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Sponsorship Opportunity: I Am Ireland Film For
the Irish Fellowship Club of Chicago presents A concert being presented at Old Saint Pat’s in Chicago for broadcast on PBS “There will be all manner of celebrations during next year’s centennial but it’s hard – almost impossible – to imagine any will be as moving, entertaining, enlightening or soaring as I AM IRELAND.” – rick kogan, the chicago tribune I AM IRELAND The History of Ireland’s Road to Freedom 1798 ~ 1916 “As told through songs of her people” TELLING THE STORY OF IRISH INDEPENDENCE AND CREATING A LEGACY THAT WILL LIVE FOR GENERATIONS TO COME he goal of the I AM IRELAND show is to record the story of Ireland’s road to freedom filmed before a live audience at Old St. TPatrick’s Church in Chicago over a three-day period in the Fall of 2019, for distribution through the PBS Television Network. We are seek- ing to raise $500,000 to cover the cost of this production while simulta- neously raising scholarship funds for the Irish Fellowship Educational and Cultural Foundation. This filming and recording will be carried out by the acclaimed HMS Media Group, who recently filmed for broadcast the highly rated Chicago Voices Concert, (2017) featuring Renée Fleming and more recently, Jesus Christ Superstar for PBS. The I AM IRELAND show will feature traditional Irish Tenor Paddy Homan, together with 35 musicians from The City Lights Orchestra, under the direction of Rich Daniels. Additionally, there will be three traditional Irish musicians, along with an All-Ireland traditional Irish step dancer. The ninety-minute show takes audiences on a journey through the songs and speeches of Ireland’s road to freedom between 1798 and 1916. -
Séamas De Barra
1 Séamas de Barra Aloys Fleischmann Field Day Music Aloys Fleischmann (1910–92) was a key figure in the musical General Editors: Séamas de Barra and Patrick Zuk Séamas de Barra life of twentieth-century Ireland. Séamas de Barra presents an authoritative and insightful account of Fleischmann’s career 1. Aloys Fleischmann (2006), Séamas de Barra as a composer, conductor, teacher and musicologist, situating 2. Raymond Deane (2006), Patrick Zuk his achievements in wider social and intellectual contexts, and paying particular attention to his lifelong engagement Among forthcoming volumes are studies of Ina Boyle, Seóirse with Gaelic culture and his attempts to forge a distinctively Bodley, Michele Esposito and James Wilson. Aloys Irish music. Fleischmann Séamas de Barra is a composer and a musicologist. Music/Contemporary Ireland FIELD DAY PUBLICATIONS MUSIC 1 Séamas de Barra Aloys Fleischmann Field Day Music Aloys Fleischmann (1910–92) was a key figure in the musical General Editors: Séamas de Barra and Patrick Zuk Séamas de Barra life of twentieth-century Ireland. Séamas de Barra presents an authoritative and insightful account of Fleischmann’s career 1. Aloys Fleischmann (2006), Séamas de Barra as a composer, conductor, teacher and musicologist, situating 2. Raymond Deane (2006), Patrick Zuk his achievements in wider social and intellectual contexts, and paying particular attention to his lifelong engagement Among forthcoming volumes are studies of Ina Boyle, Seóirse with Gaelic culture and his attempts to forge a distinctively Bodley, Michele Esposito and James Wilson. Aloys Irish music. Fleischmann Séamas de Barra is a composer and a musicologist. Music/Contemporary Ireland FIELD DAY PUBLICATIONS MUSIC Aloys Fleischmann i ii Aloys Fleischmann Aloys Fleischmann Aloys Fleischmann Aloys Fleischmann Séamas de Barra Field Day Music 1 Series Editors: Séamas de Barra and Patrick Zuk Field Day Publications Dublin, 2006 Séamas de Barra has asserted his right under the Copyright and Related Rights Act, 2000, to be identified as the author of this work. -
Carlow College
- . - · 1 ~. .. { ~l natp C u l,•< J 1 Journal of the Old Carlow Society 1992/1993 lrisleabhar Chumann Seanda Chatharlocha £1 ' ! SERVING THE CHURCH FOR 200 YEARS ! £'~,~~~~::~ai:~:,~ ---~~'-~:~~~ic~~~"'- -· =-~ : -_- _ ~--~~~- _-=:-- ·.. ~. SPONSORS ROYAL HOTEL- 9-13 DUBLIN STREET ~ P,•«•11.il H,,rd ,,,- Qua/in- O'NEILL & CO. ACCOUNTANTS _;, R-.. -~ ~ 'I?!~ I.-: _,;,r.',". ~ h,i14 t. t'r" rhr,•c Con(crcncc Roonts. TRAYNOR HOUSE, COLLEGE STREET, CARLOW U • • i.h,r,;:, F:..n~ r;,,n_,. f)lfmt·r DL1nccs. PT'i,·atc Parties. Phone:0503/41260 F."-.l S,:r.cJ .-\II Da,. Phone 0503/31621. t:D. HAUGHNEY & SON, LTD. Jewellers, ·n~I, Fashion Boutique, Fuel Merchant. Authorised Ergas Stockist ·~ff 62-63 DUBLIN ST., CARLOW POLLERTON ROAD, CARLOW. Phone 0503/31367 OF CARLOW Phone:0503/31346 CIGAR DIVAN TULL Y'S TRAVEL AGENCY Newsagent, Confectioner, Tobacconist, etc. TULLOW STREET, CARLOW DUBLIN STREET, CARLOW Phone:0503/31257 Bring your friends to a musical evening in Carlow's unique GACH RATH AR CARLOVIANA Music Lounge each Saturday and Sunday. Phone: 0503/27159. ST. MARY'S ACADEMY, SMYTHS of NEWTOWN CARLOW SINCE 1815 DEERPARK SERVICE STATION MICHAEL DOYLE Builders Providers, General Hardware Tyre Service and Accessories 'THE SHAMROCK", 71 TULLOW STREET, CARLOW DUBLIN ROAD, CARLOW. Phone 0503/31414 Phone:0503/31847 THOMAS F. KEHOE SEVEN OAKS HOTEL Specialist Livestock Auctioneer and Valuer, Far, Sales and Lettings,. Property and Est e Agent. Dinner Dances * Wedding Receptions * Private Parties Agent for the Irish Civil Ser- ce Building Society. Conferences * Luxury Lounge 57 DUBLIN STREET, CARLOW. Telephone 0503/31678, 31963. -
The Irish Catholic Episcopal Corps, 1657 – 1829: a Prosopographical Analysis
THE IRISH CATHOLIC EPISCOPAL CORPS, 1657 – 1829: A PROSOPOGRAPHICAL ANALYSIS VOLUME 1 OF 2 BY ERIC A. DERR THESIS FOR THE DEGREE OF PHD DEPARTMENT OF HISTORY NATIONAL UNIVERISTY OF IRELAND MAYNOOTH SUPERVISOR OF RESEARCH: DR. THOMAS O’CONNOR NOVEMBER 2013 Abstract This study explores, reconstructs and evaluates the social, political, educational and economic worlds of the Irish Catholic episcopal corps appointed between 1657 and 1829 by creating a prosopographical profile of this episcopal cohort. The central aim of this study is to reconstruct the profile of this episcopate to serve as a context to evaluate the ‘achievements’ of the four episcopal generations that emerged: 1657-1684; 1685- 1766; 1767-1800 and 1801-1829. The first generation of Irish bishops were largely influenced by the complex political and religious situation of Ireland following the Cromwellian wars and Interregnum. This episcopal cohort sought greater engagement with the restored Stuart Court while at the same time solidified their links with continental agencies. With the accession of James II (1685), a new generation of bishops emerged characterised by their loyalty to the Stuart Court and, following his exile and the enactment of new penal legislation, their ability to endure political and economic marginalisation. Through the creation of a prosopographical database, this study has nuanced and reconstructed the historical profile of the Jacobite episcopal corps and has shown that the Irish episcopate under the penal regime was not only relatively well-organised but was well-engaged in reforming the Irish church, albeit with limited resources. By the mid-eighteenth century, the post-Jacobite generation (1767-1800) emerged and were characterised by their re-organisation of the Irish Church, most notably the establishment of a domestic seminary system and the setting up and manning of a national parochial system. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
The Archive JOURNAL of the CORK FOLKLORE PROJECT IRIS BHÉALOIDEAS CHORCAÍ ISSN 1649 2943 21 UIMHIR FICHE a HAON
The Archive JOURNAL OF THE CORK FOLKLORE PROJECT IRIS BHÉALOIDEAS CHORCAÍ ISSN 1649 2943 21 UIMHIR FICHE A HAON FREE COPY The Archive 21 | 2017 Contents PROJECT MANAGER 3 Introduction Dr Tomás Mac Conmara No crew cuts or new-fangled styles RESEARCH DIRECTOR 4 Mr. Lucas - The Barber. By Billy McCarthy Dr Clíona O’Carroll A reflection on the Irish language in the Cork Folklore 5 EDITORIAL ADVISOR Project Collection by Dr. Tomás Mac Conmara Dr Ciarán Ó Gealbháin The Loft - Cork Shakespearean Company 6 By David McCarthy EDITORIAL TEAM Dr Tomás Mac Conmara, Dr Ciarán Ó The Cork Folklore Masonry Project 10 By Michael Moore Gealbháin, Louise Madden-O’Shea The Early Days of Irish Television PROJECT RESEARCHERS 14 By Geraldine Healy Kieran Murphy, Jamie Furey, James Joy, Louise Madden O’Shea, David McCarthy, Tomás Mac Curtain in Memory by Dr. Tomás Mac 16 Conmara Mark Foody, Janek Flakus Fergus O’Farrell: A personal reflection GRAPHIC DESIGN & LAYOUT 20 of a Cork music pioneer by Mark Wilkins Dermot Casey 23 Book Reviews PRINTERS City Print Ltd, Cork Boxcars, broken glass and backers: Ballyphehane Oral www.cityprint.ie 24 History Project by Jamie Furey 26 A Taste of Tripe by Kieran Murphy The Cork Folklore Project Northside Community Enterprises Ltd facebook.com/corkfolklore @corkfolklore St Finbarr’s College, Farranferris, Redemption Road, Cork, T23YW62 Ireland phone +353 (021) 422 8100 email [email protected] web www.ucc.ie/cfp Acknowledgements Disclaimer The Cork Folklore Project would like to thank : Dept of Social Protection, The Cork Folklore Project is a Dept of Social Protection funded joint Susan Kirby; Management and staff of Northside Community Enterprises; Fr initiative of Northside Community Enterprises Ltd & Dept of Folklore and John O Donovan, Noreen Hegarty; Roinn an Bhéaloideas / Dept of Folklore Ethnology, University College Cork. -
Original Song Settings of Irish Texts by Irish Composers, 1900-1930
Technological University Dublin ARROW@TU Dublin Masters Applied Arts 2018 Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930. David Scott Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/appamas Part of the Composition Commons Recommended Citation Scott, D. (2018) Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930.. Masters thesis, DIT, 2018. This Theses, Masters is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Masters by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900–1930 David Scott, B.Mus. Thesis submitted for the award of M.Phil. to the Dublin Institute of Technology College of Arts and Tourism Supervisor: Dr Mark Fitzgerald Dublin Institute of Technology Conservatory of Music and Drama February 2018 i ABSTRACT Throughout the second half of the nineteenth century, arrangements of Irish airs were popularly performed in Victorian drawing rooms and concert venues in both London and Dublin, the most notable publications being Thomas Moore’s collections of Irish Melodies with harmonisations by John Stephenson. Performances of Irish ballads remained popular with English audiences but the publication of Stanford’s song collection An Irish Idyll in Six Miniatures in 1901 by Boosey and Hawkes in London marks a shift to a different type of Irish song. -
TUNE BOOK Kingston Irish Slow Session
Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected]. -
Trespass Against Us
FILM4 and BFI Present In Association with PROTAGONIST PICTURES ANIMAL KINGDOM LIPSYNC LLP WESTGROVE PARTNERS DMC FILM A Potboiler Production An Albert Granville Film TRESPASS AGAINST US PRODUCTION NOTES Running time: 98 mins © BFI, CHANNEL FOUR TELEVISION CORPORATION AND TRESPASS AGAINST US LIMITED 2015 1 MAIN CREDITS FILM 4 AND BFI Present in Association with PROTAGONIST PICTURES, ANIMAL KINGDOM and LIPSYNC LLP In Association with WESTGROVE PARTNERS In Association with DMC FILM A POTBOILER PRODUCTION An ALBERT GRANVILLE FILM MICHAEL FASSBENDER, BRENDAN GLEESON, LYNDSEY MARSHAL, KILLIAN SCOTT With RORY KINNEAR And SEAN HARRIS, GERARD KEARNS, TONY WAY, KINGLSEY BEN-ADIR, BARRY KEOGHAN, PETER WIGHT, ALAN WILLIAMS, ANNA CALDER-MARSHALL, MARK LEWIS JONES Introducing GEORGIE SMITH, KACIE ANDERSON Directed by ADAM SMITH Written by ALASTAIR SIDDONS Produced by ANDREA CALDERWOOD, GAIL EGAN, ALASTAIR SIDDONS Executive Producers TESSA ROSS, ROSE GARNETT, DAVID KOSSE Executive Producers ZYGI KAMASA, DANIEL KHALILI, NATASCHA WHARTON Executive Producers FREDERICK W. GREEN, JOSHUA ASTRACHAN Executive Producers PETER HAMPDEN, NORMAN MERRY, NIGEL WILLIAMS Co –Producer JIM SPENCER Director of Photography EDU GRAU Production Designer NICK PALMER Edited by KRISTINA HETHERINGTON, JAKE ROBERTS Music by TOM ROWLANDS Post Production Supervisor POLLY DUVAL Costume Designer SUZANNE CAVE Make Up & Hair Designer SHARON MARTIN Casting by SHAHEEN BAIG 2 TRESPASS AGAINST US SYNOPSIS Three generations of the notorious Cutler family live as outlaws in the green and pleasant Gloucestershire countryside. They spend their time hunting, thieving and tormenting the police in the heart of Britain’s richest neighbourhood. Chad (Michael Fassbender) finds himself torn between respect for his father, Colby (Brendan Gleeson), and a desire to forge a better life for his wife, Kelly (Lyndsey Marshal) and their children. -
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords. -
2.5 Graded Requirements: Irish Traditional Music
2.5 Graded requirements: Irish Traditional Music See page 43 for the graded requirements for bodhrán examinations. Step - Irish Traditional Music The candidate will be expected to perform four tunes. The tunes should be simple in type (for example, easy marches, airs, polkas, etc). No ornamentation or embellishment will be expected but credit will be given for accuracy, fluency, phrasing and style. 25 marks per piece. See page 24 for suggested repertoire for this grade. Grade 1 - Irish Traditional Music See page 24 for suggested repertoire for this grade. Component 1: Performance 60 marks The candidate will be expected to perform three tunes of different types. Ornamentation is not required but the performance should be fluent, well phrased and in style. Component 2: Repertoire 20 marks Three tunes of different types should be prepared and one will be heard at the examiner’s discretion. Ornamentation is not required but the performance should be fluent, well phrased and in style. Component 3: Supplementary Tests 20 marks x To beat time (clap or foot tap) in a polka, double jig or reel performed by the examiner. x To identify tune types (air, polka or double jig) performed by the examiner. x To identify instruments (tin whistle, flute, fiddle, accordion) in audio extracts played by the examiner. x To describe the candidate’s own instrument in detail and name a prominent player of the instrument. Grade 2 - Irish Traditional Music See page 24 for suggested repertoire for this grade. Component 1: Performance 60 marks The candidate will be expected to perform three tunes of different types, at least one of which must be a hornpipe, jig or reel. -
Fhfest Walk 2016
A Row in the Town Remembering the Easter Rising in Traditional Song and Poetry Traditional Singing Tour Sunday September 25th 2016, 10:15am, The Teachers’ Club, Parnell Square. AN GÓILÍN - FRANK HARTE FESTIVAL A Row in the Town Dublin Traditional Singing Tour Sunday September 25th 2016 Meet at 10:15am sharp at the The Teacher’s Club, Parnell Square Buses will depart to Kilmainham Gaol at 10:30am sharp. Introduction his year the tour theme is remembering the Easter Rising and those who fought and died in Dublin in a week that violently changed the course of TIrish History. The story will be told through the rendition of traditional songs, recitations and poetry. The settings will be Kilmainham Gaol where the leaders of the insurrection were interned and shot; Arbour Hill Cemetery where they were buried and the Garden of Remembrance in the heart of the city which is dedicated to the memory of all those who gave their lives in the cause of Irish freedom. All three sites are national monuments frequented daily by the public and visitors to Dublin, and are maintained and managed expertly by the OPW. An Góilin acknowledges their assistance in organising and making possible this event. Two buses have been hired to convey participants to the three sites. 2A ROW IN THE TOWN – The Sunday Morning Traditional Singing Tour 23/24/25 SEPTEMBER 2016 STOP 1: The East Wing – Kilmainham Gaol. Welcome by Niall Bergin of the OPW who will give a brief history of the prison. Kilmainham Gaol opened in 1796, seven years after the outbreak of the French revolution and four years before the Act of Union abolished the Irish Parliament and replaced it with di- rect rule from London.