Buddhapada and the Bodhisattva Path
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Predictive Modelling for Archaeological Sites: Ashokan Edicts from the Indian Subcontinent
GENERAL ARTICLES Predictive modelling for archaeological sites: Ashokan edicts from the Indian subcontinent Thomas W. Gillespie*, Monica L. Smith, Scott Barron, Kanika Kalra and Corey Rovzar This article focuses on the stone inscriptions ascribed to Ashoka, the 3rd century BC ruler of the Mauryan dynasty in ancient India. The locations of 29 known inscriptions and 8 environmental predictors at 1 km pixel resolution were entered into a species distribution model, that reliably pre- dicted the distribution of known Ashokan edicts (AUC score 0.934). Geologic substrate (33%), population density in AD 200 (21%), and slope (13%) explained majority of the variance in the Ashokan edict locations. We have identified 121 possible locations in the Indian subcontinent that conform to the same criteria where yet undiscovered inscriptions may be found. Keywords: Archaeology, edict locations, environmental metrics, species distribution models, stone inscriptions. TWO factors have combined that could increase the use of provide confirmation that people found the locations suit- modelling in archaeology: the availability of global land- able and worthy of investment. scape geographic information system (GIS) datasets, and The predictability of archaeological site location is the need to identify and protect sites in areas jeopardized by based on a variety of criteria, not all of which are imme- development and other human impacts. An important po- diately apparent. For example, our earliest ancestors hun- tential contributor to this process is species distribution dreds of thousands of years ago utilized caves as shelters modelling, which has been increasingly used across a va- prior to the development of built architecture, but not all riety of fields, including biogeography, ecology, conserva- known caves were occupied within a given region due to tion biology, and climate change science to identify metrics additional factors of selection, such as the preference for that define and predict species and ecosystems ranges1–4. -
The Mahāyana Sūtra the Distinctively Vast Previous Prayers of the Ārya
The Mahāyana Sūtra known as The Distinctively Vast Previous Prayers Of The Ārya Bhagavān Medicine Guru Vaidūryaprabhā (The Medicine Buddha Sūtra) translation by Annie Bien Medicine Guru Vaidūryaprabhā Full Title: In Indian language: ārya-bhagavān-bhaiṣajyaguru-vaiḍūrya-prabhasya-pūrva- praṇidhāna-viśeṣa-vistara-nāma-mahāyāna-sūtra In Tibetan language: 'phags pa bcom ldan 'das sman gyi bla bai dur ya'i 'od kyi sngon gyi smon lam gyi khyad par rgyas pa zhes bya ba theg pa chen po'i mdo In English: The Mahāyana Sūtra Known as The Distinctively Vast Previous Prayers of the Ārya Bhagavān Medicine Guru Vaidūryaprabhā Degé Kangyur Toh 504, vol. 87 (rgyud da), folios 274a1–283b7 Translation by Annie Bien © 2018 Translation by Annie Bien 2 Medicine Guru Vaidūryaprabhā Contents Summary 4 Acknowledgments 4 The Translation 5 Bibliography 19 Translation by Annie Bien 3 Medicine Guru Vaidūryaprabhā Summary The Buddha has been traveling and arrives in Vaiśāli. He remains there to teach his sangha of monks, bodhisattvas, and multitude of sentient beings how to purify their karmic obscurations, safeguard their lives, and have a better rebirth through knowing the name of the Medicine Guru Vaidūryaprabhā. Acknowledgments Thanks to my compassionate and kind teacher, Khyongla Rato Rinpoche for asking me to translate this sūtra for our class at the Tibet Center. This translation is also dedicated to His Holiness the Dalai Lama. Many thanks to my enthusiastic advisors, Paul Hackett and Geshe Dorji Damdul, and my dear husband for his help on the graphics, Paul Merwin. Translation by Annie Bien 4 Medicine Guru Vaidūryaprabhā The Translation Sanskrit homage: oṁ namaḥ sarvajñāya | namo bhagavatebhaiṣajyaguruvaidūryaprabharājāya tathāgatāya Om. -
Shared Characters in Jain, Buddhist and Hindu Narrative
Edinburgh Research Explorer Shared Characters in Jain, Buddhist and Hindu Narrative Citation for published version: Appleton, N 2016, Shared Characters in Jain, Buddhist and Hindu Narrative: Gods, Kings and Other Heroes. Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History, 1 edn, Routledge, Abingdon. https://doi.org/10.4324/9781315608860 Digital Object Identifier (DOI): 10.4324/9781315608860 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Publisher Rights Statement: This is an Accepted Manuscript of a book chapter published by Routledge in "Shared Characters in Jain, Buddhist and Hindu Narrative" on 24/11/2016, available online: http://www.routledge.com/9781472484451 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 Chapter 6 The Renouncing Royals of Videha In the ninth chapter of the Uttarajjhāyā (‘Later Chapters’), one of the scriptures of the Śvetāmbara Jains, we find the story of a king called Nami. Having recalled a past life, 1 Nami decides to renounce and so places his son on the throne before abandoning his kingdom for the solitary life. -
Ashoka's Edicts & Inscriptions
AsHokA’s Edicts & inscriptions The great Emperor Ashoka, the third monarch of the Maurya dynasty converted to Buddhism after witnessing the horrific effects of war in Kalinga. He became a champion and patron of Buddhism and strove to spread Dhamma throughout his empire and beyond. He erected pillars and edicts all over the subcontinent and even in modern-day Afghanistan, Nepal, Bangladesh and Pakistan to spread the Buddha’s word. The Edicts of Ashoka are in total 33 inscriptions written on the Pillars, boulders and cave walls of Mauryan Period, during the reign of the Emperor Ashok that are dispersed throughout the Indian Sub-continent covering India, Pakistan and Nepal. These inscriptions are divided into three broad sections – 1. Major Rock Edicts 2. Pillar Rock Edicts 3. Minor Rock Edicts These edicts have mentioned that Buddhism as a religion had reached as far as Mediterranean under the Ashokan reign. Many Buddhist monuments had been created in the wide-spread area. In these edicts, Buddhism and the Buddha are also mentioned. But primarily these edicts focus more on social and moral precepts rather than the religious practices (or the philosophical dimension) of Buddhism during Ashoka’s reign. A notable thing in these inscriptions is, that Ashoka refers to himself in many of these inscriptions as “Devampiyaa” which means “Beloved of the Gods” and “King Piyadassi.” Language used: The inscriptions found in the eastern parts of Mauryan empire are written using the Brahmi script in Magadhi language. While in the western parts of the empire, the script used is Kharoshti, written in Prakrit. -
Uttarakandam
THE RAMAYANA. Translated into English Prose from the original Sanskrit of Valmiki. UTTARAKANDAM. M ra Oer ii > m EDITED AND PUBLISHED Vt MANMATHA NATH DUTT, MA. CALCUTTA. 1894. Digitized by VjOOQIC Sri Patmanabha Dasa Vynchi Bala Sir Rama Varma kulasekhara klritapatl manney sultan maha- RAJA Raja Ramraja Bahabur Shamshir Jung Knight Grand Commander of most Emi- nent order of the Star of India. 7gK afjaraja of ^xavancoxe. THIS WORK IS RESPECTFULLY INSCRIBED BY MANMATHA NATH DUTT. In testimony of his veneration for His Highness and in grateful acknowledgement of the distinction conferred upon him while in His Highness* capital, and the great pecuniary help rendered by his Highness in publishing this work. Digitized by VjOOQ IC T — ^ 3oVkAotC UTTARA KlAlND^M, SECTION I. \Jn the Rakshasas having been slain, all the ascetics, for the purpose of congratulating Raghava, came to Rama as he gained (back) his kingdom. Kau^ika, and Yavakrita, and Gargya, and Galava, and Kanva—son unto Madhatithi, . who dwelt in the east, (came thither) ; aikl the reverend Swastyastreya, and Namuchi,and Pramuchi, and Agastya, and the worshipful Atri, aud Sumukha, and Vimukha,—who dwelt in the south,—came in company with Agastya.* And Nrishadgu, and Kahashi, and Dhaumya, and that mighty sage —Kau^eya—who abode in the western "quarter, came there accompanied by their disciples. And Vasishtha and Ka^yapa and Atri and Vicwamitra with Gautama and Jamadagni and Bharadwaja and also the seven sages,t who . (or aye resided in the northern quarter, (came there). And on arriving at the residence of Raghava, those high-souled ones, resembling the fire in radiance, stopped at the gate, with the intention of communicating their arrival (to Rama) through the warder. -
WND-CD Pop-Up Glossary
THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acharya (Skt) An honorific title meaning teacher, conferred upon a priest who guides the conduct of disciples and serves as an example to them. Abbreviations: Skt = Sanskrit; Chin = Chinese; Kor = Korean; Jpn = Japanese; b. = born; d. = died; r. = reign; n.d. = no dates; c. = circa; fl. = flourished THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acting administrator Hojo Yoshitoki (1163–1224), the second regent of the Kamakura government. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY administrator of priests An official rank within the Buddhist priesthood.The administrator of priests as the highest-ranking official was general supervisor over the other priests and nuns. Later the system of ranking for priests became a matter of formalism, with such titles bestowing honor but indicating no specific function or position. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Agama sutras A generic term for the Hinayana sutras. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajatashatru A king of the state of Magadha in India. Incited by Devadatta, he killed his father, King Bimbisara, a follower of Shakyamuni, and ascended the throne to become the most influential ruler of his time. Later he contracted a terrible disease and, in remorse for his evil acts, converted to Buddhism and supported the First Buddhist Council for the compilation of Shakyamuni’s teachings. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajitavati See Hiranyavati. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY alaya-consciousness Also called “storehouse consciousness.” The level of consciousness where the results of one’s actions (karma), good or evil, accumulate as karmic potentials or “seeds” that later produce the results of happiness or suffering. -
Ngoaøi Cöïc -Laïc Coøn Tònh-Ñoänaøo Khaùc Ñeåtu?
NGOAØI CÖÏC-LAÏC COØN TÒNH-ÑOÄ NAØO KHAÙC ÑEÅ TU? Nguyen Pram 1 Kinh Ñaïi Baûo-Tích, Taäp 7, Phaàn 43, Phaùp Hoäi Phoå Minh Boà-Taùt, vieát Nầy Ðại Ca Diếp! Bồ Tát có bốn phi Bồ Tát mà tợ Bồ Tát: một là tham cầu lợi dưỡng mà chẳng cầu pháp, hai là tham cầu danh xưng mà chẳng cầu phước đức, ba là tham cầu tự vui mà chẳng cứu chúng sanh để diệt pháp khổ, bốn là thích tụ họp đồ chúng mà chẳng thích xa lìa. Ðây là bốn phi Bồ Tát mà tợ Bồ Tát. Lại nầy Ðại Ca Diếp! Chẳng phải vì vô nhơn nên gọi là không mà không có tự không: tiền tết không hậu tế không trung tế cũng không. Nên y nơi không chớ y nơi nhơn. Nếu do được không bèn y nơi không thì nơi Phật pháp là thối đọa vậy. Vì thế nên, nầy Ðại Ca Diếp! Thà khởi ngã kiến chứa bằng núi Tu Di mà chẳng lấy không kiến khởi tăng thượng mạn. Tại sao vậy, vì tất cả kiến chấp do nơi không mà được thoát, nếu khởi không kiế n thì chẳng thể trừ được. Ví như y sư choNguyen thuốc khiến bịnh chuyển động, thuốc ấy ở trong thân người bịnh mà không ra ngoài, nầy Ðại Ca Diếp, ý ôngPram thế nào, người bịnh ấy được lành chẳng? - Bạch đức Thế Tôn! Không lành, thuốc ấy chẳng ra ngoài thì bịnh càng tăng. - Nầy Ðại Ca Diếp! Cũng vậy, tất cả kiến chấp duy không là có thể trừ diệt, nếu khởi không kiến thì chẳng trừ được. -
Sathya Sai Vahini
Sathya Sai Vahini Stream of Divine Grace Sathya Sai Baba Contents Sathya Sai Vahini 5 Preface 6 Dear Seeker! 7 Chapter I. The Supreme Reality 10 Chapter II. From Truth to Truth 13 Chapter III. The One Alone 17 Chapter IV. The Miracle of Miracles 21 Chapter V. Basic Belief 24 Chapter VI. Religion is Experience 27 Chapter VII. Be Yourself 30 Chapter VIII. Bondage 33 Chapter IX. One with the One 36 Chapter X. The Yogis 38 Chapter XI. Values in Vedas 45 Chapter XII. Values in Later Texts 48 Chapter XIII. The Avatar as Guru 53 Chapter XIV. This and That 60 Chapter XV. Levels and Stages 63 Chapter XVI. Mankind and God 66 Chapter XVII. Fourfold Social Division 69 Chapter XVIII. Activity and Action 73 Chapter XIX. Prayer 77 Chapter XX. The Primal Purpose 81 Chapter XXI. The Inner Inquiry 88 Chapter XXII. The Eternal Truths 95 Chapter XXIII. Modes of Worship 106 Chapter XXIV. The Divine Body 114 Glossary 119 Sathya Sai Vahini SRI SATHYA SAI SADHANA TRUST Publications Division Prasanthi Nilayam - 515134 Anantapur District, Andhra Pradesh, India STD: 08555 : ISD : 91-8555 Phone: 287375, Fax: 287236 Email: [email protected] URL www.sssbpt.org © Sri Sathya Sai Sadhana Trust, Publications Division, Prasanthi Nilayam P.O. 515 134, Anantapur District, A.P. (India.) All Rights Reserved. The copyright and the rights of translation in any language are reserved by the Publishers. No part, passage, text or photograph or Artwork of this book should be reproduced, transmitted or utilised, in original language or by translation, in any form or by any means, electronic, mechanical, photo copying, recording or by any information, storage and retrieval system except with the express and prior permission, in writing from the Convener, Sri Sathya Sai Sadhana Trust, Publications Division, Prasanthi Nilayam (Andhra Pradesh) India - Pin Code 515 134, except for brief passages quoted in book review. -
Buddhacarita
CLAY SANSKRIT LIBRARY Life of the Buddka by AsHvaghosHa NEW YORK UNIVERSITY PRESS & JJC EOUNDATION THE CLAY SANSKRIT LIBRARY FOUNDED BY JOHN & JENNIFER CLAY GENERAL EDITORS RICHARD GOMBRICH SHELDON POLLOCK EDITED BY ISABELLE ONIANS SOMADEVA VASUDEVA WWW.CLAYSANSBCRITLIBRARY.COM WWW.NYUPRESS.ORG Copyright © 2008 by the CSL. All rights reserved. First Edition 2008. The Clay Sanskrit Library is co-published by New York University Press and the JJC Foundation. Further information about this volume and the rest of the Clay Sanskrit Library is available at the end of this book and on the following websites: www.ciaysanskridibrary.com www.nyupress.org ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) Artwork by Robert Beer. Typeset in Adobe Garamond at 10.2$ : 12.3+pt. XML-development by Stuart Brown. Editorial input from Linda Covill, Tomoyuki Kono, Eszter Somogyi & Péter Szântà. Printed in Great Britain by S t Edmundsbury Press Ltd, Bury St Edmunds, Suffolk, on acidffee paper. Bound by Hunter & Foulis, Edinburgh, Scotland. LIFE OF THE BUDDHA BY ASVAGHOSA TRANSLATED BY PATRICK OLIVELLE NEW YORK UNIVERSITY PRESS JJC FOUNDATION 2008 Library of Congress Cataloging-in-Publication Data Asvaghosa [Buddhacarita. English & Sanskrit] Life of the Buddha / by Asvaghosa ; translated by Patrick Olivelle.— ist ed. p. cm. - (The Clay Sanskrit library) Poem. In English and Sanskrit (romanized) on facing pages. Includes bibliographical references and index. ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) 1. Gautama Buddha-Poetry. I. Olivelle, Patrick. II. -
Kinh Thien Thu Thien Nhan
KINH THIÊN THỦ THIÊN NHÃN QUÁN THẾ ÂM BỒ TÁT QUẢNG ÐẠI VIÊN MÃN ĐẠI BI TÂM ÐÀ LA NI Đời Đường, Sa môn Dà Phạm Đạt Mạ1 người xứ Tây Thiên Trúc Hán dịch Việt Dịch: HT. Thiền Tâm ---o0o--- Nguồn www.quangduc.com Chuyển sang ebook 11-08-2009 Người thực hiện : Nam Thiên - [email protected] Link Audio Tại Website http://www.phapthihoi.org ---o0o--- Như thế tôi nghe, một thời đức Phật Thích Ca Mâu Ni2 ngự nơi đạo tràng Bảo Trang Nghiêm, trong cung điện của Quán Thế Âm Bồ Tát ở tại non Bổ Đà Lạc Ca3 , đức Phật ngồi nơi tòa sư tử, tòa này trang nghiêm thuần bằng vô lượng ngọc báu tạp ma ni4 , xung quanh treo nhiều tràng phan bá bảo. Khi ấy, đức Như Lai ở trên pháp tòa, sắp muốn diễn nói môn tổng trì Ðà ra ni5 , có vô lượng số Bồ Tát ma ha tát6 câu hội, các vị ấy là: Tổng Trì Vương Bồ Tát, Bảo Vương Bồ Tát, Dược Vương Bồ Tát, Dược Thượng Bồ Tát, Quán Thế Âm Bồ Tát, Đại Thế Chí Bồ Tát, Hoa Nghiêm Bồ Tát, Đại Trang Nghiêm Bồ Tát, Bảo Tạng Bồ Tát, Đức Tạng Bồ Tát, Kim Cang Tạng Bồ Tát, Hư Không Tạng Bồ Tát, Di Lặc Bồ Tát7 , Phổ Hiền Bồ Tát, Văn Thù Sư Lợi Bồ Tát8 ... Những vị Bồ Tát như thế đều là bậc quán đảnh đại pháp vương tử9 . Lại có vô lượng vô số đại Thanh văn đều là bậc A La Hán10 , tu hạnh thập địa câu hội. -
Glocalization of Buddhism 佛教全球本土化研究
STUDIES ON HUMANISTIC BUDDHISM III GLOCALIZATION OF BUDDHISM 佛教全球本土化研究 Fo Guang Shan Institute of Humanistic Buddhism, Taiwan and Nan Tien Institute, Australia THE LOCALIZATION OF MUSIC DURING THE LATE STAGES OF BUDDHISM’S SPREAD AROUND THE WORLD —A COMPARISON OF JAPANESE AND DAI BUDDHIST MUSIC Yang Minkang Associate Professor, Central Conservatory of Music Abstract This article begins with a discussion of several common elements and similar phenomena found in the history of music in the Buddhism of the Dai people of China and in Japanese Buddhism during the late stages of the spread of Buddhism around the world. Then, using these clues, the relevant documentary materials available in Chinese are used to further describe the early localization of music in Japan. Finally, based on a comparison of field surveys and relevant documentary data, a comparative analysis of these two schools of Buddhist music is made, taking into account their status and respective conditions within the opposed courses of globalization and localization, and in relation to being either a transmitter or receiver of musical ideas. Keywords: Dai people, Southern Buddhism, Northern Buddhism, Japanese Buddhism, Buddhist music, localization, globalization Buddhism originated in India and developed into the two main branches of Southern and Northern Buddhism, the latter of which further branched into Chinese and Tibetan Buddhism. In the later stage of Buddhism’s spread, several important historical phenomena and common elements relate to the Buddhism of both the Dai people of China and the Japanese people. First, both regions were at either end of the route along which Buddhism spread. The Dai region of China was the terminus of the southern route along which Buddhism spread, while Japan was the terminus of the northern one. -
Early Architecture and Its Transformations: New Evidence For
E EARLY ARCHITECTURE AND ITS ARLY A TRANSFORMATIONS: NEW EVIDENCE FOR RCHITECTURE VENACULAR ORIGINS FOR THE INDIAN TEMPLE Michael W Meister A ND I TS T SITE RANSFOR The recently excavated Buddhist stūpa at Kanganhalli, Karnataka (Archaeological Survey of India 2000, 2002, 2004), provides, among many important narrative panels from the first centuries BC and M ATIONS AD, unique visual evidence for forms of early built architecture in South Asia.1 Within the visual idiom of Kanganhalli, what you see is what was built, unmediated by the iconic transformation of later : N E stone representations and replications that move away in significant ways from the early impermanent W E architecture of India. Ajay Shankar, then Director General of the Archaeological Survey of India (ASI), VIDENCE gave an important introductory report on the site and its sculptures at the 15th International Conference 2 of the European Association of South Asian Archaeologists in Leiden in 1999. It is important now to F illustrate the depth of evidence for early architecture that this new material provides.3 OR V The excavations at this significant Buddhist centre are located on the left bank of the river Bhima, ENACULAR 5 km northeast of Sannati in Gulbarga District, Karnataka.4 Remains span ‘both Hinayana and Mahayana phases of Buddhism’, according to the ASI (no date),5 and these excavations O have revealed remains of a stūpa measuring 19 m in diameter with preserved lower and RIGINS upper drum up to a height of 3.1 m. The sculptural embellishments of the stūpa show close F affinity with art traditions of Bharhut and Sanchi in Central India in the earlier Hinayana OR T stage, and Amaravati and the Deccan school in the later Mahayana stage.