A SMALL DICTIONARY of GODS and GODDESSES by D.W. Owens Copyright 1994. This Work May Be Reproduced Without Permission, in Its En
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Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
On the Months (De Mensibus) (Lewiston, 2013)
John Lydus On the Months (De mensibus) Translated with introduction and annotations by Mischa Hooker 2nd edition (2017) ii TABLE OF CONTENTS Abbreviations .......................................................................................... iv Introduction .............................................................................................. v On the Months: Book 1 ............................................................................... 1 On the Months: Book 2 ............................................................................ 17 On the Months: Book 3 ............................................................................ 33 On the Months: Book 4 January ......................................................................................... 55 February ....................................................................................... 76 March ............................................................................................. 85 April ............................................................................................ 109 May ............................................................................................. 123 June ............................................................................................ 134 July ............................................................................................. 140 August ........................................................................................ 147 September ................................................................................ -
Wonder, Space, and Place in Pausanias' Periegesis
Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados by Jody Ellyn Cundy A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Classics University of Toronto © Copyright by Jody Ellyn Cundy 2016 Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados Jody Ellyn Cundy Doctor of Philosophy Department of Classics University of Toronto 2016 Abstract The Periegesis Hellados presents a description of the sites and sights of Roman Greece in ten carefully constructed books. These books present the fruits of author’s extensive travels and careful textual research over the course of several decades (between the 130’s and ca. AD 175-80) and compiled into a unified composite itinerary. There is no doubt that Pausanias travels through an “already written landscape,” and his travel experience is necessarily informed by and sometimes clearly motivated by his literary encounters. This project investigates Pausanias’ engagement with literary antecedents, with a particular focus on the antiquarian impulse to excerpt and compile anecdotes in thematic catalogues, which broadly resemble wonder-texts (paradoxographies). The organizing principle of these thematic catalogues contrasts with the topographical (spatial) structure of the frame narrative of the Periegesis. In part, this study aims to resolve the perceived tension between the travel account and the antiquarian mode in Pausanias’ project in order to show that they serve complementary rather than competing ends. Resolution of these competing paradigms allows in turn for a more coherent understanding of the Periegesis as unified subject. This study argues that wonder (thauma) is a unifying theme ii of Periegesis Hellados. -
CELTIC MYTHOLOGY Ii
i CELTIC MYTHOLOGY ii OTHER TITLES BY PHILIP FREEMAN The World of Saint Patrick iii ✦ CELTIC MYTHOLOGY Tales of Gods, Goddesses, and Heroes PHILIP FREEMAN 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Philip Freeman 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978–0–19–046047–1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books, Inc., United States of America v CONTENTS Introduction: Who Were the Celts? ix Pronunciation Guide xvii 1. The Earliest Celtic Gods 1 2. The Book of Invasions 14 3. The Wooing of Étaín 29 4. Cú Chulainn and the Táin Bó Cuailnge 46 The Discovery of the Táin 47 The Conception of Conchobar 48 The Curse of Macha 50 The Exile of the Sons of Uisliu 52 The Birth of Cú Chulainn 57 The Boyhood Deeds of Cú Chulainn 61 The Wooing of Emer 71 The Death of Aife’s Only Son 75 The Táin Begins 77 Single Combat 82 Cú Chulainn and Ferdia 86 The Final Battle 89 vi vi | Contents 5. -
Dr. Turhan Yörükân | Yunan Mitolojisinde Aşk
Dr. Turhan Yörükân | Yunan Mitolojisinde Aşk TÜRKİYE İŞ BANKASI Kültür Yayınları Dr. Turhan Yörükân 29 Aralık 1927'de İstanbul'da doğdu. Lise öğrenimini Latince eğitim veren çeşitli okullarda tamamladı. Dil ve Tarih Coğrafya Fakültesi Felsefe Bölümü'nü bitirdi; sonraları aynı fakültede psikoloji ve pedagoji -slstanı olarak görev yaptı. Gençliğinden başlayarak klasik filolojiyle İlgilenen Dr Yörükân Yunan mitosuna, felsefesine ve bilimine olan merakını hep canlı tuttu. Çeşitli bilimsel dergilerde makaleleri yayım lanan Dr. Yörükân yazar ve editör olarak otuzun üzerinde kitap yayımladı. Dr. Yörükân halen Ankara'da yaşıyor, çalışmalarını sürdürüyor. T Ü R K İY E İŞ B A N K A S I Kültür Yayınları Genel Yayın: 457 Edebiyat Dizisi: 115 Datça / Knidos’daki Aphrodite Euploia tapınağında yer alan Aphrodite heykeli için, Gaius Plinius Secundus (İ.S. 23- 79), yazdığı tabiî ilimler ansiklopedisinde (Naturalis Historia, 36, 20), “Praksiteles, bu eseriyle, mermer işleyen bir sanatçı olarak, kendisini bile aşmıştır... Onun bu eseri, sadece kendi yaptığı eserler içerisinde değil, bütün dünyadaki eserler içeri sinde en üstün olanı idi. Birçok kimse, denizler aşarak onu Knidos’ta görmeye geliyordu", diyor. Samsatlı (Samosatalı) Lukianos (İ.S. 120-200), Aşklar (13-14) adlı eserinde, “Bahçedeki bitkilerden yeterince haz duyduktan sonra, tapmağa girdik. Tanrıçanın Paros merme rinden yapılmış olağanüstü güzellikteki heykeli, tapmağın or tasında duruyordu... Vücudunun bütün güzelliği, herhangi bir örtü ile gizlenmiş değildi. Sadece bir eliyle, iffetini korumak istercesine önünü kapatıyordu. Sanatçının sergilediği üstün lük, taşın katı ve inatçı tabiatını kırmış, onu, her uzvun şekli ne uyum sağlamak zorunda bırakmıştı", diyor. Praksiteles’in yapmış olduğu Aphrodite heykelinin sikke ler üzerine darp edilmiş görüntüsü, aradan asırlar geçmiş ol masına rağmen, Roma Dönemi’nde etkisini sürdürmeye de vam etmiştir. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Inciting Difference and Distance in the Writings of Sakiyama Tami, Yi Yang-Ji, and Tawada Yōko
Inciting Difference and Distance in the Writings of Sakiyama Tami, Yi Yang-ji, and Tawada Yōko Victoria Young Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of East Asian Studies, School of Languages, Cultures and Societies March 2016 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2016 The University of Leeds and Victoria Young iii Acknowledgements The first three years of this degree were fully funded by a Postgraduate Studentship provided by the academic journal Japan Forum in conjunction with BAJS (British Association for Japanese Studies), and a University of Leeds Full Fees Bursary. My final year maintenance costs were provided by a GB Sasakawa Postgraduate Studentship and a BAJS John Crump Studentship. I would like to express my thanks to each of these funding bodies, and to the University of Leeds ‘Leeds for Life’ programme for helping to fund a trip to present my research in Japan in March 2012. I am incredibly thankful to many people who have supported me on the way to completing this thesis. The diversity offered within Dr Mark Morris’s literature lectures and his encouragement as the supervisor of my undergraduate dissertation in Cambridge were both fundamental factors in my decision to pursue further postgraduate studies, and I am indebted to Mark for introducing me to my MA supervisor, Dr Nicola Liscutin. -
Medea's Lovesickness
2 Medea’s Lovesickness Eros and Melancholia I come at last to that heroical love, which is proper to men and women, is a frequent cause of melancholy, and deserves much rather to be called burn- ing lust, than by such an honourable title. —robert burton, The Anatomy of Melancholy “Here comes the downpour, here the lightning and the cursed hail, the roar of thunder and the croaking of frogs.” Thus speaking with each rapid breath, the slender maid, already close to death, enflames the fire which love has spread throughout her limbs. —srì harsa-deva (trans. Ingalls [1965, 232]) Erotic infatuation is violent. Love comes unexpectedly and overwhelms its victim. Its attack brings speechlessness, swooning, silence, blushing, insom- nia, the sweats, and weeping.1 It vanquishes the strongest of wills. When eros remains unconsummated (whether intentionally or merely through circum- stance), there is persuasion,2 then, if that is unsuccessful, rape.3 Sometimes neither persuasion nor rape are useful. The very old must endure their lack of consummation, as must lovers permanently separated, through death, dis- tance, conclusive rejection, physical infirmity, or gender.4 This enforced en- durance may lead to acts of violence, anger, and crime, especially crime if it is a woman who is subject to the frustration.5 Or it may lead to a melancholic lovesickness—anorexia and eventual death.6 Violence remains the most common reaction to erotic frustration.7 Valerius Flaccus’s description of Medea’s lovesickness, completed by 92 or 93 C.E., is typ- ical of this tradition. Medea was a young, barbarian princess from Colchis in what is now Georgia. -
A Reader in Comparative Indo-European Religion
2018 A READER IN COMPARATIVE INDO-EUROPEAN RELIGION Ranko Matasović Zagreb 2018 © This publication is intended primarily for the use of students of the University of Zagreb. It should not be copied or otherwise reproduced without a permission from the author. TABLE OF CONTENTS Abbreviations........................................................................................................................ Foreword............................................................................................................................... PART 1: Elements of the Proto-Indo-European religion...................................................... 1. Reconstruction of PIE religious vocabulary and phraseology................................... 2. Basic Religious terminology of PIE.......................................................................... 3. Elements of PIE mythology....................................................................................... PART II: A selection of texts Hittite....................................................................................................................................... Vedic........................................................................................................................................ Iranian....................................................................................................................................... Greek....................................................................................................................................... -
The Pagan Religions of the Ancient British Isles
www.RodnoVery.ru www.RodnoVery.ru The Pagan Religions of the Ancient British Isles www.RodnoVery.ru Callanish Stone Circle Reproduced by kind permission of Fay Godwin www.RodnoVery.ru The Pagan Religions of the Ancient British Isles Their Nature and Legacy RONALD HUTTON BLACKWELL Oxford UK & Cambridge USA www.RodnoVery.ru Copyright © R. B. Hutton, 1991, 1993 First published 1991 First published in paperback 1993 Reprinted 1995, 1996, 1997, 1998 Blackwell Publishers Ltd 108 Cowley Road Oxford 0X4 1JF, UK Blackwell Publishers Inc. 350 Main Street Maiden, Massachusetts 02148, USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Hutton, Ronald The pagan religions of the ancient British Isles: their nature and legacy / Ronald Hutton p. cm. ISBN 0-631-18946-7 (pbk) 1. -
Test Abonnement
L E X I C O N O F T H E W O R L D O F T H E C E L T I C G O D S Composed by: Dewaele Sunniva Translation: Dewaele Sunniva and Van den Broecke Nadine A Abandinus: British water god, but locally till Godmanchester in Cambridgeshire. Abarta: Irish god, member of the de Tuatha De Danann (‘people of Danu’). Abelio, Abelionni, Abellio, Abello: Gallic god of the Garonne valley in South-western France, perhaps a god of the apple trees. Also known as the sun god on the Greek island Crete and the Pyrenees between France and Spain, associated with fertility of the apple trees. Abgatiacus: ‘he who owns the water’, There is only a statue of him in Neumagen in Germany. He must accompany the souls to the Underworld, perhaps a heeling god as well. Abhean: Irish god, harpist of the Tuatha De Danann (‘people of Danu’). Abianius: Gallic river god, probably of navigation and/or trade on the river. Abilus: Gallic god in France, worshiped at Ar-nay-de-luc in Côte d’Or (France) Abinius: Gallic river god or ‘the defence of god’. Abna, Abnoba, Avnova: goddess of the wood and river of the Black Wood and the surrounding territories in Germany, also a goddess of hunt. Abondia, Abunciada, Habonde, Habondia: British goddess of plenty and prosperity. Originally she is a Germanic earth goddess. Accasbel: a member of the first Irish invasion, the Partholans. Probably an early god of wine. Achall: Irish goddess of diligence and family love. -
Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion
Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion Item Type text; Electronic Thesis Authors Carter, Caroline LynnLee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 21:29:46 Link to Item http://hdl.handle.net/10150/633185 THERIOMORPHIC FORMS: ANALYZING TERRESTRIAL ANIMAL-HUMAN HYBRIDS IN ANCIENT GREEK CULTURE AND RELIGION by Caroline Carter ____________________________ Copyright © Caroline Carter 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 THE UNIYERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certi$ that we have read the thesis prepared by Caroline Carter titled Theriomorphic Forms: Analyzing Terrestrial Animal-Humøn Hybrids in Ancíent Greek Culture and Religion and reç¡¡ü¡sr6 that it be accepted as firlfilling the disse¡tation requirement for the Master's Degree. G Date: + 26 Z¿f T MaryV o 1.011 ,AtÌ.r.ln Date: \l 41 , Dr. David Gilman Romano - 4*--l -r Date; { zé l2 Dr. David Soren r) øate:4'2 6 - l\ Dr. Kyle Mahoney Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College.