Ramakatha Rasavahini I Glossary 197 Amsumanta
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Shared Characters in Jain, Buddhist and Hindu Narrative
Edinburgh Research Explorer Shared Characters in Jain, Buddhist and Hindu Narrative Citation for published version: Appleton, N 2016, Shared Characters in Jain, Buddhist and Hindu Narrative: Gods, Kings and Other Heroes. Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History, 1 edn, Routledge, Abingdon. https://doi.org/10.4324/9781315608860 Digital Object Identifier (DOI): 10.4324/9781315608860 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Publisher Rights Statement: This is an Accepted Manuscript of a book chapter published by Routledge in "Shared Characters in Jain, Buddhist and Hindu Narrative" on 24/11/2016, available online: http://www.routledge.com/9781472484451 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 Chapter 6 The Renouncing Royals of Videha In the ninth chapter of the Uttarajjhāyā (‘Later Chapters’), one of the scriptures of the Śvetāmbara Jains, we find the story of a king called Nami. Having recalled a past life, 1 Nami decides to renounce and so places his son on the throne before abandoning his kingdom for the solitary life. -
Ramayana of * - Valmeeki RENDERED INTO ENGLISH with EXHAUSTIVE NOTES BY
THE Ramayana OF * - Valmeeki RENDERED INTO ENGLISH WITH EXHAUSTIVE NOTES BY (. ^ ^reenivasa jHv$oiu$ar, B. A., LECTURER S. P G. COLLEGE, TRICHINGj, Balakanda and N MADRAS: * M. K. PEES8, A. L. T. PRKS8 AND GUARDIAN PBE8S. > 1910. % i*t - , JJf Reserved Copyright ftpfiglwtd. 3 [ JB^/to PREFACE The Ramayana of Valmeeki is a most unique work. The Aryans are the oldest race on earth and the most * advanced and the is their first ; Ramayana and grandest epic. The Eddas of Scandinavia, the Niebelungen Lied of Germany, the Iliad of Homer, the Enead of Virgil, the Inferno, the Purgatorio, and the Paradiso of Dante, the Paradise Lost of Milton, the Lusiad of Camcens, the Shah Nama of Firdausi are and no more the Epics ; Ramayana of Valmeeki is an Epic and much more. If any work can clam} to be the Bible of the Hindus, it is the Ramayana of Valmeeki. Professor MacDonell, the latest writer on Samskritha Literature, says : " The Epic contains the following verse foretelling its everlasting fame * As long as moynfain ranges stand And rivers flow upon the earth, So long will this Ramayana Survive upon the lips of men. This prophecy has been perhaps even more abundantly fulfilled than the well-known prediction of Horace. No pro- duct of Sanskrit Literature has enjoyed a greater popularity in India down to the present day than the Ramayana. Its story furnishes the subject of many other Sanskrit poems as well as plays and still delights, from the lips* of reciters, the hearts of the myriads of the Indian people, as at the 11 PREFACE great annual Rama-festival held at Benares. -
Review of Research Issn: 2249-894X Impact Factor : 5.7631(Uif) Volume - 9 | Issue - 2 | November - 2019
Review of ReseaRch issN: 2249-894X impact factoR : 5.7631(Uif) volUme - 9 | issUe - 2 | NovembeR - 2019 RAMAYAN AS A COMPLETE LIFE OF REAL HUMAN Mr. Bhosale S. N. Assistant Professor , Head, Department Of Economics. ABSTRACT The Ramayana was a significant impact on later Sanskrit verse and Indian life and culture. Like the Mahābhārata, the Ramayana isn't only a story: it presents the lessons of old Hindu sages (Vedas) in account purposeful anecdote, scattering philosophical and reverential components. The characters Rama, Sita, Lakshmana, Bharata, Hanuman and Ravana are for the most part central to the social cognizance of India, Nepal, and some South- East Asian nations, for example, Thailand and Indonesia. There are different adaptations of the Ramayana, KEYWORDS: Indian life and culture , social cognizance of India. 1.INTRODUCTION : body of the account needs Valmiki's Ramayana is an epic 1.1. The past and arrangement explanations sonnet of somewhere in the Customarily, the Ramayana is of Rama's godliness, and range of 50,000 lines. The credited to Valmiki, viewed as recognizable pieces of proof of content makes due in a few India's first artist [1-5]. The Rama with Vishnu are thousand halfway and complete Indian custom is consistent in uncommon and stifled even in compositions, the most seasoned its understanding that the the later pieces of the content [9]. of which seems to date from the sonnet is crafted by a solitary As indicated by Indian eleventh century A.D.[11]. The writer, the sage Valmiki, a convention, and as indicated by content has a few provincial contemporary of Rama and a the Ramayana itself, the renderings,[12] recensions and fringe on-screen character in Ramayana has a place with the subrecensions. -
Sita Locked out a Telugu Women’S Song of Sita V
Sita Locked Out A Telugu Women’s Song of Sita V. Narayana Rao She is born of Earth and raised by a belt of gold with bells on it, Rama says, Janaka. bracelets with sapphires inlaid, “If you lose sleep, what do I care! She serves her in-laws with devotion. and a necklace of precious stones. The lamp standing here keeps me Her loving husband calls her, but she She brushes kohl along her lashes company. does not come. and looks at herself in the life-size If you stand out there, what do I care! Flowers in his hair, perfume on his mirror. Flowers and bukka scents keep me body, her husband is in a joyous mood. Pleased with herself, the woman smiles. company. Looking for her, he waits and waits. She eats her dinner – If you stand out there, what do I He is impatient at the time she takes. five different courses, sweets and all – care! “Why doesn’t she come, what is taking then washes her hands. Sandal and musk keep me company. her so long?” She covers herself in a golden shawl, If you stand out there, what do I The solar hero1 is upset with her. takes water to drink in a jug of gold; care! He closes the door and bolts it. betel leaves, areca nuts, perfumes, The mattress and pillows keep me “You and your chores, Daughter of sandal paste, jasmine water, company.” Earth! fruits and snacks on a platter of gold. Upset at Rama’s words, Sita quickly You have grown too proud,” he says She wears jasmine and jaji flowers in runs to her mother-in-law’s house. -
Journal of Indian History and Culture JOURNAL of INDIAN HISTORY and CULTURE
Journal of Indian History and Culture JOURNAL OF INDIAN HISTORY AND CULTURE December 2015 Twenty First Issue C.P. RAMASWAMI AIYAR INSTITUTE OF INDOLOGICAL RESEARCH (affiliated to the University of Madras) The C.P. Ramaswami Aiyar Foundation 1 Eldams Road, Chennai 600 018, INDIA December 2015, Twenty First Issue 1 Journal of Indian History and Culture Editor : Dr.G.J. Sudhakar Board of Editors Dr. K.V.Raman Dr. Nanditha Krishna Referees Dr. A. Chandrsekharan Dr. V. Balambal Dr. S. Vasanthi Dr. Chitra Madhavan Dr. G. Chandhrika Published by Dr. Nanditha Krishna C.P.Ramaswami Aiyar Institute of Indological Research The C.P. Ramaswami Aiyar Foundation 1 Eldams Road Chennai 600 018 Tel : 2434 1778 / 2435 9366 Fax : 91-44-24351022 E-Mail: [email protected] / [email protected] Website: www.cprfoundation.org Sub editing by : Mr. Rudra Krishna & Mr. Narayan Onkar Layout Design : Mrs.T. PichuLakshmi Subscription Rs. 150/- (for 1 issue) Rs. 290/- (for 2 issues) 2 December 2015, Twenty First Issue Journal of Indian History and Culture CONTENTS 1 The Conflict Between Vedic Aryans And Iranians 09 by Dr. Koenraad Elst 2 Some Kushana Images of Karttikeya from Mathura 39 by Dr. V. Sandhiyalakshmi 3 Para Vasudeva Narayana 43 by Dr. G. Balaji 4 Pallava-Kadamba Interlude in Kerala: An Epigraphical Study 50 by Dhiraj, M.S. 5 Temple Managerial Groups in Early Keralam 69 by Anna Varghese 6 Irrigation and Water Supply During the Kakatiya Period 86 by Dr. D. Mercy Ratna Rani 7 Traditional Health Care in Ancient India with Reference to Karnataka 101 by Dr. -
Rishyasringa
RISHYASRINGA Für Ihnen unbekannte Begriffe und Charaktere nutzen Sie bitte www.indische-mythologie.de. König Dasharatha, der König von Ayodhya, hatte mit seiner Gattin Kausalya eine Tochter, Shanta. Ein enger Freund Dasharathas war Romapada, König von Anga, der leider kinderlos war. Einst bat er Dasharatha um einen Gefallen. Dasharatha wunderte sich, was er für solch einen großen König wohl tun könne. Romapada schaute Dasharatha und Kausalya etwas beschämt an: ‘Ich habe keine Kinder. Aber ich liebe Kinder über alles.’ Dasharatha und Kausalya schauten sich an, als Romapada fortfuhr: ‘Eure Tochter Shanta ... sie ist reizend und tugendhaft … würdet ihr sie mir zur Adoption übergeben?’ Romapada schaute hoffnungsvoll auf Dasharatha und Kausalya. Kausalya war sprachlos, wie konnte Romapada sie fragen, ob sie ihm ihr Kind übergeben würden. Doch dann wurde ihr klar, dass Romapada wohl dachte, Dasharatha mit seinen drei Frauen kann noch viele Kinder haben. Dennoch wollte sie ihr Kind nicht hergeben. Sie schaute Romapada an und sah Verzweiflung in seinem Gesicht. Sicher wäre er nicht hierhergekommen, wenn er es nicht als den letzten Ausweg gesehen hätte. Kausalya schaute aus dem Fenster, Shanta spielte im Garten. Romapada begann ihr leid zu tun. Der Mann brauchte ihre Tochter. Sie sah zu Dasharatha, der hilflos dasaß, sie nickte ihm zu. Dasharatha machte große Augen … hatte er das Zeichen seiner Frau richtig verstanden … wollte sie tatsächlich ihre Tochter hergeben? Dasharatha wandte sich zu Romapada: ‚Ich möchte mich mit meiner Frau darüber unterhalten. Romapada hörte Dasharatha gar nicht. Er schaute immer noch hinunter zu Shanta. Dasharatha und Kausalya gingen in einen anderen Raum. Dasharatha fragte seine Königin: ‚Kausalya, bist du wirklich willens, deine einzige Tochter herzugeben?‘ Kausalya antwortete leise: ‚Dasharatha, hast du den Blick des Mannes gesehen, als er Shanta sah? Wir können noch viele Kinder haben. -
Harmony and Beauty in Ramayana 3
36 Summer Showers - 2002 3 Harmony and Beauty in Ramayana Daivadhinam jagat Sarvam Sathyadhinam tu Daivatam Tat Sathyam Uttamadhinam Uttamo Paradevata The entire creation is under the control of God. That God is under the control of Truth. That truth is under the control of noble ones. The noble people are greater than gods. (Sanskrit Verse) Embodiments of Love! HE society today is in utter need of Ramayana. We do not have children who re- Tspect their parents, nor do we have parents who have great affection for their children. We do not have disciples today who revere their preceptors; nor do we have preceptors who have great love for their 38 Summer Showers - 2002 Summer Showers - 2002 39 disciples. We do not have homes where parents shine as And moderately. role models for their children. We do not have homes Go to school where brothers live with mutual love and affection; nor And study diligently. do we have homes where wives and husbands shine as Earn a good name that ideals to others by virtue of their mutual love and You are an obedient student. affection. Good manners and courtesies have vanished. The Ramayana stands as an ideal for the trouble-torn Don’t move society of today in various fields of activities. When weather is damp. House is the First School And never go near ditches. Run and play The parents of today do not bother to find out the ways and means of bringing up their children and Have fun and frolic. keeping them under control. They think that their If you abide by responsibility is over after admitting them into a primary All the principles mentioned above school or a village school. -
THE DIVISION of CONTINUING EDUCATION and COMMUNITY SERVICE the STATE FOUNDATION on CULTURE and the ARTS and the UNIVERSITY THEATRE Present
THE DIVISION OF CONTINUING EDUCATION AND COMMUNITY SERVICE THE STATE FOUNDATION ON CULTURE AND THE ARTS AND THE UNIVERSITY THEATRE present by special arrangements with the American Society for Eastern Arts San Francisco, California John F. Kennedy Theatre University of Hawaii September 24, 25, 1970 /(ala mania/am /(aiAahali Company The Kerala Kalamandalam (the Kerala State Academy of the Arts) was founded in 1930 by ~lahaka vi Vallathol, poet laureate of Kerala, to ensure the continuance of the best tradi tions in Kathakali. The institution is nO\\ supported by both State and Central Governments and trains most of the present-day Kathakali actors, musicians and make-up artists. The Kerala Kalamandalam Kathakali company i::; the finest in India. Such is the demand for its performances that there is seldom a "night off" during the performing season . Most of the principal actors are asatts (teachers) at the in::;titution. In 1967 the com pany first toured Europe, appearing at most of the summer festi vals, including Jean-Louis Barrault's Theatre des Nations and 15 performances at London's Saville Theatre, as well as at Expo '67 in Montreal. The next year, they we re featured at the Shiraz-Persepolis International Festival of the Arts in I ran. This August the Kerala Kalamandalam company performed at Expo '70 in Osaka and subsequently toured Indonesia, Australia and Fiji. This. their first visit to the Cnited States, is presented by the American Society for Eastern Arts. ACCOMPANISTS FOR BOTH PROGRAMS Singers: Neelakantan Nambissan S. Cangadharan -
Sathya Sai Speaks, Vol 23 (1990) Divine Discourses of Bhagawan Sri Sathya Sai Baba
Sathya Sai Speaks, Vol 23 (1990) Divine Discourses of Bhagawan Sri Sathya Sai Baba Index Of Discourses 1. Sports and Spirituality ............................................................................................ 2 2. Devotion in action .................................................................................................... 9 3. Human values in business management .............................................................. 15 4. What the Avatars mean ......................................................................................... 17 5. More potent than portents .................................................................................... 23 6. Rama, the Indweller .............................................................................................. 29 7. Give up selfishness: Cultivate unity ..................................................................... 38 8. Sathyam vada; Dharmam chara .......................................................................... 44 9. The Glory of Bharat .............................................................................................. 49 10. Sanctify the body .................................................................................................... 52 11. The abode of the Spirit .......................................................................................... 59 12. Be Master of the senses .......................................................................................... 64 13. Royal road to realisation ...................................................................................... -
Bhagavata Purana
Bhagavata Purana abridged translation by Parama Karuna Devi new edition 2021 Copyright © 2016 Parama Karuna Devi All rights reserved. ISBN: 9798530643811 published by Jagannatha Vallabha Vedic Research Center E-mail: [email protected] Blog: www.jagannathavallabhavedicresearch.wordpress.com Website: www.jagannathavallabha.com Correspondence address: Jagannatha Vallabha Vedic Research Center At Piteipur, P/O Alasana, PS Chandanpur, 752012 Dist. Puri Orissa, India Table of Contents Preface 5 The questions of the sages 7 The teachings of Sukadeva on yoga 18 Conversation between Maitreya and Vidura 27 The story of Varaha 34 The teachings of Kapila 39 The sacrifice of Daksha 56 The story of Dhruva 65 The story of king Prithu 71 The parable of Puranjana 82 The story of Rishabha 90 The story of Jada Bharata 97 The structure of the universe 106 The story of Ajamila 124 The descendants of Daksha 128 Indra and Vritrasura 134 Diti decides to kill Indra 143 The story of Prahlada 148 The varnashrama dharma system 155 The story of Gajendra 163 The nectar of immortality 168 The story of Vamana 179 The descendants of Sraddhadeva Manu 186 The story of Ambarisha 194 The descendants of Ikshvaku 199 The story of Rama 206 The dynastyof the Moon 213 Parama Karuna Devi The advent of Krishna 233 Krishna in the house of Nanda 245 The gopis fall in love with Krishna 263 Krishna dances with the gopis 276 Krishna kills more Asuras 281 Krishna goes to Mathura 286 Krishna builds the city of Dvaraka 299 Krishna marries Rukmini 305 The other wives of Krishna 311 The -
In Search of Lord Rama's Sister
Hiranyagarbha Vol. 2 No. 4–38 Final 15.01.10 In Search of Lord Rama’s Sister My favourite period of the year, the ten days of who is known to have ‘directed’ the Ramayana’s di- Sree Sree Durga Puja or Navratri, had commenced. vine play - it now seemed to me that every enlight- Just a few days after Mahalaya, I paid a visit to the ened one except probably the principal actors knew Ashram. During a conversation with Sadhvi what was going to happen. I began to concentrate on Sanyuktanandamoyee, she mentioned that earlier in the actual text where the King Dasaratha’s minister the week, Sree Sree Maa was talking about King Sumantra talks to his king. Dasaratha’s daughter, Shanta Devi. “King Dasaratha’s It goes as follows: “O great King, let me tell you daughter!!” I asked, taken quite by surprise. “Yes, Maa what has been stated by the ever-benevolent great mentioned that Lord Rama had an elder sister, about sage Sanat Kumara, the finest among the divine ones. whom there is reference in the Ramayana, though Kindly listen to these favourable words of immense most people are unaware of her existence”, replied value (of the sage) - ‘In the Ikshvaku dynasty will be Sanyuktanandamoyee and continued saying, “From born in future a virtuous king called Dasaratha, who the way Sree Sree Maa talked about Devi Shanta, it will be firm and true to his words. He will forge a long- seems to me that there is more about this matter that standing friendship with the king of Anga (assumed to needs to be unearthed.” This was a bit too intriguing be the region of modern Assam), who in turn will have to ignore especially because earlier investigations of a daughter who brings great fortune, named Shanta. -
Shrî Râma Chandra
f Californi. Regional Facility T-t; .^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ^^-^-<~-cJu^ J^^^-^^^-o^--^ — rntLA^dl^ i c -^ I Qo i2_^ bif soi.K i,i-:ssi-:i-:s Qi i:i:x's iiAi.i., .Mi;sNi«s. ciiAi'i'i-;!.!. & <ri. i.AN<;iiA.M I'l. v< i;. i.o.Mio.N. ^v . i. H'XDAv i:vi:Nix(is vi 7 June 13, 20, 27, July 4. Dr. Annie Besant "THE COMINcG OF THE WORLD TEACHERS' as §eee Ib^y Aeciieet aed Mo-dlea'e Centrat. Hindu College LECTunKS. TI . SHRl RAMA CHANDRA THE IDE^L KING. SOME LESSONS FROM THE RAmIYANA FOR THE USE OF HINDU STUDENTS IN THE SCHOOLS OF INDIA • BY ANNIE BESANT, F. T. S. From Notes of Lectures Originally Delivered AT THE Central Hindu College, Benares. Benares and London. Theosophical Publishing Society. I80i. Printed by Freeman & Co., Lti>., AT THE Taea Printing Works, Belnares. 3653 CONTENTS. Chapter I. Introduction. Chapter II. Youth and Marriage, Chapter III. Forest for Throne. Chapter IV. Brotherly Love. Chapter V. The Carrying off of SItA. Chapter VI. SIta's Faith. Chapter VII. Struggle. Chapter VIII. Triumph. 829275 SHRt RAMA CHANDRA, The Ideal King. CHAPTER I. Introduction. " Two years ago we were studying together one of the greatest books in the world," the Mahd' bhdrata. Now we are going to study the second great epic poem of India, the Rdmdyana. These two books stand out from the rest of Indian literature in a very marked way. The Vedas, the Institutes of Manu, are the great authorities for the learned, and only through the learned for the mass of the people.