Back Issue of ROUTES, a Guide to Black Entertainment January 1980
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Millie Jackson for Men Only Mp3, Flac, Wma
Millie Jackson For Men Only mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: For Men Only Country: UK Released: 1993 Style: Rhythm & Blues, Soul, Ballad, Disco MP3 version RAR size: 1761 mb FLAC version RAR size: 1852 mb WMA version RAR size: 1933 mb Rating: 4.9 Votes: 863 Other Formats: RA ADX AA MPC TTA AIFF WAV Tracklist Hide Credits This Is Where I Came In 1 4:52 Written-By – Randy Klein, Vicky Germaise This Is It 2 7:32 Written-By – K Loggins*, M McDonald* If That Don't Turn You On 3 4:23 Written-By – D Morrison*, J Slate*, L Keith*, S Pippin* I Wish That I Could Hurt That Way Again 4 3:35 Written-By – C Putman*, D Cook*, R Van Hoy* A Fool's Affair 5 4:00 Written-By – R Kerr*, T Seals* You Must Have Known I Needed Love 6 3:13 Written-By – Len Ron Hanks, Zane Grey* Despair 7 4:16 Written-By – Brad Shapiro, Millie Jackson, Randy McCormick Not On Your Life 8 4:01 Written-By – Randy Klein, Vicky Germaise Ain't No Comin' Back 9 4:07 Written-By – Benny Latimore Credits Producer – Brad Shapiro, Millie Jackson Notes ℗ 1980 Ace Records Ltd © 1993 Ace Records Ltd Produced by Brad Shapiro and Millie Jackson for Keishval Enterprises, Inc Package designed by Philip Barker Design Digitally transferred from original analogue master tapes Post Production by Duncan Cowell at Sound Mastering Ltd The copyright in this sound recording is owned by Ace Records Ltd Southbound Records 46-50 Steele Road, London NW10 7AS Made In Germany Barcode and Other Identifiers Barcode: 0 29667 37702 7 Label Code: LC 5504 Other versions Category -
New Expression: February 1996 (Volume 20, Issue 2) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago New Expression Youth Communication Chicago Collection February 1996 New Expression: February 1996 (Volume 20, Issue 2) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/ycc_newexpressions Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "New Expression: February 1996 (Volume 20, Issue 2)" (1996). New Expression. 142. http://digitalcommons.colum.edu/ycc_newexpressions/142 This Article is brought to you for free and open access by the Youth Communication Chicago Collection at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in New Expression by an authorized administrator of Digital Commons @ Columbia College Chicago. • Gutter punks sp ak Teen Living Programs offer alternative to the streets p. 13 • New fashion section debuts Exploring African heritage through tradional garb pp. 14-15 • is Kross bac on scene And they're hotter than ever! p. 17 SPECIAIJ AfricalhAmerican History Issue • Why we study Black history • Scenes from the struggle [or equality • Ten African Americans you should know p. 3 Ill so • Exclusive interveiw with Ayinde Jean-Baptiste p.4 YOUTH COMMUNICATION 1995-1996 Board of Directors Officers President Take action now fl,eW e'ff'e~fff!/ William (Dal) Frost- (ret.) Canadian Pacific Forest Products, hie. NE St.tf '95-'96 It's never too late to have an inpact Immediate Past President Managing Editor Deborah l. DeHaas -Arthur Andersen & Co. Dear Readers, Heather MacDonald, Kenwood School Affairs Editor Vice President Black History Month is the perfect time to take a look around you Chelsea W. -
Scanned Document
-~.:. Association of Performing Arts Presenters .. .. : . ". VIA ELECTRONIC FILING January 13, 2010 Ms. Marlene H. Dortch Secretary Federal Communications Commission 445 12th Street SW Washington, DC 20554 Re: Ex Parte Communication, Revisions to Rules Authorizing the Operation ofLow Power Auxiliary Stations in the 698-806 MHz Band, WT Docket No. 08-166; Public Interest Spectrum Coalition, Petition for Rulemaking Regarding Low Power Auxiliary Stations, Including Wireless Microphones, and the Digital Television Transition. WT Docket No. 08-167 Dear Ms. Dortch: The Association ofPerforming Arts Presenters ("Arts Presenters") requests that the Commission recognize the legitimate use ofwireless microphones used in the performing arts by expanding eligibility for licensing ofwireless microphones to include performing arts organizations, by permitting incumbent wireless microphone operations to relocate to spectrum in the TV Core (on or below UHF Channel 51), by adopting appropriate technical and service rules for such operations and by affording interference protection for wireless microphone operations from co-channel and adjacent channel unlicensed fixed and mobile white space operations. Arts Presenters includes nearly 2,000 members representing the nation's leading performing arts centers, including civic and university performance facilities, as well as artist agencies, managers, touring companies, national consulting practices that service the field, and a growing roster ofself-presenting artists. Arts Presenters members operate in all 50 states and range from large performing arts centers in major urban cities, outdoor festivals and rural community-focused organizations to academic institutions, artists and artist managers. For the Commission's information, attached is a copy ofthe participants listings from the January 2010 Arts Presenters conference. -
Spring Records Discography 4700 Series
Spring Records Discography 4700 series SPR 4701 - The Sounds Of Simon - JOE SIMON [1971] To Lay Down Beside You/I Can’t See Nobody/Most Of All/No More Me/Your Time To Cry//Help Me Make It Through The Night/My Woman, My Woman, My Wife/I Love You More (Than Anything)/Georgia Blue/All My Hard Times 5700 series SPR 5702 - Drowning In The Sea Of Love - JOE SIMON [1972] Drowning In The Sea Of Love/Glad To Be Your Lover/Something You Can Do Today/I Found My Dad/The Mirror Don’t Lie//Ole Night Owl/You Are Everything/If/Let Me Be The One (The One Who Loves You)/Pool Of Bad Luck SPR 5703 - Millie Jackson - MILLIE JACKSON [1972] If This Is Love/I Ain’t Giving Up/I Miss You Baby/A Child Of God (It’s Hard To Believe)/Ask Me What You Want//My Man, A Sweet Man/You’re The Joy Of My Life/I Gotta Get Away (From My Own Self)/I Just Can’t Stand It/Strange Things SPR 5704 - The Power Of Joe Simon - JOE SIMON [1973] Drowning In The Sea Of Love/Georgia Blue/Help Me Make It Through The Night/Power Of Love/Step By Step/Talk Don’t Bother Me/To Lay Down Beside You/Trouble In My Home/You Are The One/Your Time To Cry [*] SPR 5705 - Simon Country - JOE SIMON [1973] Do You Know What It’s Like To Be Lonesome?/Five Hundred Miles/Woman Without Love/You Don’t Know Me/To Get To You//Before The Next Teardrop Falls/Someone To Give My Love To/Good Things/Kiss An Angel Good Mornin’ SPR 5706 - It Hurts So Good - MILLIE JACKSON [1973] Breakaway/Close My Eyes/Don’t Send Nobody Else/Good To The Very Last Drop/Help Yourself/Hurts So Good/Hypocrisy/I Cry/Love Doctor/Now That You Got -
The Wiz Short FINAL
media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONCLUDES FIFTH SEASON WITH “THE WIZ” July 13-August 25, 2013 Book by William F. Brown Music and lyrics by Charlie Smalls Adapted from The Wonderful Wizard of Oz by L. Frank Baum Berkeley, CA (June 5, 2013) – Berkeley Playhouse closes its fifth season with the Tony Award-winning musical THE WIZ. Kimberly Dooley (Lucky Duck, Seussical, The Musical, Once On This Island) directs and choreographs this soulful re-imagining of L. Frank Baum’s family classic The Wonderful Wizard of Oz, featuring a cast of 46. THE WIZ plays July 13 through August 25 (Press opening: July 13) at the Julia Morgan Theater in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. In THE WIZ, Dorothy gets swept away by a tornado and ends up in the land of Oz. There, she learns that the only way she can get home again is to see the magical Wiz in the Emerald City. Along the way, she meets a Scarecrow made of garbage who wants a brain, a Tin Man who wants a heart, and a Lion who wants courage, and together they set off down the Yellow Brick Road to seek help from the all-powerful Wiz. This stage classic about the power of believing in yourself features such soul-stirring songs as “Home,” “The Feeling We Once Had,” “If You Believe,” “No Bad News,” and “Ease On Down the Road.” THE WIZ opened on Broadway in 1975 and closed in 1979, after four years and 1,672 performances. -
June Music Lessons 2021
June Music Lessons 2021 Pre-K through 2nd Grade Watch Motown Magic in class. Have a class discussion on the events and history of Motown. https://www.motownmuseum.org/ Last week of school- Enjoy playing some fun interactive music games. 3rd through 8th Grade Watch The Wiz in class. Learn about the history and discuss the discussion questions. The Wiz is a 1978 American musical adventure fantasy film produced by Universal Pictures and Motown Productions and released by Universal Pictures on October 24, 1978. A reimagining of L. Frank Baum's classic 1900 children's novel The Wonderful Wizard of Oz featuring an all-black cast, the film was loosely adapted from the 1974 Broadway musical of the same name. It follows the adventures of Dorothy, a shy, twenty-four-year-old Harlem schoolteacher who finds herself magically transported to the urban fantasy Land of Oz, which resembles a dream version of New York City. Befriended by a Scarecrow, a Tin Man, and a Cowardly Lion, she travels through the city to seek an audience with the mysterious Wiz, who they say is the only one powerful enough to send her home. Filming took place in Queens, New York from October to December of 1977. Produced by Rob Cohen and directed by Sidney Lumet, the film stars Diana Ross, Michael Jackson, Nipsey Russell, Ted Ross, Mabel King, Theresa Merritt, Thelma Carpenter, Lena Horne and Richard Pryor. Its story was reworked from William F. Brown's Broadway libretto by Joel Schumacher, and Quincy Jones supervised the adaptation of Charlie Smalls and Luther Vandross' songs for it. -
Feminist Scholarship Review: Women in Theater and Dance
Trinity College Trinity College Digital Repository Feminist Scholarship Review Women and Gender Resource Action Center Spring 1998 Feminist Scholarship Review: Women in Theater and Dance Katharine Power Trinity College Joshua Karter Trinity College Patricia Bunker Trinity College Susan Erickson Trinity College Marjorie Smith Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/femreview Part of the Feminist, Gender, and Sexuality Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Power, Katharine; Karter, Joshua; Bunker, Patricia; Erickson, Susan; and Smith, Marjorie, "Feminist Scholarship Review: Women in Theater and Dance" (1998). Feminist Scholarship Review. 10. https://digitalrepository.trincoll.edu/femreview/10 Peminist Scfiofarsliip CR§view Women in rrlieater ana(])ance Hartford, CT, Spring 1998 Peminist ScfioCarsfiip CJ?.§view Creator: Deborah Rose O'Neal Visiting Lecturer in the Writing Center Trinity College, Hartford, Connecticut Editor: Kimberly Niadna Class of2000 Contributers: Katharine Power, Senior Lecturer ofTheater and Dance Joshua Kaner, Associate Professor of Theater and Dance Patricia Bunker, Reference Librarian Susan Erickson, Assistant to the Music and Media Services Librarian Marjorie Smith, Class of2000 Peminist Scfzo{a:rsnip 9.?eview is a project of the Trinity College Women's Center. For more information, call 1-860-297-2408 rr'a6fe of Contents Le.t ter Prom. the Editor . .. .. .... .. .... ....... pg. 1 Women Performing Women: The Body as Text ••.•....••..••••• 2 by Katharine Powe.r Only Trying to Move One Step Forward • •.•••.• • • ••• .• .• • ••• 5 by Marjorie Smith Approaches to the Gender Gap in Russian Theater .••••••••• 8 by Joshua Karter A Bibliography on Women in Theater and Dance ••••••••.••• 12 by Patricia Bunker Women in Dance: A Selected Videography .••• .•... -
Tribune 25 Template V2009
C M C M Y K Y K WEATHER TRY OUR Try our HASH BROWNS Big Breakfast Sandwich 2 FOR $1.15 HIGH 90F YOUR PASSPORT TO MISS UNIVERSE LOW 81F The Tribune SUNNY WITH T-STORM BAHAMAS EDITION www.tribune242.com Volume: 105 No.209 WEDNESDAY, AUGUST 5, 2009 PRICE – 75¢ (Abaco and Grand Bahama $1.25) CARS FOR SALE, Mackey gets S Miss Universe S E E T R D HELP WANTED No.24 WBC R I U S O T A N comes to NAGB P I ranking E AND REAL ESTATE S F SEE THE ARTS SECTION BAHAMAS BIGGEST SEE PAGE ELEVEN Man’s body is Davis announces found riddled with bullets 32-year-old A MAN's body riddled with bullets was found in the early hours of yester- is the 49th day in the backseat of a car. bid for PLP deputy The victim is 32-year- murder old Christopher Edwin Pratt from Abaco. He is victim of the country's 49th and Grand Bahama's seventh MP vows to fight the year murder victim for the year. Police made the grue- FLYING THE FLAGS some discovery while they FLAGS OF THE 84 were on routine patrol in corruption and different countries taking east Freeport at around part in this month’s Miss 12.15am. They found the Unviverse pageant are lining victim in the backseat of a violent crime both Paradise Island bridges gold coloured Chevrolet ahead of the event. Malibu, which was parked in bushes off Lindsell Dri- By PAUL G like many other ve, a sparsely populated TURNQUEST Bahamians, am not area just east of Casuarina Tribune Staff happy with the Bridge. -
PICKET R, and DEMONSTRATION!! Sol
JOIN THIS PICKET r, AND DEMONSTRATION!! SOl.. THU., SEPT. 12, 1985/6PM 0 and FRI., SEPT. 13, 1985/6PM WILSHIRE THEATER, BEVERLY HILLS 00.,. PICKET Shirley Bassey is so indifferent to the life-and-death struggle of Black South Africans that she defied international sanctions and per formed in the apartheid state on two separate occasions. In October, 1981 and again as recently as March, 1984 the stubborn songstress entertained Pretoria's mad dog fascists, whose applause could never drown out the cries of malnourished Black South African babies, the screams of tortured detainees, or outraged widows and mothers at recurring mass funerals. Unity in Action and U.S. Out of Southern Africa (USOSA) are askin? the public to join the boycott of Shirley Bassey s concerts and recordings unless and until she denounces apartheid. Please come out on the picketlines. Respect oppressed Black South Africans and United Nations prohibitions against cultural (artistic) colla boration with" the apartheid system which has been appropriately termed "a crime against humani " OSLO, Norway (AP) - The state-financed Norwegian televi sion company cancelled a live broadcast Saturday of a Red Cross charity show featuring singers Cliff Richard and Shirley Bassey because the two have performed in South Africa. The annoWlcement of the cancellation came in a radio newscast a few hours before the show at Momarken fair ground was scheduled on Norway's only TV channel as Saturday night's main enter tainment program. The news report said manage ment acted after two of the major staff trade unions had annoWlced that their members refused to handle the prograIll featuring Richard and Bassey. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
Read the Full Volume Here
– practice, education and research Volume 9(2), 2018 Contents Editorial .......................................................................................................................................................................................................................................................................................3 Research Articles Sarah Holmes: Bodily Text and the Written Word of Pilates: A Theoretical Approach to How the Ballerina’s Body Concealed and Revealed Problematic Ideologies in an Exercise Practice ...................................................................................................................4 Hanna Pohjola: Ruumiillinen erilaisuus: tanssi ammattina? ........................................................................................................................................24 Susanna Hannus: Dancing with the Turquoise Waters of Mexico– Embodied Experiences and Observations for Environmental Justice .........................................................................................................................38 Practice Oriented Article Marie Lykkemark: OBJECT.MIRROR.TEMPO ..................................................................................................................................................................................52 Debate Anette Sture Iversen: Aesthetic Competence and Life Skills .................................................................................................................................................64