The Nage-Waza Ura-No-Kata ― “Forms of Reversing Throwing Techniques”
REVIEW ARTICLE Kōdōkan Jūdō’s Three Orphaned Forms of Counter Techniques – Part 2: The Nage-waza ura-no-kata ― “Forms of Reversing Throwing Techniques” Authors’ Contribution: Carl De CréeABDE A Study Design B Data Collection Department of Languages and Cultures, Faculty of Arts and Philosophy, Ghent University, Belgium C Statistical Analysis D Manuscript Preparation Source of support: Text and Academic Authors Association, Inc. (TAA), St. Petersburg, FL, U.S.A. E Funds Collection Received: 30 October 2014; Accepted: 26 March 2015; Published online: 30 April 2015 ICID: 1151331 Abstract Background & Study Aim: The purpose of the present paper is to provide a comprehensive review of nage-waza ura-no-kata [“Forms of Reversing Throwing Techniques”], a non-officially accepted kata of Kōdōkan jūdō made famous by the late Mifune Kyūzō (1883-1965), of which the date of creation has not been previously established, nor under what circumstances it was created or what its sources of inspiration were. Material & Methods: To achieve this, we offer a careful critical analysis of the available literature and rare source material on this kata. Results: In 1903 Mifune entered the Kōdōkan and in 1904 he attended Waseda University’s Preparatory School for a year. The inspiration for Nage-waza ura-no-kata may be traced back to Waseda University, where Takahashi Kazuyoshi was Mifune’s contemporary. While Mifune, in combination with an intensive competitive career, also spent time researching new individual throwing techniques, it is Takahashi’s research that focused on the concept of ura-waza or reverse-throws. On Kanō’s invitation Takahashi authored many articles on this topic which appeared in Yūkō-no-Katsudō, the Kōdōkan’s official magazine.
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