About the Artists

Total Page:16

File Type:pdf, Size:1020Kb

About the Artists Fishamble: The New Play Company presents Swing Written by Steve Blount, Peter Daly, Gavin Kostick and Janet Moran Performed by Arthur Riordan and Gene Rooney ABOUT THE ARTISTS: Arthur Riordan - Performer (Joe): is a founder member of Rough Magic and has appeared in many of their productions, including Peer Gynt, Improbable Frequency, Solemn Mass for a Full Moon in Summer, and more. He has also worked with the Abbey & Peacock Theatre, Gaiety Theatre, Corcadorca, Pan Pan, Druid, The Corn Exchange, Bedrock Productions, Red Kettle, Fishamble, Project, Bewleys Café Theatre and most recently, with Livin’ Dred, in their production of The Kings Of The Kilburn High Road. Film and TV appearances include Out Of Here, Ripper Street, The Clinic, Fair City, Refuge, Borstal Boy, Rat, Pitch’n’Putt with Joyce’n’Beckett, My Dinner With Oswald, and more. Gene Rooney - Performer (May): has performed on almost every stage in Ireland in over 40 productions. Some of these include: Buck Jones and the Bodysnatchers (Dublin Theatre Festival), The Colleen Bawn Trials (Limerick City of Culture), Pigtown, The Taming of the Shrew, Lovers (Island Theatre Company), The Importance of Being Earnest (Gúna Nua), Our Father (With an F Productions), How I Learned to Drive (The Lyric, Belfast), I ❤Alice ❤ I (Hot for Theatre), TV and film work includes Moone Boy, Stella Days, The Sea, Hideaways, Killinaskully, Botched, The Last Furlong and The Clinic Janet Moran - Writer Janet’s stage work includes Juno and the Paycock (National Theatre, London/Abbey Theatre coproduction), Shibari, Translations, No Romance, The Recruiting Officer, The Cherry orchard, She Stoops to Conquer, Communion, The Barbaric Comedies, The Well of the Saints and The Hostage (all at the Abbey Theatre). Film and television work includes Quirke (BBC) with Gabriel Byrne, Trivia, Love/Hate, Love is the Drug, The Clinic (RTE), The Butcher Boy, Breakfast on Pluto, Milo, Minim Rest, Bono and My Ex, Moll Flanders, Nothing Personal and Volkswagen Joe. Steve Blount - Writer Steve’s previous work for Fishamble includes Tiny Plays for Ireland 1, Tiny Plays for Ireland 2 and Pilgrims in the Park. Other theatre includes A Streetcar Named Desire (Gate), Across the Lough (Performance Corporation), Paisley and Me (Belfast Opera House and NI tour), Bog Boy (Tall Tales and Irish Arts Center, New York), Only and Apple, Savoy, The Wild Duck, Judas of the Gallarus, The Pauper, She Stoops to Folly, (Abbey Theatre), Tarry Flynn (Abbey Theatre/National Theatre, London). Film and television work includes Moone Boy, Titanic, Blood and Steel, Game of Thrones, The Race, 32A, Single Handed, Prosperity, The Clinic, Stolen Child, Stardust, Breakfast on Pluto, Bachelors Walk, Fair City, Glenroe, The Colleen Bawn, Agnes Browne, Mad About Mambo, Pips, Johnny Loves Suzy and Though the Sky. Gavin Kostick – writer Gavin Kostick is a playwright with works produced nationally and internationally and who is also active in the worlds of Opera and Dance. As Literary Manager for Fishamble: The New Play Company and as an independent dramaturg he is involved in wide range of performance development initiatives throughout Ireland. He is also a tutor in dramaturgy at the Lir, National Academy of Dramatic Art. Peter Daly - Writer & Director - Recent acting work includes Guaranteed, Tiny Plays for Ireland I & II (Fishamble), The Critic, Jezebel, Travesties, Peer Gynt, The Importance Of Being Earnest, Life Is A Dream, Don Carlos, Attempts On Her Life, The Taming Of The Shrew (Rough Magic), The Government Inspector, Arrah Na Pogue, The Comedy of Errors, The Shaughraun and The Cherry Orchard (Abbey Theatre), Death Of A Salesman (The Gate Theatre), The Dead School & Conversations On A Homecoming (Livin Dred). Television include Trivia, The Mario Rosenstock Show, The Clinic, and Love Is The Drug (RTÉ) Radio includes The Eamon Lowe Show (Today FM). FISHAMBLE: THE NEW PLAY COMPANY is a multi-award winning, internationally acclaimed Irish theatre company, dedicated to the discovery, development and production of new work. Fishamble is committed to touring throughout Ireland and internationally, and typically presents over 200 performances of its plays in approximately 60 venues per year. Fishamble has earned a reputation as ‘a global brand with international theatrical presence’ (Irish Times), ‘forward-thinking Fishamble’ (The New York Times), ‘acclaimed Irish company’ (The Scotsman) and ‘excellent Fishamble…Ireland’s terrific Fishamble’ (The Guardian) through touring its productions to audiences in Ireland as well as to England, Scotland, Wales, France, Germany, Iceland, Croatia, Belgium, Czech Republic, Switzerland, Bulgaria, Romania, Serbia, Turkey, Finland, USA, Canada, New Zealand and Australia. Awards for Fishamble productions include Scotsman Fringe First, Herald Angel, Argus Angel, MAMCA, 1st Irish, The Stage and Irish Times Theatre awards, as well as Stewart Parker Trust awards for many of its first time playwrights, and nominations for EMA, Business to Arts and Total Theatre awards. In 2016, Fishamble was nominated with writer/performer Pat Kinevane for an Olivier Award for Outstanding Achievement in an Affiliate Theatre for the Fishamble production of Silent at the Soho Theatre in London. During 2013, to celebrate the company’s 25th birthday, Fishamble donated its living archive to the National Library of Ireland. Fishamble is at the heart of new writing for theatre in Ireland, not just through its productions, but through its extensive programme of Training, Development and Mentoring schemes. Each year, Fishamble typically supports 60% of the writers of all new plays produced on the island of Ireland, approximately 55 plays per year. ‘Ireland’s terrific Fishamble’ The Guardian, 2015 ‘Fishamble puts electricity in the National grid of dreams’ Sebastian Barry ABOUT THE PRODUCTION: About ten years ago Swing writer/original cast member Janet Moran danced with co-writer and fellow original cast member Steve Blount at a party. Steve used to do swing dancing and when he danced with Janet she told him that it was the best dance of her life. This idea was something that stayed with Janet and every so often when she bumped into him she would come back to that feeling that herself and Steve should write a play where they get to dance together. Fishamble’s Literary Manager, Gavin Kostick, worked with Janet and Steve to co- write the play, and they were joined by Peter Daly, who also directed the production, as the fourth member of the writing team. While researching the show the cast had to learn how to dance. Both Janet & Steve attended dance classes until Steve got another acting job and Janet had the daunting prospect of attending by herself. Over the weeks while being partnered with different people she would hear different stories and motivations of why people chose these classes. One of them being a man who was married to his partner for twenty years and just recently bereaved, this was a way for social interaction with the pressure. Another attendee who caught her eye was Fede, with whom, after a couple of weeks, a romance started to slowly blossom and also act as an inspiration for Swing. Swing premiered in 2013 at Tiger Dublin Fringe as part of Show in a Bag in partnership with Fishamble: New Play Company and Irish Theatre Institute. Swing is a comedy about dancing and music and love and not settling and feeling like and eejit and being brave and having doubts and trying your best and trying new things and thinking outside the box an seeing things clearly and living as well as you can and giving it a lash. This is a charming play about the relationship between May and Joe which develops through an academic year of Swing classes. During the year, they must deal with romantic dilemmas, career problems and life choices, not to mention the other participants in the class. Together, the Swing writing team have created a beautiful and uplifting play, full of humanity and insight. Audiences have responded so positively to the play as it has such an enjoyably wicked sense of humour but also has a lot to say, in its unassuming way, about the power we have to help each other through life’s challenges. Two years on, the roles have been re-cast and we are delighted to welcome two of Ireland’s leading actors, Gene Rooney and Arthur Riordan, to the show. In 2016, Fishamble: The New Play Company will bring Swing on a 13-week tour around the world, including 9 Irish venues, 15 venues in the UK, and 10 venues in Australia. Swing will make you want to dance. MARKETING COPY: Fishamble: The New Play Company presents Swing Written by Steve Blount, Peter Daly, Gavin Kostick, and Janet Moran Directed by Peter Daly Cast Arthur Riordan and Gene Rooney Lighting Design by Mark Galione Sound Design by Ivan Birthistle Produced by Eva Scanlan An international hit, fresh from New York, Paris, Edinburgh and New Zealand. A comedy about dancing and music and love and not settling and feeling like an eejit and being brave and having doubts and trying your best and trying new things and thinking outside the box and seeing things clearly and living as well as you can and giving it a lash. With rock ‘n’ roll music. It'll make you want to dance. ★★★★★ The New York Times ★★★★★ The Scotsman ★★★★★ Herald Scotland ★★★★★ Irish Theatre Magazine ★★★★ The Guardian ★★★★ The Times ★★★★ The Irish Times ★★★★ The Sunday Times ★★★★ Irish Daily Mail ★★★★ Broadway Baby 'winning...charming...you want to join them on the floor' CRITICS' PICK ★★★★★ New York Times "A dazzling display of theatrical talent...Remarkable...Moving" Irish Echo ‘Moran and Blount create endearing visions of stalled lives in a whirl of possibility and, with elegant guidance, Daly lets them dance like angels’ ★★★★ Irish Times ‘Funny, warm, and well produced, with a rousing finale that’s enough to make you kick up your own heels’ ★★★★★ Irish Theatre Magazine ‘there's a real sweetness to this comedy.
Recommended publications
  • Rte Guide Tv Listings Ten
    Rte guide tv listings ten Continue For the radio station RTS, watch Radio RTS 1. RTE1 redirects here. For sister service channel, see Irish television station This article needs additional quotes to check. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Найти источники: РТЗ Один - новости газеты книги ученый JSTOR (March 2020) (Learn how and when to remove this template message) RTÉ One / RTÉ a hAonCountryIrelandBroadcast areaIreland & Northern IrelandWorldwide (online)SloganFuel Your Imagination Stay at home (during the Covid 19 pandemic)HeadquartersDonnybrook, DublinProgrammingLanguage(s)EnglishIrishIrish Sign LanguagePicture format1080i 16:9 (HDTV) (2013–) 576i 16:9 (SDTV) (2005–) 576i 4:3 (SDTV) (1961–2005)Timeshift serviceRTÉ One +1OwnershipOwnerRaidió Teilifís ÉireannKey peopleGeorge Dixon(Channel Controller)Sister channelsRTÉ2RTÉ News NowRTÉjrTRTÉHistoryLaunched31 December 1961Former namesTelefís Éireann (1961–1966) RTÉ (1966–1978) RTÉ 1 (1978–1995)LinksWebsitewww.rte.ie/tv/rteone.htmlAvailabilityTerrestrialSaorviewChannel 1 (HD)Channel 11 (+1)Freeview (Northern Ireland only)Channel 52CableVirgin Media IrelandChannel 101Channel 107 (+1)Channel 135 (HD)Virgin Media UK (Northern Ireland only)Channel 875SatelliteSaorsatChannel 1 (HD)Channel 11 (+1)Sky IrelandChannel 101 (SD/HD)Channel 201 (+1)Channel 801 (SD)Sky UK (Northern Ireland only)Channel 161IPTVEir TVChannel 101Channel 107 (+1)Channel 115 (HD)Streaming mediaVirgin TV AnywhereWatch liveAer TVWatch live (Ireland only)RTÉ PlayerWatch live (Ireland Only / Worldwide - depending on rights) RT'One (Irish : RTH hAon) is the main television channel of the Irish state broadcaster, Raidi'teilif's Siranne (RTW), and it is the most popular and most popular television channel in Ireland. It was launched as Telefes Siranne on December 31, 1961, it was renamed RTH in 1966, and it was renamed RTS 1 after the launch of RTW 2 in 1978.
    [Show full text]
  • Brave Lions Two Alternate Views Hickie & Horgan Fashion - Page 16 Exclusive Interview Rud’S World - Page 22 Sport - Page 26
    ISSUE 2 / VOLUME 19 4.10.05 METROSEXUALS BRAVE LIONS TWO ALTERNATE VIEWS HICKIE & HORGAN FASHION - PAGE 16 EXCLUSIVE INTERVIEW RUD’S WORLD - PAGE 22 SPORT - PAGE 26 gone.” Irish Students Destroy J1 Flat JACK CANE The College Tribune has not received any infor- “A PLACE TO CRASH mation as to whether the sub-leasers of the other AND PARTY, THAT’S IT, Some of the destruction caused There are no criminal proceedings in motion on apartments will be paying for damages incurred. WHO CARES ABOUT IT?” by former UCD students either side of the Atlantic. When a number of them were contacted, the stu- Maher’s hope that “the students involved will have dents alleged to have been involved declined to com- “This happens all the time.” These are Irish students are being held responsible some moral feelings to pay up what they owe” ment. the words of UCD Student Advisor Ronan Murphy, a former employee of UC Santa for approximately US$15,000 worth of appears to have had some success. However, the destruction of the Isla Vista apart- Barbara. damages to three apartments in Santa In an email sent to the College Tribune, Maher ments has already had a negative effect on the rep- Barbara, California. Former UCD students reported that the tenants of apartment #8 have paid According to Murphy, the latest reports were involved in the devastation of the utation of Irish students in Santa Barbara. of destruction of three apartments by Irish US$1,800 towards the damages in that residence. Katie Maher confirmed “if BDC do take Irish stu- three apartments.
    [Show full text]
  • Abbey Theatre's
    Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago A NOTE FROM DIRECTOR CAITRÍONA MCLAUGHLIN Shakespeare has redefined what a great American Shakespeare theater can be—a company that defies When Neil Murray and Graham McLaren (directors of theatrical category. This Regional Tony Award-winning the Abbey Theatre) asked me to direct Roddy Doyle’s theater’s year-round season features as many as twenty new play Two Pints and tour it to pubs around productions and 650 performances—including plays, Ireland, I was thrilled. As someone who has made musicals, world premieres, family programming, and presentations from around the globe. theatre in an array of found and site-sympathetic The work is enjoyed by 225,000 audience members annually, with one in four under the age of spaces, including pubs, shops, piers, beneath eighteen. Chicago Shakespeare is the city’s leading producer of international work, and touring flyovers, and one time inside a de-sanctified church, its own productions across five continents has garnered multiple accolades, including the putting theatre on in pubs around Ireland felt like a prestigious Laurence Olivier Award. Emblematic of its role as a global theater, the company sort of homecoming. I suspect every theatre director spearheaded Shakespeare 400 Chicago, celebrating Shakespeare’s legacy in a citywide, based outside of Dublin has had a production of yearlong international arts and culture festival, which engaged 1.1 million people. The Theater’s some sort or another perform in a pub, so why did nationally acclaimed arts in literacy programs support the work of English and drama teachers, this feel different? and bring Shakespeare to life on stage for tens of thousands of their students each school year.
    [Show full text]
  • 5 Day Western Ireland and Dublin Incentive Itinerary
    SAMPLE PROGRAMME Ireland WEST & DUBLIN’S FAIR CITY 60 – 85 Guests 1 WHY IRELAND AND A TOUCH OF IRELAND? . “Just for fun” – Ireland has a special magic that starts working the minute you touchdown. Barriers are broken down with the emphasis on fun & the unique Irish experience . Painless travel – no special vaccinations needed – just a capacity to drink a few pints of Guinness! . Great programme mix – lively, cultural city action combined with the “hidden Ireland” – wild romantic nature WITHOUT long bus journeys! . Ireland never says “No” – we make things happen! . Excellent standard of hotels . A Touch of Ireland – Creative DMC & expert reliable Partner with multilingual staff – we understand the demands of the corporate client. 2 WEST IRELAND – LUXURY CASTLE ACCOMMODATION Ashford Castle 5* Cong, Co. Mayo www.ashford.ie Ashford Castle in the heart of the Connemara region, is just one and a half hours from Shannon airport, on the northern shores of Lough Corrib. The countryside around it provided the scenery for the John Wayne classic, “The Quiet Man”. Ashford Castle was selected as the best hotel in Ireland in the 1989 and 1990 Egon Ronay Guide. The original Castle dates back to the 13th century. It has been splendidly restored with rich panelling, intricately carved balustrades, suits of armour and masterpiece paintings. This year the hotel has undergone major refurbishment and is looking stunning. There are 83 rooms in total in the castle offering 5* luxury. Ashford boasts two gourmet restaurants; The “George V” dining room offers traditional and continental menus, while “The Connaught Room” specialises in acclaimed French cuisine.
    [Show full text]
  • WHAT DO BROKERS GAIN? BCP Asset Management Identified the Film & Television Sector As an Area for Structural Growth Over a Decade Ago
    THE FINANCIAL EXPERTS 2021 SETTING THE ROADMAP Financial Brokers are experts on financial planning matters and work on your behalf giving you a choice of products and providers from across the market. Brokers Ireland mission is to promote, support and protect Insurance FINANCIAL and Financial Brokers so that our members are best positioned to ADVICE FROM offer expert and professional advice and services to their clients. THE EXPERTS Creating your success through Financial Planning 2021 Strategic Brokers Ireland will continuously identify core objectives throughout 2021 which embody the real challenges facing Irish Brokers to ensure that members Priorities at a Glance interests are consistently represented. EVOLVING www.financialbroker.ie THE BRAND FINANCIAL SERVICES GENERAL INSURANCE COMPLIANCE PRIORITIES PRIORITIES PRIORITIES Financial Brokers Insurance Brokers • Challenging over-regulation NEW • CP116 issues/CPC review • Pensions – simplification proposals, • Agency Agreements • CBI expectations - assessing WEBSITE auto-enrolment & IORP II • Differential Pricing financial soundness of insurers WORK IN • Financial Broker –promoting Brokers • Development of Insurance • Brexit Implications • Market Evolution for Financial Brokers Broker brand • Developing members LAUNCHED • Broker technology & software compliance services PROGRESS Financialbroker.ie 2020 Highlights ‘A Year Like No Other’ Implementation New Affinity of the Consumer Launch of new Insurance Financial E-Guide WHAT DOES €25 PER Broker website for members MONTH GET YOU? Contracts
    [Show full text]
  • Copyright by Alexandra Lynn Barron 2005
    Copyright By Alexandra Lynn Barron 2005 The Dissertation Committee for Alexandra Lynn Barron certifies that this is the approved version of the following dissertation: Postcolonial Unions: The Queer National Romance in Film and Literature Committee: __________________ Lisa Moore, Supervisor __________________ Mia Carter __________________ Janet Staiger __________________ Ann Cvetkovich __________________ Neville Hoad Postcolonial Unions: The Queer National Romance in Film and Literature by Alexandra Lynn Barron, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 For my mother who taught me to read and made sure that I loved it. Acknowledgments It is odd to have a single name on a project that has benefited from so many people’s contributions. I have been writing these acknowledgments in my head since I began the project, but now that the time is here to set them down I am a bit at a loss as to how to convey how truly indebted I am. To start, I would like to thank Sabrina Barton, Mia Carter, Ann Cvetkovich, Neville Hoad, and Janet Staiger for their insights, for their encouragement, and for teaching me what it means to be an engaged scholar. Lisa Moore has been a teacher, a writing coach, a cheerleader, and a friend. She approached my work with a combination of rigor and compassion that made this dissertation far better than it would have been without her guidance. I could not have done this without her.
    [Show full text]
  • Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
    LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider.
    [Show full text]
  • IRISH FILM and TELEVISION - 2011 the Year in Review Roddy Flynn, Tony Tracy (Eds.)
    Estudios Irlandeses, Number 7, 2012, pp. 201-233 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2011 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2012 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Irish Film 2011. Introduction Roddy Flynn ............................................................................................................................201 “Not in front of the American”: place, parochialism and linguistic play in John Michael McDonagh’s The Guard Laura Canning .........................................................................................................................206 From Rural Electrification to Rural Pornification: Sensation’s Poetics of Dehumanisation Debbie Ging and Laura Canning .............................................................................................209 Ballymun Lullaby Dennis Murphy ........................................................................................................................213 Ballymun Lullaby: Community Film Goes Mainstream Eileen Leahy ............................................................................................................................216 The Other Side of Sleep Tony Tracy...............................................................................................................................220
    [Show full text]
  • Santa's Grotto
    Millennium Ballymun Town Centre Clothing Ballymun’s Own Drapery Store Sportswear Men’s ladies & children’s tracksuits, tops & shorts Gents Tracksuits Jackets, boxers, socks, shirts, jeans, • Rolls and sandwiches made all combats day, rolls baked fresh in shop 66 Joseph Plunkett Tower Ladies Tracksuits Ballymun, Dublin 11 • Full Deli and sandwich bar Tops, jeans, bottoms, underwear, Tel: 8425174 / 087-6724107 • A range of minerals, biscuits, jackets, twin sets, bras [email protected] confectionery and important grocery Items Childrens Tracksuits • Variety of stationery and T-shirts, frilly socks, underwear, school equipment. Page 2 Page 3 Page 6 Page 7 fleeces, body warmers Lot’s of Christmas novelties, Open Mon – Sat chocolates, buscuits and 9.30am – 6pm GREAT many other goods Thursday Late night until 8pm PRICES ! Leap for charity Riordans to Hollywood Community law centre Forum Elections Merry Christmas to all our Customers Happy Christmas Volume 3 Issue 3 Positive News for the Greater Ballymun / Poppintree Area Nov 29th – Dec 31st 2000 Merry ‘Full Time’ Christmas to all our Cascarino readers Secondary school students met former Irish International soccer star Tony Cascarino, when he visited the Ballymun Senior Comprehensive school recently. As part of their transi- Exclusive interview and SHARON’S RESTAURANT & TAKE AWAY Ballymun Shopping Centre tion year, the students photos by Seamus Kelly received the surprise the playing fields at his local treat when Tony walked school. into the school library. Quality food He is currently doing a “I was born in Orpington Kent promotion on his book England, I played football in ‘Full Time, the secret life the playing fields at my school.
    [Show full text]
  • English Statement of Commitments 2006
    Commit cover.qxp 29/05/2006 14:30 Page 1 english Statement of Commitments 2006 Commit_06_eng_2-4.qxp 29/05/2006 16:08 Page 1 Statement of Commitments 2006 RTÉ is proud to be Ireland's public RTÉ's VISION, MISSION and VALUES service broadcaster that sets and During 2005, following an open staff consultation process, these goals were meets standards to the highest further developed and in September 2005 RTÉ's Strategic Framework, levels of accountability. As part of detailing the vision, mission and values of the organisation, was published. this process RTÉ publishes an The key elements of that document are as follows: annual Statement of Commitments to its audience – commitments RTÉ's vision is to grow the trust of the people of Ireland as it informs, inspires, reflects and enriches their lives. which can be independently assessed at the end of the year. RTÉ's mission is to: •Nurture and reflect the cultural and regional diversity of all the people of The Statement of Commitments reflects RTÉ's Ireland responsibilities as outlined in the Public •Provide distinctive programming and services of the highest quality and Service Broadcasting Charter published by the ambition, with the emphasis on home production Minister for Communications, Marine and •Inform the Irish public by delivering, nationwide, the best comprehensive Natural Resources in June 2004. The purpose independent News service possible of the Charter is to provide an understanding to •Be the unifying source of national participation in all major events the people of Ireland of what is expected of RTÉ's values are to: RTÉ in return for the significant public funds •Operate in the public interest, providing News and Current Affairs that is fair provided to it from the proceeds of the and impartial, accurate and challenging television licence fee.
    [Show full text]
  • If AJ Liebling Is Correct That
    COMMENTS OF THE WRITERS GUILD OF AMERICA REGARDING HARMFUL VERTICAL AND HORIZONTAL INTEGRATION IN THE TELEVISION INDUSTRY Relating To: CS Docket 98-82: Implementation of Section 11 of the Cable Television Consumer Protection and Competition Act of 1992; and CS Docket 96-85: Implementation of the Cable Act Reform Provisions of the Telecommunications Act of 1996; and MM Docket 92-264: The Commission’s Cable Horizontal and Vertical Ownership Limits and Attribution Rules; and MM Docket 94-150: Review of the Commission’s Regulations Governing Attribution of Broadcast and Cable/MDS Interests; and MM Docket 92-51: Review of the Commission’s Regulations and Policies Affecting Investment In the Broadcast Industry; and MM Docket 87-154: Reexamination of the Commission’s Cross-Interest Policy Filed By Charles B. Slocum, January 4, 2002 on behalf of Writers Guild of America, west, Inc. 7000 West Third Street Los Angeles, CA 90048 and Writers Guild of America, East, Inc. 555 West 57th Street New York, NY 10019 If A.J. Liebling is correct that “freedom of the press belongs to the man who owns one” then we have big problems in television… WGA COMMENTS REGARDING HARMFUL VERTICAL AND HORIZONTAL INTEGRATION IN TELEVISION PAGE 1 Vertical and Horizontal Concentration in Television Have Limited Diversity and Creativity The Commission Must Act to Understand the Lack of Competition in the Video Program Market and to Ensure Diversity is Established in the Future Since its creation in 1934, the Federal Communications Commission has been charged with protecting the public interest by regulating the technologies which make mass communications possible.
    [Show full text]
  • Brendan Behan Interviews and Recollections
    Brendan Behan Interviews and Recollections Volume 1 Also by E. H. Mikhail The Social and Cultural Setting of the 189os John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama 1899-1970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with John O'Riordan) J. M. Synge: A Bibliography of Criticism Contemporary British Drama 195o-1976 J. M. Synge: Interviews and Recollections (editor) W. B. Yeats: Interviews and Recollections (two volumes) (editor) English Drama I900-1950 Lady Gregory: Interviews and Recollections (editor) Oscar Wilde: An Annotated Bibliography of Criticism Oscar Wilde: Interviews and Recollections (two volumes) (editor) A Research Guide to Modern Irish Dramatists The Art of Brendan Behan Brendan Behan: An Annotated Bibliography of Criticism An Annotated Bibliography of Modern Anglo-Irish Drama Lady Gregory: An Annotated Bibliography of Criticism BRENDAN BEHAN Interviews and Recollections Volume 1 Edited by E. H. Mikhail M Macmillan Gill and Macmillan Selection and editorial matter © E. H. Mikhail 1982 Softcover reprint of the hardcover 1st edition 1982 978-0-333-31565-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1g82 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-06015-3 ISBN 978-1-349-06013-9 (eBook) DOI 10.1007/978-1-349-06013-9 Published in Ireland by GILL AND MACMILLAN LTD Goldenbridge Dublin 8 Contents Acknowledgements Vll Introduction lX A Note on the Text Xll Chronological Table Xlll INTERVIEWS AND RECOLLECTIONS The Golden Boy Stephen Behan I Schooldays 2 Moving Out Dominic Behan 2 A Bloody Joke Dominic Behan 7 Dublin Boy Goes to Borstal 9 The Behan I Knew Was So Gentle C.
    [Show full text]