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Nilai Moral Dalam Novel Student Hidjo Karya Mas Marco Kartodikromo
NILAI MORAL DALAM NOVEL STUDENT HIDJO KARYA MAS MARCO KARTODIKROMO TESIS ARTIKEL PENELITIAN OLEH TIURMINA BR. TAMBUNAN NIM F2161131007 MAGISTER PENDIDIKAN BAHASA DAN SASTRA INDONESIA FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN UNIVERSITAS TANJUNGPURA PONTIANAK 2019 NILAI MORAL DALAM NOVEL STUDENT HIDJO KARYA MAS MARCO KARTODIKROMO Tiurmina Br. Tambunan, Martono, A. Totok Priyadi. Program Magister Pendidikan Bahasa Indonesia FKIP Untan Pontianak Email: [email protected] Abstract teaching literature in schools, especially on learning the values of life.The general problem in this research is "What is the Moral Value contained in the Student Hidjo Novel by Mas Marco Kartodikromo?". The researcher focused this research on the moral values contained in the novel Student Hidjo by Mas Marco Kartodikromo. Therefore, the theory used in this study is in the form of learning about values, morals, character, ethics, and character education. The method used in this research is descriptive method with a qualitative research form. The approach used is the sociology of literature approach. Data collection techniques using literature study and documentary studies.The results of the analysis in this study indicate that there are moral values in Student Hidjo's novel. These moral values are moral values known from the relationship between humans and God (believe in God and perform obligations to God). The value of morality is known from the relationship between humans and oneself (responsible, honest, fearful, confident, self- existent, and simplicity). The value of morality is understood from the relationship between humans and fellow humans (mutual love, help, respect, and togetherness). The results of this study can be implemented in Indonesian vocational high school learning in class XII odd metters. -
INDO 94 0 1349469264 57 84.Pdf (672.6Kb)
From Foe to Partner to Foe Again: The Strange Alliance of the Dutch Authorities and Digoel Exiles in Australia, 1943-1945 Harry A. Poeze The Netherlands East Indies, the vast Dutch colony, was invaded by the Japanese and occupied with relative ease. The Indies government surrendered on March 8,1942. In the days leading up to the surrender, on orders of the Dutch Governor General, a number of government officials left for Australia. The Dutch government in exile in London—Germany occupied the Netherlands from May 1940—authorized the formation of an Indies government in exile in Australia, named the Netherlands Indies Commission. The commission was inaugurated on April 8, 1942, and was headed by H. J. van Mook. Starting in April 1944, the Raad van Departementshoofden (Commission of Departmental Heads) acted as Van Mook's cabinet. It consisted of six members, with Loekman Djajadiningrat as the sole Indonesian among them. Matters regarding the Dutch and Indonesians in Australia were supervised by Ch. O. van der Plas, who held the rank of Chief Commissioner for Australia and New Zealand and who was undoubtedly the most influential member of the Raad. The Indonesians stranded in Australia beginning in March 1942—mostly seamen and soldiers—cost Van der Plas a lot of time and caused him much worry. Moreover, Indonesia 94 (October 2012) 58 Harry Poeze he was also responsible for the almost forgotten community of political prisoners, interned in Boven Digoel, in the Southeast New Guinea jungle. That part of the Netherlands Indies was all that was left of the Dutch realm. -
Inlandsche Journalisten Bond and Persatoean Djoernalis Indonesia1
Keio Communication Review No.36, 2014 The Dynamics of Contentious Politics in The Indies: Inlandsche Journalisten Bond and Persatoean Djoernalis Indonesia1 By YAMAMOTO Nobuto* In the last three decades of Dutch colonialism, the vernacular press in the Netherlands Indies flourished. Journalists played a significant role in mounting various nationalistic and social movements by circulating and articulating both news and political messages. Such a honeymoon relationship between the press and mobilizational politics saw the high days of political radicalism in the 1910s and 1920s Java. Not a small number of the vernacular press functioned as organs of political parties and associations, and being conduits of their propagandas. After the crash of the so-called communist uprisings in 1926 and 1927, however, the colonial authorities suppressed mobilizational politics.2 Despite of the fact that newspapers now recoiled from doing propaganda works or politics altogether, they were actually able to attract more readerships than ever before throughout the 1930s. Dutch colonial authorities did not allow freedom of the press in the Indies and exercised censorship against the emergent periodical markets. Persdelict (press offense) as penal code was introduced in 1914, while persbreidel (press curbing) as an administrative measure was introduced in 1931 and became the dominant tool to curtail press freedom in the 1930s. The former targeted individual journalists including editors and associates, whereas the latter had power to shut down the publisher and the printer of a particular newspaper for a certain period of time. Under these two censorship regimes, journalists were always put under pressure of severe legal punishments and sometimes even being expelled from the Indies. -
Enlightenment and the Revolutionary Press in Colonial Indonesia
International Journal of Communication 11(2017), 1357–1377 1932–8036/20170005 Enlightenment and the Revolutionary Press in Colonial Indonesia RIANNE SUBIJANTO1 Baruch College, City University of New York, USA In the historiography of Indonesian nationalism and the press, much has been made of the vernacular press and its role in the emergence of national consciousness. However, this work has not typically distinguished between the vernacular press and the self- identified “revolutionary press,” which emerged during the early communist movement of 1920–1926. This article recovers the tradition of the revolutionary press and situates it in the history of Indonesian national struggles by examining the production and development of the revolutionary newspaper Sinar Hindia. An investigation of the paper’s content, production, and distribution practices reveals how Sinar Hindia not only embodied the anticolonial national struggle but also became a voice for a project of enlightenment in the colony. By uncovering this “revolutionary” paper’s own discourses of enlightenment and revolutionary struggle, this study sheds light on the role of the press in the production of enlightenment ideas and practices in colonial Indonesia. Keywords: revolutionary press, enlightenment project, Indonesia, communism, social movements, communication history The growth of the native vernacular press and political organizations in the first two decades of the 20th century provided the conditions for an important period in Indonesian press history that saw the rise and fall of the “revolutionary press.” This self-identified revolutionary press (or pers revolutionair) was an outgrowth of the earlier vernacular press, which itself, along with political parties and unions, had become a voice of the colonized people throughout the Dutch East Indies (now Indonesia). -
Buruh Bergerak; Semaun Dan Suryopranoto Dalam Perjuangan Gerakan Buruh 1900-1926
BURUH BERGERAK; SEMAUN DAN SURYOPRANOTO DALAM PERJUANGAN GERAKAN BURUH 1900-1926 Skripsi Diajukan untuk Memenuhi Salah Satu Syarat Memperoleh Gelar Sarjana Sastra Program Studi Ilmu Sejarah Oleh : Dominikus Bondan Pamungkas NIM : 054314004 NIRM PROGRAM STUDI ILMU SEJARAH JURUSAN SEJARAH FAKULTAS SASTRA UNIVERSITAS SANATA DHARMA YOGYAKARTA 2010 ii Halaman Persembahan Skripsi ini dipersembahkan kepada papa dan mama. Penulisan ini juga disumbangkan bagi pergerakan buruh di Indonesia, kemarin, kini dan esok. iv v ABSTRAK Dominikus Bondan Pamungkas Universitas Sanata Dharma Yogyakarta Skripsi yang berjudul “Buruh Bergerak; Semaun dan Soeryopranoto dalam Perjuangan Gerakan Buruh 1900-1926” berangkat dari 3 permasalahan. Pertama, faktor-faktor yang membawa Semaun dan Suryopranoto berjuang dalam organisasi perburuhan. Kedua, peranan Semaun dan Suryopranoto dalam gerakan perburuhan di Indonesia pada saat itu. Ketiga, faktor-faktor yang menjadi sebab terhentinya pergerakan buruh di Indonesia pada tahun 1926. Untuk mengkaji masalah-masalah tersebut, skripsi ini mempergunakan teori kelas Karl Marx, di mana dalam teori tersebut dibahas mengenai kemunculan kesadaran kelas. Dalam mempergunakan teori kelas Karl Marx, diseimbangakan pula dengan dua perspektif lain, yakni perspektif konflik antara kolonial dengan pribumi dan pandangan tentang Ratu Adil sebagai tokoh yang membebaskan dan menciptakan kesejahteraan masyarakat. Metode ini digunakan untuk melihat perspektif konflik antara kekuatan kolonial dengan masyarakat pribumi. Penelitian ini memperoleh -
2014 Mei 07 Yapi Taum Diskursus Batjaan
DISKURSUS BATJAAN LIAR: KAJIAN TERHADAP DUA SASTRAWAN LIAR DALAM PERIODE 1900-1933 Yoseph Yapi Taum Dosen Program Studi Satra Indonesia, Fakultas Sastra, Universitas Sanata Dharma Alamat korespondensi: Jl. Affandi Mrican Tromol Pos 29 Yogyakarta Email: [email protected] ABSTRACT Batjaan Liar or devil literature (my translation, YYT) is a term using by Dutch colonial officers to stigmatize works on journalism and literature produced by people of nationalist movement. Those works judged as devil literature because of the power to threatening Dutch colonial status quo. However, in Indonesian canon literary history, those who perceived as devil writers, such as Tirto Adhi Suryo and Mas Marco Kartodikromo, never mentioned. This research aims at exploring the discourse of devil literature to get better understanding on devil writer’s position and to promote appreciation into their works in the light of new Indonesian literary history. This research also aims at discussing reasons why devil literature discourse could not be changed in changing regime. The main objective of this reseacrh is to compose a new discourse on rethinking and rewriting of Indonesian new literary history. Key words:batjaan liar, diskursus, kaum pergerakan, komunis, sejarah sastra. 1. PENDAHULUAN orang-orangnja djangan ada jang memeres satoe sama lain” (Taum, 2011: 191). Dalam sejarah sastra Indonesia formal, kurun Kaum penguasa kolonial menyebut tulisan waktu tahun 1900 – 1933 dikenal sebagai periode atau mereka sebagai ‘bacaan liar’. Mereka biasanya angkatan Balai Pustaka. Angkatan Balai Pustaka merupakan orang-orang pergerakan. Orang-orang merupakan sekelompok sastrawan, penyair dan pergerakan ini jelas-jelas menjadikan media sastra penulis prosa yang menerbitkan karyanya melalui Balai sebagai sarana perjuangan politiknya, yaitu untuk Pustaka. -
A Study of the Cultural Pages of Harian Rakjat in the Early 1950S
The Communist Imagination: A Study of the Cultural Pages of Harian Rakjat in the Early 1950s Stephen Miller A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Humanities and Social Sciences, UNSW@ADFA, Canberra, Australia August 2015 2 Acknowledgements This dissertation would not have been possible without the enthusiasm, good humour, intelligence and patience of my primary supervisor, Paul Tickell. I cannot thank him enough for his continuing support and faith. He was well supported by my co-supervisors, Emeritus Professor Barbara Hatley and Dr. Edwin Jurriens. I want to especially thank Barbara for her patience in reading drafts in the final throes of thesis production. Dorothy Meyer saw the project through from the beginning of candidature until submission, providing companionship, coding advice, proof reading, and general editing support. Her enthusiasm and passion for my work were central to the thesis reaching the point of submission. The keen grammar sense of my mother, June Miller, helped improve the readability of many sections of the writing. Dr. Kaz Ross also deserves to be mentioned for a late reading of a complete draft and pushing me to submit. It is great to have good colleagues in your corner. I would also like to thank the administrative staff at UNSW at ADFA, especially Bernadette McDermott, who has always been flexible and helpful when dealing with a candidature that lasted far too long. During the prolonged revision process Rifka Sibarani’s support, enthusiasm, and affection was much appreciated, as it continues to be post-thesis. So many other people have also helped me out at various times—students, colleagues, friends, family, comrades. -
The Intersectionality of Arts and Film in Perfini Films and Resobowo's
Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema Umi Lestari Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 4, Number 2, October 2020, pp. 313-345 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2020.0014 For additional information about this article https://muse.jhu.edu/article/770704 [ Access provided at 25 Sep 2021 00:27 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema UMI LESTARI Abstract Basuki Resobowo (1916–99) is known primarily as a painter, activist and head of Lembaga Kebudayaan Rakyat (Lekra, Institute for People’s Culture). He was affil- iated with left-wing politics during Sukarno’s Old Order (1945–65) and first entered the film industry in the 1940s when he played the role of Basuki in Jo An Djan’s film Kedok Ketawa (1940). During the Japanese Occupation (1942–45), Resobowo was part of Keimin Bunka Shidoso (Culture Centre). Literature on Resobowo’s artistic practice has mostly referred to his background in painting. However, in the 1950s, he joined Perusahaan Film Negara Indonesia (Perfini) as an art director and scriptwriter, making seven films, includingDarah dan Doa (Blood and Prayer) in 1950, which is regarded as the firstfilm nasional (national film). This article, while devoting some space to Resobowo’s overall career, chiefly endeavours to revisit the early Perfini films and examine the influence of Reso- bowo’s ideas about art and theatre on cinematographic mise-en-scene. -
The Position of Low Malay Short Stories in the History of Indonesian Literature
HUMANIORA VOLUME 28 No. 1 Februari 2016 Halaman 97-105 THE POSITION OF LOW MALAY SHORT STORIES IN THE HISTORY OF INDONESIAN LITERATURE Pujiharto1, Sudibyo1 1 Indonesian Department, Faculty of Cultural Sciences, Universitas Gadjah Mada Email: [email protected] ABSTRACT This article tries to determine the factors causing the Low Malay short stories became unaccounted, especially those that were collected in Miss Koelit Koetjing (2005), in the constellation of the history of modern Indonesian literature. To answer these problems, this paper explores the criteria applied by the author of the history of Indonesian literature, comparing it with the Low Malay short stories, and relates them to their cultural historical context. The results showed the reason that Low Malay short stories collected inMiss Koelit Koetjing were not accounted, are caused by the following factors. First, most of the short stories still retain the traditional genres, such as hikayat (saga) and fairy tales, which show the strength of the cultural orientation of the past. Second, the authors of short stories are not natives; the author is not in the sense of the creator, the creator, but a storyteller, just to recount a story that has been there before. Third, short stories were published in newspapers and not in the book form. Fourth, the world of their stories came from diverse cultures and not from the world of the Indonesian archipelago. With a similar reality, it can be concluded that the short stories collected in Miss Koelit Koetjing, in the broad realm of Low Malay literature, is a literary tradition of its own in the constelation history of Indonesian literature. -
Reactions to Persdelict
Chapter 5 Reactions to Persdelict The 1919 novel Student Hidjo begins with an introduction that reads: This story has already been published in the newspaper under my man- agement, the daily Sinar Hindia, in the year 1918. Essentially, this composition is the product of my pen when I was serv- ing a sentence due to a persdelict case, in the civil and military prison in Weltevreden, for the period of one year. Although I could not write for the newspaper while in prison, I could produce books like Sair Rempah- Rempah, Student Hidjo, Matahariah, etc. Hopefully this book can be of use to all its readers. - Marco Kartodikromo, Semarang, 26 March 19191 In those few lines, the author provides a representative picture of indigenous political activism in the second decade of the twentieth century in the Indies. The author, Marco Kartodikromo (1890–1932)—commonly referred to as Mas Marco—was a star journalist and well-known political activist. He was the editor-in-chief of Doenia Bergerak (World in Motion) and founder of the In- landsche Journalisten Bond (Union of Native Journalists) in Soerakarta. Here journalists played the role of movement (pergerakan) leaders without a well- defined organizational base.2 Mas Marco was known for his frequent organiza- tion of political rallies for Sarekat Islam, and for his rousing speeches. In the introduction of Student Hidjo, Marco remarks that he was imprisoned for a year because of persdelict, and yet he managed to produce books that contin- ued to communicate his thoughts for his audience. In effect, the imprisonment provided him with the opportunity to gather his thoughts and ideas, which he otherwise might not have been able to do had he continued to focus on orga- nizing rallies all over Java. -
DIAN HEZEDILA SHARON 1651140016.Pdf
SKRIPSI PANDANGAN BARAT TENTANG TIMUR PADA NOVEL STUDENT HIDJO KARYA MAS MARCO KARTODIKROMO (KAJIAN ORIENTALISME EDWARD SAID) WESTERN VIEW OF THE EAST IN THE STUDENT HIDJO NOVEL BY MAS MARCO KARTODIKROMO ((STUDY OF EDWARD SAID’S ORIENTALISM) DIAN HEZEDILA SHARON 1651140016 PROGRAM STUDI BAHASA DAN SASTRA INDONESIA JURUSAN BAHASA DAN SASTRA INDONESIA FAKULTAS BAHASA DAN SASTRA UNIVERSITAS NEGERI MAKASSAR 2020 SKRIPSI PANDANGAN BARAT TENTANG TIMUR PADA NOVEL STUDENT HIDJO KARYA MAS MARCO KARTODIKROMO (KAJIAN ORIENTALISME EDWARD SAID) WESTERN VIEW OF THE EAST IN THE STUDENT HIDJO NOVEL BY MAS MARCO KARTODIKROMO (STUDY OF EDWARD SAID’S ORIENTALISM) Diajukan kepada Program Studi Bahasa dan Sastra Indonesia Fakultas Bahasa dan Sastra untuk memenuhi salah satu syarat memperoleh gelar sarjana DIAN HEZEDILA SHARON 1651140016 PROGRAM STUDI BAHASA DAN SASTRA INDONESIA JURUSAN BAHASA DAN SASTRA INDONESIA FAKULTAS BAHASA DAN SASTRA UNIVERSITAS NEGERI MAKASSAR 2020 i ii iii MOTO Berproses dengan iman yang teguh, pengharapan yang tiada akhir, dan kasih yang selalu dinyatakan kepada sesama. iv PERSEMBAHAN Karya ini dipersembahkan untuk semua orang yang menyayangi dan yang disayangi sebagai wujud terima kasih untuk doa dan dukungan sampai saat ini. v ABSTRACT Sharon, Dian Hezedila. 2020 Western View of the East in The Student Hidjo Novel by Mas Marco Kartodikromo (Study of Edward Said’s Orientalism. Skripsi. Indonesian Language and Literature Department. Language and Literature Faculty. State University of Makassar (guided by Anshari dan Juanda). This research is a study of text in a Student Hidjo novel by using the post-colonial study of Edward Said's orientalism as the tool. The data in this research used data analysis techniques with identification, classification, analysis and interpretation of data. -
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Performing Power Cultural Hegemony, Identity, and Resistance in Colonial Indonesia • Arnout van der Meer Mahinder Kingra Chiara Formichi (ex officio) Tamara Loos Thak Chaloemtiarana Andrew Willford Copyright © by Cornell University e text of this book is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives . International License: https://creativecommons.org/licenses/by-nc-nd/./. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, East State Street, Ithaca, New York . Visit our website at cornellpress.cornell.edu. First published by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Meer, Arnout van der, – author. Title: Performing power: cultural hegemony, identity, and resistance in colonial Indonesia / Arnout van der Meer. Description: Ithaca, [New York]: Southeast Asia Program Publications, an imprint of Cornell University Press, . | Includes bibliographical references and index. Identiers: LCCN (print) | LCCN (ebook) | ISBN (hardcover) | ISBN (paperback) | ISBN (epub) | ISBN (pdf) Subjects: LCSH: Politics and culture—Indonesia—Java—History— th century. | Politics and culture—Indonesia—Java—History—th century. | Group identity—Indonesia—Java—History— th century. | Group identity—Indonesia—Java—History—th century. | Indonesia—Politics and government— – . | Java (Indonesia)—Social life and customs— th century. | Java (Indonesia)—Social life and customs—th century. Classication: LCC DS.M (print) | LCC DS (ebook) | DDC ./—dc LC record available at https://lccn.loc.gov/ LC ebook record available at https://lccn.loc.gov/ Cover image: Resident P. Sijtho of Semarang with his servant holding his gilded payung, . Source: Leiden University Library, Royal Netherlands Institute for Southeast Asian and Caribbean Studies .