Man Sacrifice
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rishi and Devtas of Vedic Mantra
www.ved-yog.com 52 Chapter V Rishis and Devatas of the Mantras The general notion of the ‘Western’ Scholars and their Indian followers is that the Rishis whose names are mentioned on the Mantras are their composers and devatas are the deities to be worshipped. But this is a very erroneous view. By Rishis are meant, according to all ancient Authorities, the seers who made out the secrets of the Vedas and propagated them. Yaskacharya, the well known philologist and author of the Nirukta.says in 1-91. lk{kkRÏr/kekZ.k _"k;ks cHkwoqLrs·lk{kkr~Ïr/keZH; mins'ksu eU=ku~ lEizknq%µ fu#Dr 1-19µ The original seers were men of realisation who saw or perfectly understood’ the Dharma. They taught it to those who themselves had not realised it or were not inspired persons. In Nirukta 2-11 Yaskacharya says – _"k;ks eU=nz"Vkj% _f"knZ'kZukr~Lrkseku~ nn'ksZR;kSieU;o%A ;nsuku~ riL;ekuku~ czã Lo;EHkw vH;ku'kZr~ rn`.kh.kke`f"kRofefr foKkirsµ i.e. The Rishis are seers of the Mantras. The word Rishi means Drashta. Opaomanyava Acharya is of opinion that those who by austerities, realised the Yedic-hymns were called Rishis.” The Taittiriya Aranyak (2-9-1) says similarly - _"k;ks ;r~ ,uku~ riL;ekuku~ czãLo;EHkw vH;ku"kZr~ rs_"k;ks·Hkou~ rn`"k;ks·Hkou~ rn`"kh.kke`f"kRoe~A www.ved-yog.com 53 Those that after tapas or deep meditation realised the secret meaning of the Vedic Mantras, became Rishis by the Grace of the Almighty. -
Krishna Lila-48
Kåñëa Lélä notes – Chapter 48 (Kåñëa Pleases His Devotees) Kåñëa visits Kubja Description is found p For days together, Kåñëa heard from Uddhava all the details Srimad Bhagavatam of his visit to Våndävana, (Krishna Book) p especially the condition of His father and mother and of the gopés and the cowherd boys. p Lord Kåñëa was fully satisfied that Uddhava was able to solace them by his instructions and by the message delivered to them. p Lord Kåñëa then decided to go to the house of Kubjä, the hunchback woman who had pleased Him by offering Him sandalwood pulp when He was entering the city of Mathurä. p To fulfill His promise, Kåñëa, along with Uddhava, went to the house of Kubjä, who was very eager to get Kåñëa for the satisfaction of her lusty desires. p When Kåñëa reached her house, He saw that it was completely decorated in a way to excite the lusty desires of a man. This suggests that there were many nude pictures, on top of which were canopies and flags embroidered with pearl necklaces, along with comfortable beds and cushioned chairs. p The rooms were provided with flower garlands and were nicely scented with incense and sprinkled with scented water. p And the rooms were illuminated by nice lamps. p When Kubjä saw that Lord Kåñëa had come to her house to fulfill His promised visit, she immediately got up from her chair to receive Him cordially. p Accompanied by her many girlfriends, she began to talk with Him with great respect and honor. -
E-Register: January, 2018
E-Register: January, 2018 S.No. RoC No. Date Diary No. Title of Work Category Applicant 1 L-71742/2018 01/01/2018 13984/2016-CO/L BLACK MONEY a Literary/ RAHUL PANDEY serious case of Dramatic money laundering in 2020 2 L-71743/2018 01/01/2018 9853/2016-CO/L No Kidding! Literary/ Kinjal Goyal Dramatic 3 L-71744/2018 01/01/2018 12037/2017-CO/L THE WHEEL CHAIR Literary/ Dr. Mrs. Vaishali Sanjeev Dramatic Chaudhary 4 A-122696/2018 01/01/2018 6600/2017-CO/A LATIKA Artistic LATIKA 5 L-71745/2018 01/01/2018 2671/2016-CO/L NANDA DENTAL Literary/ NANDA DENTAL CLINIC CLINIC Dramatic 6 L-71746/2018 01/01/2018 7147/2016-CO/L DHARMA Literary/ Kapur Films Dramatic 7 L-71747/2018 01/01/2018 8668/2016-CO/L Isaque Bagwan Literary/ Isaque Ibrahim Bagwan Dramatic 8 A-122697/2018 01/01/2018 5623/2016-CO/L WELCOME TO THE Artistic ALEE CLUB WORLD OF ALEE CLUB 9 L-71748/2018 01/01/2018 10146/2016-CO/L Retrograde Jupiter - Literary/ Himanshu Shangari Part I Dramatic 10 L-71749/2018 01/01/2018 10150/2016-CO/L Retrograde Venus - Literary/ Himanshu Shangari Part I Dramatic 11 A-122698/2018 01/01/2018 1379/2016-CO/A EMBOSSED ROUND Artistic SALMAN AZAM, INDIAN CUP 12 A-122699/2018 01/01/2018 1387/2016-CO/A SQUARE LOOP CHAIN Artistic SALMAN AZAM 13 A-122700/2018 01/01/2018 11268/2016-CO/A SUPER SANAT 781 Artistic SHREEDHAR BIRI WORKS BIRI LABEL PRO. -
Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary -
Vidura, Uddhava and Maitreya
Çré Çayana Ekädaçé Issue no: 17 27th July 2015 Vidura, Uddhava and Maitreya Features VIDURA QUESTIONS UDDHAVA Srila Sukadeva Goswami THE MOST EXALTED PERSONALITY IN THE VRISHNI DYNASTY Lord Krishna instructing Uddhava Lord Sriman Purnaprajna Dasa UDDHAVA REMEMBERS KRISHNA Srila Vishvanatha Chakravarti Thakur UDDHAVA GUIDES VIDURA TO TAKE SHELTER OF MAITREYA ÅñI Srila Sukadeva Goswami WHY DID UDDHAVA REFUSE TO BECOME THE SPIRITUAL MASTER OF VIDURA? His Divine Grace A .C. Bhaktivedanta Swami Prabhupada WHY DID KRISHNA SEND UDDHAVA TO BADRIKASHRAMA? Srila Vishvanatha Chakravarti Thakur WHO IS MAITREYA ÅñI? Srila Krishna-Dvaipayana Vyasa Issue no 16, Page — 2 nityaà bhägavata-sevayä VIDURA QUESTIONS UDDHAVA be the cause of the Åg Veda, the creator of the mind Srila Sukadeva Goswami and the fourth Plenary expansion of Viñëu. O sober one, others, such as Hridika, Charudeshna, Gada and After passing through very wealthy provinces like the son of Satyabhama, who accept Lord Sri Krishna Surat, Sauvira and Matsya and through western India, as the soul of the self and thus follow His path without known as Kurujangala. At last he reached the bank of deviation-are they well? Also let me inquire whether the Yamuna, where he happened to meet Uddhava, Maharaja Yudhisthira is now maintaining the kingdom the great devotee of Lord Krishna. Then, due to his great according to religious principles and with respect love and feeling, Vidura embraced him [Uddhava], for the path of religion. Formerly Duryodhana was who was a constant companion of Lord Krishna and burning with envy because Yudhisthira was being formerly a great student of Brihaspati's. -
Hospital Master
S.No HOSPITALNAME STREET CITYDESC STATEDESC PINCODE 1 Highway Hospital Dev Ashish Jeen Hath Naka, Maarathon Circle Mumbai and Maharashtra 400601 Suburb 2 PADMAVATI MATERNITY AND 215/216- Oswal Oronote, 2nd Thane Maharashtra 401105 NURSING HOME 3 Jai Kamal Eye Hospital Opp Sandhu Colony G.T.Road, Chheharta, Amritsar Amritsar Punjab 143001 4 APOLLO SPECIALITY HOSPITAL Chennai By-Pass Road, Tiruchy TamilNadu 620010 5 Khanna Hospital C2/396,Janakpuri New Delhi Delhi 110058 6 B.M Gupta Nursing Home H-11-15 Arya Samaj Road,Uttam Nagar New Delhi Delhi 110059 Pvt.Ltd. 7 Divakar Global Hospital No. 220, Second Phase, J.P.Nagar, Bengaluru Karnataka 560078 8 Anmay Eye Hospital - Dr Off. C.G. Road , Nr. President Hotel,Opp. Mahalya Ahmedabad Gujarat 380009 Raminder Singh Building, Navrangpura 9 Tilak Hospital Near Ramlila Ground,Gurgaon Road,Pataudi,Gurgaon-Gurugram Haryana 122503 122503 10 GLOBAL 5 Health Care F-2, D-2, Sector9, Main Road, Vashi, Navi Mumbai Mumbai and Maharashtra 400703 Suburb 11 S B Eye Care Hospital Anmol Nagar, Old Tanda Road, Tanda By-Pass, Hoshiarpur Punjab 146001 Hoshiarpur 12 Dhir Eye Hospital Old Court Road Rajpura Punjab 140401 13 Bilal Hospital Icu Ryal Garden,A wing,Nr.Shimla Thane Maharashtra 401201 Park,Kausa,Mumbra,Thane 14 Renuka Eye Institute 25/3,Jessre road,Dakbanglow Kolkata West Bengal 700127 More,Rathala,Barsat,Kolkatta 15 Pardi Hospital Nh No-8, Killa Pardi, Opp. Renbasera HotelPardi Valsad Gujarat 396001 16 Jagat Hospital Raibaraily Road, Naka Chungi, Faizabad Faizabad Uttar Pradesh 224001 17 SANT DNYANESHWAR Sant Nagar, Plot no-1/1, Sec No-4, Moshi Pune Maharashtra 412105 HOSPITAL PRIVATE LIMITED Pradhikaran,Pune-Nashik Highway, Spine Road 18 Lotus Hospital #389/3, Prem Nagar, Mata Road-122001 Gurugram Haryana 122001 19 Samyak Hospital BM-7 East Shalimar Bagh New Delhi Delhi 110088 20 Bristlecone Hospitals Pvt. -
Edinburgh Research Explorer
Edinburgh Research Explorer Of Wicked Wizards and Indigo Jackals Citation for published version: Schafer, B 2014, 'Of Wicked Wizards and Indigo Jackals: Legal Regulation of Online Identity in Cultural Comparative Perspective', Paper presented at The Person in Virtual Reality: Albertus Institute Conference, Edinburgh, United Kingdom, 18/01/14 - 18/01/14. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Publisher Rights Statement: © Schafer, B. (2014). Of Wicked Wizards and Indigo Jackals: Legal Regulation of Online Identity in Cultural Comparative Perspective. Paper presented at The Person in Virtual Reality: Albertus Institute Conference, Edinburgh, United Kingdom. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 Of wicked wizards and indigo jackals: legal regulation of online identity in cultural comparative perspective. Burkhard Schafer Regulation of digital identity and digital identity management systems are high on the agenda of the UK government and the European Union. Despite the global nature of the internet phenomenon though, proposed legislative initiatives bear the clear hallmark of a very specific, western-centric understanding of the notion of “identity”. -
Krishnalila in Terracotta Temples of Bengal
Krishnalila in Terracotta Temples of Bengal Amit Guha Independent Researcher Introduction The brick temples of Bengal are remarkable for the intricately sculpted terracotta panels covering their facades. After an initial period of structural and decorative experimentation in the 17th and 18th centuries, there was some standardization in architecture and embellishment of these temples. However, distinct regional styles remained. From the late 18th century a certain style of richly-decorated temple became common, particularly in the districts of Hugli and Howrah. These temples, usually two- storeyed or atchala and with a triple-arched entrance porch, had carved panels arranged in a fairly well-defined format (Figure 1). Ramayana battle scenes occupied the large panels on the central arch frame with other Ramayana or Krishna stories on the side arches. Running all along the base, including the base of the columns, were two distinctive friezes (Figure 2). Large panels with social, courtly, and hunting scenes ran along the bottom, and above, smaller panels with Krishnalila (stories from Krishna's life). Isolated rectangular panels on the rest of the facade had figures of dancers, musicians, sages, deities, warriors, and couples, within foliate frames. This paper is an iconographic essay on Krishnalila stories in the base panels of the late-medieval terracotta temples of Bengal. The temples of this region are prone to severe damage from the weather, and from rain, flooding, pollution, and renovation. The terracotta panels on most temples are broken, damaged, or completely lost. Exceptions still remain, such as the Raghunatha temple at Parul near Arambagh in Figure 1: Decorated Temple-Facade (Joydeb Kenduli) Hugli, which is unusual in having a well-preserved and nearly-complete series of Krishnalila panels. -
QCA-Maharbharat in Audit
The Quintessential Chartered Accountant – Mahabharata in Audit A visit to a book store would invariably find comparable to Lord Krishna’s act of isolating ( you gazing at a myriad titles representing after eliminating) Barbarika from the battle. works set in mythological contexts. Starting The story goes that Barbarika, the son of with the The Great Indian Novel by Sashi Ghatotkacha has three arrows, one that could Tharoor to the more recent Ramayana series identify all the targets that its master would by Ashok Banker and the Shiva trilogy by wanted to destroy, the second that would Amish Tripathi, these books seem to have protect all the elements that the master caught the imagination of quite a few causing wanted to protect and the third that would them to be runaway successes. So why not destroy the first group. Lord Krishna skillfully examine Mahabharatha in the context of eliminated this warrior from the battle and modern day Audit. I have attempted to take a places his head on a mountain to witness the leaf (4 leaves to be precise) to illustrate how battle the epic with its embedded narratives is played out daily, if not every moment, in our Obsessive determination profession as well. I am not going to deny that The elections are around the corner, the I have also been influenced by Devadutt determination of the contestants can only be Patnaik of the Fortune group as well compared to Arjuna’s relentless focus in the A Play of Words archery contest to aim and achieve the fruit. The key difference here is that we have about The CARO phrase that a client is generally 40-50 Arjuna equivalents targeting us through regular in depositing PF and ESI dues is missives, messages and mailers. -
Uttarakandam
THE RAMAYANA. Translated into English Prose from the original Sanskrit of Valmiki. UTTARAKANDAM. M ra Oer ii > m EDITED AND PUBLISHED Vt MANMATHA NATH DUTT, MA. CALCUTTA. 1894. Digitized by VjOOQIC Sri Patmanabha Dasa Vynchi Bala Sir Rama Varma kulasekhara klritapatl manney sultan maha- RAJA Raja Ramraja Bahabur Shamshir Jung Knight Grand Commander of most Emi- nent order of the Star of India. 7gK afjaraja of ^xavancoxe. THIS WORK IS RESPECTFULLY INSCRIBED BY MANMATHA NATH DUTT. In testimony of his veneration for His Highness and in grateful acknowledgement of the distinction conferred upon him while in His Highness* capital, and the great pecuniary help rendered by his Highness in publishing this work. Digitized by VjOOQ IC T — ^ 3oVkAotC UTTARA KlAlND^M, SECTION I. \Jn the Rakshasas having been slain, all the ascetics, for the purpose of congratulating Raghava, came to Rama as he gained (back) his kingdom. Kau^ika, and Yavakrita, and Gargya, and Galava, and Kanva—son unto Madhatithi, . who dwelt in the east, (came thither) ; aikl the reverend Swastyastreya, and Namuchi,and Pramuchi, and Agastya, and the worshipful Atri, aud Sumukha, and Vimukha,—who dwelt in the south,—came in company with Agastya.* And Nrishadgu, and Kahashi, and Dhaumya, and that mighty sage —Kau^eya—who abode in the western "quarter, came there accompanied by their disciples. And Vasishtha and Ka^yapa and Atri and Vicwamitra with Gautama and Jamadagni and Bharadwaja and also the seven sages,t who . (or aye resided in the northern quarter, (came there). And on arriving at the residence of Raghava, those high-souled ones, resembling the fire in radiance, stopped at the gate, with the intention of communicating their arrival (to Rama) through the warder. -
A Comprehensive Guide by Jack Watts and Conner Reynolds Texts
A Comprehensive Guide By Jack Watts and Conner Reynolds Texts: Mahabharata ● Written by Vyasa ● Its plot centers on the power struggle between the Kaurava and Pandava princes. They fight the Kurukshetra War for the throne of Hastinapura, the kingdom ruled by the Kuru clan. ● As per legend, Vyasa dictates it to Ganesha, who writes it down ● Divided into 18 parvas and 100 subparvas ● The Mahabharata is told in the form of a frame tale. Janamejaya, an ancestor of the Pandavas, is told the tale of his ancestors while he is performing a snake sacrifice ● The Genealogy of the Kuru clan ○ King Shantanu is an ancestor of Kuru and is the first king mentioned ○ He marries the goddess Ganga and has the son Bhishma ○ He then wishes to marry Satyavati, the daughter of a fisherman ○ However, Satyavati’s father will only let her marry Shantanu on one condition: Shantanu must promise that any sons of Satyavati will rule Hastinapura ○ To help his father be able to marry Satyavati, Bhishma renounces his claim to the throne and takes a vow of celibacy ○ Satyavati had married Parashara and had a son with him, Vyasa ○ Now she marries Shantanu and has another two sons, Chitrangada and Vichitravirya ○ Shantanu dies, and Chitrangada becomes king ○ Chitrangada lives a short and uneventful life, and then dies, making Vichitravirya king ○ The King of Kasi puts his three daughters up for marriage (A swayamvara), but he does not invite Vichitravirya as a possible suitor ○ Bhishma, to arrange a marriage for Vichitravirya, abducts the three daughters of Kasi: Amba, -
Htts-Newsletter-Fina
WINTER 2012 Bhakti patra First Hindu Temple in White Plains coming soon! A group of dedicated and determined Hindu citizens of our community have come together with a vision and a dream of building a unifying monument to our traditions – right here in the heart of Westchester! This dream Hindu Temple of Tristates has grown to reality and has culminated in the purchase of a Bhoomi Pooja pristine parcel of land to construct Westchester dignitaries applaud and welcome the Hindu Temple of Tristates. The property, located at our temple in Westchester! rd 390 North Street in White Plains is Saturday, October 23 was a very momentous day for all Hindus 1.75 acres of flat landscaped land in Westchester! The Trustees of the Hindu Temple of Tristates that is already zoned for religious along with more than 70 dedicated volunteers organized the buildings. Bhoomi Pooja for land, which will be the home of our Temple. The occasion was graced by more than 500 people! Dignitaries that included Hon. Mayor Amicone of Yonkers, County Executive Robert Astorino, Hon. Mayor Tom M. Roach of White Plains, Mayor Joseph Delfino, and many others attended the Pooja and applauded and welcomed the addition of this monument in the heart of Westchester. Mayor Amicone and County Exec. Robert Astorino also presented the Trustees with Proclamations commemorating the occasion! Visit our Facebook page at: http://www.facebook.com/pages/Hindu-Temple-of- Tristates/207947092572092 to view the proclamations and photographs from this day. WINTER 2012 BHAKTIBhakti PATRApatra WINTER 2012 LEAVE A LEGACY FOR YOUR LOVED ONES! Please complete the above form along with a check made out to “Hindu Temple of Tristates” and mail to 77 Knollwood Rd., White Plains, NY 10607.