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Brendan Behan Interviews and Recollections

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Brendan Behan Interviews and Recollections Brendan Behan Interviews and Recollections Volume 1 Also by E. H. Mikhail The Social and Cultural Setting of the 189os John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama 1899-1970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with John O'Riordan) J. M. Synge: A Bibliography of Criticism Contemporary British Drama 195o-1976 J. M. Synge: Interviews and Recollections (editor) W. B. Yeats: Interviews and Recollections (two volumes) (editor) English Drama I900-1950 Lady Gregory: Interviews and Recollections (editor) Oscar Wilde: An Annotated Bibliography of Criticism Oscar Wilde: Interviews and Recollections (two volumes) (editor) A Research Guide to Modern Irish Dramatists The Art of Brendan Behan Brendan Behan: An Annotated Bibliography of Criticism An Annotated Bibliography of Modern Anglo-Irish Drama Lady Gregory: An Annotated Bibliography of Criticism BRENDAN BEHAN Interviews and Recollections Volume 1 Edited by E. H. Mikhail M Macmillan Gill and Macmillan Selection and editorial matter © E. H. Mikhail 1982 Softcover reprint of the hardcover 1st edition 1982 978-0-333-31565-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1g82 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-06015-3 ISBN 978-1-349-06013-9 (eBook) DOI 10.1007/978-1-349-06013-9 Published in Ireland by GILL AND MACMILLAN LTD Goldenbridge Dublin 8 Contents Acknowledgements Vll Introduction lX A Note on the Text Xll Chronological Table Xlll INTERVIEWS AND RECOLLECTIONS The Golden Boy Stephen Behan I Schooldays 2 Moving Out Dominic Behan 2 A Bloody Joke Dominic Behan 7 Dublin Boy Goes to Borstal 9 The Behan I Knew Was So Gentle C. A. Joyce IO In Prison Sean Kavanagh I3 In Jail with Brendan Behan Sean 0'Briain I6 I Knew the Real Brendan Behan Seamus G. 0' Kelly 20 The Catacombs Anthony Cronin 23 To France with Brendan Behan Anthony Cronin 30 Brendan Behan in Paris Sindbad Vail 38 Brendan Joseph Cole 39 Night Out in Dublin Joseph Cole 44 At Kelly's Pawn Office Dominic Behan 52 'Get the Rozzers' Anthony Cronin 55 The First Play Mary Lodge 58 Making up my Mind Beatrice Behan 6s A Memorable Occasion Seamus de Burca 68 A Terrible Man Seamus de Burca 69 Borstal Boy John Murdoch 70 Ex-IRA Man Returns as Poet Edward Goring 73 The Years of Fame Had Begun Antho1!)1 Cronin 74 A Celebrated Interview Beatrice Behan 76 Drunk? Sure, I'd Had a Bottle Vincent Mulchrone 8o Brendan Behan at Lime Grove Malcolm Muggeridge 82 Behanism Myles Na Gopaleen [Brian O'Nolan] 83 Fourteen-Pint Behan Switches to Milk 8s VI CONTENTS The Woman on the Corner of the Next Block to Us Brendan Behan 86 My First Meeting with Brendan Behan lain Hamilton 88 His New Play Is Loaded Kenneth Allsop go Half Angel, Half Beast John Montague 92 Brendan Behan Fought for Franco! Beatrice Behan 93 Brendan Behan Roderick W. Childers g6 Encounter with an Irish Genius Olof Lager/of I03 My First Visit to Dublin Rae Jif.fs I08 Book and Author Michael Campbell 109 Behan: the Last Laugh Alan Simpson I I I Talk with the Author Frank Melville II9 My Husband Brendan Behan Beatrice Behan I20 Brendan Behan Insists on Use of Irish in Bray Court I22 'The Only Thing I Blame Paris For' Brendan Behan I25 A Cry Georges Wilson I27 'Success Is Damn Near Killing Me' Rae Jif.fs I30 The Doctors Warn Behan I32 I Swear I'll Beat It Yet Brendan Behan I33 His London Appearances Donal Foley I36 His Tremendous Humanity David Astor I42 Meet the Quare Fella I42 But Not in the Pejorative Sense W. ]. Weatherby I49 Meet the New Brendan Behan Alan Bestic I 52 Acknowledgements I wish to express my gratitude to Dr Brian Tyson and Dr Colbert Kearney, who read this work in typescript and made many valuable suggestions. At various stages I also received useful comments, information, support or assistance from Mrs Beatrice Behan; Mrs Kathleen Behan; Mr Rory Furlong; Mrs Paula Furlong; Mr Seamus de Burca; Ms Marianne Levander; Dr OlofLagerlof; Mr Louis Burke; Mr Desmond MacNamara; Mr Paddy O'Brien; Mrs Teresa Monaghan; Mr Brian McCoy; the Canadian Broadcasting Corporation; Mr Manus Canning; Mr Tony Aspler; Mr John O'Riordan; Mr Catha! Goulding; Mr Michael Cormican; Miss Alice E. Einhorn of Doubleday Publishers; Miss Kate Mackay of Eyre Methuen Ltd; Research Assistance Routledge Associates, London; Microfilming Executors and Methods Organisation Ltd, Dublin; and Radio Telefis Eireann. I am grateful to Miss Bea Ramtej for her usual skill in preparing the final typescript. Thanks are due to the University of Lethbridge for granting me a sabbatical leave, during which this work was completed. It is also a pleasant duty to record my appreciation to the staff of the University of Lethbridge Library; the British Library, London; the Newspaper Library, Colindale; the National Library oflreland, Dublin; Trinity College Library, Dublin; the Bibliotheque Nationale, Paris; and the New York Public Library. The editor and publishers wish to thank the following, who have kindly given permission for the use of copyright material: Granada Publishing Ltd, for the extracts from Brendan Behan by Ulick O'Connor. The Daily News, for 'Behan Back on Booze Binge';© 1g6oNew York News Inc.; reprinted by permission. Mr lain Hamilton, for 'Among the Irish' in Encounter. Gill and Macmillan Ltd, for the extracts from Remembering How We Stood by John Ryan. The North American Review, for 'Brendan Behan: Vital Human Being'; reprinted with permission;© 1964 by the University of Northern Iowa. Mr Seamus de Burca, for the extracts from his book Brendan Behan: A Memoir. Vlll ACKNOWLEDGEMENTS The Irish Press, for 'In Jail with Brendan Behan' by Sean O'Briain; and 'Brendan Behan' by Francis MacManus. The Sunday Press, for 'The Behan I Knew Was So Gentle' by C. A. Joyce; and 'Rich in Talent and a Great Personality' by Benedict Kiely. The Evening Press, for 'The Man Brendan Behan' by Tim Pat Coogan; 'He Ran Too Quickly' by Sean O'Casey; 'Great Man' by Sean Kenny; and 'Behan's Mother Wasn't There' by Clare Boylan. The Manchester Evening News, for 'Behan Takes Swallow' by John Alldridge. The Observer, for 'Deckhand on Collier' by Maurice Richardson; and the untitled obituary of Brendan Behan by Joan Littlewood. The New English Library, for the extracts from The World ofBrendan Behan, edited by Sean McCann. Mr Brian Behan, for the extracts from his book With Breast Expanded. Mrs Peter A. Sebley, for the extracts from her book Brendan Behan: Man and Showman; for her Preface to Confessions of an Irish Rebel; and for her Afterword to The Scarperer. The Daily Telegraph, for 'Brendan Behan: Uproarious Tragedy' by Alan Brien. A. D. Peters and Co. Ltd, for 'Behan: a Giant of a Man, Yet Gentle' by Kenneth Allsop in the Daily Mail. Mrs Beatrice Behan, for the extracts from her book My Life with Brendan; for 'The Only Thing I Blamed Paris for' by Brendan Behan in L'Express; and for 'The Woman on the Corner of theN ext Block to Us' by Brendan Behan in Vogue. The Guardian, for 'But Not in the Pejorative Sense' by W.J. Weatherby. The Irish Times, for 'Dublin Boy Goes to Borstal'; 'Behanism'; 'Book and Author'; 'Brendan Behan Insists on Use oflrish in Bray Court'; 'Brendan Behan Fined £go on Assault Charges'; 'Talking to Mrs Stephen Behan' by Marion Fitzgerald; and 'Tribute'. The New Statesman, for 'Brendan Behan at Lime Grove' by Malcolm Muggeridge. The Sunday Independent, for 'Was Poet, Comedian, Rebel and Lover of People' by Proinsias MacAonghusa; and 'He Was So Much Larger Than Life' by Frank O'Connor. The Washington Post, for 'The Behan' by Walter Hackett. The editor has made every effort to trace all the copyright-holders, but ifhe has inadvertently overlooked any he will be pleased to make the necessary arrangements at the first opportunity. Introduction Although it would not be fair to either writer to compare Brendan Behan and Oscar Wilde, it might be instructive to examine some intriguing similarities. Behan found himself cast in the role of the precursor of the permissive generation as Wilde epitomised the aesthetic revolution. Both Behan and Wilde were versatile writers who eventually achieved fame as successful dramatists. Unlike Sean O'Casey, W. B. Yeats and James Joyce- who gave the totality of their life to their art and created illustrious literary works- both Wilde and Behan were too busy living to write. They sometimes even needed to be pushed into the job of producing a masterpiece. George Alexander, the actor-manager of the StJames's Theatre, once commissioned Wilde to write a social comedy and offered him an advance of £100 on royalties. This Oscar readily accepted. It was soon spent; still no play. Alexander then tried to badger Wilde with letters; but whenever they met Wilde said 'I am in what I call the invention period', and would not make any promises. Likewise, lain Hamilton of Hutchinson once interrupted Behan at a party to ask how much more work he had to do on Borstal Boy, and at once there was a note of irritation in Behan's reply as he dismissed the subject. 'It's all lies', he said. When Wilde and Behan submitted Lady Windermere's Fan and The Quare Fellow respectively to George Alexander and Joan Littlewood, both directors badly needed a money-maker, as their theatres were in financial straits.
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