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Fall/Winter 2008)
TheMedium Volume 34, Number 3 (Fall/Winter 2008) Welcome to the third and final issue of the Medium for 2008. This issue features tour reports from our recent meeting and trip to Guadalajara, Mexico. President Hinojosa has submitted her report from our recent business meeting and the 2008 business meeting minutes are posted. The Lois Swan Jones Award Recipient report and our first Lois Swan Jones Award ad is also in this issue. We also have an update from the University of Houston's Architecture and Art Library on the damage from Hurricane Ike and news from the Architecture and Planning Library at The University of Texas at Austin. We have a message from our ARLIS/NA Chapters Coordinator, Cate Cooney and an article on our newest chapter member, Martha Gonzalez Palacios. The Collection profile features The Wittliff Collections. Enjoy! o Business Meeting: President's Report o Business Meeting: 2008 Business Meeting Minutes o Message from Chapters Coordinator, Cate Cooney o Annual Meeting: An unexpected meeting with photographer Nicola Lorusso o Annual Meeting: Chapter visit to Tlaquepaque o Annual Meeting: Meeting Clemente Orozco o Annual Meeting: Orozco’s Orozco and our day adventure in Guadalajara o Collection Profile: The Wittliff Collections / Texas State University-San Marcos o Library Website Documents Architect's Legacy o Lois Swan Jones Ad o Lois Swan Jones Award Recipient Report: ARLIS/NA 2008 Conference o University of Houston Architecture and Art Library Update o Welcome Martha Gonzalez Palacios The Medium v. 34, no. 3 (fall/winter 2008) Business Meeting: President's Report ARLIS/NA, Texas-Mexico Chapter Annual Conference Business Meeting December 3, 2008 I cannot tell you how glad I am to see you all here, now, in Guadalajara. -
EDITED PEDIGREE for GRACILIA (FR)
EDITED PEDIGREE for GRACILIA (FR) Danzig (USA) Northern Dancer Sire: (Bay 1977) Pas de Nom (USA) ANABAA (USA) (Bay 1992) Balbonella (FR) Gay Mecene (USA) GRACILIA (FR) (Bay 1984) Bamieres (FR) (Bay mare 2009) Bering Arctic Tern (USA) Dam: (Chesnut 1983) Beaune (FR) GREAT NEWS (FR) (Bay 2000) Great Connection (USA) Dayjur (USA) (Bay 1994) Lassie Connection (USA) 2Sx4D Danzig (USA), 5Sx5D Almahmoud, 3Sx5Dx5D Northern Dancer, 3Sx5D Pas de Nom (USA), 4Sx5D Gay Missile (USA) GRACILIA (FR), placed once in France at 3 years and £2,667; Own sister to GREAT EVENT (FR) and GUILLERMO (FR); dam of 2 winners: 2014 CAPITAINE FREGATE (FR) (c. by Fuisse (FR)), won 12 races in Hungary from 2 to 5 years, 2019 and £28,139 and placed 8 times. 2015 MOSSKETEER (GB) (g. by Moss Vale (IRE)), won 1 race at 2 years and £4,201 and placed twice. 2016 Estupendo (GB) (c. by Moohaajim (IRE)), ran once on the flat at 2 years, 2018. 2017 barren to Fast Company (IRE). 2018 (c. by Coach House (IRE)). 2019 (c. by Adaay (IRE)). 1st Dam GREAT NEWS (FR), won 4 races in France at 2 and 3 years and £49,398 including Prix Isola Bella, Maisons-Laffitte, L., placed 4 times including second in Prix Ronde de Nuit, Maisons-Laffitte, L. and third in Prix de Bagatelle, Maisons-Laffitte, L. and Prix des Lilas, Compiegne, L.; dam of 6 winners: GALVESTON (FR) (2010 c. by Green Tune (USA)), won 18 races in France and Morocco from 2 to 7 years and £141,156 and placed 16 times. -
Keystone Literature Item and Scoring Sampler—September 2018 Ii INFORMATION ABOUT LITERATURE INTRODUCTION
Pennsylvania Keystone Exams Literature Item and Scoring Sampler 2018 Pennsylvania Department of Education Bureau of Curriculum, Assessment and Instruction—September 2018 TABLE OF CONTENTS INFORMATION ABOUT LITERATURE Introduction . 1 About the Keystone Exams . 1 Alignment . 1 Depth of Knowledge . 2 Exam Format . 2 Item and Scoring Sampler Format . 3 Literature Test Directions . 4 General Description of Scoring Guidelines for Literature . 5 LITERATURE MODULE 1 Passage 1 . 6 Constructed‑Response Item . 18 Item‑Specific Scoring Guideline . 19 Passage 2 . 24 Constructed‑Response Item . 34 Item‑Specific Scoring Guideline . 35 Literature Module 1—Summary Data . 40 LITERATURE MODULE 2 Passage 1 . 42 Constructed‑Response Item . 54 Item‑Specific Scoring Guideline . 55 Passage 2 . 61 Constructed‑Response Item . 72 Item‑Specific Scoring Guideline . 73 Literature Module 2—Summary Data . 79 ACKNOWLEDGEMENTS ........................................................................ 81 Keystone Literature Item and Scoring Sampler—September 2018 ii INFORMATION ABOUT LITERATURE INTRODUCTION The Pennsylvania Department of Education (PDE) provides districts and schools with tools to assist in delivering focused instructional programs aligned to the Pennsylvania Core Standards. These tools include the standards, assessment anchor documents, Keystone Exams Test Definition, Classroom Diagnostic Tool, Standards Aligned System, and content‑based item and scoring samplers. This 2018 Literature Item and Scoring Sampler is a useful tool for Pennsylvania educators in preparing students for the Keystone Exams by providing samples of test item types and scored student responses. The Item Sampler is not designed to be used as a pretest, a curriculum, or other benchmark for operational testing. This Item and Scoring Sampler contains released operational multiple‑choice and constructed‑response items that have appeared on previously administered Keystone Exams. -
Geoffrey Chaucer's the Canterbury Tales: Rhetoric and Gender in Marriage
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 8-8-2007 Geoffrey Chaucer's The Canterbury Tales: Rhetoric and Gender in Marriage Andrea Marcotte University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Marcotte, Andrea, "Geoffrey Chaucer's The Canterbury Tales: Rhetoric and Gender in Marriage" (2007). University of New Orleans Theses and Dissertations. 591. https://scholarworks.uno.edu/td/591 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Geoffrey Chaucer’s The Canterbury Tales: Rhetoric and Gender in Marriage A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Andrea Meynard Marcotte B.S. Louisiana State University, 2002 August, 2007 © 2007, Andrea Meynard Marcotte ii Table of Contents Abstract............................................................................................................................. -
National Morgan Horse Show July ?6, 27
he ULY 9 8 MORGAN HORSE NATIONAL MORGAN HORSE SHOW JULY ?6, 27 THE MORGAN HORSE Oldest and Most Highly Esteemed of American Horses MORGAN HORSES are owned the nation over and used in every kind of service where good saddle horses are a must. Each year finds many new owners of Morgans — each owner a great booster who won- ders why he didn't get wise to the best all-purpose saddle horse sooner. Keystone, the champion Morgan stallion owned by the Keystone Ranch, Entiat, Washington, was winner of the stock horse class at Wash- ington State Horse Show. Mabel Owen of Merrylegs Farm wanted to breed and raise hunters and jumpers. She planned on thoroughbreds until she discovered the Morgan could do everything the thoroughbred could do and the Morgan is calmer and more manageable. So the Morgan is her choice. The excellent Morgan stallion, Mickey Finn, owned by the Mar-La •antt Farms, Northville, Michigan, is another consistent winner in Western LITTLE FLY classes. A Morgan Horse on Western Range. Spring Hope, the young Morgan mare owned by Caven-Glo Farm Westmont, Illinois, competed and won many western classes throughout the middle-west shows the past couple of years, leaving the popular Quar- ter horse behind in many instances. The several Morgan horses owned by Frances and Wilma Reichow of Lenore, Idaho, usually win the western classes wherever they show. J. C. Jackson & Sons operate Pleasant View Ranch, Harrison, Mon- tana. Their Morgan stallion, Fleetfield, is a many-times champion in western stock horse classes. They raise and sell many fine Morgan horses each year. -
School Leadership Under Apartheid South Africa As Portrayed in the Apartheid Archive Projectand Interpreted Through Freirean Education
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2021 SCHOOL LEADERSHIP UNDER APARTHEID SOUTH AFRICA AS PORTRAYED IN THE APARTHEID ARCHIVE PROJECTAND INTERPRETED THROUGH FREIREAN EDUCATION Kevin Bruce Deitle University of Montana, Missoula Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Deitle, Kevin Bruce, "SCHOOL LEADERSHIP UNDER APARTHEID SOUTH AFRICA AS PORTRAYED IN THE APARTHEID ARCHIVE PROJECTAND INTERPRETED THROUGH FREIREAN EDUCATION" (2021). Graduate Student Theses, Dissertations, & Professional Papers. 11696. https://scholarworks.umt.edu/etd/11696 This Dissertation is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. SCHOOL LEADERSHIP UNDER APARTHEID SCHOOL LEADERSHIP UNDER APARTHEID SOUTH AFRICA AS PORTRAYED IN THE APARTHEID ARCHIVE PROJECT AND INTERPRETED THROUGH FREIREAN EDUCATION By KEVIN BRUCE DEITLE Dissertation presented in partial fulfillment of the requirements for the degree of Doctor of Philosophy in International Educational Leadership The University of Montana Missoula, Montana March 2021 Approved by: Dr. Ashby Kinch, Dean of the Graduate School -
About the Artists
Fishamble: The New Play Company presents Swing Written by Steve Blount, Peter Daly, Gavin Kostick and Janet Moran Performed by Arthur Riordan and Gene Rooney ABOUT THE ARTISTS: Arthur Riordan - Performer (Joe): is a founder member of Rough Magic and has appeared in many of their productions, including Peer Gynt, Improbable Frequency, Solemn Mass for a Full Moon in Summer, and more. He has also worked with the Abbey & Peacock Theatre, Gaiety Theatre, Corcadorca, Pan Pan, Druid, The Corn Exchange, Bedrock Productions, Red Kettle, Fishamble, Project, Bewleys Café Theatre and most recently, with Livin’ Dred, in their production of The Kings Of The Kilburn High Road. Film and TV appearances include Out Of Here, Ripper Street, The Clinic, Fair City, Refuge, Borstal Boy, Rat, Pitch’n’Putt with Joyce’n’Beckett, My Dinner With Oswald, and more. Gene Rooney - Performer (May): has performed on almost every stage in Ireland in over 40 productions. Some of these include: Buck Jones and the Bodysnatchers (Dublin Theatre Festival), The Colleen Bawn Trials (Limerick City of Culture), Pigtown, The Taming of the Shrew, Lovers (Island Theatre Company), The Importance of Being Earnest (Gúna Nua), Our Father (With an F Productions), How I Learned to Drive (The Lyric, Belfast), I ❤Alice ❤ I (Hot for Theatre), TV and film work includes Moone Boy, Stella Days, The Sea, Hideaways, Killinaskully, Botched, The Last Furlong and The Clinic Janet Moran - Writer Janet’s stage work includes Juno and the Paycock (National Theatre, London/Abbey Theatre coproduction), Shibari, Translations, No Romance, The Recruiting Officer, The Cherry orchard, She Stoops to Conquer, Communion, The Barbaric Comedies, The Well of the Saints and The Hostage (all at the Abbey Theatre). -
HORSE in TRAINING, Consigned by Jamie Railton (Agent)
HORSE IN TRAINING, consigned by Jamie Railton (Agent) Will Stand at Park Paddocks, Wall Box V, Box 492 Super Concorde (USA) Big Shuffle (USA) 486 (WITH VAT) Raise Your Skirts (USA) Pomellato (GER) Polar Falcon (USA) POM MALPIC (FR) Passata (FR) Premier Amour (2018) Green Desert (USA) A Bay Filly Cape Cross (IRE) Havanna Lady (GB) Park Appeal (2005) Bluebird (USA) Al Corniche (IRE) Naxos (USA) Qualified for French Owners' Premiums. Pom Malpic (FR): won 1 race at 2 years, 2020 in France and £19,746 and placed once viz second in Prix La Fleche, Chantilly, L. FOREIGN FLAT 4 runs 1 win 1 pl £19,746 G 6f 1st Dam HAVANNA LADY (GB), unraced; dam of two winners from 3 runners and 4 foals of racing age viz- Pom Malpic (FR) (2018 f. by Pomellato (GER)), see above. MARGUERITE MALPIC (FR) (2013 f. by Air Chief Marshal (IRE)), won 9 races at 2 to 4 years in France and £87,021 and placed 19 times. 2nd Dam AL CORNICHE (IRE), won 1 race at 2 years and placed 7 times; also placed twice over hurdles; dam of four winners from 10 runners and 12 foals of racing age including- Whyome (IRE) (c. by Owington (GB)), won 2 races at 2 years and £85,383 and placed 8 times including second in Gran Criterium, Milan, Gr.1, Prix des Chenes, Longchamp, Gr.3, USA Stakes, Lone Star Park, L., Grand Prairie Turf Challenge Stakes, Lone Star Park, L. and third in Stanley Racing Thirsk Classic Trial, Thirsk, L. Rich Lord (GB), won 1 race at 3 years; also won 1 race over hurdles and won 1 race over fences, £12,451, placed third in At the Races Rehearsal Handicap Chase, Newcastle. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Title Arranger / Composer Arranger / Composer
Title Arranger / Composer Arranger / Composer (Back Home Again In) Indiana FULL Big Band Barduhn+ (I Got You) Under My Skin FULL Big Band Vocal (I Love You) For Sentimental Reasons FULL Big Band Osser (Shes) Sexy + 17 FULL Big Band Lowden Stray Cats (Up A) Lazy River FULL Big Band Sy Zentner (Up A) Lazy River FULL Big Band (Vocal) Wess Bobby Darin 1237 On A Saturday Afternoon FULL Big Band Persons 2 At A Time FULL Big Band Persons 2 Bone BBQ FULL Big Band Cobine 20 Nickles FULL Big Band Beach 21st Century Schizoid Man FULL Big Band 23 Chuckles FULL Big Band Paul Clark 23 Red FULL Big Band Bill Chase Woody Herman Orchestra 23o N 82oW Full Big Band 25 Or 6 To 4 FULL Big Band Blair Chicago+ 25 Or 6 To 4 FULL Big Band Lamm Chicago 42nd Street Medley FULL Big Band Lowden 5 Foot 2 FULL Big Band (Trombone Feature) Amy 50's Medley FULL Big Band Unk 61st & Rich' It FULL Big Band Thad Jones+ 7 Come 11 FULL Big Band Henderson Benny Goodman 720 In The Books FULL Big Band Wolpe 720 In The Books FULL Big Band (Vocal) Mason 88 Basie Street Sammy Nestico 88 Basie Street Full Big Band Nestico 920 Special FULL Big Band Bunton 920 Special FULL Big Band Collins Count Basie+ 920 Special FULL Big Band Murphy A That's Freedom FULL Big Band Thad Jones A Beautiful Friendship FULL Big Band Nestico A Big Band Christmas FULL Big Band Strommen A Big Band Christmas II FULL Big Band Strommen A Brazilian Affair FULL Big Band Mintzer A Change Of Pace FULL Big Band Unk A Child Is Born FULL Big Band Thad Jones A Childrens Song FULL Big Band Mintzer A Cool Shade Of Blue -
4Rthe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection
1kY ."a-: ,pyrI ' 4O , NrIK ;qt1"p.+,t 4rThe Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection Alkek Library, Texas State University-San Marcos FRONT ( F)VLR llerc dng~e! / A ngel Woman, 1979 GRACS L1VA FL (FIFPh IF FM Pub15il it roolm,, at the WitIt!if CoIIlectillns. 5 FLIT Willie Nelson, 1 9801 11.l. WRITTILII+l q 1 ntft "What we sense in all this work is that we in the Southwest are bound to what the Spanish language calls querencia, a place of such deep meaning and strong fealty that neither time nor distance can separate us from it." - GOVERNOR ANN RICHA RDS Southwestern Writers Collection Dedication Speech, Alkek Library, Texas State, 1991 . The Wittliff Collections Southwestern Writers Collection Southwestern & Mexican Photography Collection The voices and visions of any region's artists are rooted in the land, inspired by a certain lay of the earth and line of horizon, informed by the history and myth, traditions, and relationships of the people who live upon it. This "spirit of place" is at the very heart of the Wittliff Collections - it is the keystone that joins the literary and photographic archives of the Southwestern Writers Collection and the Southwestern & Mexican Photog- raphy Collection. Founded at Texas State University-San Marcos by Austin screen- The Spirit of Place writer and photographer Bill Wittliff and his wife Sally, these repositories are committed to preserving a creative legacy that will instruct and inspire the current generation as well as those subsequent, illuminating the importance of the Southwestern and Mexican imagination in the wider world. -
English Statement of Commitments 2006
Commit cover.qxp 29/05/2006 14:30 Page 1 english Statement of Commitments 2006 Commit_06_eng_2-4.qxp 29/05/2006 16:08 Page 1 Statement of Commitments 2006 RTÉ is proud to be Ireland's public RTÉ's VISION, MISSION and VALUES service broadcaster that sets and During 2005, following an open staff consultation process, these goals were meets standards to the highest further developed and in September 2005 RTÉ's Strategic Framework, levels of accountability. As part of detailing the vision, mission and values of the organisation, was published. this process RTÉ publishes an The key elements of that document are as follows: annual Statement of Commitments to its audience – commitments RTÉ's vision is to grow the trust of the people of Ireland as it informs, inspires, reflects and enriches their lives. which can be independently assessed at the end of the year. RTÉ's mission is to: •Nurture and reflect the cultural and regional diversity of all the people of The Statement of Commitments reflects RTÉ's Ireland responsibilities as outlined in the Public •Provide distinctive programming and services of the highest quality and Service Broadcasting Charter published by the ambition, with the emphasis on home production Minister for Communications, Marine and •Inform the Irish public by delivering, nationwide, the best comprehensive Natural Resources in June 2004. The purpose independent News service possible of the Charter is to provide an understanding to •Be the unifying source of national participation in all major events the people of Ireland of what is expected of RTÉ's values are to: RTÉ in return for the significant public funds •Operate in the public interest, providing News and Current Affairs that is fair provided to it from the proceeds of the and impartial, accurate and challenging television licence fee.