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Irish Cultural Center of Cincinnati to Hold Green Tie Affair
Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Sponsorship Opportunity: I Am Ireland Film For
the Irish Fellowship Club of Chicago presents A concert being presented at Old Saint Pat’s in Chicago for broadcast on PBS “There will be all manner of celebrations during next year’s centennial but it’s hard – almost impossible – to imagine any will be as moving, entertaining, enlightening or soaring as I AM IRELAND.” – rick kogan, the chicago tribune I AM IRELAND The History of Ireland’s Road to Freedom 1798 ~ 1916 “As told through songs of her people” TELLING THE STORY OF IRISH INDEPENDENCE AND CREATING A LEGACY THAT WILL LIVE FOR GENERATIONS TO COME he goal of the I AM IRELAND show is to record the story of Ireland’s road to freedom filmed before a live audience at Old St. TPatrick’s Church in Chicago over a three-day period in the Fall of 2019, for distribution through the PBS Television Network. We are seek- ing to raise $500,000 to cover the cost of this production while simulta- neously raising scholarship funds for the Irish Fellowship Educational and Cultural Foundation. This filming and recording will be carried out by the acclaimed HMS Media Group, who recently filmed for broadcast the highly rated Chicago Voices Concert, (2017) featuring Renée Fleming and more recently, Jesus Christ Superstar for PBS. The I AM IRELAND show will feature traditional Irish Tenor Paddy Homan, together with 35 musicians from The City Lights Orchestra, under the direction of Rich Daniels. Additionally, there will be three traditional Irish musicians, along with an All-Ireland traditional Irish step dancer. The ninety-minute show takes audiences on a journey through the songs and speeches of Ireland’s road to freedom between 1798 and 1916. -
John Bull's Other Ireland
John Bull’s Other Ireland: Manchester-Irish Identities and a Generation of Performance Item Type Thesis or dissertation Authors O'Sullivan, Brendan M. Citation O'Sullivan, B. M. (2017). John Bull’s Other Ireland: Manchester- Irish identities and a generation of performance (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Download date 28/09/2021 05:41:52 Link to Item http://hdl.handle.net/10034/620650 John Bull’s Other Ireland Manchester-Irish Identities and a Generation of Performance Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Brendan Michael O’Sullivan May 2017 Declaration The material being presented for examination is my own work and has not been submitted for an award of this, or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis has been undertaken collaboratively, the nature of my individual contribution has been made explicit. ii Table of Contents Preface .......................................................................................................... 2 Locating Theory and Method in Performance Studies and Ethnography. .. 2 Chapter 1 ..................................................................................................... 12 Forgotten but not Gone ............................................................................ 12 Chapter 2 .................................................................................................... -
Trotskyists Debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 Reason in Revolt Trotskyists Debate Ireland 1939, Mid-50S, 1969
Trotskyists debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 www.workersliberty.org Reason in revolt Trotskyists debate Ireland 1939, mid-50s, 1969 1 Workers’ Liberty Trotskyists debate Ireland Introduction: freeing Marxism from pseudo-Marxist legacy By Sean Matgamna “Since my early days I have got, through Marx and Engels, Slavic peoples; the annihilation of Jews, gypsies, and god the greatest sympathy and esteem for the heroic struggle of knows who else. the Irish for their independence” — Leon Trotsky, letter to If nonetheless Irish nationalists, Irish “anti-imperialists”, Contents Nora Connolly, 6 June 1936 could ignore the especially depraved and demented charac - ter of England’s imperialist enemy, and wanted it to prevail In 1940, after the American Trotskyists split, the Shachtman on the calculation that Catholic Nationalist Ireland might group issued a ringing declaration in support of the idea of gain, that was nationalism (the nationalism of a very small 2. Introduction: freeing Marxism from a “Third Camp” — the camp of the politically independent part of the people of Europe), erected into absolute chauvin - revolutionary working class and of genuine national liberation ism taken to the level of political dementia. pseudo-Marxist legacy, by Sean Matgamna movements against imperialism. And, of course, the IRA leaders who entered into agree - “What does the Third Camp mean?”, it asked, and it ment with Hitler represented only a very small segment of 5. 1948: Irish Trotskyists call for a united replied: Irish opinion, even of generally anti-British Irish opinion. “It means Czech students fighting the Gestapo in the The presumption of the IRA, which literally saw itself as Ireland with autonomy for the Protestant streets of Prague and dying before Nazi rifles in the class - the legitimate government of Ireland, to pursue its own for - rooms, with revolutionary slogans on their lips. -
Brendan Behan Interviews and Recollections
Brendan Behan Interviews and Recollections Volume 1 Also by E. H. Mikhail The Social and Cultural Setting of the 189os John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama 1899-1970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with John O'Riordan) J. M. Synge: A Bibliography of Criticism Contemporary British Drama 195o-1976 J. M. Synge: Interviews and Recollections (editor) W. B. Yeats: Interviews and Recollections (two volumes) (editor) English Drama I900-1950 Lady Gregory: Interviews and Recollections (editor) Oscar Wilde: An Annotated Bibliography of Criticism Oscar Wilde: Interviews and Recollections (two volumes) (editor) A Research Guide to Modern Irish Dramatists The Art of Brendan Behan Brendan Behan: An Annotated Bibliography of Criticism An Annotated Bibliography of Modern Anglo-Irish Drama Lady Gregory: An Annotated Bibliography of Criticism BRENDAN BEHAN Interviews and Recollections Volume 1 Edited by E. H. Mikhail M Macmillan Gill and Macmillan Selection and editorial matter © E. H. Mikhail 1982 Softcover reprint of the hardcover 1st edition 1982 978-0-333-31565-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1g82 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-06015-3 ISBN 978-1-349-06013-9 (eBook) DOI 10.1007/978-1-349-06013-9 Published in Ireland by GILL AND MACMILLAN LTD Goldenbridge Dublin 8 Contents Acknowledgements Vll Introduction lX A Note on the Text Xll Chronological Table Xlll INTERVIEWS AND RECOLLECTIONS The Golden Boy Stephen Behan I Schooldays 2 Moving Out Dominic Behan 2 A Bloody Joke Dominic Behan 7 Dublin Boy Goes to Borstal 9 The Behan I Knew Was So Gentle C. -
"We Are the Young Europeans," Boasts Ireland's Industrial Development Authority
"We are the young Europeans," boasts Ireland's Industrial Development Authority. When this Kerryman was photographed a century ago, continu- ing emigration threatened to make Ireland a country populated chiefly by old people and children. Today's young Irish adults are staying home. The Wilson QuarterlyISpring 1985 48 The Irish Mention Bolivia or Belgium to the average American adult, and the conversation will soon flag. Bring up Ireland, and the talk will always find a focus. Yeats? Killarney? Guinness? Associa- tions generously tumble forth. Some 40 million Americans have Irish blood in their veins; five times that many, it seems, believe they can imitate an Irish brogue. Often overlooked-veiled, per- haps, by an assumed familiarity-is how unfamiliar to most Americans the Republic of Ireland really is. The Republic is, to- day, a Common Market member with some 20th-century prob- lems, some 21st-century industries, and some abiding (if eroding) 19th-century attitudes. As Britain's Prime Minister William Gladstone noted a century ago, the behavior of the En- glish toward the Irish constituted the darkest stain upon the his- tory of a splendid people. As continued strife in Northern Ireland attests, old passions remain. Our contributors here focus on the Republic of Ireland-on its past and its present-and on the peculiar Irish immigrant experience in America. TROUBLES by Thomas C. Garvin Nature placed Ireland exactly the wrong distance from Great Britain. Had the island been somewhat closer to its larger sister, the Irish people might well have become more fully assimilated into the British family, much as the Scots and Welsh have been. -
10 Archaeology, Cultural Heritage and Architectural Heritage
Dublin City Council College Green Project EIS Chapter 10- Archaeology, Architectural and Cultural Heritage 10 Archaeology, Cultural Heritage and Architectural Heritage 10.1 Introduction Irish Archaeological Consultancy Ltd has prepared this report on behalf of Dublin City Council to assess the impact, if any, on the archaeological, architectural and cultural heritage resource of the Proposed Project at College Green, Dublin City Centre (OS Sheet 18). The Proposed Project occupies a city-centre location, c. 235m south of the River Liffey, adjacent to landmark buildings including Bank of Ireland and Trinity College. The study area falls within 1.4 hectares (including the block formed by St Andrew’s, Trinity, and Church Street). It is located at College Green which encompasses parts of Dame Street, Trinity Street, St Andrew’s Street and Church Lane, at the very northern end of Grafton Street. The Project is adjacent to the southern end of Anglesea Street and occupies the full area of Foster Place and College Green which includes the southernmost part of Westmoreland Street, the area south of Bank of Ireland (former House of Parliament) and immediate west of Trinity College. As part of the Proposed Project, it has been indicated that a large area of eastern College Green (170m x 40m) may be excavated to a depth of 2.5m to accommodate the main plaza. The Proposed Project is located within the zone of archaeological potential for the historic centre of Dublin City (DU018-020). It is located c. 270m outside of the medieval town walls of Dublin. The Proposed Project is also surrounded by numerous protected structures and partially located within Architectural Conservation Areas (ACAs) associated with O’Connell Street, The South City Retail Quarter and Grafton Street and Environs. -
The Sound of Freedom Ann Murtagh
The Sound of Freedom ISBN 978-1-78849-125-9 eBook ISBN 978-1-78849-199-0 Ann Murtagh Historical note from the author The Sound of Freedom is a fictional story, but it is based ‘I could be drilling with the men in the fields by firmly on history. Here are some facts that are woven into Sunday.’ the story, along with references for those who want to Local companies, such as the Glenidan Company, often find out more. drilled in the fields at night. Chapter 1 IMA, BMH, WS 1439, James Maguire. ‘Soldiers are we, whose lives are pledged to … the cold air was filled with the clanging of Joe Ireland.’ Lynch’s hammer on the hoop of a barrel. This is the first line of the chorus of the ‘Soldier’s Song’, Joe Lynch was a cooper in the local area (Ankerland). composed by Peadar Kearney and Patrick Heeney in 1907. www.duchas.ie/en/cbes/5009029/4979045 It later became a popular marching song for the Irish Volunteers. It was translated into Irish in the 1920s and Chapter 2 used as the Irish national anthem from 1926. historyireland.com/20th-century-contemporary-history/ Sinn Féin members and supporters were well countdown-to-2016-a-soldiers-song-amhran-na-bhfiann/ used to being called by the nickname ‘Rainbow Chasers’. ‘We’re all under instructions from Dev not to ‘Rainbow Chasers’ was the name given to members have anything to do with the RIC and it’s not of the Sinn Féin party and its supporters by the Irish sitting well with them.’ Parliamentary Party or Home Rule Party. -
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords. -
The Great Irish Famine in Songs Erick Falc’Her-Poyroux
The Great Irish Famine in Songs Erick Falc'Her-Poyroux To cite this version: Erick Falc'Her-Poyroux. The Great Irish Famine in Songs. Revue fran¸caisede civilisation britannique, 2014, La grande famine en Irlande 1845-1851, 19 (2), pp.1. <halshs-01147771> HAL Id: halshs-01147771 https://halshs.archives-ouvertes.fr/halshs-01147771 Submitted on 1 May 2015 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. The Great Irish Famine in Songs Erick FALC’HER-POYROUX Université de Nantes “Those in power write the history, those who suffer write the songs” Frank Harte (1933-2005) - sleeve notes for 1798: the First Year of Liberty However biased a view the opening quote by Irish traditional singer and collector Frank Harte may represent, an analysis of folk songs1 about the Great Irish Famine deserves careful study, as one will find in them views that are often told from palpable and vivid experience, and traces of Irish history often described as dry statistics, rather than the human tragedy it really was. It is generally considered that very few songs from the famine era have survived: it is indeed a testimony to the power and importance of traditional music and songs, and remarkably so in Ireland, that illiterate people on the threshold of exile or death could find the strength to express their misfortunes in such a poetic and elaborate form, as in this caoineadh (i.e. -
Irish Rebel Songs, Sectarianism, and Scotland's Offensive Behaviour Act Millar, Stephen R
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchOnline@GCU Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act Millar, Stephen R. Published in: Popular Music DOI: 10.1017/S0261143016000519 Publication date: 2016 Document Version Peer reviewed version Link to publication in ResearchOnline Citation for published version (Harvard): Millar, SR 2016, 'Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act', Popular Music, vol. 35, no. 3, pp. 297-319 . https://doi.org/10.1017/S0261143016000519 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 29. Apr. 2020 Let the people sing? Irish rebel songs, sectarianism, and Scotland’s Offensive Behaviour Act1 STEPHEN R. MILLAR School of History, Anthropology, Politics, and Philosophy, Queen’s University Belfast, Northern Ireland BT7 1NN, UK Email: [email protected] Abstract Irish rebel songs afford Scotland’s Irish diaspora a means to assert, experience, and perform their alterity free from the complexities of the Irish language. Yet this benign intent can be offset by how the music is perceived by elements of Scotland’s majority Protestant population. The Scottish Government’s Offensive Behaviour Act (2012) has been used to prosecute those singing Irish rebel songs and there is continuing debate as to how this alleged offence should be dealt with.