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MAR/APR/MAY 2014 MAR/APR/MAY UC BERKELEY ART MUSEum & PacIFIC FILM ARCHIVE PROGRAM GUIDE THE POSSIBLE BARBARA CHASE-RIBOUd WILL ROGAN uC BERKELEY M.F.A. EXHIBITION PAZ ERRÁZURIz ANNA MARIA MAIOLINO JEAN-LUC GODARd SATYAJIT RAy JAN NEMEC KAMRAN SHIRDEL CAAMFEST 2014 ROSS McELWEE SAUL ZAENTZ short list> Inside the BAM/PFA Film Collection 2014 BAM/PFA MONDAY / 3.10.14 7:30 FREE MEMBER SCREENING Join us for this second annual event, an insider’s view into how we shape our film and gala video collection. In conjunction with Member Appreciation Month, our curators and film collection staff present a selection of recently acquired works and share insights into their HONOR significance, both for our collection and for the the history of film. PAST Program highlights include: a newly acquired 35mm print of Robert Beavers’s Work Done (1972/1999); two BAM/PFA preservation projects, Frank Stauffacher’sNotes on the Celebrate Port of St. Francis (1951), which was recently the named to the National Film Registry, and James FUTURE Broughton’s The Bed (1968); examples of IB Technicolor trailers; and a before-and-after TUESdaY, MAY 6 demonstration of the digitally restored Signal 7 (1983, directed by Rob Nilsson). Work Done © 2006 Robert Beavers Open to BAM/PFA members only. Free admis- Our 2014 Gala honors BAM/PFA’s extraor- sion. To reserve tickets or become a member call (510) 642-5186. dinary history and celebrates our exciting future as we prepare to open at our new downtown Berkeley location in early 2016. The evening features a special performance by pianist Sarah Cahill. All proceeds benefit our education programs. To reserve your table or for more informa- tion, please visit bampfa.berkeley.edu/gala or contact [email protected]. UNIVERSITY OF CALIFORNIA, BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE, PROGRAM GUIDE Cover & above oppoSite page Volume XXXVIlI Number 2. Published five times a year by the University of California, Berkeley. The Possible 1 A Touch of Sin, 3.22.14 & 3.23.14 P. 33 Produced independently by the UC Berkeley Art Museum and Pacific Film Archive, which is solely Clay Class, a group led by The Possible responsible for its contents. BAM/PFA, 2625 Durant Avenue, Berkeley, CA 94720-2250, (510) artist Jessica Niello, February 27, 2012. 2 Paz Errázuriz: Evelyn, La Palmera, from the series La manzana de 642-0808. Lawrence Rinder, Director. Nonprofit Organization: Periodical Postage Paid at Berkeley Photo: Kanoa Zimmerman. P. 4 Adán (Adam’s Apple), 1982; gelatin silver print; 19 2/3 × 23 1/2 in. Post Office. USPS #003896. POSTMASTER: Send address change to: UC Berkeley Art Museum Photo courtesy the artist and Galeria AFA, Santiago.o. P. 7 D and Pacific Film Archive, Woo Hon Fai Hall, 2625 Durant Avenue #2250, Berkeley CA 94720-2250. avid Wilson and Alexander Kori Girard: P. 4 Copyright © 2014 The Regents of the University of California. Collage (detail), 2013. 3 Helena Keeffe P. 8 All rights reserved. 4 Myron Falk Home Movie, 3.3.14 P. 17 5 Cal Day P. 15 2 MARCH / APRIL / MAy 2014 1 / 2 Dispatches from Asia & Beyond Paz Errázuriz Visits from Chile As the exclusive East Bay venue for CAAMFest 2014, we are honored to Chilean photographer Paz Errázuriz presents an overview of her work in a talk screen films from Singapore, Japan, India, the Philippines, Cambodia, at Kroeber Hall on the UC Berkeley campus in conjunction with MATRIX 251, her Thailand, and more. Plus we devote a special installment of Committed first solo museum exhibition in the U.S. The exhibition showcases two bodies Cinema to the work of the Dharamsala-based filmmaking couple Ritu of work: La manzana de Adán (Adam’s Apple) and Boxeadores (Boxers), Sarin and Tenzing Sonam. You’ll also want to catch Jia Zhangke’s latest, both of which were made during the brutal military dictatorship of Augusto A Touch of Sin, which is on many critics’ top-ten lists of 2013, as well as Atsushi Pinochet. Admission to the talk is free. P. 15 Funahashi’s astute documentary about the aftermath of the Fukushima Daiichi disaster, Nuclear Nation. P. 20, 22, 33 3 / 4 / 5 Emerging Artists Lost Film Recovered Kids @ BAM/PFA For the forty-fourth year running, we present the On March 3, we proudly present the West Coast Kids Club, our hands-on gallery dedicated to engag- work of the M.F.A. graduates of UC Berkeley’s premiere of the Mercury Theatre’s Too Much ing school-age kids in the creative process, welcomes Department of Art Practice. Help launch these tal- Johnson (1938), directed by Orson Welles for the families Wednesdays through Sundays. On April 12, ented artists on their careers at a members-only Mercury’s stage production of the nineteenth- celebrate Cal Day at BAM/PFA: bring your kids to make opening celebration on May 16, which includes the century play, followed by a home movie from the bear masks with the BAM/PFA Student Committee presentation of the annual Theresa Hak Kyung BAM/PFA Collection that shows Welles directing and explore all the galleries, including Kids Club, for Cha Fellowship Awards. Learn more about the six the film. Never completed,Too Much Johnson was free. And don’t miss the chance to introduce kids (ages graduating artists on the afternoon of Sunday, May for decades believed lost. George Eastman House’s eight and up) to the legendary filmmaker Satyajit Ray 18, when each gives a brief presentation. P. 8, 15 Paolo Cherchi Usai, who supervised the restoration at an April 6 screening of The Adventures of Goopy of a nitrate work print recently discovered in Italy, and Bagha, a music- and dance-filled fairy tale that has introduces. P. 17 been likened to Alice in Wonderland (please note this film is subtitled). P. 5, 15, 29 GET MORE Get program updates and event reminders in your inbox! Sign up to receive our monthly e-newsletter, weekly film update, exhibition and program announcements, and L@TE reminders at bampfa.berkeley.edu/signup. Download a pdf version of this and previous issues of the Program Guide at bampfa.berkeley.edu/programguide. Subscribe to the digital BAM/PFA Event Calendar at bampfa.berkeley.edu/calendar. GALLERIES ALWAYS FREE FOR BAM/PFA MEMBERS BAM / PFA 3 EXHIBITIONS THE POssIBLE 1 / 2 THROUGH MAY 25 1 Fritz Haeg: Domestic CONTINUING ExHIBITION PUBLIC PROGRAMS Integrities, Part 1, 2012 (installation view from the Combining studio, school, library, gallery, and stage, The SUNDAYS / 11:00–3:00 Museum of Modern Art). Possible is an open platform for exploring diverse creative Photo: Jack Ramunni, Mildred’s Lane. PUBLIC WORKSHOPS P. 14 techniques. This experimental exhibition transforms our 2 DIY Workshop galleries into workshops—a ceramics studio, dye lab, FRIDAY / 3.7.14 / 7:30 3 Charles Long: 100 lbs. of Clay, L@TE: TURF INC. presents TURF DANCE print shop, and recording studio—to foster collaboration 2001; modeling clay, steel shelf among artists and between artists and visitors. We are BAttLE, featuring THE MeKANIx P. 12 supports, sign foam, lights, holding open workshops every Sunday afternoon—come FRIDAY / 4.4.14 / 7:30 and sound equipment; 82 × 300 × 13 in.; collection of the and be a part of the process. L@TE: CREATIVE GROwtH BEYOND TREND Orange County Museum of Art, RUNWAY EVENT P. 12 Newport Beach, CA, museum purchase. FRIDAY / 4.25.14 / 7:30 L@TE: THE SOMetHING P. 12 The Possible is organized by guest curator David Wilson, with Director IN THE MUseUM STORE Lawrence Rinder. The project is supported in part by The Andy Warhol FRIDAY / 5.9.14 / 7:30 Foundation for the Visual Arts; Carla and David Crane; National Endowment Books, magazines, posters, music, for the Arts; a Craft Research Fund grant from The Center for Craft, L@TE: RetURNING CURRENT WITH crafts, and more made by partici- DANIELA GesUNDHEIT & KATY PAYNE P. 13 Creativity & Design, Inc; and Joachim and Nancy Hellman Bechtle. Kids pating artists. Club, part of The Possible, is organized by Director of Engagement Aimee FRIDAY / 5.23.14 / 7:30 Chang and is supported by Donna and Gary Freedman. The exhibition catalog will be devel- L@TE: THE POSSIBLE CLOSING CeREMONY oped through an onsite residency P. 13 with the L.A.-based experimental The Andy Warhol Foundation for the Visual Arts SUNDAY / 5.25.14 / 11:00–3:00 publishing studio Public Fiction and will be available for purchase THE POSSIBLE GARDEN BAZAAr P. 15 in fall 2014. Preorder online or at the Museum Store. 4 MARCH / APRIL / MAy 2014 PARTICIPATING ARTIsts & CONTRIBUTORS New participants will be added throughout the exhibition Mandy Aftel DIY IATA Kamau Amu Patton Gwen Allen Ian Dolton-Thornton Iko Iko Philip Perkins Anzfer Farms Sasha Duerr In the Make Renny Pritikin Atelier Dion Jamie Dutcher Chris Johanson Public Fiction Binta Ayofemi Edible Schoolyard Rachel Kaye Publication Studio Bahama Kangaroo Liam Everett Alexander Kori Girard Sarah Rara/Sumi Ink Club Devon Bella Kyle Field/Little Wings Land and Sea Laurie Reid Drew Bennett Luke Fischbeck/ Zachary Leener Clare Rojas Lucky Dragons Kelly Best Terri Loewenthal Brion Nuda Rosch Sam Fleischner Elisheva Biernoff Charles Long Rowena Sartin Flint Outdoors Alan Bishop Johnny Lopez & Turf Inc. Jesse Schlesinger 3 Lucas Ford Jana Blankenship Marriage Recs The Something Amy Franceschini Kevin Blanquies Travis McFlynn Sublime Frequencies Gautam Tejas Ganeshan Book / Shop Lauren McIntosh Karamo Susso KIDS ClUB Linda Geary Zoe Brezsny/KALX Travis Meinolf Hadi Tabatabai Aleishall Girard Todd Bura Mekanix John Toki THROUGH DeCEMbeR 21 Max Goldberg Rebecca Burgess Jim Melchert Amy Trachtenberg Julia Goodman Sarah Cahill Rob Millis Ken Ueno Visit Kids Club to play with one hundred pounds of clay and Akiko Graham Ajit Chauhan Mississippi Records Deborah Valoma display your sculpture as part of an interactive artwork by Fritz Haeg Colpa Press Deepa Natarajan Benjamin Vilmain Charles Long, climb into an art-viewing sculpture designed Anna Halprin Concrete Works Jay Nelson Jerome Waag by artist Jay Nelson, explore an artist-designed activity Liz Harris/Grouper Creative Growth Ruby Neri Yoshiko Wada pack on the felted drawing rug, and get inspired by an Ryan Heffington Creative Growth Jessica Niello Tessa Watson ever-growing display of drawings and sculptures created Runway Team Ashley Helvey NguzuNguzu Matt Werth/RVNG INTL by fellow visitors.