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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
E-Register: January, 2018
E-Register: January, 2018 S.No. RoC No. Date Diary No. Title of Work Category Applicant 1 L-71742/2018 01/01/2018 13984/2016-CO/L BLACK MONEY a Literary/ RAHUL PANDEY serious case of Dramatic money laundering in 2020 2 L-71743/2018 01/01/2018 9853/2016-CO/L No Kidding! Literary/ Kinjal Goyal Dramatic 3 L-71744/2018 01/01/2018 12037/2017-CO/L THE WHEEL CHAIR Literary/ Dr. Mrs. Vaishali Sanjeev Dramatic Chaudhary 4 A-122696/2018 01/01/2018 6600/2017-CO/A LATIKA Artistic LATIKA 5 L-71745/2018 01/01/2018 2671/2016-CO/L NANDA DENTAL Literary/ NANDA DENTAL CLINIC CLINIC Dramatic 6 L-71746/2018 01/01/2018 7147/2016-CO/L DHARMA Literary/ Kapur Films Dramatic 7 L-71747/2018 01/01/2018 8668/2016-CO/L Isaque Bagwan Literary/ Isaque Ibrahim Bagwan Dramatic 8 A-122697/2018 01/01/2018 5623/2016-CO/L WELCOME TO THE Artistic ALEE CLUB WORLD OF ALEE CLUB 9 L-71748/2018 01/01/2018 10146/2016-CO/L Retrograde Jupiter - Literary/ Himanshu Shangari Part I Dramatic 10 L-71749/2018 01/01/2018 10150/2016-CO/L Retrograde Venus - Literary/ Himanshu Shangari Part I Dramatic 11 A-122698/2018 01/01/2018 1379/2016-CO/A EMBOSSED ROUND Artistic SALMAN AZAM, INDIAN CUP 12 A-122699/2018 01/01/2018 1387/2016-CO/A SQUARE LOOP CHAIN Artistic SALMAN AZAM 13 A-122700/2018 01/01/2018 11268/2016-CO/A SUPER SANAT 781 Artistic SHREEDHAR BIRI WORKS BIRI LABEL PRO. -
QCA-Maharbharat in Audit
The Quintessential Chartered Accountant – Mahabharata in Audit A visit to a book store would invariably find comparable to Lord Krishna’s act of isolating ( you gazing at a myriad titles representing after eliminating) Barbarika from the battle. works set in mythological contexts. Starting The story goes that Barbarika, the son of with the The Great Indian Novel by Sashi Ghatotkacha has three arrows, one that could Tharoor to the more recent Ramayana series identify all the targets that its master would by Ashok Banker and the Shiva trilogy by wanted to destroy, the second that would Amish Tripathi, these books seem to have protect all the elements that the master caught the imagination of quite a few causing wanted to protect and the third that would them to be runaway successes. So why not destroy the first group. Lord Krishna skillfully examine Mahabharatha in the context of eliminated this warrior from the battle and modern day Audit. I have attempted to take a places his head on a mountain to witness the leaf (4 leaves to be precise) to illustrate how battle the epic with its embedded narratives is played out daily, if not every moment, in our Obsessive determination profession as well. I am not going to deny that The elections are around the corner, the I have also been influenced by Devadutt determination of the contestants can only be Patnaik of the Fortune group as well compared to Arjuna’s relentless focus in the A Play of Words archery contest to aim and achieve the fruit. The key difference here is that we have about The CARO phrase that a client is generally 40-50 Arjuna equivalents targeting us through regular in depositing PF and ESI dues is missives, messages and mailers. -
Tree Welfare As Envisaged in Ancient Indian Literature
Short communication Asian Agri-History Vol. 19, No. 3, 2015 (231–239) 231 Tree Welfare as Envisaged in Ancient Indian Literature KG Sheshadri RMV Clusters, Phase-2, Block-2, 5th fl oor, Flat No. 503, Devinagar, Lottegollahalli, Bengaluru 560094, Karnataka, India (email: [email protected]) Trees have played a vital role in human Soma. RV [5.41.11] states: “May the plants, welfare from time immemorial that indeed waters and sky preserve us and woods and all beings on the earth owe much to them. mountains with their trees for tresses” (Arya They have been revered all over the world and Joshi, 2005). The Atharvaveda Samhita since ancient times. The Creator has created [AV 5.19.9] has a curious claim that states: trees to nourish and sustain living beings “Him the trees drive away saying ‘Do not in various ways. Trees provide fl owers, come unto our shadow’, who O Narada, fruits, shade and also shelter to various plots against that which is the riches of the living beings. They bear the severe sun, Brahman” (Joshi, 2004). lashing winds, rains, and other natural Tam vriksha apa sedhanti chaayaam no disasters and yet protect us. They are verily mopagaa iti| like one’s sons that it is a sin to chop them Yo braahmanasya saddhanamabhi naarada down. Tree worship is the earliest and manyate|| most prevalent form of religion ever since Vedic times. People gave due credit to the The glorious ancient tradition of living life essence and divinity that dwelt within harmoniously with Nature to maintain the trees and chose to axe them harmoniously ecological balance was well understood suitable only to meet their needs. -
The Complete Mahabharata in a Nutshell
Contents Introduction Dedication Chapter 1 The Book of the Beginning 1.1 Vyasa (the Composer) and Ganesha (the Scribe) 1.2 Vyasa and his mother Sathyavathi 1.3 Janamejaya’s Snake Sacrifice (Sarpasastra) 1.4 The Prajapathis 1.5 Kadru, Vinatha and Garuda 1.6 The Churning of the Ocean of Milk 1.7 The Lunar and Solar races 1.8 Yayathi and his wives Devayani and Sharmishta 1.9 Dushyanta and Shakuntala 1.10 Parashurama and the Kshatriya Genocide BOOKS 1.11 Shanthanu, Ganga and their son Devavratha 1.12 Bhishma, Sathyavathi and Her Two Sons 1.13 Vyasa’s Sons: Dhritharashtra,DC Pandu and Vidura 1.14 Kunthi and her Son Karna 1.15 Birth of the Kauravas and the Pandavas 1.16 The Strife Starts 1.17 The Preceptors Kripa and Drona 1.18 The Autodidact Ekalavya and his Sacrifice 1.19 Royal Tournament where Karna became a King 1.20 Drona’s Revenge on Drupada and its Counterblow 1.21 Lord Krishna’s Envoy to Hasthinapura 1.22 The Story of Kamsa 1.23 The Wax Palace Inferno 1.24 Hidimba, Hidimbi and Ghatotkacha 1.25 The Ogre that was Baka 1.26 Dhaumya, the Priest of the Pandavas 1.27 The Feud between Vasishta and Vishwamithra 1.28 More on the Quality of Mercy 1.29 Draupadi, her Five Husbands and Five Sons 1.30 The Story of Sunda and Upasunda 1.31 Draupadi’s Previous Life 1.32 The Pandavas as the Incarnation of the Five Indras 1.33 Khandavaprastha and its capital Indraprastha 1.34 Arjuna’s Liaisons while on Pilgrimage 1.35 Arjuna and Subhadra 1.36 The Khandava Conflagaration 1.37 The Strange Story of the Sarngaka Birds Chapter 2 The Book of the Assembly Hall -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam -
Rajaji-Mahabharata.Pdf
MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
Editors Him Chatterjee Pankaj Gupta Mritunjay Sharma Virender Kaushal
[ebook Series 1] Pratibha Spandan Editors Him Chatterjee Pankaj Gupta Mritunjay Sharma Virender Kaushal Emerging Trends in Art and Literature Emerging Trends in Art and Literature 2020 ISBN 978-81-945576-0-9 (ebook) Editors Him Chatterjee Mritunjay Sharma Pankaj Gupta Virender Kaushal Price: FREE OPEN ACCESS Published by Pratibha Spandan Long View, Jutogh, Shimla 171008 Himachal Pradesh, India. email : [email protected] website : www.pratibha-spandan.org © All rights reserved with Pratibha Spandan and authors of particular articles. This book is published open access. No part of this book may be reproduced or transmitted in any form or by any means electronic or mechanical or other, including photocopy, recording or by any information storage and retrieval system, as long as you give appropriate credit to the original author(s), Editor(s) and the Publisher. The contributors/authors are responsible for copyright clearance for any part of the contents of their article. The opinion or views expressed in the articles are personal opinions of the contributors/authors and are in no sense official. Neither the Pratibha Spandan nor the Editor(s) are responsible for them. All disputes are subject to the jurisdiction of District courts of Shimla, Himachal Pradesh only. 2 Emerging Trends in Art and Literature Dedicated to all knowledge seekers 3 Emerging Trends in Art and Literature PREFACE Present ear is an epoch of multidisciplinary research where the people are not only working across the disciple but have been contributing to the field of academics and research. Art and Literature has been the subject of dialogue from the times of yore. -
Part 1: the Beginning of Mahabharat
Mahabharat Story Credits: Internet sources, Amar Chitra Katha Part 1: The Beginning of Mahabharat The story of Mahabharata starts with King Dushyant, a powerful ruler of ancient India. Dushyanta married Shakuntala, the foster-daughter of sage Kanva. Shakuntala was born to Menaka, a nymph of Indra's court, from sage Vishwamitra, who secretly fell in love with her. Shakuntala gave birth to a worthy son Bharata, who grew up to be fearless and strong. He ruled for many years and was the founder of the Kuru dynasty. Unfortunately, things did not go well after the death of Bharata and his large empire was reduced to a kingdom of medium size with its capital Hastinapur. Mahabharata means the story of the descendents of Bharata. The regular saga of the epic of the Mahabharata, however, starts with king Shantanu. Shantanu lived in Hastinapur and was known for his valor and wisdom. One day he went out hunting to a nearby forest. Reaching the bank of the river Ganges (Ganga), he was startled to see an indescribably charming damsel appearing out of the water and then walking on its surface. Her grace and divine beauty struck Shantanu at the very first sight and he was completely spellbound. When the king inquired who she was, the maiden curtly asked, "Why are you asking me that?" King Shantanu admitted "Having been captivated by your loveliness, I, Shantanu, king of Hastinapur, have decided to marry you." "I can accept your proposal provided that you are ready to abide by my two conditions" argued the maiden. "What are they?" anxiously asked the king. -
The Festival of Jhofijhi-Tesu
The Festival of Jhofijhi-Tesu By L a x m i G. T e w a r i Sonoma State University’ Rohnert Park, CA On the Indian subcontinent, many different religious and cultural groups have been assimilated over the centuries into the mainstream of Indian society. Under the flexible protection of Hinduism, “ little communities ” observe many rituals, some of which have been linked to SansKritic literature. We find numerous shrines dedicated to various gods and godlings: some are worshiped in nationwide festivals, others only in isolated communities. Many shrines sit in ruins, their origins long forgotten, although passing pilgrims routinely pay their respects. Besides the gods worshiped in this intricate network of folk traditions, regional and national heroes are also eulogized in folk songs, folk theater, and festivals. The festival of Jhonjhl-Tesu is a regional festival of this type. It honors the folk hero Tesu and celebrates his marriage to a girl named Jhonjhi.1 My introduction to the festival was coincidental,2 but once introduced I was intrigued, because (1 )the elaborate observance of this festival seemed to be limited to a small geographical area (see map), (2) an extensive repertoire of folk songs was associated with it, and (3) all members of society participated in it. 1 his article discusses the mythological origins of the Jhonjhi- Tesu festival, describes the festival as it is celebrated today, gives re presentative song-texts for different segments of the festival, analyzes song types, and evaluates the social importance of the festival. I visited Nandana village (in the Kanpur district of Uttar Pradesh) three times (1973,19フ6, and 1977), in order to collect field data on this festival; I also made observations in Sandalpur village (1976)3 for comparative purposes.