Millie Jackson Caught up / Still Caught up Mp3, Flac, Wma

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Millie Jackson Caught Up / Still Caught Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Caught Up / Still Caught Up Country: UK Released: 1983 Style: Soul, Funk MP3 version RAR size: 1755 mb FLAC version RAR size: 1623 mb WMA version RAR size: 1139 mb Rating: 4.4 Votes: 915 Other Formats: AUD APE WAV AA DMF AAC MMF Tracklist A1 If Loving You Is Wrong I Don't Want To Be Right 3:56 A2 The Rap 5:53 A3 If Loving You Is Wrong I Don't Want To Be Right (Reprise) 1:14 A4 All I Want Is A Fighting Chance 2:37 A5 I'm Tired Of Hiding 3:45 A6 It's All Over But The Shouting 2:53 A7 It's Easy Going 4:08 A8 I'm Through Trying To Prove My Love To You 5:53 A9 Summer (The First Time) 5:58 B1 Loving Arms 3:43 B2 Making The Best Of A Bad Situation 3:00 B3 The Memory Of A Wife 5:13 B4 Tell Her It's Over 3:57 B5 Do What Makes You Satisfied 3:38 B6 You Can't Stand The Thought 2:52 B7 Leftovers 4:34 B8 I Still Love You (You Still Love Me) 4:40 Companies, etc. Phonographic Copyright (p) – Polydor Incorporated Copyright (c) – Polydor Incorporated Other versions Category Artist Title (Format) Label Category Country Year Caught Up / Still Hip-O 40143, Millie 40143, Caught Up (CD, Records, Hip- US 1999 HIPD-40143 Jackson HIPD-40143 Comp, RE) O Records Related Music albums to Caught Up / Still Caught Up by Millie Jackson Millie Jackson - I'm In Love Again / Feel Like Making Love Millie Jackson - I Had To Say It Caught In The Act - Caught In The Act Of Love Millie Jackson - Caught Up Lucky Charms - I Want A Love Of My Own / Bad Loving Millie Jackson - Live And Uncensored Millie Jackson - Still Caught Up Jeannie Page - Loving You Is Easy All The Time Isaac Hayes - (If Loving You Is Wrong) I Don't Want To Be Right Freddie Hart - Easy Loving.

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Millie Jackson for Men Only Mp3, Flac, Wma
Millie Jackson For Men Only mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: For Men Only Country: UK Released: 1993 Style: Rhythm & Blues, Soul, Ballad, Disco MP3 version RAR size: 1761 mb FLAC version RAR size: 1852 mb WMA version RAR size: 1933 mb Rating: 4.9 Votes: 863 Other Formats: RA ADX AA MPC TTA AIFF WAV Tracklist Hide Credits This Is Where I Came In 1 4:52 Written-By – Randy Klein, Vicky Germaise This Is It 2 7:32 Written-By – K Loggins*, M McDonald* If That Don't Turn You On 3 4:23 Written-By – D Morrison*, J Slate*, L Keith*, S Pippin* I Wish That I Could Hurt That Way Again 4 3:35 Written-By – C Putman*, D Cook*, R Van Hoy* A Fool's Affair 5 4:00 Written-By – R Kerr*, T Seals* You Must Have Known I Needed Love 6 3:13 Written-By – Len Ron Hanks, Zane Grey* Despair 7 4:16 Written-By – Brad Shapiro, Millie Jackson, Randy McCormick Not On Your Life 8 4:01 Written-By – Randy Klein, Vicky Germaise Ain't No Comin' Back 9 4:07 Written-By – Benny Latimore Credits Producer – Brad Shapiro, Millie Jackson Notes ℗ 1980 Ace Records Ltd © 1993 Ace Records Ltd Produced by Brad Shapiro and Millie Jackson for Keishval Enterprises, Inc Package designed by Philip Barker Design Digitally transferred from original analogue master tapes Post Production by Duncan Cowell at Sound Mastering Ltd The copyright in this sound recording is owned by Ace Records Ltd Southbound Records 46-50 Steele Road, London NW10 7AS Made In Germany Barcode and Other Identifiers Barcode: 0 29667 37702 7 Label Code: LC 5504 Other versions Category
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Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
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Spring Records Discography 4700 Series
Spring Records Discography 4700 series SPR 4701 - The Sounds Of Simon - JOE SIMON [1971] To Lay Down Beside You/I Can’t See Nobody/Most Of All/No More Me/Your Time To Cry//Help Me Make It Through The Night/My Woman, My Woman, My Wife/I Love You More (Than Anything)/Georgia Blue/All My Hard Times 5700 series SPR 5702 - Drowning In The Sea Of Love - JOE SIMON [1972] Drowning In The Sea Of Love/Glad To Be Your Lover/Something You Can Do Today/I Found My Dad/The Mirror Don’t Lie//Ole Night Owl/You Are Everything/If/Let Me Be The One (The One Who Loves You)/Pool Of Bad Luck SPR 5703 - Millie Jackson - MILLIE JACKSON [1972] If This Is Love/I Ain’t Giving Up/I Miss You Baby/A Child Of God (It’s Hard To Believe)/Ask Me What You Want//My Man, A Sweet Man/You’re The Joy Of My Life/I Gotta Get Away (From My Own Self)/I Just Can’t Stand It/Strange Things SPR 5704 - The Power Of Joe Simon - JOE SIMON [1973] Drowning In The Sea Of Love/Georgia Blue/Help Me Make It Through The Night/Power Of Love/Step By Step/Talk Don’t Bother Me/To Lay Down Beside You/Trouble In My Home/You Are The One/Your Time To Cry [*] SPR 5705 - Simon Country - JOE SIMON [1973] Do You Know What It’s Like To Be Lonesome?/Five Hundred Miles/Woman Without Love/You Don’t Know Me/To Get To You//Before The Next Teardrop Falls/Someone To Give My Love To/Good Things/Kiss An Angel Good Mornin’ SPR 5706 - It Hurts So Good - MILLIE JACKSON [1973] Breakaway/Close My Eyes/Don’t Send Nobody Else/Good To The Very Last Drop/Help Yourself/Hurts So Good/Hypocrisy/I Cry/Love Doctor/Now That You Got
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PICKET R, and DEMONSTRATION!! Sol
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“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time.
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My Love of Music My name is Gail and I want to share about some of the music and stories of my life. My love of music starting when my Dad's cousin gave the family loads of new records, probably 'falling out a lorry'. Beatles, Jimi Hendrix, Animals, Dusty Springfield – I loved playing the records on the radiogram - and a radiogram is a piece of furniture that combined a radio and record player. I loved Tamla Motown, Four Tops, Little Stevie Wonder. Georgie Fame, and on TV watching Ready, Steady, Go, Juke Box Jury. I was listening to the 'Pirates Radio' – Radio Caroline, Radio London, and Radio Luxembourg. The songs that remind me of the 70s I lived in Muswell Hill, and I discovered West End clubs – The Roaring Twenties, La Valbonne, Birds Nest, Gullivers, The Pourbelle, Anabelle, Tramps, Ronnie Scotts, Blues parties, etc., etc., etc. Reggae, Disco, Soca, Jazz and Soul. I worked as a PA for a record company and later worked with the owner of West End clubs and I met a long list of ‘celebrities.’ Stevie Wonder, Bob Marley, Luddy from the Pioneers, The Drifters, George McCrea, The Harlem Globetrotters, Hot Chocolate, Viola Wills, Sex Pistols, Nina Simone, etc. etc. – and we all go to the ‘Kandy Box’ a basement club in Kingsley Street, after-work or show 2 am – 7 am. (even CJ Carlos and Q Club (with Smokey Joe) on Sunday night Marvin Gaye- What’s Going On An album in 1971 helped people to open their minds. About racial, the Vietnam War, drug abuse, poverty and ecological.
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From Soul Syndicate to Super Scholar: Portia K. Maultsby
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 18 / 2013-2014 From Soul Syndicate to Super Scholar: Portia K. Maultsby aaamc liner notes 18 0214.indd 1 2/24/14 2:58 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and study of African American music and culture. www.indiana.edu/~aaamc Table of Contents From the Desk of the Director .....................2 In the Vault: Recent Donations .................3 Portia Maultsby and Mellonee Burnim. Photo by Chris Meyer, courtesy of Indiana University. Featured Collection: Black Gospel Music in the Today I write my last director’s column Advisory Board, who have donated Netherlands .........................4 for Liner Notes as I prepare to retire materials and promoted the work of after a forty-two-year career at Indiana the archives, assisted in identifying and IU Embarks on 5-Year University. One of my most rewarding acquiring collections, offered ideas for Media Digitization and activities during this long residency has programs and development projects, Preservation Initiative ...........6 been my work as founding director of and provided general counsel. I take this the Archives of African American Music opportunity to publicly thank them for From Soul Syndicate and Culture. From the outset, my goal their unwavering support over the years. to Super Scholar: was to establish an archives with a focus I also acknowledge the archives’ Portia K. Maultsby ................7 on black musical and cultural traditions, superb and dedicated full-time and including popular and religious music, student staff, who offered many creative The AAAMC Welcomes personality radio of the post-World War II ideas for collection development, public Incoming Director era, and the musical legacy of Indiana, that Mellonee Burnim ................15 programs, and marketing activities largely had been excluded (jazz being the over the past twenty-two years.
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Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
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The Baddest Divas
The Baddest Divas Masika Kalysha Triple Threat (Model, Actress, Recording Artist) from Love & Hip Hip Hollywood -Season 1 T.J. Hooker Taylor (Son of Johnny Taylor) Marc Gordon of R&B Group LEVERT Bobby Brown introduces his new r&b duo "Paul Campbell" The Legendary Howard Hewett New Generation of Hip Hop Greg Wise & Joe Viski LIGHTS,CAMERA, ACTION (Model Spotlight) ONLIVE MAGAZINEI IssueCONTENTS/ Fall 2015 MZ. PANTHERESS Letter From The publisher: Welcome to our fall edition of OnLive Magazine, with Mz Pantheress, as we are just in the mist of Thanksgiving ,Christmas, & A Blessed New Year. Mz Pantheress, founder of OnLive Magazine,loves the entertainment world and always lives full of spunk. My motto is to "Live life happy, enjoy every precious moment. Live your dreams, just jump right in and make it your reality. and most importantly love yourself." OnLive Magazine staff would like to thank all of our friends out there for your support, & taking the time out to roll with us OnLive. We are a diverse entertainment magazine, and we will like to always continue to advertise & support Our Legendary artists out there. There is an array of great talent out there signed, unsigned, new & old; that we never really get to appreciate. However, Onlive appreciates it all, "We Luv What You Do"... And with that being said if you would like be OnLive ,feel free to contact one of our staff members. CONTACT: [email protected] 210-823-5477 Tribute to LEGENDARY ARTISTRY 06 Howard Hewett REINCARNATION- Past to Present 08 LEVERT II FLASHBACK TV 10 Walter Waiters SOUL CIRCUIT 2213 Brian Unkle funk Poe Lydia Harris 14 Donald Ceasar 15 TJ Hooker NEW GENERATION OF HIP-HOP 18 Greg Wise 20 Joe Viski Lights, Camera, Action 28 Merson Marcisse MZ.
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Black Country Music(S) and The
Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6.
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Outkast'd and Claimin' True
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Register of Entertainers, Actors and Others Who Have Performed in Apartheid South Africa
Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1986_03 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 3/86 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1986-04-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1986 Source Northwestern University Libraries Description This third Register of entertainers, actors and others who have performed in apartheid South Africa since the beginning of 1981 is published at the request of the United Nations Special Committee against Apartheid as part of the campaign for a cultural boycott against South Africa called for in a number of resolutions of the General Assembly.
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