DOCSLIB.ORG

PICKET R, and DEMONSTRATION!! Sol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PICKET R, and DEMONSTRATION!! Sol JOIN THIS PICKET r, AND DEMONSTRATION!! SOl.. THU., SEPT. 12, 1985/6PM 0 and FRI., SEPT. 13, 1985/6PM WILSHIRE THEATER, BEVERLY HILLS 00.,. PICKET Shirley Bassey is so indifferent to the life-and-death struggle of Black South Africans that she defied international sanctions and per­ formed in the apartheid state on two separate occasions. In October, 1981 and again as recently as March, 1984 the stubborn songstress entertained Pretoria's mad dog fascists, whose applause could never drown out the cries of malnourished Black South African babies, the screams of tortured detainees, or outraged widows and mothers at recurring mass funerals. Unity in Action and U.S. Out of Southern Africa (USOSA) are askin? the public to join the boycott of Shirley Bassey s concerts and recordings unless and until she denounces apartheid. Please come out on the picketlines. Respect oppressed Black South Africans and United Nations prohibitions against cultural (artistic) colla­ boration with" the apartheid system which has been appropriately termed "a crime against humani " OSLO, Norway (AP) - The state-financed Norwegian televi­ sion company cancelled a live broadcast Saturday of a Red Cross charity show featuring singers Cliff Richard and Shirley Bassey because the two have performed in South Africa. The annoWlcement of the cancellation came in a radio newscast a few hours before the show at Momarken fair­ ground was scheduled on Norway's only TV channel as Saturday night's main enter­ tainment program. The news report said manage­ ment acted after two of the major staff trade unions had annoWlced that their members refused to handle the prograIll featuring Richard and Bassey. Opponents of South Africa'.s apartheid racial system prj}­ tested here Friday night when Richard and Bassey arrived. Refuse to patronize artists who, by accepting "Blood Money" to entertain apartheid, are taking Boycott Entertainers the side of the oppressor. Support the libera­ tion struggle of South Africa's exploited, ho Visit South Africa disenfranchised, and denationalized majority. SPONSORS: UNITY IN ACTION & U.S. OUT OF SOUTHERN AFRICA (USOSA)/Info: (213)291-8459/625-2034 America Janis Ian Brian Tarff Bob Anderson **Millie Jackson. Buddy Tate **Paul Anka Willis "Gator Tail" **The Temptations David Baca Jackson John Thomas Cliff Barnes Elton John Rufus Thomas Shirley Bassey Jack Jones Timmy Thomas **George Benson Tom Jones Bross Townsend **Brook Benton fern Kinney **Tina Turner C.L. Blast Eartha Kitt Stanley Turrentine Ernest Bourgnine Louis Lane Two Tons of Fun Beach Boys Jiame Laredo The Variations Gwen Brisco Mary Larkin Village People Shirley Brown Liberace Lovelace Watkins Nina Burrell Jerry Loren i'1avey Legs (From Glide) Glen Campbell Love Machine Al Wilson Colin Carr Main Ingredient Jimmy Witherspoon Clarence Carter Mancer Dancers l-tBetty Wright Monk Channing & Reborn Robert Wright Ray Charles Barry Manilow The Younghearts Cher Ann Margaret Pia Zadora Chicago Barry Martin Mike Zwern Jimmy Cliff Johnny Mathis Billy Cobham Mattison Brothers Pete & Conte Condoli **Curtis Mayfield This list is based on a Rita Coolidge George McCrae list comprised by two Chick Corea **Mighty Clouds of Joy New York City based ** Andre, Crouch **Stephanie Mills organizations, the Danibelle Liza Minelli Patrice Lumumba Coalition Henry "Manolito" Darrow Ella Mi tchell and AJASS, based on re­ "Devine" **James Moody search done by Michael Joe Dolan Olivia Newton-John C. Beaubien and the **Lou Donaldson Linda Oliphant United Nations Centre Lamont Dozier Osmonds Against Apartheid. The Drifters Charles Pace Jack duPree Dolly Parton Ecstasy Passion & Pain Wilson Pickett Carla Fontana 'the Platters George Forest Barbara Ray Midel Fox Helen Reddy Don Francisco Della Reese Buddy de Franco Tim Reid "Venus Fly trap" Aretha Franklin Linda Ronstadt Gloria Gaynor **Kenny Rogers Terry Gibbs Richard Roundtree Nikki Giovanni Telly Savalas Glide" Breakdancer, Leo Sayer Members of the Shirley Scott Dynamic Rockers Neil Sedaka Francis Grier George Shearing Jack Gregg Sha Na Na David Hasselhof Frank Sinatra Richard Hatch Percy Sledge Goldie Hawn l(" Jimmy Smi th .~ Isaac Hayes Diane Solomon Joe Henderson ** The Staple Singers }I ** noward Hes-seman Edwin Star "Dr. Johnny Fever" Candi Staton I Richard Groove Holmes Dakota Staton Jimmy Bo Horne Rod Stewart Susan Howard The Supremes FOR UPDATES AND CHANGES ** PUBLIC APOLOGY SECURED CONTACT: UNITY IN ACTION P.O. BOX 77515 LOS ANGELES CA. 90007 (213) 291-8459 .
Load more

Recommended publications
  • Millie Jackson for Men Only Mp3, Flac, Wma
    Millie Jackson For Men Only mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: For Men Only Country: UK Released: 1993 Style: Rhythm & Blues, Soul, Ballad, Disco MP3 version RAR size: 1761 mb FLAC version RAR size: 1852 mb WMA version RAR size: 1933 mb Rating: 4.9 Votes: 863 Other Formats: RA ADX AA MPC TTA AIFF WAV Tracklist Hide Credits This Is Where I Came In 1 4:52 Written-By – Randy Klein, Vicky Germaise This Is It 2 7:32 Written-By – K Loggins*, M McDonald* If That Don't Turn You On 3 4:23 Written-By – D Morrison*, J Slate*, L Keith*, S Pippin* I Wish That I Could Hurt That Way Again 4 3:35 Written-By – C Putman*, D Cook*, R Van Hoy* A Fool's Affair 5 4:00 Written-By – R Kerr*, T Seals* You Must Have Known I Needed Love 6 3:13 Written-By – Len Ron Hanks, Zane Grey* Despair 7 4:16 Written-By – Brad Shapiro, Millie Jackson, Randy McCormick Not On Your Life 8 4:01 Written-By – Randy Klein, Vicky Germaise Ain't No Comin' Back 9 4:07 Written-By – Benny Latimore Credits Producer – Brad Shapiro, Millie Jackson Notes ℗ 1980 Ace Records Ltd © 1993 Ace Records Ltd Produced by Brad Shapiro and Millie Jackson for Keishval Enterprises, Inc Package designed by Philip Barker Design Digitally transferred from original analogue master tapes Post Production by Duncan Cowell at Sound Mastering Ltd The copyright in this sound recording is owned by Ace Records Ltd Southbound Records 46-50 Steele Road, London NW10 7AS Made In Germany Barcode and Other Identifiers Barcode: 0 29667 37702 7 Label Code: LC 5504 Other versions Category
    [Show full text]
  • Spring Records Discography 4700 Series
    Spring Records Discography 4700 series SPR 4701 - The Sounds Of Simon - JOE SIMON [1971] To Lay Down Beside You/I Can’t See Nobody/Most Of All/No More Me/Your Time To Cry//Help Me Make It Through The Night/My Woman, My Woman, My Wife/I Love You More (Than Anything)/Georgia Blue/All My Hard Times 5700 series SPR 5702 - Drowning In The Sea Of Love - JOE SIMON [1972] Drowning In The Sea Of Love/Glad To Be Your Lover/Something You Can Do Today/I Found My Dad/The Mirror Don’t Lie//Ole Night Owl/You Are Everything/If/Let Me Be The One (The One Who Loves You)/Pool Of Bad Luck SPR 5703 - Millie Jackson - MILLIE JACKSON [1972] If This Is Love/I Ain’t Giving Up/I Miss You Baby/A Child Of God (It’s Hard To Believe)/Ask Me What You Want//My Man, A Sweet Man/You’re The Joy Of My Life/I Gotta Get Away (From My Own Self)/I Just Can’t Stand It/Strange Things SPR 5704 - The Power Of Joe Simon - JOE SIMON [1973] Drowning In The Sea Of Love/Georgia Blue/Help Me Make It Through The Night/Power Of Love/Step By Step/Talk Don’t Bother Me/To Lay Down Beside You/Trouble In My Home/You Are The One/Your Time To Cry [*] SPR 5705 - Simon Country - JOE SIMON [1973] Do You Know What It’s Like To Be Lonesome?/Five Hundred Miles/Woman Without Love/You Don’t Know Me/To Get To You//Before The Next Teardrop Falls/Someone To Give My Love To/Good Things/Kiss An Angel Good Mornin’ SPR 5706 - It Hurts So Good - MILLIE JACKSON [1973] Breakaway/Close My Eyes/Don’t Send Nobody Else/Good To The Very Last Drop/Help Yourself/Hurts So Good/Hypocrisy/I Cry/Love Doctor/Now That You Got
    [Show full text]
  • 1 Review of Conservatoire and Performing-Arts Provision in Wales
    Review of conservatoire and performing-arts provision in Wales Lord Murphy of Torfaen Submitted to the Cabinet Secretary for Education, Welsh Government November 2017 1 FOREWORD To the Cabinet Secretary for Education I am pleased to submit my Review of conservatoire and performing-arts provision in Wales. Task Your predecessor announced on 11 December 2015 that he had asked me to carry out an independent review. His Written Statement, which includes the terms of reference of the review, explained: "The aim of the Review is to ensure that Wales continues to benefit from high quality intensive performing arts courses which focus on practical, vocational performance. Such provision is crucial to the skills' needs of the creative industries and to the cultural life of Wales." The full terms of reference are set out in Appendix 1. I was asked to examine the current arrangements for supporting conservatoire and related provision in higher education in Wales and also to examine the role of the Higher Education Funding Council of Wales (HEFCW) in supporting this provision. I was also asked specifically for recommendations on the future funding of conservatoire and related provision in Wales, and for possible future curriculum developments to be identified. Method A general call was issued on the government website for submissions in response to the terms of reference. In addition, I wrote requesting submissions individually to the organisations most affected by the Review, the Royal Welsh College of Music and Drama (RWCMD or the College), the University of South Wales (USW), HEFCW. I also wrote to the other universities in Wales and a range of organisations in the cultural and creative sector, including Arts Council Wales and the National Performing Companies.
    [Show full text]
  • Cardiff Meetings & Conferences Guide
    CARDIFF MEETINGS & CONFERENCES GUIDE www.meetincardiff.com WELCOME TO CARDIFF CONTENTS AN ATTRACTIVE CITY, A GREAT VENUE 02 Welcome to Cardiff That’s Cardiff – a city on the move We’ll help you find the right venue and 04 Essential Cardiff and rapidly becoming one of the UK’s we’ll take the hassle out of booking 08 Cardiff - a Top Convention City top destinations for conventions, hotels – all free of charge. All you need Meet in Cardiff conferences, business meetings. The to do is call or email us and one of our 11 city’s success has been recognised by conference organisers will get things 14 Make Your Event Different the British Meetings and Events Industry moving for you. Meanwhile, this guide 16 The Cardiff Collection survey, which shows that Cardiff is will give you a flavour of what’s on offer now the seventh most popular UK in Cardiff, the capital of Wales. 18 Cardiff’s Capital Appeal conference destination. 20 Small, Regular or Large 22 Why Choose Cardiff? 31 Incentives Galore 32 #MCCR 38 Programme Ideas 40 Tourist Information Centre 41 Ideas & Suggestions 43 Cardiff’s A to Z & Cardiff’s Top 10 CF10 T H E S L E A CARDIFF S I S T E N 2018 N E T S 2019 I A S DD E L CAERDY S CARDIFF CAERDYDD | meetincardiff.com | #MeetinCardiff E 4 H ROAD T 4UW RAIL ESSENTIAL INFORMATION AIR CARDIFF – THE CAPITAL OF WALES Aberdeen Location: Currency: E N T S S I E A South East Wales British Pound Sterling L WELCOME! A90 E S CROESO! Population: Phone Code: H 18 348,500 Country code 44, T CR M90 Area code: 029 20 EDINBURGH DF D GLASGOW M8 C D Language: Time Zone: A Y A68 R D M74 A7 English and Welsh Greenwich Mean Time D R I E Newcastle F F • C A (GMT + 1 in summertime) CONTACT US A69 BELFAST Contact: Twinned with: Meet in Cardiff team M6 Nantes – France, Stuttgart – Germany, Xiamen – A1 China, Hordaland – Norway, Lugansk – Ukraine Address: Isle of Man M62 Meet in Cardiff M62 Distance from London: DUBLIN The Courtyard – CY6 LIVERPOOL Approximately 2 hours by road or train.
    [Show full text]
  • Cardiff, Wales – the Places Where We Go Itinerary Day
    CARDIFF, WALES – THE PLACES WHERE WE GO ITINERARY DAY ONE: The Heart of Cardiff Explore Cardiff City Center. This will help you get your bearings in the heart of Cardiff. Browse the unique shops within the Victorian Arcades. For modern shopping, you can explore the S t David’s Dewi Sant shopping center. Afternoon: Visit the N ational Museum Cardiff or stroll Cardiff via the Centenary Walk which runs 2.3 miles within Cardiff city center. This path passes through many of Cardiff’s landmarks and historic buildings. DAY TWO – Cardiff Castle and Afternoon Excursion Morning: Visit Cardiff Castle . One of Wales’ leading heritage attractions and a site of international significance. Located in the heart of the capital, Cardiff Castle’s walls and fairytale towers conceal 2,000 years of history. Arrive early and plan on at least 2 hours. Afternoon: Hop on a train to explore a local town – consider Llantwit Major or Penarth. We explored B arry Island, which offers seaside rides, food, and vistas of the Bristol Channel. DAY THREE – Castle Ruins Raglan Castle : Step back in time and explore the ruins of an old castle. Travel by train from Cardiff Central to Newport, where you’ll catch a bus at the Newport Bus Station-Friars Walks (careful to depart from the correct bus station). Have lunch in the town of Raglan at The Ship Inn before travelling back to Cardiff. You might find yourself waiting up to an hour for the bus ride back to the city. If time permits, hop off the bus on the way back to Cardiff to explore the ancient Roman village of Caerloen.
    [Show full text]
  • Millie Jackson Caught up / Still Caught up Mp3, Flac, Wma
    Millie Jackson Caught Up / Still Caught Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Caught Up / Still Caught Up Country: UK Released: 1983 Style: Soul, Funk MP3 version RAR size: 1755 mb FLAC version RAR size: 1623 mb WMA version RAR size: 1139 mb Rating: 4.4 Votes: 915 Other Formats: AUD APE WAV AA DMF AAC MMF Tracklist A1 If Loving You Is Wrong I Don't Want To Be Right 3:56 A2 The Rap 5:53 A3 If Loving You Is Wrong I Don't Want To Be Right (Reprise) 1:14 A4 All I Want Is A Fighting Chance 2:37 A5 I'm Tired Of Hiding 3:45 A6 It's All Over But The Shouting 2:53 A7 It's Easy Going 4:08 A8 I'm Through Trying To Prove My Love To You 5:53 A9 Summer (The First Time) 5:58 B1 Loving Arms 3:43 B2 Making The Best Of A Bad Situation 3:00 B3 The Memory Of A Wife 5:13 B4 Tell Her It's Over 3:57 B5 Do What Makes You Satisfied 3:38 B6 You Can't Stand The Thought 2:52 B7 Leftovers 4:34 B8 I Still Love You (You Still Love Me) 4:40 Companies, etc. Phonographic Copyright (p) – Polydor Incorporated Copyright (c) – Polydor Incorporated Other versions Category Artist Title (Format) Label Category Country Year Caught Up / Still Hip-O 40143, Millie 40143, Caught Up (CD, Records, Hip- US 1999 HIPD-40143 Jackson HIPD-40143 Comp, RE) O Records Related Music albums to Caught Up / Still Caught Up by Millie Jackson Millie Jackson - I'm In Love Again / Feel Like Making Love Millie Jackson - I Had To Say It Caught In The Act - Caught In The Act Of Love Millie Jackson - Caught Up Lucky Charms - I Want A Love Of My Own / Bad Loving Millie Jackson - Live And Uncensored Millie Jackson - Still Caught Up Jeannie Page - Loving You Is Easy All The Time Isaac Hayes - (If Loving You Is Wrong) I Don't Want To Be Right Freddie Hart - Easy Loving.
    [Show full text]
  • “It's Just a Matter of Time”: African American Musicians and The
    “It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time.
    [Show full text]
  • My Love of Music
    My Love of Music My name is Gail and I want to share about some of the music and stories of my life. My love of music starting when my Dad's cousin gave the family loads of new records, probably 'falling out a lorry'. Beatles, Jimi Hendrix, Animals, Dusty Springfield – I loved playing the records on the radiogram - and a radiogram is a piece of furniture that combined a radio and record player. I loved Tamla Motown, Four Tops, Little Stevie Wonder. Georgie Fame, and on TV watching Ready, Steady, Go, Juke Box Jury. I was listening to the 'Pirates Radio' – Radio Caroline, Radio London, and Radio Luxembourg. The songs that remind me of the 70s I lived in Muswell Hill, and I discovered West End clubs – The Roaring Twenties, La Valbonne, Birds Nest, Gullivers, The Pourbelle, Anabelle, Tramps, Ronnie Scotts, Blues parties, etc., etc., etc. Reggae, Disco, Soca, Jazz and Soul. I worked as a PA for a record company and later worked with the owner of West End clubs and I met a long list of ‘celebrities.’ Stevie Wonder, Bob Marley, Luddy from the Pioneers, The Drifters, George McCrea, The Harlem Globetrotters, Hot Chocolate, Viola Wills, Sex Pistols, Nina Simone, etc. etc. – and we all go to the ‘Kandy Box’ a basement club in Kingsley Street, after-work or show 2 am – 7 am. (even CJ Carlos and Q Club (with Smokey Joe) on Sunday night Marvin Gaye- What’s Going On An album in 1971 helped people to open their minds. About racial, the Vietnam War, drug abuse, poverty and ecological.
    [Show full text]
  • From Soul Syndicate to Super Scholar: Portia K. Maultsby
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 18 / 2013-2014 From Soul Syndicate to Super Scholar: Portia K. Maultsby aaamc liner notes 18 0214.indd 1 2/24/14 2:58 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and study of African American music and culture. www.indiana.edu/~aaamc Table of Contents From the Desk of the Director .....................2 In the Vault: Recent Donations .................3 Portia Maultsby and Mellonee Burnim. Photo by Chris Meyer, courtesy of Indiana University. Featured Collection: Black Gospel Music in the Today I write my last director’s column Advisory Board, who have donated Netherlands .........................4 for Liner Notes as I prepare to retire materials and promoted the work of after a forty-two-year career at Indiana the archives, assisted in identifying and IU Embarks on 5-Year University. One of my most rewarding acquiring collections, offered ideas for Media Digitization and activities during this long residency has programs and development projects, Preservation Initiative ...........6 been my work as founding director of and provided general counsel. I take this the Archives of African American Music opportunity to publicly thank them for From Soul Syndicate and Culture. From the outset, my goal their unwavering support over the years. to Super Scholar: was to establish an archives with a focus I also acknowledge the archives’ Portia K. Maultsby ................7 on black musical and cultural traditions, superb and dedicated full-time and including popular and religious music, student staff, who offered many creative The AAAMC Welcomes personality radio of the post-World War II ideas for collection development, public Incoming Director era, and the musical legacy of Indiana, that Mellonee Burnim ................15 programs, and marketing activities largely had been excluded (jazz being the over the past twenty-two years.
    [Show full text]
  • Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
    Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
    [Show full text]
  • Performing Borders
    Radical Musicology Volume 1 (2006) ISSN 1751-7788 Beyond Borders: The Female Welsh Pop Voice Sarah Hill University of Southampton For all its reputation as a musical culture, the number of women pop stars to 1 have emerged from Wales can be counted charitably on two hands, with some fingers to spare. Wales is a small country, host to two rich linguistic cultures, each with its own musical heritage and traditions, yet very few musicians of either gender have crossed over from one tradition to the other. The rarity of a female singer making such a border crossing is marked, allowing for a delicate lineage to be traced across the decades, from the 1960s to the present, revealing certain commonalities of experience, acceptance, and reversion. With this in mind, I would like to draw a linguistic and cultural connection between two determinedly different Welsh women singers. In the 1960s, when women’s voices were the mainstays of Motown, the folk circuit and the Haight-Ashbury, in Wales only Mary Hopkin managed to shift from Welsh-language to Anglo-American pop; thirty years later, Cerys Matthews made the same journey. These two women bear certain similarities: they both come from South Wales, they are both singers whose first, or preferred, language is Welsh, and they both found their niche in the Anglo-American mainstream market. These two women faced the larger cultural problems of linguistic and musical border-crossings, but more importantly, they challenged the place of the female pop voice in Wales, and of the female Welsh pop voice in Anglo-America.
    [Show full text]
  • The Baddest Divas
    The Baddest Divas Masika Kalysha Triple Threat (Model, Actress, Recording Artist) from Love & Hip Hip Hollywood -Season 1 T.J. Hooker Taylor (Son of Johnny Taylor) Marc Gordon of R&B Group LEVERT Bobby Brown introduces his new r&b duo "Paul Campbell" The Legendary Howard Hewett New Generation of Hip Hop Greg Wise & Joe Viski LIGHTS,CAMERA, ACTION (Model Spotlight) ONLIVE MAGAZINEI IssueCONTENTS/ Fall 2015 MZ. PANTHERESS Letter From The publisher: Welcome to our fall edition of OnLive Magazine, with Mz Pantheress, as we are just in the mist of Thanksgiving ,Christmas, & A Blessed New Year. Mz Pantheress, founder of OnLive Magazine,loves the entertainment world and always lives full of spunk. My motto is to "Live life happy, enjoy every precious moment. Live your dreams, just jump right in and make it your reality. and most importantly love yourself." OnLive Magazine staff would like to thank all of our friends out there for your support, & taking the time out to roll with us OnLive. We are a diverse entertainment magazine, and we will like to always continue to advertise & support Our Legendary artists out there. There is an array of great talent out there signed, unsigned, new & old; that we never really get to appreciate. However, Onlive appreciates it all, "We Luv What You Do"... And with that being said if you would like be OnLive ,feel free to contact one of our staff members. CONTACT: [email protected] 210-823-5477 Tribute to LEGENDARY ARTISTRY 06 Howard Hewett REINCARNATION- Past to Present 08 LEVERT II FLASHBACK TV 10 Walter Waiters SOUL CIRCUIT 2213 Brian Unkle funk Poe Lydia Harris 14 Donald Ceasar 15 TJ Hooker NEW GENERATION OF HIP-HOP 18 Greg Wise 20 Joe Viski Lights, Camera, Action 28 Merson Marcisse MZ.
    [Show full text]