Bortolami Gallery
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BORTOLAMI Nicolas Guagnini (b. 1966 in Buenos Aires, Argentina) Lives and works in New York, New York Selected Solo and Two-Person Exhibitions 2019 Asociación Psicoanalítica Argentina, Bortolami, New York, NY Twilight of the Idols, Tarble Arts Center, Eastern Illinois University, Tarble, IL 2018 The Male Maze and Some Trompe L’oeil, Max Mayer Gallery, Dusseldorf, Germany The Walrus, 3A Gallery, New York, NY 2017 Nicolás Guagnini, Lars Friedrich, Berlin, Germany Bibelots, Bortolami, New York, NY 2016 Our Lady of the Flowers, Galerie Max Mayer, Düsseldorf, Germany 2015 Nicolás Guagnini and Karin Schneider, Union Gaucha Productions, Artists Space, New York, NY 2014 Nicolás Guagnini, Bortolami Gallery, New York, NY Nicolás Guagnini / Leigh Ledare, Galerie Max Mayer, Düsseldorf, Germany Ana and Carl and some other couples, with Leigh Ledare, Andrew Roth Gallery, New York, NY 2013 Territories Multiple, with Klaus Merkel, Max Mayer Gallery, Dusseldorf, Germany Heads, Lars Friedrich Gallery, Berlin, Germany For The Children of The Failed Revolution, Marta Cervera Gallery, Madrid, Spain 2012 Sequence 4, Nicolas Guagnini Seven, Miguel Abreu and Balice Hartling and Lewis Galleries, New York, NY 2011 The Panel Discussion, The Tennis Match, and A Bodegón, Andrew Roth Gallery, New York, NY 2010 Ruth Benzacar Gallery, Buenos Aires, Argentina 2009 Wrong, COMA Gallery, Berlin, Germany 2008 Money is no Object/ State of the Art, Fruit and Flower Deli, New York, NY Power Structure, Andrew Roth Gallery, New York, NY 2007 77 Testicular Imprints, Andrew Roth Gallery, New York, NY 2006 The Middle Class goes to Heaven, with Dan Graham, Orchard gallery, New York, NY Break Even, with Gareth James, Andrew Roth Gallery, New York, NY 2004 The Seven Reviews of Monkeys and Shit, Printed Matter, New York, NY 2002 Homo Ludens, Ruth Benzacar Gallery, Buenos Aires, Argentina 1999 Museum of Modern Art, with Karin Schneider, Buenos Aires, Argentina 1998 Centro Rojas, Buenos Aires, Argentina Artists’ Space, with Karin Schneider, Project Room, New York, NY Luisa Strina Gallery, with Karin Schneider, São Paulo, Brazil 39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 WWW.BORTOLAMIGALLERY.COM BORTOLAMI Selected Group Exhibitions 2019 A Detached Hand, Magenta Plains, New York, NY Glass Age, Organized by Jesse Greenberg, Helena Anrathers, New York, NY 2018 Money and Psyche, Hall of Art, Lueneburg, Germany Human Applause, Bortolami, New York, NY Idiorrythmia, CACBM, Paris, France Defacement, THE CLUB, Tokyo, Japan Ceramics Now 2018, the Jane Hartsook Gallery at Greenwich House Pottery, New York, NY 2017 Publishing as an Artistic Toolbox: 1989-2017, Kunsthalle Wien, Vienna, Austria In relation to a Spectator, Kestner Gesellschaft, Hannover, Germany EXO EMO, Greene Naftali, New York, NY, curated by Antoine Catala and Vera Alemani The Split, GRIN, Providence, RI Condo 2017 | Galerie Max Mayer at CHEWDAY'S - The Middle Class Goes to Heaven, London, United Kingdom G2 #6: New Acquisitions Hildebrand Collection, G2 Kunsthalle, Leipzig, Germany Sinister Feminism: A.I.R. Gallery's 12th Biennial Exhibition, Curated By Piper Marshall with Lola Kramer, Brooklyn, NY 2016 WORKS FROM THE COLLECTION I, Another Space, New York, NY Studio for Propositional Cinema: In Advance of a Shipwreck, Art Association for the Rhineland and Westphalia, Dusseldorf, Germany Bread and Roses, Museum of Modern Art, Curated by Lukacs Rondunda and Natalia Sielewicz, Warsaw, Poland ta.bu, Maison Particulière, Brussels, Belgium In Place Of, Miguel Abreu Gallery, New York, NY Blackmail, Svetlana, New York, NY 2015 Body Bildung, Galerie Max Mayer, Curated by Piper Marshall, Düsseldorf, Germany The School of Kyiv, Kyiv Biennial 2015, Kiev, Ukraine My Wife Does the Dishes, I Do the Revolution, Curated by David Rimanelli Kimmerich Gallery, Berlin, Germany Irregular Rendition, Yale University, Curated by Lucy Hunter, New Haven, CT Dancing Museum, Museum of Modern Art, Sao Paulo, Brazil 2014 Bad Conscience, Metro Pictures, Curated by John Miller, New York, NY Our Demise, 95 Avenue B, New York, NY 140 Characters, Museum of Modern Art, Sao Paulo, Brazil Imprints, organized with Amy Wolf, Leslie Tonkonow, New York, NY Transgression/New Acquisitions, Philara Collection, Düsseldorf, Germany Couplings, curated by Piper Marshall, Taylor Macklin, Zurich, Switzerland Los vencedores y los vencidos. Marcas de Violencia en la colección del MAMBA, Buenos Aires Museum of Modern Art, Buenos Aires, Argentina 2013 Book Machine, Le Nouveau Festival du Centre Pompidou, Centre Pompidou, Paris, France Paint Hotel, Joe Sheftel Gallery, New York, NY Algunos Aritstas / 90 - Hoy, Fundacion Proa, Buenos Aires, Argentina Junkies' Promise, curated by Ivan Navarro, Paul Kasmin Gallery, New York, NY Mythologies by Proxy, Museum of Modern Art, Sao Paulo, Brazil Screen, Murray Guy Gallery, New York, NY Jew York, Zach Feuer Gallery, New York, NY 39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 WWW.BORTOLAMIGALLERY.COM BORTOLAMI A Scanner Darkly, David Lewis Gallery, New York, NY Descartes' Daughter, curated by Piper Marshall, Swiss Institute, New York, NY Relocation, Reallocation McCabe Fine Arts, Stockholm, Sweden 2012 Accrochage, Miguel Abreu Gallery, New York, NY O retorno da colacao Tamagni: ate as estrelas por caminhos dificeis, Museum of Modern Art, Sao Paulo, Brazil Standard Operating Procedure, curated by Piper Marshall, Blum and Poe Gallery, Los Angeles, CA A Drawing Show Curated by Dan Graham, Micheline Swajcer, Antwerp, Belgium Context Message, Zach Feuer Gallery, New York, NY Notations: the Cage Effect Today, Hunter College Art Galleries, New York, NY 2011 Orden e Progresso, vontade construtiva na arte brasileira, curated by Felipe Chaimovich, Museum of Modern Art, Sao Paulo, Brazil Commodity / Fetish Miguel Abreu Gallery, New York, NY Used Youth, Miguel Abreu Gallery, New York, NY The Lifestyle Press, curated by Gil Blank, Cherry and Martin Gallery, Los Angeles, CA Instructions for Post, a mail art project in the year 2011, Australian Centre for Contemporary Art in Melbourne, Melbourne, Australia FIAT, Experiments in Financial Semantics, Le Roy Neiman Gallery, Columbia University, New York, NY 2010 Middle Man, Dan Graham, Nicolas Guagnini, John Miller, Three´s Company, New York, NY Max Hans Daniel, curated by Piper Marshall and Alex Gartenfeld, Berlin, Germany So Be It, Andrew Roth gallery, New York, NY So it is, capturing, COMA gallery, Berlin, Germany With or Without You, Triple Candie, New York, NY They Have Not the Art to Argue with Pictures, Cherry and Martin Gallery, Los Angeles, CA An Optical Illusion and the Foretelling of the Oracle News, Duve, Berlin, Germany Half a Self, a Cave Dweller, The former Convent at St. Cecil’s Parish, Brooklyn, New York, NY Scott Lyall, R. H. Quaytman, Nicolas Guagnini, Art Basel Miami Beach, Miguel Abreu Gallery 2009 The Disappeared, University of Wyoming Art Museum, Laramie, WY MADC 94/09- Diálogos y Correspondencias, MADC Museo de Arte y Diseño Contemporáneo, San José, Costa Rica The Human Stain, Conceptual Art in the CGAC Collection, Centro Galego de Arte Contemporanea, Galicia, Spain We Improve Your Work, Instituto Divorciados, Sandra Burgel Gallery, Berlin, Germany Segunda Trienal Poligrafica de San Juan, Instituto de Cultura, San Juan, Puerto Rico Puertorriquena, curated by Julieta Gonzalez, San Juan, Puerto Rico No Blueberries, no Bees, curated by Sarina Basta, Harris Lieberman Gallery, New York, NY Panorama da Arte Brasileira, Mamoyguara Opá Mamó Pupé, curated by Adriano Pedrosa, Museum of Modern Art, Sao Paulo, Brazil 2008 Regroup Show, Miguel Abreu Gallery, New York, NY Mannerfantasien, curated by Ellen Blumenstein, COMA Gallery, Berlin, Germany Spring Wound, Orchard, New York, NY Reynold Reynolds and Patrick Jolley / Nicolas Guagnini / Alex Large and Liane Sommers, COMA Gallery, Berlin, Germany 18, Center gallery, Berlin, Germany The Disappeared, Art Museum of The Americas, Washington, DC Power Structure, Andrew Roth Gallery, New York, NY 2007 39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 WWW.BORTOLAMIGALLERY.COM BORTOLAMI Performa 07, Sculpture Center, New York, NY Uso y abuso. Remirar una colección, Museo de Arte Contemporaneo de Rosario, Santa Fe, Argentina Between Two Deaths, Zentrum für Kunst und Medientechnologie, curated by Ellen Blumenstein and Felix Ensslin, Karlsruhe, Germany On the Collective for Living Cinema, Orchard, New York, NY On the Collective for Living Cinema, Amanda Wilkinson gallery, London, United Kingdom The Disappeared, El Museo Del Barrio, New York; Site, Santa Fe, NM The John’s Institute, Freymond-Guth Fine Arts, Zurich, Switzerland Musica, silenciosamente, curated by Maria Ines Rodriguez and Gabriela Rangel, Centro Cultural Chacao, Caracas, Venezuela 2006 Bringing the War home, curated by Drew Heitzler, Elizabeth Dee Gallery, New York, NY Bringing the War home, QED Gallery Los Angeles, CA Contragolpe, Instituto Divorciados, Berlin, Germany Denial is a River, Sculpture Center, New York, NY The Disapeared, Centro Cultural Recoleta, Buenos Aires, Argentina 2005 The Disapeared, curated by Laurel Reuter, North Dakota Museum of Art, Grand Forks, ND Abstraccion (Hoy) = Fragilidad/resilencia, ICI, Buenos Aires, Argentina Part 1, Part 2, Orchard, New York, NY Escultura - Objeto. Relecturas en la Colección del MAMbA, Museum of Modern Art, Buenos Aires, Argentina Painters Without Painting, Painting Without Painters, curated by Gareth James, Orchard New York, NY 2004 Plane and Elevation, Art in General, New York, NY The Big Nothing, curated by Bennett Simpson