionists’ desire to rediscover (1878-1945). From Morning to Midnight his whirlwind, one-day trajectory through the essential humanity of mankind beneath (Von morgens bis mitternachts) was written the deadening layers of modern life. This in 1912 and first performed in April 1917 striking, declamatory style was known at the Munich Kammerspiele. It is a classic as the ‘Telegrammstil’, attributed first to piece of Expressionist theatre, with its the poet August Stramm: ‘Mensch, werde clipped, staccato dialogue, its abandonment wesentlich!’ (‘Man, become essential!’) was of a conventionally structured plot and the final line of the poem ‘Der Spruch’ realistic, individualised characters, and (‘The Saying’) by the Expressionist poet its attempt to pierce through the surface Ernst Stadler. The characteristic mode of detail of everyday bourgeois life to convey expression for these writers was a rhetorical the deeper reality of human existence in an outcry of extreme intensity, which became industrialised, mechanised society devoid of known as ‘der Schrei’ (‘the scream’), with values beyond soulless materialism. obvious reference to the celebrated painting Although this play was performed at by Edvard Munch.
    [Show full text]
  • Harness Horse of the Year, 1947-2017 Hannelore Hanover Is the 59Th Horse and 27Th Trotter of the U.S
    Awards and Earnings Harness Horse of the Year, 1947-2017 Hannelore Hanover is the 59th horse and 27th trotter of the U.S. Harness Writers Association by the U.S. to be honored as Horse of the Year in the 71-year Trotting Association. The list below gives performance history of the balloting as now conducted on behalf data for the year in which each was chosen: Year Horse Age Gait Sts. W P S Best Time Earnings 2017 Hannelore Hanover ...................5.......... T ....... 17 .........10 ......5 ........0 ...................1:492 ............. $1,049,129 2016 Always B Miki ...........................5...........P ........ 18 .........12 ......5 ........0 ...................1:46................. 1,487,292 2015 Wiggle It Jiggleit (g) ...................3...........P ........ 26 .........22 ......3 ........0 ...................1:474 ............... 2,181,995 2014 JK She’salady (f) .........................2...........P ........ 12 .........12 ......0 ........0 ...................1:501s ................. 883,330 2013 Bee A Magician (f) .....................3.......... T ....... 17 .........17 ......0 ........0 ...................1:51................. 1,547,304 2012 Chapter Seven ............................4.......... T ....... 10 ...........8 ......2 ........0 ...................1:501 ............... 1,023,025 2011 San Pail ......................................7.......... T ....... 16 .........14 ......2 ........0 ...................1:504 ............... 1,289,000 2010 Rock N Roll Heaven ..................3...........P ........ 21 .........16
    [Show full text]
  • 12 Hours Opens Under Blue Skies and Yellow Flags
    C M Y K INSPIRING Instead of loading up on candy, fill your kids’ baskets EASTER with gifts that inspire creativity and learning B1 Devils knock off county EWS UN s rivals back to back A9 NHighlands County’s Hometown Newspaper-S Since 1927 75¢ Cammie Lester to headline benefit Plan for spray field for Champion for Children A5 at AP airport raises a bit of a stink A3 www.newssun.com Sunday, March 16, 2014 Health A PERFECT DAY Dept. in LP to FOR A RACE be open To offer services every other Friday starting March 28 BY PHIL ATTINGER Staff Writer SEBRING — After meet- ing with school and coun- ty elected officials Thurs- day, Florida Department of Health staff said the Lake Placid office at 106 N, Main Ave. will be reopen- ing, but with a reduced schedule. Tom Moran, depart- ment spokesman, said in a Katara Simmons/News-Sun press release that the Flor- The Mobil 1 62nd Annual 12 Hours of Sebring gets off to a flawless start Saturday morning at Sebring International Raceway. ida Department of Health in Highlands County is continuing services at the Lake Placid office ev- 12 Hours opens under blue ery other Friday starting March 28. “The Department con- skies and yellow flags tinues to work closely with local partners to ensure BY BARRY FOSTER Final results online at Gurney Bend area of the health services are avail- News-Sun Correspondent www.newssun.com 3.74-mile course. Emergen- able to the people of High- cy workers had a tough time lands County.
    [Show full text]
  • The War of 1812 and American Self-Image
    Educational materials developed through the Howard County History Labs Program, a partnership between the Howard County Public School System and the UMBC Center for History Education. The War of 1812 and American Self-Image Historical Thinking Skills Assessed: Sourcing, Close Reading, Corroboration Author/School/System: Emily Savopoulos, Howard County Public School System, Maryland Course: United States History Level: Middle Task Question: How did Americans' opinion of the United States change during the War of 1812? Learning Outcome: Students will be able to describe the change in opinion of Americans toward the United States during the War of 1812 based on a close reading and corroboration of two editorial cartoons. Standards Alignment: Common Core Standards for Literacy in History/Social Studies RH.6-8.1 Cite specific textual evidence to support analysis of primary and secondary sources. RH.6-8.2 Determine the central ideas or information of a primary or secondary source; provide an accurate summary of the source distinct from prior knowledge or opinions. RH.6-8.7 Integrate visual information (e.g. charts, graphs, photographs, videos, or maps) with other information in print and digital texts. National History Standards Era 3: Revolution and the New Nation (1754-1820s) Standard 3: The institutions and practices of government created during the Revolution and how they were revised between 1787 and 1815 to create the foundation of the American political system based on the U.S. Constitution and the Bill of Rights. College, Career, and Civic Life (C3) Framework for Social Studies Standards D2.His.2.6-8 Classify series of historical events and developments as examples of change and/or continuity.
    [Show full text]
  • The General Stud Book : Containing Pedigrees of Race Horses, &C
    ^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view.
    [Show full text]
  • Radio 4 Listings for 10 – 16 April 2021 Page 1 of 17
    Radio 4 Listings for 10 – 16 April 2021 Page 1 of 17 SATURDAY 10 APRIL 2021 A Made in Manchester production for BBC Radio 4 his adored older brother Stephen was killed in a racially motivated attack. Determined to have an positive impact on SAT 00:00 Midnight News (m000twvj) young people, he became a teacher, and is now a motivational The latest news and weather forecast from BBC Radio 4. SAT 06:00 News and Papers (m000v236) speaker. The latest news headlines. Including the weather and a look at Tiggi Trethowan is a listener who contacted us with her story of the papers. losing her sight. SAT 00:32 Meditation (m000vjcv) Ade Adepitan is a paralympian and TV presenter whose latest A meditation following the death of His Royal Highness Prince series meets the people whose lives have already been affected Philip, Duke of Edinburgh, led by the Rev Dr Sam Wells, Vicar SAT 06:07 Open Country (m000twh9) by climate change. of St Martin-in-the-Fields, in London. Canna Alice Cooper chooses his Inheritance Tracks: Train Kept a Rollin’ by The Yardbirds and Thunderclap Newman, Something Canna is four miles long and one mile wide. It has no doctor in the air SAT 00:48 Shipping Forecast (m000twvl) and the primary school closed a few years ago. The islanders and your Thank you. The latest weather reports and forecasts for UK shipping. depend on a weekly ferry service for post, food and medical Producer: Corinna Jones supplies. Fiona Mackenzie and her husband, Donald, have lived on the island for six years.
    [Show full text]
  • Challenging the People, the State and the Patriarchy in 1980S Irish Theatre
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Provoking performance: challenging the people, the state and the patriarchy in 1980s Irish Theatre Author(s) O'Beirne, Patricia Publication Date 2018-08-28 Publisher NUI Galway Item record http://hdl.handle.net/10379/14942 Downloaded 2021-09-27T14:54:59Z Some rights reserved. For more information, please see the item record link above. Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre Candidate: Patricia O’Beirne Supervisor: Dr. Ian Walsh School: School of Humanities Discipline: Drama and Theatre Studies Institution: National University of Ireland, Galway Submission Date: August 2018 Summary of Contents: Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre This thesis offers new perspectives and knowledge to the discipline of Irish theatre studies and historiography and addresses an overlooked period of Irish theatre. It aims to investigate playwriting and theatre-making in the Republic of Ireland during the 1980s. Theatre’s response to failures of the Irish state, to the civil war in Northern Ireland, and to feminist and working-class concerns are explored in this thesis; it is as much an exploration of the 1980s as it is of plays and playwrights during the decade. As identified by a literature review, scholarly and critical attention during the 1980s was drawn towards Northern Ireland where playwrights were engaging directly with the conflict in Northern Ireland. This means that proportionally the work of many playwrights in the Republic remains unexamined and unpublished.
    [Show full text]
  • Defining John Bull: Political Caricature and National Identity in Late Georgian England
    Published on Reviews in History (https://reviews.history.ac.uk) Defining John Bull: Political Caricature and National Identity in Late Georgian England Review Number: 360 Publish date: Saturday, 1 November, 2003 Author: Tamara Hunt ISBN: 1840142685 Date of Publication: 2003 Price: £57.50 Pages: 452pp. Publisher: Ashgate Publisher url: https://www.ashgate.com/default.aspx?page=637&calcTitle=1&title_id=1454&edition_id=1525 Place of Publication: Aldershot Reviewer: David Johnson The period between 1760 and 1820 was the golden age of British pictorial satire. But only in the last 20 years have the artists and their work attracted serious study in their own right. Rather than being seen as attractive but essentially incidental illustrations for the study of British society and politics, political and social caricatures are now analysed in depth as both a reflection of, and sometimes a formative influence upon, public opinion. Increasingly their propagandist role as tools in the hands of national government or opposition is recognised. The creators of what are often highly sophisticated and intricate images are now regarded as serious artists, and the importance of their place in the political and social world of the time recognised. The setting up of a national centre in Britain for the study of cartoons and caricature at the University of Kent at Canterbury (see http://library.kent.ac.uk/cartoons [2]) and the major James Gillray exhibition at the Tate Gallery in 2001 (see http://www.tate.org.uk/britain/exhibitions/gillray/ [3]) have set the agenda, while Diana Donald's The Age of Caricature: Satirical Prints in the Reign of George III (New Haven and London: Yale University Press, 1996) is currently the seminal text.
    [Show full text]
  • Goldie, Paul (2019) 'Finding' the Female Irish
    Goldie, Paul (2019) ‘Finding’ the Female Irish Catholic Diaspora: a qualitative investigation of the experiences of women in Glasgow. PhD thesis. http://theses.gla.ac.uk/81505/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ research-enlighten@glasgow.ac.uk ‘Finding’ the Female Irish Catholic Diaspora: a qualitative investigation of the experiences of women in Glasgow Paul Goldie MSc Equality and Human Rights Masters in Social Research with Sociology Submitted in fulfilment of the requirements of the Degree of Doctor of Philosophy in Sociology School of Social and Political Sciences College of Social Sciences University of Glasgow February 2020 2 Abstract There has been much scholarly interest in the Irish Catholic Question in Scotland in recent years. The research which has been conducted has been undertaken largely by quantitative sociologists who seek to ascertain whether structural disadvantages still impact on the life-chances of Catholics in Scotland, with the category Catholic being deployed as a synonym for the Irish in Scotland. However, to date there has been little in the way of qualitative studies examining the actual experiences of people from an Irish Catholic heritage.
    [Show full text]
  • Redalyc.CONTEMPORARY IRISH THEATRE
    Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 ilhadodesterro@gmail.com Universidade Federal de Santa Catarina Brasil Kopschitz X. Bastos, Beatriz; O’Shea, José Roberto CONTEMPORARY IRISH THEATRE: A DYNAMIC COLLECTION OF CRITICAL VOICES Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 11-22 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Contemporary Irish Theatre... 11 CONTEMPORARY IRISH THEATRE: A DYNAMIC COLLECTION OF CRITICAL VOICES The current issue of Ilha do Desterro explores aspects of contemporary Irish theatre, within the island of Ireland and in its international contexts, after 1950: this is the first publication in Brazil dedicated specifically to critical contribution in this field. The articles by scholars and theatre practitioners from various countries apart from Brazil and Ireland, such as The United States, France, Italy, Germany, and the Czech Republic, address the work of individual writers as well of theatre groups, considering textual and performance practices, most of them not confined to the areas of theatre and literature, but including considerations on other fields of knowledge such as politics, economics, history, philosophy, media and film studies, arts and psychology. Carefully and passionately written, the texts feature a variety of theoretical frameworks and research methods.
    [Show full text]