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Paolo Pellegrin. Un'antologia
Mar Mediterraneo di notte, nei pressi della costa libica, 2015 Paolo Pellegrin. Un’antologia sull’umanità e sull’oggi. Da Gaza a Beirut, da El Paso a Tokyo, da Roma a Lesbo, le fotografie in mostra La mostra nasce da due anni di intenso lavoro raccontano, il dolore, la guerra, la distruzione, ma anche sull’archivio del fotografo romano e ripercorre, attraverso l’intima bellezza dell’essere umano nell’espressione oltre 150 immagini, numerosi inediti e alcuni contributi delle sue emozioni più profonde. In fondo alla galleria video, vent’anni della sua attività, dal 1998 al 2017. figure evanescenti, ritratti “transitori” colti in momenti Vincitore di 10 World Press Photo Award e numerosi di passaggio, che affiorano appena dal buio come fantasmi altri prestigiosi riconoscimenti in tutto il mondo, come (“ghost” nella definizione di Pellegrin). il Robert Capa Gold Medal Award e il Premio Eugene Smith, A questo racconto dell’essere umano, calato nel buio, Paolo Pellegrin (Roma, 1964) coniuga l’esperienza del fa da contraltare l’immersione in un ambiente improv- testimone in prima linea con l’intensità visiva dell’artista. visamente luminoso, in una luce che sembra sublimarsi Nel suo lavoro la progettualità a lungo termine si intreccia nel candore del ghiaccio dell’Antartide, nello sguardo con la sensibilità estetica, allenata da lunghi anni di studio di una giovane donna rom, nella potenza degli elementi intorno all’immagine e alla visione. della natura e nella spiritualità del rapporto atavico Il risultato è un metodo di lavoro che rimanda all’idea dell’uomo con essa, come accade nel bagno di due giovani di un giornalismo lento, guidato dall’urgenza intellettiva palestinesi nel Mar Morto. -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
CVAN Open Letter to the Secretary of State for Education
Press Release: Wednesday 12 May 2021 Leading UK contemporary visual arts institutions and art schools unite against proposed government cuts to arts education ● Directors of BALTIC, Hayward Gallery, MiMA, Serpentine, Tate, The Slade, Central St. Martin’s and Goldsmiths among over 300 signatories of open letter to Education Secretary Gavin Williamson opposing 50% cuts in subsidy support to arts subjects in higher education ● The letter is part of the nationwide #ArtIsEssential campaign to demonstrate the essential value of the visual arts This morning, the UK’s Contemporary Visual Arts Network (CVAN) have brought together leaders from across the visual arts sector including arts institutions, art schools, galleries and universities across the country, to issue an open letter to Gavin Williamson, the Secretary of State for Education asking him to revoke his proposed 50% cuts in subsidy support to arts subjects across higher education. Following the closure of the consultation on this proposed move on Thursday 6th May, the Government has until mid-June to come to a decision on the future of funding for the arts in higher education – and the sector aims to remind them not only of the critical value of the arts to the UK’s economy, but the essential role they play in the long term cultural infrastructure, creative ambition and wellbeing of the nation. Working in partnership with the UK’s Visual Arts Alliance (VAA) and London Art School Alliance (LASA) to galvanise the sector in their united response, the CVAN’s open letter emphasises that art is essential to the growth of the country. -
IRAK La Reconstruction Du Pays Est Un Échec, Et Les ,Etats-Unis Sont Dans L'impasse
INSTITUT URD .. DE PARIS Bulletin de liaison et d'information .. I W234 I SEPTEMBRE 2004 La publication de ce Bulletin bénéficie de subventions du Ministèrefrançais des Affaires étrangères (DGCID) et du Fonds d'action et de soutien pour l'intégration et la lutte contre les discriminations (FASlLD) Ce bulletin paraît en français et anglais Prix au numéro: France: 6 € - Etranger: 7,5 £ Abonnement annuel (12 numéros) France: 60 € - Etranger: 75 € Périodique mensuel Directeur de la publication: Mohamad HASSAN Numéro de la Commission Paritaire: 659 13 A.S. "1i ISBN 0761 1285 INSTITUT KURDE, 106, rue La Fayette - 75010 PARIS Tél. : 01- 48 24 64 64 - Fax: 01- 48 24 64 66 www.fikp.org E-mail: [email protected] Sommaire • BAGHDAD: UNE PERSONNALITÉ KURDE, Dr. FOUAD MAASSOUM , ELUE PRÉSIDENT DU CONSEIL NATIONAL IRAKIEN. • HALABJA: DÉCOUVERTE D'UN NOUVEAU CHARNIER RENFERMANT DES . DIZAINES DE CADAVRES -l: • ANKARA: ADOPTION D'UN NOUVEAU CODE PÉNAL TURC APRÈS L'ABANDON DE L'ARTICLE TRÈS CONTROVERSÉ SUR LA CRIMINALISATION DE L'ADULTÈRE. (" • LE RÉALISATEUR KURDE BARMAN GHOBADI REÇOIT LE IICOQUILLAGE D'OR" AU 52ème FESTIVAL DU FILM DE SAINT-SÉBASTIEN POUR SON FILM "TURTLES CAN FLY" • SELON L'ARMÉE AMÉRICAINE 153 000 KURDES VIVENT DANS DES CAMPS DE FORTUNE! P~INCIPALE¥ENT À KIRKOUK, EN ATTENDANT QUE LES CONFLITS DE PROPRITETE SOIENT RESOLUS • ONU: LE PREMIER MINISTRE IRAKIEN DEMANDE DE L'AIDE À LA COMMUNAUTÉ INTERNATIONALE POUR IIVAINCRE LES FORCES TERRORISTES" • ULTIME VISITE EN TURQUIE DE GUNTER VERHEUGEN, COMMISSAIRE CHARGÉ DE L'ELARGISSEMENT, AVANT LA PUBLICATION DU RAPPORT DE L'UE . • HOSHYAR ZEBARI, MINISTRE IRAKIEN DES AFFAIRES ÉTRANGÈRES, ANNONCE L'ORGANISATION D'UNE CONFÉRENCE MINISTÉRIELLE POUR LA STABILISATION DE L'IRAK • TÉHÉRAN: LE PRÉSIDENT KHATAMI CONFIRME LA POURSUITE DU PROGRAMME NUCLÉAIRE IRANIEN • BAGHDAD: SELON UN BILAN OFFICIEL LA GUERRE AURAIT FAIT DE 10 000 À 30 000 VICTIMES IRAKIENNES TANDIS QUE LE CAP DES 1000 MORTS AMÉRICAINS EST FRANCHI • AINSI QUE.. -
Steve Mccurry
Steve McCurry One of Today’s Most Outstanding Photographers Topics Steve McCurry is an American War photojournalist best known for his What he offers you photograph, Afghan Girl that Featured in magazines around the Afghanistan originally appeared in the National globe, Steve McCurry is a master Geographic magazine. photographer who has produced Poverty Throughout his distinguished many of the world’s iconic images, career he has continued to cover having endured countless Religion international conflicts, including situations of grave danger. Driven the Iran-Iraq war, Beirut, by an innate curiosity and sense Happiness Cambodia, the Philippines, the of wonder about the world and Gulf War, and Afghanistan. His everyone in it, he shares vivid and Children and Women work has been featured worldwide thought-provoking insights into his in magazines and he is a frequent uncanny ability to cross USA 11/9 contributor to National boundaries of language and Geographic. He has twice been culture to capture stories of awarded the World Press Photo human experience. Award, which has come to be regarded as the most prestigious How he presents Publications international award for One of today’s finest image photojournalism in the world. makers, Steve McCurry’s high content presentations bring you 2009 Afghan Girl was named as "the closer to this man of exceptional most recognized photograph" in courage who has achieved The Unguarded Moment the history of the National memorable and moving work, 2007 Geographic magazine including a modern Mona Lisa In the Shadow of Mountains In detail (Afghan Girl). 2006 Steve McCurry began studying film Looking East history cinematography and Languages filmmaking at Penn State in 1968, He presents in English. -
Édito Banana Republic
SUPPLÉMENT MENSUEL JEUDI 5 MAI 2016 NUMÉRO 119 - IXe année I Paraît le premier jeudi de chaque mois, sauf exception III. Nancy Huston : mélomane en littérature VI. Les relations de voisinage Syrie/Liban I V. Darwich : Un homme. Ni plus ni moins. VII. Olivier Adam, étranger au monde V. Guitton : Un Orient mal connu et mal aimé VIII. Patti Smith, clocharde céleste et fan de café Édito Banana republic e plaindre (nak) est devenu notre sport national. Car rien ne va plus dans ce pays : nos Slarrons sont en foire et les scandales se multiplient : ordures, alimenta- tion, blé, électricité, réseaux Inter- net, FSI, prostitution, drogue… au milieu de l’indifférence de nos ins- © Julien Hassan Chehouri, courtesy Ashkal Alwan © Julien Hassan Chehouri, courtesy Ashkal Alwan titutions, inféodées à nos dirigeants. ous n’avons pas « Comment parler du roman syrien tan- est plus optimiste. Selon cet écrivain et La découverte de ces scandales n’est imaginé (…) quel Organisé par l’Association libanaise des arts dis que les cadavres sont là, étalés de- romancier d’origine irakienne, la lit- pas fortuite : quand les brigands ne genre de difficul- plastiques Ashkal Alwan, ce premier colloque vant mes yeux ? » s’est demandée Maha térature arabe est de plus en plus tra- s’entendent plus sur le partage du tés nous allions Hassan, romancière syrienne résidant duite en Europe : on est passé de quatre butin, le gangster floué se plaît à rencontrer en es- du genre a réuni, malgré les difficultés, en France. Hassan considère que les livres traduits par année en Angleterre dénoncer ses complices ! En 1904, sayant de réunir des écrivains arabes à catastrophes ayant déferlé sur son pays dans les années 1970, à une quarantaine dans son recueil de nouvelles Cab- «NBeyrouth. -
Royal Society of P Ortrait P Ainters 2 0 15
Royal Society of Portrait Painters 2015 2015 therp.co.uk RP Annual Exhibition 2015 Royal Society of Portrait Painters 17 Carlton House Terrace, London SW1Y 5BD Tel: 020 7930 6844 www.therp.co.uk Cover painting ‘Fabio’ by Brendan Kelly RP Designed and produced by Chris Drake Design Printed by Duncan Print Group Published by the Royal Society of Portrait Painters © 2015 Royal Society of Portrait Painters The Royal Society of Portrait Painters is a Registered Charity No. 327460 Royal Society of Portrait Painters Patron: Her Majesty The Queen Advisory Board Council Hanging Committee Anne Beckwith-Smith LVO Paul Brason Paul Brason Keith Benham Tom Coates Simon Davis Dame Elizabeth Esteve-Coll DBE Saied Dai Sam Dalby Lord Fellowes GCB GCVO QSO Sam Dalby Toby Wiggins Foreman Anupam Ganguli Sheldon Hutchinson Gallery Manager Damon de Laszlo Antony Williams John Deston The Hon. Sandra de Laszlo Selection Committee Philip Mould Exhibitions Officer Jane Bond Sir Christopher Ondaatje CBE OC Alistair Redgrift Sam Dalby Mark Stephens CBE Simon Davis Press and Publicity Daphne Todd OBE PPRP NEAC Hon. SWA Robin-Lee Hall Richard Fitzwilliams President Sheldon Hutchinson Liberty Rowley Robin-Lee Hall Melissa Scott-Miller Head of Commissions Toby Wiggins Vice President Annabel Elton Antony Williams Simon Davis ‘Conversations’ Prize Honorary Secretary Selection Committee Melissa Scott-Miller Anthony Eyton RA Honorary Treasurer Martin Gayford Jason Walker Philip Mould OBE Justin Urquhart Stewart Honorary Archivist Toby Wiggins 3 Deceased Honorary Members Past Presidents 2001 – 2002 Andrew Festing MBE 2002 – 2008 Susan Ryder NEAC Sir Lawrence Alma-Tadema OM RA RWS 1891 – 1904 A. -
Fine Arts 2008-2009
fine arts 2008-2009 SARA BARKER JOSEPH BEDFORD GABRIELLA BISETTO PENELOPE CAIN DRAGICA JANKETIC CARLIN LUKE CAULFIELD KATIE CUDDON GRAHAM DURWARD PIERRE GENDRON CELIA HEMPTON CATH KEAY REBECCA MADGIN AMANDA MARBURG RUTH MURRAY EDDIE PEAKE LIZ RIDEAL JAMES ROBERTSON DAVID SPERO AMIKAM TOREN fine arts 2008-2009 Sara Barker Joseph Bedford Gabriella Bisetto Penelope Cain Dragica Janketic Carlin Luke Caulfield Katie Cuddon Graham Durward Pierre Gendron Celia Hempton Cath Keay Rebecca Madgin Amanda Marburg Ruth Murray Eddie Peake Liz Rideal James Robertson David Spero Amikam Toren THE BRITISH SCHOOL AT ROME 1 The projects realised by GABRIELLA BISETTO, PENELOPE CAIN, AMANDA MARBURG have been assisted by the Commonwealth Government through the Australia Council, its Arts funding and advisory body. The Arts Council England Helen Chadwick Fellowship is organised and administered by The Ruskin School of Drawing and Fine Art, University of Oxford and The British School at Rome with the support of Arts Council England and St Peter’s College, Oxford. Acknowledgements Edited by Jacopo Benci David Chandler, Photoworks, London Graphic design Silvia Stucky Prof. Mihai Barbulescu, Romanian Academy, Rome Photography courtesy of the artists and architects, except Martin Brody, American Academy in Rome Claudio Abate (pp. 16-17, 47), Serafino Amato (pp. 30-31), Joachim Blüher, Pia Gottschaller, German Academy Villa Luke Caulfield (pp. 13, 46), Fernando Maquieira (pp. 24-25), Massimo, Rome Jacopo Benci (cover image; pp. 6-11, 51, 64) Marianna Di Giansante, Francesca Monari, Timothy Mitchell, Translations Jacopo Benci Æmilia Hotel, Bologna Gianmatteo Nunziante, Nunziante Magrone Studio Legale Associato, Rome Published by THE BRITISH SCHOOL AT ROME Casa dell’Architettura, Ordine degli Architetti P.P.C. -
Steve Mccurry ’74
Steve McCurry ’74 Steve McCurry is quite simply one of the finest, most highly regarded photographers in the world. He graduated from the College of Arts and Architecture with a B.A. cum laude in cinematography, whereupon he joined a newspaper. After two years he set out for India to freelance and begin his career in earnest. Spending the majority of his time in Southeast Asia, McCurry supported himself through his freelance work for a number of years. However, it was his photographs of rebel-controlled Afghanistan just before the Russian invasion in the 1980s that brought him to world attention. Disguised in native garb and pretending to be mute, McCurry crossed the Pakistan border into Afghanistan to emerge into safety later with rolls of film sewn into his clothes—film that, because it contained compelling images that were among the first of the conflict, was quickly published worldwide. His coverage won the Robert Capa Gold Medal for Best Photographic Reporting from Abroad—an award dedicated to photographers exhibiting exceptional courage and enterprise. Since then, McCurry has covered many areas of international and civil conflict, including Beirut, Cambodia, the Philippines, the Gulf War, the Iran-Iraq war, and the disintegration of the former Yugoslavia. McCurry’s images of the devastation of the World Trade Center in 2001 are considered standouts in the documentation of that attack. Says McCurry, “Most of my photos are grounded in people. I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face. I try to convey what it is like to be that person—a person caught in a broader landscape that I guess you’d call the human condition.” Throughout his career he has put himself at risk to record images of every major conflict of the last twenty years: he has been arrested and chained in Pakistan, survived a plane crash in Yugoslavia, was beaten and nearly drowned in India by crowds at a religious festival, and was nearly killed by a Mujahadeen faction. -
Claudine Nougaret Raymond Depardon
Palmeraie et désert presents Journal de France a film by Claudine Nougaret Raymond Depardon Fiction - France - Running time: 1H40 - Image : 2.39 / Sound: Dolby Digital 5.1 INTERNATIONAL SALES INTERNATIONAL PR Magali Montet Carole BARATON - [email protected] [email protected] Gary FARKAS - [email protected] T: +33 (0)6 71 63 36 16 Vincent MARAVAL - [email protected] Gaël NOUAILLE - [email protected] Delphine Mayele Silvia SIMONUTTI - [email protected] [email protected] T: +33 (0)6 60 89 85 41 Synopsis A journal, a voyage through time. He photographs France, she rediscovers the unseen footage he has so carefully kept: his first steps behind the camera, his TV reports from around the world, snatches of their memories and of our history. 1967 Raymond founds the Gamma agency with Hubert Henrotte, Raymond Depardon Hugues Vassal and Léonard de Remy. Gilles Caron joins them later on. Gamma sets up a new operating method, giving photographers autonomy Claudine Nougaret and accountability. Double Biographies 1969 Raymond Depardon shoots his first short documentary in Czechoslovakia, one year after the Soviet military clampdown on the Prague Spring. IAN PALACH is a tribute to a young Prague inhabitant who set himself on fire. 1942 Raymond Depardon, born July 6th, to a family of farmers in 1970 He travels to Chad for the first time with Gilles Caron, Robert Pledge Villefranche-sur-Saône (Rhône). and Michel Honorin. 1954 Raymond gets his first 6x6 camera, a birthday present given to his 1973 Raymond Depardon takes on the leadership of the Gamma agency brother. First snapshots of the farm, of his dog Pernod, and of dances given following an internal crisis. -
The Future of Foreign Reporting
Montana Journalism Review Volume 1 Issue 40 Issue 40, 2011 Article 1 2011 Beyond Our Borders: The future of foreign reporting University of Montana--Missoula. School of Journalism Follow this and additional works at: https://scholarworks.umt.edu/mjr Part of the Journalism Studies Commons Let us know how access to this document benefits ou.y Recommended Citation School of Journalism, University of Montana--Missoula. (2011) "Beyond Our Borders: The future of foreign reporting," Montana Journalism Review: Vol. 1 : Iss. 40 , Article 1. Available at: https://scholarworks.umt.edu/mjr/vol1/iss40/1 This Full Issue is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Journalism Review by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. School of Journalism: Beyond Our Borders: The future of foreign reporting MONTANA M JOURNALISM RJ REVIEW BEYOND OUR BORDERS The future of foreign reporting THE UNIVERSITY OF MONTANA SCHOOL OF JOURNALISM VOL. 40, SUMMER 2011 Published by ScholarWorks at University of Montana, 2015 1 Montana Journalism Review, Vol. 1 [2015], Iss. 40, Art. 1 https://scholarworks.umt.edu/mjr/vol1/iss40/1 2 School of Journalism: Beyond Our Borders: The future of foreign reporting EDITOR’S NOTE In tribute to American photo- freelancing for Getty Images, and to two an unforgettable series detailing the journalist Chris Hondros, 41, who other extraordinary photojournalists, shooting of an Iraqi family by U.S. died in Misrata, Libya, on April 20 both British citizens, who ventured to troops. -
Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................