BORTOLAMI
Nicolas Guagnini (b. 1966 in Buenos Aires, Argentina) Lives and works in New York, New York
Selected Solo and Two-Person Exhibitions
2019 Asociación Psicoanalítica Argentina, Bortolami, New York, NY Twilight of the Idols, Tarble Arts Center, Eastern Illinois University, Tarble, IL 2018 The Male Maze and Some Trompe L’oeil, Max Mayer Gallery, Dusseldorf, Germany The Walrus, 3A Gallery, New York, NY 2017 Nicolás Guagnini, Lars Friedrich, Berlin, Germany Bibelots, Bortolami, New York, NY 2016 Our Lady of the Flowers, Galerie Max Mayer, Düsseldorf, Germany 2015 Nicolás Guagnini and Karin Schneider, Union Gaucha Productions, Artists Space, New York, NY 2014 Nicolás Guagnini, Bortolami Gallery, New York, NY Nicolás Guagnini / Leigh Ledare, Galerie Max Mayer, Düsseldorf, Germany Ana and Carl and some other couples, with Leigh Ledare, Andrew Roth Gallery, New York, NY 2013 Territories Multiple, with Klaus Merkel, Max Mayer Gallery, Dusseldorf, Germany Heads, Lars Friedrich Gallery, Berlin, Germany For The Children of The Failed Revolution, Marta Cervera Gallery, Madrid, Spain 2012 Sequence 4, Nicolas Guagnini Seven, Miguel Abreu and Balice Hartling and Lewis Galleries, New York, NY 2011 The Panel Discussion, The Tennis Match, and A Bodegón, Andrew Roth Gallery, New York, NY 2010 Ruth Benzacar Gallery, Buenos Aires, Argentina 2009 Wrong, COMA Gallery, Berlin, Germany 2008 Money is no Object/ State of the Art, Fruit and Flower Deli, New York, NY Power Structure, Andrew Roth Gallery, New York, NY 2007 77 Testicular Imprints, Andrew Roth Gallery, New York, NY 2006 The Middle Class goes to Heaven, with Dan Graham, Orchard gallery, New York, NY Break Even, with Gareth James, Andrew Roth Gallery, New York, NY 2004 The Seven Reviews of Monkeys and Shit, Printed Matter, New York, NY 2002 Homo Ludens, Ruth Benzacar Gallery, Buenos Aires, Argentina 1999 Museum of Modern Art, with Karin Schneider, Buenos Aires, Argentina 1998 Centro Rojas, Buenos Aires, Argentina Artists’ Space, with Karin Schneider, Project Room, New York, NY Luisa Strina Gallery, with Karin Schneider, São Paulo, Brazil
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BORTOLAMI
Selected Group Exhibitions
2019 A Detached Hand, Magenta Plains, New York, NY Glass Age, Organized by Jesse Greenberg, Helena Anrathers, New York, NY 2018 Money and Psyche, Hall of Art, Lueneburg, Germany Human Applause, Bortolami, New York, NY Idiorrythmia, CACBM, Paris, France Defacement, THE CLUB, Tokyo, Japan Ceramics Now 2018, the Jane Hartsook Gallery at Greenwich House Pottery, New York, NY 2017 Publishing as an Artistic Toolbox: 1989-2017, Kunsthalle Wien, Vienna, Austria In relation to a Spectator, Kestner Gesellschaft, Hannover, Germany EXO EMO, Greene Naftali, New York, NY, curated by Antoine Catala and Vera Alemani The Split, GRIN, Providence, RI Condo 2017 | Galerie Max Mayer at CHEWDAY'S - The Middle Class Goes to Heaven, London, United Kingdom G2 #6: New Acquisitions Hildebrand Collection, G2 Kunsthalle, Leipzig, Germany Sinister Feminism: A.I.R. Gallery's 12th Biennial Exhibition, Curated By Piper Marshall with Lola Kramer, Brooklyn, NY 2016 WORKS FROM THE COLLECTION I, Another Space, New York, NY Studio for Propositional Cinema: In Advance of a Shipwreck, Art Association for the Rhineland and Westphalia, Dusseldorf, Germany Bread and Roses, Museum of Modern Art, Curated by Lukacs Rondunda and Natalia Sielewicz, Warsaw, Poland ta.bu, Maison Particulière, Brussels, Belgium In Place Of, Miguel Abreu Gallery, New York, NY Blackmail, Svetlana, New York, NY 2015 Body Bildung, Galerie Max Mayer, Curated by Piper Marshall, Düsseldorf, Germany The School of Kyiv, Kyiv Biennial 2015, Kiev, Ukraine My Wife Does the Dishes, I Do the Revolution, Curated by David Rimanelli Kimmerich Gallery, Berlin, Germany Irregular Rendition, Yale University, Curated by Lucy Hunter, New Haven, CT Dancing Museum, Museum of Modern Art, Sao Paulo, Brazil 2014 Bad Conscience, Metro Pictures, Curated by John Miller, New York, NY Our Demise, 95 Avenue B, New York, NY 140 Characters, Museum of Modern Art, Sao Paulo, Brazil Imprints, organized with Amy Wolf, Leslie Tonkonow, New York, NY Transgression/New Acquisitions, Philara Collection, Düsseldorf, Germany Couplings, curated by Piper Marshall, Taylor Macklin, Zurich, Switzerland Los vencedores y los vencidos. Marcas de Violencia en la colección del MAMBA, Buenos Aires Museum of Modern Art, Buenos Aires, Argentina 2013 Book Machine, Le Nouveau Festival du Centre Pompidou, Centre Pompidou, Paris, France Paint Hotel, Joe Sheftel Gallery, New York, NY Algunos Aritstas / 90 - Hoy, Fundacion Proa, Buenos Aires, Argentina Junkies' Promise, curated by Ivan Navarro, Paul Kasmin Gallery, New York, NY Mythologies by Proxy, Museum of Modern Art, Sao Paulo, Brazil Screen, Murray Guy Gallery, New York, NY Jew York, Zach Feuer Gallery, New York, NY
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BORTOLAMI
A Scanner Darkly, David Lewis Gallery, New York, NY Descartes' Daughter, curated by Piper Marshall, Swiss Institute, New York, NY Relocation, Reallocation McCabe Fine Arts, Stockholm, Sweden 2012 Accrochage, Miguel Abreu Gallery, New York, NY O retorno da colacao Tamagni: ate as estrelas por caminhos dificeis, Museum of Modern Art, Sao Paulo, Brazil Standard Operating Procedure, curated by Piper Marshall, Blum and Poe Gallery, Los Angeles, CA A Drawing Show Curated by Dan Graham, Micheline Swajcer, Antwerp, Belgium Context Message, Zach Feuer Gallery, New York, NY Notations: the Cage Effect Today, Hunter College Art Galleries, New York, NY 2011 Orden e Progresso, vontade construtiva na arte brasileira, curated by Felipe Chaimovich, Museum of Modern Art, Sao Paulo, Brazil Commodity / Fetish Miguel Abreu Gallery, New York, NY Used Youth, Miguel Abreu Gallery, New York, NY The Lifestyle Press, curated by Gil Blank, Cherry and Martin Gallery, Los Angeles, CA Instructions for Post, a mail art project in the year 2011, Australian Centre for Contemporary Art in Melbourne, Melbourne, Australia FIAT, Experiments in Financial Semantics, Le Roy Neiman Gallery, Columbia University, New York, NY 2010 Middle Man, Dan Graham, Nicolas Guagnini, John Miller, Three´s Company, New York, NY Max Hans Daniel, curated by Piper Marshall and Alex Gartenfeld, Berlin, Germany So Be It, Andrew Roth gallery, New York, NY So it is, capturing, COMA gallery, Berlin, Germany With or Without You, Triple Candie, New York, NY They Have Not the Art to Argue with Pictures, Cherry and Martin Gallery, Los Angeles, CA An Optical Illusion and the Foretelling of the Oracle News, Duve, Berlin, Germany Half a Self, a Cave Dweller, The former Convent at St. Cecil’s Parish, Brooklyn, New York, NY Scott Lyall, R. H. Quaytman, Nicolas Guagnini, Art Basel Miami Beach, Miguel Abreu Gallery 2009 The Disappeared, University of Wyoming Art Museum, Laramie, WY MADC 94/09- Diálogos y Correspondencias, MADC Museo de Arte y Diseño Contemporáneo, San José, Costa Rica The Human Stain, Conceptual Art in the CGAC Collection, Centro Galego de Arte Contemporanea, Galicia, Spain We Improve Your Work, Instituto Divorciados, Sandra Burgel Gallery, Berlin, Germany Segunda Trienal Poligrafica de San Juan, Instituto de Cultura, San Juan, Puerto Rico Puertorriquena, curated by Julieta Gonzalez, San Juan, Puerto Rico No Blueberries, no Bees, curated by Sarina Basta, Harris Lieberman Gallery, New York, NY Panorama da Arte Brasileira, Mamoyguara Opá Mamó Pupé, curated by Adriano Pedrosa, Museum of Modern Art, Sao Paulo, Brazil 2008 Regroup Show, Miguel Abreu Gallery, New York, NY Mannerfantasien, curated by Ellen Blumenstein, COMA Gallery, Berlin, Germany Spring Wound, Orchard, New York, NY Reynold Reynolds and Patrick Jolley / Nicolas Guagnini / Alex Large and Liane Sommers, COMA Gallery, Berlin, Germany 18, Center gallery, Berlin, Germany The Disappeared, Art Museum of The Americas, Washington, DC Power Structure, Andrew Roth Gallery, New York, NY 2007
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Performa 07, Sculpture Center, New York, NY Uso y abuso. Remirar una colección, Museo de Arte Contemporaneo de Rosario, Santa Fe, Argentina Between Two Deaths, Zentrum für Kunst und Medientechnologie, curated by Ellen Blumenstein and Felix Ensslin, Karlsruhe, Germany On the Collective for Living Cinema, Orchard, New York, NY On the Collective for Living Cinema, Amanda Wilkinson gallery, London, United Kingdom The Disappeared, El Museo Del Barrio, New York; Site, Santa Fe, NM The John’s Institute, Freymond-Guth Fine Arts, Zurich, Switzerland Musica, silenciosamente, curated by Maria Ines Rodriguez and Gabriela Rangel, Centro Cultural Chacao, Caracas, Venezuela 2006 Bringing the War home, curated by Drew Heitzler, Elizabeth Dee Gallery, New York, NY Bringing the War home, QED Gallery Los Angeles, CA Contragolpe, Instituto Divorciados, Berlin, Germany Denial is a River, Sculpture Center, New York, NY The Disapeared, Centro Cultural Recoleta, Buenos Aires, Argentina 2005 The Disapeared, curated by Laurel Reuter, North Dakota Museum of Art, Grand Forks, ND Abstraccion (Hoy) = Fragilidad/resilencia, ICI, Buenos Aires, Argentina Part 1, Part 2, Orchard, New York, NY Escultura - Objeto. Relecturas en la Colección del MAMbA, Museum of Modern Art, Buenos Aires, Argentina Painters Without Painting, Painting Without Painters, curated by Gareth James, Orchard New York, NY 2004 Plane and Elevation, Art in General, New York, NY The Big Nothing, curated by Bennett Simpson and Ingrid Schaffe, Institute of Contemporary Art, Philadelphia, PA Illegal Carnival, Ivan Navarro's patio, Williamsburg, Brooklyn, NY 2003 Brewster project, Brewster, NY Fortaleza Biennial, curated by Jean Hoet, Fortaleza, Brazil Reconstruction Biennial, Exit Art, New York, NY The L Factor, Exit Art, New York, NY 2002 The S Files, El Museo del Barrio, New York, NY Argentina Etnografía: modo de empleo. Arqueología, Bellas Artes y Variedades, curated by Julieta Gonzalez, Museo de Bellas Artes de Caracas, Caracas, Venezuela 2001 Respecto de Aizenberg, Centro Cultural Recoleta, Buenos Aires, Argentina Premio Klemm, Fundacion Klemm, Buenos Aires, Argentina 2000 Premio Banco Nacion, Buenos Aires, Argentina DMZ, curated by Yu Yeon Kim, Gallery Korea, New York, NY 1999 The Collection of Photography of the Museum of Modern Art, MAMba, Buenos Aires, Argentina
Performance
2014 Ode to Joy, with Ei Arakawa, David Lewis Gallery, New York, NY
Curatorial Projects
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BORTOLAMI
2018 Human Applause, Bortolami, New York, NY 2011 Commodity / Fetish, Miguel Abreu Gallery, New York, NY Used Youth, Miguel Abreu Gallery, New York, NY 2010 9 Screens, Museum of Modern Art, New York, NY 2008 Power Structure, Andrew Roth gallery, New York, NY 2005 September 11, 1973, Orchard Gallery, New York, NY 1994 Crimen y Ornamento, Centro Rojas, Buenos Aires, Argentina
Selected Publications
2018 "White Male / Black Balls" essay for exhibition catalogue Bruce Nauman: Disappearing Acts, The Museum of Modern Art, New York, February “Nicolas Guagnini on Stephen Prina at Capitain Petzel, Berlin”, Texte Zur Kunst Magazine, March 2015 "Fetishism / Hoarding / Entropy", in Materiality, MIT Press “Nicolas Guagnini in Conversation with Lucy Hunter”, in Irregular Rendition, The Legal Medium, Yale University 2014 “A Conversation with Kon Trubovich”, in Leap Second, Kon Trubovich "Some Notes on Dickface by Nic", published by Bortolami Gallery "Fetishism / Hoarding / Entropy", Mousse Magazine #43 "Alex Gartenfeld by Nicolas Guagnini", Kaleidoscope #21 2013 “Italics Mine”, Texte Zur Kunst Magazine, March 2012 “IMPOOG”, interview with Cheyney Thompson, Mousse Magazine #32, February/March “Pretend You Are Actually Dead”, essay for exhibition catalogue of Leigh Ledare, et al, WIELS Contemporary Art Center, Brussels 2011 “Roberto Jacoby, 1000 Words”, introduction, Artforum, March “Between Artists: Nicolas Guagnini in conversation with John Kelsey”, book, A.R.T. Press New York, NY, “Complete Poetry”, book, 100% Biz Press, New York, NY ”Interview With Greg Parma Smith”, Kaleidoscope magazine, Summer ”Que Barbara! Emiliy Sunblad at Algus Greenspon Gallery”, Texte Zur Kunst, Fall “Composite, Artist’s Interventions in Print”, Nero Magazine # 44 ”So Be It”, Mousse Magazine #31 2010 “Adverbial Pictures”, Used Future # 46 ”Regular Pictures”, Used Future # 46 ”Querido Juan”, exhibition catalogue of Juan Downey, Sala de Arte Fundación Telefónica, Santiago, Chile “El Malentendido del Poeta y El Teologo”, Radar Magazine, published by the Museo de Arte Contemporáneo de Castilla y León, León, Spain ”Best Books of 2010: The Literary Conference”, by Cesar Aira, Artforum 2009
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“Martin Kippenberger, The Problem Perspective”, CAA reviews ”Alejandro Cesarco”, Bomb magazine, winter ”Givens, in Regift”, exhibition catalogue, Swiss Institute, New York, NY ”Letter to a Friend Across the Andes”, exhibition catalogue for We Improve your Work, Sadra Burgel Gallery, Berlin, Germany ”Dan Graham and Nicolas Guagnini in Conversation, in Dan Graham: Beyond”, exhibition catalogue, MOCA and MIT Press 2008 “The Geometry of Hope: Latin American Abstract Art from the Patricia Phelps de Cisneros Collection”, CAA reviews ”Questionnaire”, (with Karin Schneider), October Journal 123, winter “Feedback In The Amazon”, October Journal 125, summer “Solar Systems and Rest Rooms: The Writings of Mel Bochner”, book review Modern Painters Magazine ”The Right Past, Mannerfantasien”, COMA Gallery, exhibition catalogue edited by Ellen Blumenstein, Berlin, Germany 2007 “Community”, Texte Zur Kunst Magazine, Berlin, Germany ”Queleques Aspects de l’Art Bourgeois”, Ramona Magazine in Documenta Magazines ”Armando Reveron at the Museum of Modern Art”, review, Modern Painters Magazine ”Juan Downey in Chile”, Santiago International Film Festival, catalogue, Santiago, Chile 2006 “Golden Spat”, Texte Zur Kunst Magazine, Berlin, Germany ”On The Seven Reviews of Monkeys and Shit... The Continuation of a Dialogue”, NYFA interactive, New York, NY ”A Situation of Time”, essay, in A Principality of its Own, Harvard University Press “Fk ist Tot, Die Kunst ist Tot”, catalogue essay, Fabio Kacero, Adriana Hidalgo editions Buenos Aires, Argentina 2005 “What's left?”, catalogue essay, Baltic Triennial ”Interview with Guillermo Kuitca”, Review Magazine, Routledge Press “The Right Past”, Arts & Leisure Journal, published by Art in General “Darkroom”, Canecalon Magazine # 8, Buenos Aires, Argentina 2004 “Pablo Siquier: The Shadow of Involution”, Sao Paulo Biennial, Argentine section, Catalogue “Interview with Julio Grinblatt”, Contact Sheet Magazine #127, July “Oil Profits”, Texte Zur Kunst Magazine 2003 “Piero Manzoni”, review, Time Out Magazine “Edward Krasinski”, review, Time Out Magazine “Oyvind Fahlstrom”, review, Time Out magazine “Quasi Schizophrenia”, notes for a liberated condition. Dan Graham, Parkett Magazine (with Karin Schneider) “Roberto Aizenberg: Sin Interferencias” catalogue essay, Ruth Benzacar Gallery, Buenos Aires, Argentina 2002 “Interview with Dara Birnbaum”, Cabinet Magazine “Degenerate Ruins”, New York Arts Magazine “Sustracción del Naufragio”, catalogue essay for Esteban Lisa, Ruth Benzacar Gallery, Buenos Aires, Argentina “Weegee’s Trick Photographies”, review, Time Out Magazine “Theodore Chasseireau”, review, Time Out Magazine 2001 “Acconci-Mendieta”, Art Nexus Magazine
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BORTOLAMI
“El senor K”, catalogue essay for Julio Grinblatt, Museum of Modern Art, Buenos Aires “Artists’ Writings”, monthly contribution, Ramona Magazine 2000 “Julia Scher”, Ramona Magazine “Interview with Sergio Vega”, Bomb Magazine “Voila, Le Mond Dans la Tete”, Ramona Magazine “Meyer Vaisman”, Art Nexus Magazine “Punk not Dead”, essay, Ramona Magazine “Definitions”, catalogue essay for Guillermo Iuso, Duplus 1999 “Levitacion de lo Telurico”, article, Barbaria Magazine “Alfredo Prior”, review, Art Nexus Magazine 1998 “Beatriz Gonzalez”, article, Art Nexus Magazine, September ”Maria Fernanda Cardoso”, review, Art Nexus Magazine, September Jose Gabriel Fernandez, review, Art Nexus Magazine, April “Cuba On”, review, Art Nexus Magazine, April 1997 “The Master's Desire”, Trans Magazine Issues 3/4 “Jac Leirner”, review, Art Nexus Magazine, September “Jose Antonio Hernandez Diez”, review, Art Nexus Magazine, February 1995 “Estilo y Periferia”, lecture published by The University of Buenos Aires “Fotos de Nada”, catalogue essay for Julio Grinblatt, Centro Cultural Rojas, Buenos Aires, Argentina
Film
In 1997 establishes with Karin Schneider Union Gaucha Productions (UGP), an artist’s experimental film company.
2010 As Long as it Lasts, 9 screens video site specific installation commissioned by MoMA, 2 hours 10 minutes 2008 Sledgehammer, 16 mm film installation, color, 2’35 minutes 2003 Totloop, 16mm film installation, color, silent, 4 min collaboration with Fabio Kacero Axiom of Choice, 16mm, color, 5min. Portrait of Jonas and Sebastian Mekas 2002 Primary Green, DVD, 32 minutes, color, sound, on Emilio Ambasz Twins, 16 mm film, 11 minutes, color, sound, collaboration with Jeff Preiss 2001 Square Times - 16mm film, color, sound, 12 minutes 2000 XXI vs XXI - 16mm, color, sound, 3’40 sec. Portrait of a Lady, 16mm film Installation, color, sound Yin Yang, 16mm film installation, color, sound 1999 = Heaven’s Hell - 16 mm film, b & w, sound, 20 minutes, two films Hell’s Heaven (filmography of Tungas’ project) A vida de Infra Tunga - 16 mm film, b & w, sound, 11 minutes The End - 16 mm film, b & w, sound, 6 minutes
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BORTOLAMI
1997/98 Phantom Limb - 16 mm, b&w, silent, 22 minutes
Selected screenings / exhibitions
2015 Union Gaucha Productions, survey curated by Richard Birkett and Jacob King, Artists Space, New York, NY Primary Green, The Box, Wexner Center for the Arts, Columbus, OH L'Exposition d'un film, curated by Philippe-Alain Michaud, Centre Pompidou, Paris, France 2011 Footnote 1. Phantom Limb, curated by Barbara Piwowarska, Center for Contemporary Art Ujsasdowski Castle, Warsaw, Poland Footnote 1. Phantom Limb, curated by Barbara Piwowarska, Silberkuppe, Berlin, Germany Footnote 6. As Model, Miguel Abreu Gallery, New York, NY Film Matters, Galeria Arsenal, Bialystok, Poland 2010 9 screens, Museum of Modern Art, New York, NY 2009 Chance Encounters, Ludlow 38 Kunstverein Munchen Goethe Institute, New York, NY 2008 Cykl Wykladow Archifilm, Sala Kinowa CSW, Warsaw, Poland 2007 Union Gaucha Productions in “On the Collective for Living Cinema”, Orchard Gallery, New York, NY E-Flux Video Rental Swiss Institute, Paris; Carpenter Center For the Arts, Boston, MA From Confrontation to Intimacy, Americas Society, New York, NY 2006 Reality/Play, Orchard Gallery, New York, NY E-Flux Video Rental, Arthouse at the Jones Center, Contemporary Art for Texas, Austin, TX E-Flux Video Rental, Portikus, Frankfurt, Germany 2005 Tie, International Film Festival, Denver, CO Parrilla, Galería Artes Visuales, Centro Cultural Matucana, Santiago, Chile E-Monkeytown, Brooklyn, New York, NY E-Flux Video Rental, selected by Gabriel Perez Barreiro, KW Institute for Contemporary Art, Berlin, Germany E-Flux Video Rental, Manifesta Foundation, The Moore Space, Miami, FL September 11, 1973, Orchard Gallery, New York, NY 2004 Inventario, a Survey of 1998-2002, Museo de Arte y Diseno Contemporaneo, San Jose, Costa Rica 2003 Reports from the Global Village, Espacio Capacete, Rio de Janeiro, Brazil To Free the Cinema, Rio Film Festival, Rio de Janeiro, Brazil 2002 Reports from the Global Village, Occularis, Brooklyn, NY Reports from the Global Village, Santa Monica Museum, Santa Monica, CA Reports from the Global Village, Honolulu Film Festival, Honolulu, HI Salon des Refusés, Milano Film Festival, Milano, Italy Contaminados, Museo de Arte y Diseno Contemporaneo, San Jose, Costa Rica 2001 A night with UGP, Anthology Film Archives, New York, NY Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico
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BORTOLAMI
Jeu de Paume, Paris, France
2000 AGORA - Estação Botafogo - Rio de Janeiro, Brazil Kiangju Bienal - Kiangju, Korea Ajijic Film Festival, Ajijic, Mexico Montevideo Film Festival, Montevideo, Uruguay 1999 Centro Cultural Recoleta, Buenos Aires, Argentina Anthology Film Archives, New York, NY Ajijic Film Festival, Ajijic, Mexico Gallery X, New York, NY Museum of Modern Art, Rio de Janeiro, Brazil Museum of Modern Art, Buenos Aires, Argentina 1998 Museum of Modern Art, São Paulo, Brazil SOCINE, Museum of Modern Art, Rio de Janeiro, Brazil
Selected Bibliography
2018 “10 Galleries to Visit Now Around SoHo and TriBeCa”, Jason Farago, The New York Times, April 2017 “The Matter of Photography in the Americas”, Natalia Brizuela and Jodi Roberts, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2018 2015 Review, Alex Kitnick, Artforum, February 2014 "The Costliness of Our Attachments" Piper Marshall on Bad Conscience at Metro Pictures, Texte Zur Kunst, June 2013 “Heads”, Raimar Stange, review, Art Review magazine, December 2012 “All Together Now”, Joanna Fiduccia, Spike Magazine, Austria, winter “Nicolas Guagnini, Review”, Aimee Walleston, Art in America Magazine, October “Standard Operating Procedures”, Jonathan Griffin, Art Agenda, September “Mostra enfoca resurgimento do MAM”, Fabio Cypriano, Folha de Sao Paulo, February “Mostra une arte modernista e a historia do MAM”, Maria Camargo, Jornal da Tarde, Sao Paulo, February 2011 “The Artist’s Artists”, Leigh Ledare, Artforum, December “Complacency Butts Up Against Game Changers”, Holland Cotter, December “The Panel Discussion, The Tennis Match, and A Bodegon”, David Joselit, Artforum, September “Commodity /Fetish”, Roberta Smith, New York Times, March “Commodity / Fetish”, Andrea Scott, The New Yorker, March “Interview”, Julia Miller, The Columbia Daily Spectator, March “Commodity Fetishism in a Speakeasy Gallery”, Paddy Johnson, The L Magazine, March 2010 “As Long As it Lasts, from 9 Screens”, David Everett Howe, Art in America online, March 3 “Used Future # 46”, Piper Marshall, Alex Gartenfeld, John Miller, Dan Graham, fall “Tupi or Not Tupi”, Maria Ines Rodriguez, Art Nexus, May “Espestranprangeiperospos empem topodopo lupugarpar”, Paulo Herkenhoff, exhibition catalogue for Panorama da Arte Brasileira, Mamoyguara Opá Mamó Pupé, Museum of Modern
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Art, Sao Paulo, Brazil, “Extranjeros en todas partes”, Julieta Gonzalez, exhibition catalogue for Panorama da Arte Brasileira, Mamoyguara Opá Mamó Pupé, Museum of Modern Art, Sao Paulo, Brazil 2009 “No Blueberries, No Bees”, John Ewings, Art Lies, fall “Wrong”, Astrid Mania, Art Review, June 2008 “John Miller Puts Five Questions to Nicolas Guagnini”, John Miller, Modern Painters, December “Upper East Side: Linger (Quietly) for a While”, Karen Rosenberg, The New York Times, November “77 Testicular Imprints”, Julio Grinblatt, review, Art Nexus magazine, spring “Nich One Meine Shwester”, Gerrit Gohlke and Astrid Mania, Artnet, March “77 Testicular Imprints”, review, Joshua Mack, Art Review magazine, London, February 2007 “Best of 2007”, John Kelsey, Artforum, December “77 Testicular Imprints”, Nuit Banai, Time Out, November “Performa 07 Art is Brief, You Just Have To Be There”, Holland Cotter, New York Times, November “Role Model”, Valerie Knoll, Artforum.com, March “Between Two Deaths”, Felix Ensslin, Exhibition Catalogue, Karlshue “Unresolved Chords Still Echo for ‘The Disappeared”, Holland Cotter, New York Times, April 7 “The Vanishing”, Leslie Camhi, Village Voice, New York, April 2006 “Desaparecidos, Arte, Lucha y Tragedia de Latinoamerica”, Hector Pavon, Clarin, Buenos Aires, August “The Disappeared”, Laurel Reuter, Exhibition Catalogue “Break Even”, Holland Cotter, New York Times, October “Artists on Artists”, John Miller, Bomb magazine, summer “All art is contemporary”, Jerry Saltz, Modern Painters, November “The Best and Worst of 2005”, Andrea K. Scott, Time Out New York, December “Who needs a white cube this days?”, Roberta Smith, New York Times, January “September 11 1973”, Roberta Smith, New York Times, September 2005 “Fragilidad y Resiliencia”, Mario Gradowczyk, exhibition catalogue essay, Independent Curators International, Buenos Aires “Orchard”, Melanie Gilligan, Texte Zur Kunst magazine, June “Flying weightless”, Luis Camnitzer, Texte Zur Kunst magazine, March 2005; Art Nexus magazine, Fall 2004 “Going Apeshit: towards a psychology of meta-criticism”, John Miller, catalogue essay for The Seven Reviews of Monkeys and Shit “Bittersweet thoughts from an ex angry young man”, Dan Graham, catalogue essay for The Seven Reviews of Monkeys and Shit “Nothing Now”, Bennett Simpson, The Big Nothing exhibition catalogue, Institute of Contemporary Art, University of Pennsylvania, Philadelphia 2002 “The S Files”, Pablo Helguera, Art nexus magazine, September “Aequilibrium”, Deborah Cullen, The S files, exhibition catalogue “On Translation and the power of the Gap”, Victoria Noorthoom, The S files, exhibition catalogue “Homo Ludens”, Reinaldo Laddaga, Art nexus magazine, November “Bouncing off the boundaries”, Gabriel Perez-Barreiro, Catalogue essay for Homo Ludens,Ruth Benzacar Gallery “Homo Ludens”, Alina Tortosa, Buenos Aires Herald, August “Homo Ludens” Laura Batkis, Lapiz Magazine, October
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“Real Life Rock Top 10”, Greil Marcus, Salon.com, July 8
1999 “Phantom Limb”, Ines Katzenstein, review, Art Nexus magazine, November “De formas y sombras”, Victoria Verlichak, Noticias magazine, August “La crítica como estética”, Santiago Navarro, La Nacion, August “Los Convidados de piedra”, Fabián Lebenglik, Página 12, August “O Cinema Dissimétrico ou a lógica das Passagens Anexo I- Membro Fantasma e a experiência quase-cinema”, Cláudio Dacosta, PHD Tesis, ECO-UFRJ, Rio de Janeiro, Brazil 1998 “The baroque-concrete or the trance of form”, Claudio Dacosta, Phantom Limb, catalogue essay, Luisa Strina Gallery “Membro Fantasma mostra que tudo e verdade na arte”, Celso Fioravante, Folha de São Paulo Journal, July “Projeto reune tracos do concretismo criado em Brasil Argentina e Polonia”, Claudia Thevenet, O Globo journal, July “Geometria Popular”, Santiago Garcia Navarro, La Nacion journal, November “Artistas de un contacto producivo”, Eva Grinstein, El Cronista Comercial Journal, November “Concrete Dreams”, Carlos Basualdo, catalogue essay, Biblioteca Luis Angel Arango, Bogota, Colombia 1996 “The Rational Twist”, Ruben Gallo, Flash Art magazine, May, and Art Nexus “The Rational Twist”, Carlos Basualdo, catalogue essay, Apex art, New York “Argentine Art of the Nineties”, Pierre Restany, Lapiz magazine # 116, November 1995 and Domus magazine # 782, May 1996 1995 Review, Carlos Basualdo, Artforum, December
Fellowships and Awards
2002 New York Foundation for the Arts, New York Recovery Arts Fund Klemm Foundation, Premio Klemm, Buenos Aires, Argentina 2000 Banco Nacion award, mention Parque de la Memoria, Buenos Aires, Argentina, selected project 1999 Pollock-Krasner Foundation Grant, NY, USA 1994 Braque Award, Argentina, special prize of the jury 1991 Scholarship "City of Mexico", Mexico
Artist in Residency
2018 Greenwich House Pottery, Artist in Residence, New York, New York 2008 RIIA, Ostende, Argentina 2001 Wexner Center for the arts, Post production-residency, Columbus, Ohio 1997 The Artists’ Museum - Artist in Residence, Lodz, Poland 1996
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Art Omi - Artists’ Residency - USA
Invited Guest Lecturer - Teaching Experience
2018 Hunter College, Artist’s Institute Seminar 2017 Hunter College, Artist’s Institute Seminar 2014 NYU, MFA Program, Visiting artist 2013 Dusseldorf Academie, Christopher Williams’ class, visiting artist University of Florida, visiting artist Columbia University MFA, visiting artist 2012 Parlor Room, visiting artist series, Art Institute of Chicago Visiting Artist, Southern Methodist University Columbia University MFA, visiting artist 2011 The Solomon Residency, Skidmore College Columbia University MFA, visiting artist lecture series
2009-2010
Parsons School of Design, The New School, Adjunct Professor
2006-Present Barnard College, Lecturer 2004 Barnard College, John Millers’ class 2003 New York University, Tisch Department, Ken Rogers’ class Barnard College, John Millers’ class 2002 Columbia University, MFA, visiting artist Ohio State University, Ann Hamilton’s class 2001 Colgate University 2000 Harvard University, Guest reviewer, final review for architecture graduates, Terry Riley’s class 1994-96 Teaching assistant, Introduction to Design, University of Buenos Aires, Buenos Aires, Argentina 1993-96 Teaching Assistant, Roberto Aizenberg class, painting and drawing, Escuela Superior de Bellas Artes Ernesto de la Cárcova, Buenos Aires, Argentina
Conferences, Presentations, Lectures
2018 “Tres Amigos y la Musica" 3A Gallery, New York, NY, Lecture "Genealogias Electivas y Autioiccion" Universidad Di Tella, Buenos Aires, Argentina, Lecture 2017 AM at the JM, Conversation with Jens Hoffmann organized by the Jewish Museum, New York, NY
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BORTOLAMI
“& faintly heard (as it sinks, slowly): with The Tenderness of Maggots,” Panel discussion with John Miller organized by Studio for Propositional Cinema, Swiss Institute, New York, NY 2016 "Art, Resistance and the Archive", Post War Culture at Beinecke, Yale University, Lecture "Mike Kelley Educational Complex", New York Public Library, panel discussion 2013 “Directions in Latin American Art,” symposium at Columbia University, New York, NY 2012 “Seminario Transmuseu,” symposium at the Museum of Modern Art, Sao Paulo “Mediatic Networks in Postwar Paris: Art and Sound, in Motion,” symposium at NYU Visiting Artist, Southern Methodist University, Dallas, TX 2011 “States of Emergency: Objects as Agency, circa 1970,” symposium at the Guggenheim Museum, New York, NY “The Politics of Camouflage in Artist Practices from the 1970’s,” symposium, Columbia University, New York, NY Visiting Artist Lecture, Columbia University, MFA program, NY 2010 “Perform a Lecture! A Platonic Dialogue in the City,” architectural tour and lecture, with Dan Graham and a music set by Carlsten Nicolai, Kunsthalle and city sites, Berlin “Art School,” in “No Career,” panel organized by Dena Yago, Columbia University “The Sites of Latin American Abstraction,” Museum of Latin American Art, Long Beach, CA “Teorías de la (In) dependencia,” organized by Gabriela Rangel, ArteBA, Buenos Aires, Argentina 2009 “No,” conference organized by Nicolas Guagnini and David Joselit, Yale University, New Haven, CT “Regift,” panel, Swiss Institute, New York Visiting Artist Lecture Series, School of Visual Art, New York, NY 2008 “Art Forum,” Lecture, Harvard University, Cambridge, MA 2007 “Lenin for your Library?” Book Presentation, Orchard, New York Artist Talk, Site, Santa Fe, New Mexico “Art Forum: Rise and Development of CADA and Hayco,” Harvard University “Roberto Jacoby, Introduced by Nicolas Guagnini,” Americas Society, New York, NY 2006 “Sin Título, 2006: An International Symposium on Latin American Art in a Global Context,” Blanton Museum of Art, University of Texas at Austin “Italy and Argentina: A Dialogue in XX Century Art,” Drew University, Madison, NJ “Common Ground, Private Sphere: The Middle Class Goes to Heaven,” University of Pennsylvania, Philadelphia, PA 2005 “Hybridity and Diaspora: Gego, Roberto Aizenberg, José Gurvich, Mira Schendel, and Lasar Segall,” Panel Discussion, Americas Society, New York, NY “In conversation: Dan Graham and Nicolas Guagnini,” Scorched Earth, New York, NY “The Next Museum: Versions for the Future,” Art in General, New York, NY “Artist’s Books,” Panel Discussion, El Museo Del Barrio, New York, NY “FINE PRINT: Influence. A Conversation on Photography,” MoMA PS1, New York, NY 2004 “Experimental Film in the Americas,” Lecture, Museo del Arte y Deseño de Costa Rica, San Jose, Costa Rica 2003 “Art Magazines and Their Role of Legitimation,” Panel Discussion, Moderator, Bronx Museum, New York, NY
39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 WWW.BORTOLAMIGALLERY.COM
BORTOLAMI
2000 “Uma noite com UGB, AGORA CAPACETE,” Estação Botafogo, Rio de Janeiro, Brazil
Translation
1996 – 1999 Translation, editing and proofreading, Trans Magazine Translation of text into Spanish by Julia Kristeva, Hal Foster, Judith Butler, Thomas McEviley, A.A. Bronson, George Baker, among others 1997 – Present Freelance work editing and translating texts on Latin American Art, English to Spanish. Authors include: Luis Camnitzer, Gabriel Perez-Barreiro, and Alex Alberro, among others Other
2013 Typography designer, Dickface.me 2005 Founder, Orchard Gallery, New York
Museum Collections
The Whitney Museum of American Art, New York, New York G2 Kunsthalle, Leipzig, Germany Buenos Aires Museum of Modern Art, Argentina Centro Galego de Arte Contemporanea, Santiago de Campostela, Spain Philara Collection, Düsseldorf, Germany Centre George Pompidou, Paris, France Wexner Center for the Arts, Columbus, Ohio Museum Sztuki in Lodz, Lodz, Poland Museum of Modern Art Sao Paolo, Sao Paolo, Brazil
39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 WWW.BORTOLAMIGALLERY.COM