2015
Royal Society of Portrait Painters 2015 RP therp.co.uk
Annual Exhibition 2015 Royal Society of Portrait Painters 17 Carlton House Terrace, London SW1Y 5BD Tel: 020 7930 6844 www.therp.co.uk
Cover painting ‘Fabio’ by Brendan Kelly RP
Designed and produced by Chris Drake Design Printed by Duncan Print Group Published by the Royal Society of Portrait Painters © 2015 Royal Society of Portrait Painters
The Royal Society of Portrait Painters is a Registered Charity No. 327460 Royal Society of Portrait Painters Patron: Her Majesty The Queen
Advisory Board Council Hanging Committee
Anne Beckwith-Smith LVO Paul Brason Paul Brason Keith Benham Tom Coates Simon Davis
Dame Elizabeth Esteve-Coll DBE Saied Dai Sam Dalby
Lord Fellowes GCB GCVO QSO Sam Dalby Toby Wiggins Foreman Anupam Ganguli Sheldon Hutchinson Gallery Manager Damon de Laszlo Antony Williams John Deston The Hon. Sandra de Laszlo Selection Committee Philip Mould Exhibitions Officer Jane Bond Sir Christopher Ondaatje CBE OC Alistair Redgrift Sam Dalby Mark Stephens CBE Simon Davis Press and Publicity Daphne Todd OBE PPRP NEAC Hon. SWA Robin-Lee Hall Richard Fitzwilliams President Sheldon Hutchinson Liberty Rowley Robin-Lee Hall Melissa Scott-Miller Head of Commissions Toby Wiggins Vice President Annabel Elton Antony Williams Simon Davis ‘Conversations’ Prize Honorary Secretary Selection Committee Melissa Scott-Miller Anthony Eyton RA Honorary Treasurer Martin Gayford Jason Walker Philip Mould OBE Justin Urquhart Stewart Honorary Archivist Toby Wiggins
3 Deceased Honorary Members Past Presidents 2001 – 2002 Andrew Festing MBE 2002 – 2008 Susan Ryder NEAC Sir Lawrence Alma-Tadema OM RA RWS 1891 – 1904 A. Stuart Wortley 2008 – 2014 Andrew James William Bowyer RA RP RWS NEAC 1906 – 1910 Sir W. Q. Orchardson RA HRSA Maurice Bradshaw OBE 1910 – 1924 Sir James J. Shannon RA Honorary Members 2015 Derek Clarke RP RSW ARSA 1924 – 1930 Sir William Orpen KBE RA RHA
Sir George Clausen RA 1932 – 1940 Sir John Lavery RA RSA RHA Etc Leonard McComb RA Hon. RBA
Sir Arthur Cope RA 1944 – 1948 George Harcourt RA Tom Phillips CBE RA Hon. PS
Cowan Dobson RBA 1948 – 1953 Augustus John OM RA Tai-Shan Schierenberg
William Dring RA RWS 1953 – 1965 Sir James Gunn RA LL.D John Wonnacott CBE
Hugh de T. Glazebrook 1965 – 1971 Sir William Hutchison PPRSA
Kenneth Green 1971 – 1980 Edward Halliday CBE PPRBA Members 2015
Sir James Guthrie PRSA RA 1980 – 1983 Norman Hepple RA Alastair Adams PPRP Allan Gwynne-Jones DSO RA 1983 – 1991 David Poole ARCA Jane Bond RP NEAC J. McLure Hamilton 1991 Edward Hall Jason Bowyer RP PNEAC PS Claude Harrison ARCA 1991 – 1994 George J. D. Bruce Paul Brason PPRP Augustus John OM RA 1994 – 2000 Daphne Todd OBE Keith Breeden RP AGBI Steward 2014-15 Dame Laura Knight RA RWS 2000 – 2002 Paul Brason Peter Brown RP NEAC PS Hon. RBA ROI Leonard C. Lindsay FSA 2002 – 2008 Andrew Festing MBE George J. D. Bruce PPRP Sir William Llewellyn PRA 2008 – 2014 Alastair Adams Tom Coates RP PPPS PPRBA RWS Sir John Everett Millais PRA PPNEAC RWA A. T. Nowell Past Vice Presidents David Cobley RP RWA NEAC Herbert A. Oliver RI 1898 – 1934 The Hon. John Collier OBE Anthony Connolly RP Sir Edward Poynter PRA RWS 1934 – 1944 George Harcourt RA Saied Dai RP NEAC Hugh G. Riviere 1944 – 1952 Sir Oswald Birley RA Sam Dalby RP Carlos Sancha 1952 – 1953 T. C. Dugdale RA Simon Davis RP RBSA Vice President C. Sanders RA 1953 – 1957 Simon Elwes ARA Frederick Deane RP John S. Sargent RA RWS 1959 – 1964 Sir William Hutchison PPRSA John Edwards RP Howard Somerville 1966 – 1980 Norman Hepple RA Andrew Festing MBE PPRP Trevor Stubley RBA RSW RWS 1980 – 1985 John Ward CBE RA RWS Richard Foster RP A. R. Thompson RA 1985 – 1991 George J. D. Bruce David Graham RP G. F. Watts OM RA 1991 Edward Hall Valeriy Gridnev RP PS ROI T. Fiddes Watt RSA 1991 – 1994 Richard Foster Robin-Lee Hall RP J. McNeill Whistler HRSA LL.D 1994 – 1999 Trevor Stubley RWS RBA Geoffrey Hayzer RP Walter Woodington RBA NEAC 1999 – 2001 Paul Brason Sheldon Hutchinson RP
4 Andrew James RP Honorary Friends Ms Christina Leder Brendan Kelly RP Professor Kenneth McConkey Ms Philippa Abrahams Peter Kuhfeld RP NEAC David Messum Esq. Ms Anne Allport James Lloyd RP Dr Mark Moody-Stuart Sir Ian Amory June Mendoza AO OBE RP ROI Hon. SWA Ms Jans Ondaatje-Rolls The Rt. Hon. Lord Archer of Anthony Morris RP NEAC Richard Ormond Esq. Weston Super Mare Michael Noakes RP William Packer Esq. NEAC Hon. RBA Hon. PS Ms Pim Baxter Anastasia Pollard RP James Partridge OBE DSc. Baroness Bottomley David Poole PPRP ARCA Ms Liz Rideal Gyles Brandreth Esq. Susan Ryder RP NEAC Alasdair Riley Esq. Robin Buchanan-Dunlop Esq. Melissa Scott-Miller RP NEAC Hon. Secretary The Hon. Maurice Robson Gerald Carroll Esq. Stephen Shankland RP Sir Timothy Sainsbury Colonel William Chesshyre Jeff Stultiens RP Dr Charles Saumarez Smith Mrs Peter Cookson Benjamin Sullivan RP NEAC Sir David Scholey Conrad Dehn Esq. Jason Sullivan RP The Lord Selborne Ms Susan Engledow Michael Taylor RP Robin Simon Esq. Ms Katherine Eustace Daphne Todd OBE PPRP NEAC Hon. SWA Peyton Skipwith Esq. Michael Fawcett Esq. Jason Walker RP Hon. Treasurer Peter Spira Esq. Lord Fellowes of West Stafford John Walton RP Prof. Dame Marilyn Strathern Ms Moira Field Emma Wesley RP The Lord Vinson of Roddam Dene LVO DL Ms Frances Gandy Toby Wiggins RP Hon. Archivist Ian Wallace Esq. Dr Rita Gardner Antony Williams RP PS NEAC Anthony Weale Esq. Martin Gayford Esq. Neale Worley RP Duncan Wilson Esq. David Goldstone Esq. Robbie Wraith RP Andrew Wilton Esq Philip Harley Esq. Associate Members Sir Max Hastings Sir Michael Holroyd Frances Bell Assoc RP David Houchin Esq. Miriam Escofet Assoc RP Ms Sarah Howgate Joseph Galvin Assoc RP Ms Dotti Irving David Miller Assoc RP Mrs Lucy Jenkins David R Newens Assoc RP Dr Gillian Jondorf
Mark Roscoe Assoc RP The Rt. Hon. Tessa Jowell MP Sir Henry Keswick
The Lady Fellowes LVO Sir Kirby and Lady Laing
5 FIGURATIVE ART TODAY The Threadneedle Prize 2014
The Threadneedle Foundation is pleased to support Mall Galleries and The Threadneedle Prize, a leading competition for figurative and representational painting and sculpture.
Since its establishment in 2008 The Threadneedle Prize has become recognised as one of the country’s major art prizes and a vibrant and engaging forum for creative talent.
As well as supporting new techniques that stretch the potential of young, emerging and established artists, it provides an exciting and varied exhibition for everyone to see.
threadneedle.com/foundation | threadneedleprize.com Bed Head - Tina Jenkins Winner - Threadneedle Prize 2014
Important information: Threadneedle Asset Management Limited (TAML) registered in England and Wales, no.3701768, 60 St Mary Axe, London EC3A 8JQ. TAML is authorised and regulated by the Financial Services Authority. Threadneedle Investments is a brand name and both the Threadneedle Investments name and logo are trademarks or registered trademarks of the Threadneedle group of companies. threadneedle.com T4230 President’s review of the year
Welcome to the 124th Royal Society of Portrait Painters Annual Open Management, we are able to offer Exhibition. The portraits on show draw from members and non-members workshops during our show in the excellent Learning Centre at the Mall Galleries. alike. This year, we received in the region of 1,900 portraits from our digital submission, with a final 91 making it onto the walls. We are delighted to be able to continue to award our generous and established prizes. It is also my pleasure to introduce myself as Congratulations go to our 2014 the new President of the RP. I have been prizewinners. We are, as ever, grateful for exhibiting with the RP since the nineties and the generosity of our sponsors’ support and in 2008 was elected to membership. I became belief in the Society’s remit. This year we a Council member in 2009 and have sat on have also been able to add Burke’s Peerage the People’s Portraits Standing Committee Foundation. These prizes are valuable to the at Girton since 2010. I’m a practising recipients, many of whom establish higher portrait painter and I lecture at the National profiles from being showcased in this way. Portrait Gallery and National Gallery. My ambition for the Society as President, is to 2014 saw the Bulldog Bursary awarded continue to build on our history and strong to Emma Hopkins. Emma, along with 2013 reputation for high quality commissioned recipient, Sarah Jane Moon, has an portraiture and share our knowledge and exhibition during the show in the Mall experience through education. Galleries’ Learning Centre.
On behalf of the Society, I would like to The People’s Portraits collection at Girton thank Alastair Adams for his direction and continues to go from strength to strength leadership over the last six years. Alastair with Jason Walker donating his portrait of gave us a fine new website and a new ‘Brooksy’. This year the collection image. His enthusiasm and very hard work celebrates its 15th anniversary and there helped to guide the Society through difficult will be a small selection of paintings on economic times. Thanks also go to Andy show in the Threadneedle Space. James for his work alongside Alastair as Vice President over his term. Michael Taylor All of the RP’s activities are as a result of stepped down from the Council on abundant goodwill, support and advice completion of his two-year rotation and his from friends, members and our highly contribution is greatly appreciated. Robin-Lee Hall, the new President of the RP experienced and valued Advisory Board.
This is also an opportunity for me to introduce This year sees an expansion of our And finally, it’s important to remember to some new faces on the Council. Taking over relationship with Seven Investment thank the subjects and commissioners of the role of Vice President is Simon Davis, Hon. Management and their generous £15,000 our own paintings. The sitter’s time and the Secretary from 2010. Melissa Scott-Miller Conversations Prize. The shortlisted works patron’s willingness to support artists by has returned to the role of Hon. Secretary. and winner will be displayed in the funding and loaning works is greatly Sam Dalby, Sheldon Hutchinson and Tom Threadneedle Space. Thanks to our appreciated and helps make exhibitions and Coates have stepped on to the Council. sponsorship from Seven Investment artistic careers all the richer.
7 Video views
Girton College Cambridge is the acted as a clean slate in terms of the kind of home of the People’s Portraits media I am gravitating towards, and being constantly surrounded by portraits is collection. Video artist and Girton influencing the way I create work. Film and College Artist in Residence, 3D continue to form the backbone of my Sonny Sanjay Vadgama, talks practice, but I am enjoying the process of creating a new series of work, drawing about his experience in the role. from the energy and history that is layered within a single image. I try not to speculate Immersing myself in University life, and on how work will evolve, but seeing the collaborating with the students and staff at diversity of what has already been created Girton College has proved to be a rich feels extremely positive. experience. It is one that has fuelled my own work, and as I now feel comfortable My first weeks here demonstrated the need here, I can get on with making things in a to raise awareness of the Artist in Sonny Sanjay Vadgama stimulating environment. Looking back a Residency scheme in order for the staff and year, I can see how my ideas have changed, students at Girton (and beyond) to know collegiate activities proved beneficial. Not and how my inspiration has altered and about the scheme and to interact with it. I only did it introduce me to new friends but shifted in shape. This new environment has attempted to do this by turning the studio it also taught me how to relax and enjoy into a focal point for interactivity. I some of the more formal traditions at encouraged both staff and students to Cambridge University. collaborate with me, and to use the space to expand their interests and think about the Attending lectures was one of the ‘logical’ intersections between different kinds of plans I did follow through with, and I can creativity. Film nights, poetry readings and wholeheartedly describe the experience as social soirées soon followed. rewarding. Setting-up a new artist’s studio has always been a challenging process for Working in Girton College required a me, so being able to attend lectures on paradigm shift in working, having grown subjects such as Philosophy and History of accustomed to compact artists’ studios that Art was food for thought and a fertile offered limited chances for interactivity source of inspiration that could feed ideas beyond the occasional conversation in a into my own practice. grotty communal kitchen. I learnt Girton had accepted me for the residency a year before, and initially, set about trying to plan The People’s Portraits collection at Girton how to make the most of it. Such a strategy College Cambridge is a unique collection of only seemed logical, but I soon realised the portraits of ordinary people in the UK today, ‘logical’ could hardly be applied to an painted by members of the Royal Society of environment that I had no experience of. Portrait Painters. For more information, visit: Subsequently, trusting my gut was the best www.girton.cam.ac.uk/girton-today/ Self portrait C-Print by Sonny Sanjay Vadgama compass, and immersing myself in artefacts/peoples-portraits
8 The Bulldog Bursary 2015
Latest winner, Emma Hopkins, and a collaboration with the video and I paint, and feel lucky that I can combine my talks about how she works, and sound artist Debra Welch. various skills into a practice that is beginning to take shape. Winning the the opportunities that have arisen Geri Morgan was born in London in 1926. Bulldog Bursary has been a momentous from winning. Amongst many other things, Geri is a achievement for me, and given me real painter and was the principal of the Byam confidence and support. I will be eternally At eighteen, I moved to London from Shaw School of Art from 1970 to 1991. Each grateful for this unique opportunity. Brighton to study for a degree in Make-up week, I visit Geri at his home in Islington. and Prosthetics for Performance. I had We make our way slowly up the winding, always drawn inspiration for art work from creeking stairs to his studio in the attic, anything human, and it seemed fitting to where, after the ritual of a coffee and chat, use the body as my canvas. he paints me and then I paint him.
I learnt a lot about how to work respectfully Despite the fact that since 1948 he has used and intimately with another person and life models for his own work, not until now their body, how to guide them through has Geri swapped roles and sat for a narrative, and how to portray character. By painting himself. I have depicted him in a the end of my course, I was designing, chair used by his models for over 40 years. directing and filming performance pieces. I now also hold a pose in this chair for him Then, I graduated. each week. The markings covering the chair were crucial for me to include as they hold I tried to fit myself into the designated the memory of the physical positions of his performance industries, I even tried to fit models, meaningful friendships and myself into the medical industry by working beautiful paintings. for a prosthetic limb manufacturer. But I couldn’t. I saw a psychotherapist, started I have filled Geri’s gaze with the intensity working in a little fine art supply shop, that I see when he paints me, and also the trusted my instincts and started to paint. wealth of emotion and kindness he emits as a friend. I chose to paint on a plain Four and a half years later, and after a huge translucent fabric as this forces you to amount of trial and error, I applied for the observe intently the person, while also Bulldog Bursary, and, to my bewilderment, giving the work a sense of space. I have I was successful. constructed a frame that contains Geri in a space that echos that of the sloped ceilinged In this exhibition you will see my oil attic. I wanted the piece to have a feeling of painting of Geri Morgan. Within the Mall being unbalanced but at the same time Galleries’ Learning Centre, until 19th April, solid. This is because, despite Geri’s alongside other works I have made since strength as a person, he struggles at times winning the bursary, will be my encounters with the control of his body. with Geri Morgan. They are recorded through preliminary sketches and paintings I am the most at ease and stimulated when Emma Hopkins in her studio
9 Ever wondered how a portrait is commissioned?
Finding the right artist is a bit like falling in love – people know when they have found the right portrait painter for them.
Commissioning a portrait is easy and Once chosen, it’s time to meet the artist, enjoyable. Before launching into selecting discuss the detail and agree a quote, only an artist, you will need to have an idea then do we book the first sitting. Most about who or what you would like to have artists will travel to their sitter, but some portrayed, roughly what size you would like prefer the more stable conditions of their the work of art to be, and whether it is to be studio. The number of sittings needed a painting or drawing. Artists’ fees vary varies depending on the medium, the artist from small sums to small fortunes so the and their method of work; some artists will other aspect to address is a budget. use photography and others work only from life but, broadly speaking, two to The most important stage is to select an eight sittings of 1.5 hours is the average. appropriate artist, which, without help, can Most importantly, sittings are enjoyable be an overwhelming task. This is why we and friendships are often formed between believe our ‘One Stop Shop’ for portrait sitter and artist. commissions is so useful. We pride ourselves on our expertise and knowledge Once the work is finished, the artist will Alice Bell of the portraits market, along with the help you to choose a frame and the by Simon Davis VPRP RBSA standard of our members’ work. finish, and then you can enjoy the fruits of your part in the creative process for years “We wanted a portrait of our ten-year Annabel Elton, our Head of Commissions, to come. old daughter, Alice. We had never has over 30 years of experience, and she commissioned a portrait before and has developed systems to ensure the whole Please contact us if you would like to find didn’t know what to expect but Annabel process is easy and enjoyable. She is able to out more about commissioning a portrait. helped us identify potential artists and provide advice and guidance from artist create a shortlist from which we chose selection through to completion. Annabel Elton Simon Davis. Everything was very clear Telephone 020 7930 6844 in terms of logistics, pricing, payment, Our website is a good place to start [email protected] etc. Alice is never great at sitting still but (www.therp.co.uk) with its ‘Choose an www.therp.co.uk she was very excited and honoured to be artist’ section. In addition, Annabel offers painted! Simon was very good at personal consultations either in person, by engaging her and making it fun. We are appointment or by email. delighted with the end result – he has really captured Alice’s personality and her internal world, as well as what she looks like on the outside.”
Jean and Julian Bell
10 The Paikin Girls by Valeriy Gridnev RP PS ROI
“I commissioned the portrait for my husband’s birthday. We loved the whole process involving many ‘secret’ sittings with the wonderful Valeriy. We were all thrilled with the result.”
Professor William Brown Irayne Paikin Darwin College, Cambridge Sir Tim Wilson by Geoffrey Hayzer RP by Brendan Kelly RP “I’ve worked with him for twelve years “As part of our commitment to creating and it’s like a viva! He’s sitting there an artwork-rich campus that reflects a giving you a severe ‘listening to’ and whole range of our interests, having “A photograph simply he’s about to ask the penetrating portraits of our university founding Vice question that’s going to be extremely Chancellors, created by a young and couldn’t do the same for difficult to answer!” contemporary portrait artist, allows us us…we will treasure Peter Brindle, Darwin College Cambridge to talk about our history as a university in more traditional terms, and also this for years to come.” creates a permanent memorial to people who helped us to the strong position we are in today.”
Chris McIntyre, Dean of Cultural Affairs and Director of UHArts, University of Hertfordshire
11 Annual Open Award Winners 2014
Top left to right: ‘Ali’ by Neil B Helyard (The Love and Legacy Prize sponsored by Seven Investment Management); ‘Conversations with Duncan’ by Jennifer McRae (The Ondaatje Prize for Portraiture); ‘Jonathan Miller’ by Saied Dai RP NEAC (The Changing Faces Prize); ‘Portrait’ by Jack Joiner (The Arts Club Charitable Trust Award); ‘Study for Andrew’ by Antony Williams RP NEAC PS (The Prince of Wales’s Award for Portrait Drawing); ‘Studio 26’ by Flora Watson (The de László Foundation Award)
12 ‘Conversations’ Prize
Seven Investment Management (7IM) provides investment services for a whole range of clients – from family businesses to sports people, from ‘tech’ entrepreneurs to journalists, large company chairmen to pensioners, trusts, charities and many more besides.
The original seven of us set up our business 13 years ago, because – simply put – we couldn’t find an investment company that we could trust with our own pension monies. Today, we manage around £8bn for clients who like our straightforward approach – to managing money, to talking to them without jargon and acronyms, and to being wholly transparent about what we charge for it all. So conversations are at the heart of our business, it’s only through talking to people that we get to really understand them and appreciate what they need us to help them to do; be it provide for a family, secure a future or protect the fruits of a working life.
We are delighted to be sponsoring the Royal Society of Portrait Painters again this year, and the ‘Conversations’ Prize is close to our hearts. After all, our origins go back to a conversation too, one between Justin and Tom, our CEO, in a staff canteen discussing the kind of business they would like to run, now they do… The Ondaatje Prize for Portraiture in association with The Royal Society of Portrait Painters
The President, Council and members are most grateful to Sir Christopher Ondaatje CBE OC, and the Ondaatje Foundation for their generous sponsorship of this major annual award to the painter of the most distinguished portrait of the year.
The prize was launched in 1995 and took the form of a commission to paint our Patron H.M. The Queen, for the Society. From 1996, the Prize has taken the form of a cheque in addition to the Society’s Medal.
This year, 2015, sees the prize money at £10,000.
Previous Prize Winners 1995 Antony Williams 1996 Desmond Healy 1997 Thom Winterburn 1998 Paul Brason 1999 John Ward CBE 2000 Leonard Rosoman OBE RA 2001 Daphne Todd OBE 2002 Martin Yeoman 2003 Michael Reynolds 2004 Howard J. Morgan 2005 John Wonnacott CBE 2006 Saied Dai 2007 Tom Coates 2008 James Lloyd 2009 Anastasia Pollard 2010 Robin-Lee Hall 2011 Tai-Shan Schierenberg 2012 Antony Williams 2013 Mark Roscoe 2014 Jennifer McRae The de Laszlo Foundation Award
The Society wishes to acknowledge the considerable interest shown by The de Laszlo Foundation in encouraging young artists and furthering the aims of The Royal Society of Portrait Painters.
We are pleased to announce that the Silver Medal together with a cheque for £3,000 will be awarded to the artist, aged thirty five or under, judged to have submitted the best portrait.
The President, Council and members wish to express their gratitude to The de Laszlo Foundation for instigating this award.
Previous Prize Winners (Awarded by The Carroll Foundation until 2003) 1990 David Quirke 1992 Nahem Shoa 1993 Richard Smith 1994 Haydn Cottam 1995 Antony Williams 1996 Frances Turner 1997 Francis Terry 1998 Andrew James 1999 James Lloyd 2000 T. M. J. Leveritt 2001 James Schneider 2002 Benjamin Sullivan 2003 Francisco Centofanti 2004 Brendan Kelly 2005 Emma Wesley 2006 Frances Bell 2007 Patrick Bremer 2008 Ruth Murray 2009 Emma Wesley 2010 Norman Long 2011 Martha Zmpounou 2012 David Sargerson 2013 Kelvin Okafor 2014 Flora Watson The Changing Faces Prize
The Changing Faces Prize is awarded to the artist whose portrait most powerfully conveys the energy of their subject, the directness of their gaze and an attitude that exudes openness and confidence.
The Prize is a £2,000 commission to paint a portrait of a person who has a facial disfigurement for the Changing Faces Collection. The Collection aims to ensure that people with unusual faces are fairly represented in modern-day portraiture.
Each year, as our commissioned artist reveals their work, we are reminded of the power of portraiture to challenge assumptions and expectations about what it means to have an unusual appearance. As well as the scar, the birthmark or asymmetrical features, the artist and his subject help you see a confident communicator, an attractive person with skills, talents and personality, and an individual who has a valid place in society.
We look forward to congratulating the Prize winner.
James Partridge OBE, DSc (Hon), FRCSEd (Hon) Founder and Chief Executive, Changing Faces
Previous Changing Faces Prize Winners 2002 Michael Taylor 2003 Jason Bowyer 2004 Alastair C. Adams 2005 Jean-Paul Tibbles 2006 Toby Wiggins 2007 Brendan Kelly 2008 Hynek Martinec 2009 Anthony Connolly 2010 Antony Williams 2011 Benita Stoney 2012 Mark Roscoe 2013 Andrew James 2014 Saied Dai CLARENCE HOUSE The Prince of Wales’s Award for Portrait Drawing
The President, Council and members are deeply grateful to H.R.H. The Prince of Wales for The Prince of Wales’s Award for Portrait Drawing, a framed certificate and a cheque for £2,000, which is made annually.
Previous Prize Winners 1999 Nicholas Cochrane 2000 Tom Coates 2001 Sheldon Hutchinson 2002 Peter Kuhfeld 2003 Warren Baldwin 2004 Anthony Connolly 2005 Toby Wiggins 2006 Thomas Lumley 2007 Saied Dai 2008 Peter Brown 2009 Neil B. Helyard 2010 Louise Yates 2011 David Miller 2012 Anthony Connolly 2013 Toby Wiggins 2014 Antony Williams Burke’s Peerage Foundation Award for Classically Inspired Portraiture in association with The Royal Society of Portrait Painters
Burke’s Peerage Foundation was established 5 January 2014, on the 200th anniversary of the birth of Sir John Bernard Burke, CB, Ulster King of Arms 1853–92, to advance the education of the public in the subject of genealogy and personal heritage.
Burke’s Peerage Foundation Award for Classically Inspired Portraiture was instituted to celebrate the art of portraiture included in Burke’s Peerage since its foundation by John Burke in 1826. It is presented annually with a framed certificate and a cheque for £2,000.
We are delighted to sponsor this award and look forward to viewing the submissions.
William Bortrick Founder and Chairman, Burke’s Peerage Foundation The Royal Society of Portrait Painters is extremely grateful for the generosity of the Bulldog Trust in setting-up the Bulldog Bursary for Excellence. This is a bursary of £5,000 given annually to an up-and-coming portrait painter. The winner is chosen by the President and Council of the RP after a national call for entries. As well as receiving the Bursary, during the year the recipient is mentored by members of their choice from the Society.
The winner for 2014-2015 is Emma Hopkins.
The Bulldog Trust support the development of talent across the arts, they set up the Bulldog Bursary with the RP to encourage the perpetuation of the skills and excellence involved in professional portraiture. We are delighted to be able to offer the winner the truly unique opportunity of learning this art from the UK’s master portrait painters themselves.
Previous Prize Winners 2007 Joseph Galvin 2008 Daniel Shadbolt 2009 David Caldwell 2010 Clara Drummond 2011 Rebecca Francesca Cartwright de Fontenelle 2012 Olha Pryymak 2013 Sarah Jane Moon 2014 Emma Hopkins The Arts Club Charitable Trust Award in association with The Arts Club
The President, Council and members would like to express their thanks to The Arts Club Charitable Trust and The Arts Club for their award of £1,000 to the most deserving artist in the exhibition, as judged by representatives from the Charitable Trust.
Artists’ General Benevolent Institution Royal Society of Portrait Painters
Patron: H.R.H the Prince of Wales You may consider making a bequest to the Royal Society of Portrait Painters, which specifically promotes traditional values in Founded in 1814 by JMW Turner, the Artists’ General Benevolent figurative painting and receives no public funding. Institution provides help to professional artists and their dependents in times of difficulty. If you would like further information, please write to:
Funds are always needed and donations of any amounts are Melissa Scott-Miller gratefully received and acknowledged. Hon. Secretary Royal Society of Portrait Painters Please send your donation to: 17 Carlton House Terrace London SW1Y 5BD The Secretary Artists’ General Benevolent Institution Telephone 020 7930 6844 Burlington House, Piccadilly London W1J 0BB
Registered Charity No. 212667 Registered Charity No. 327460 Annual Exhibition 2015 Alastair Adams PPRP
Avrom Sher
85 x 76 cm (33 x 30 ins)
Oil
22 David Wilson
101 x 67 cm (40 x 26 ins)
Oil
23 Frances Bell Assoc RP
Self Portrait (Part 1, 2 and 3)
53 x 58 cm (21 x 23 ins)
Oil
24 Jason Bowyer RP PPNEAC PS
A Small Self
38 x 38 cm (15 x 15 ins)
Oil
25 Jane Bond RP NEAC
Peter Green, Headmaster of Ardingly College 2007 – 2014
81.5 x 74 cm (32 x 29 ins)
Oil
This portrait was commissioned by Ardingly College. Peter Green is now Head Master of Rugby School.
26 Lady Buckinghamshire
79 x 74 cm (31 x 29 ins)
Oil
27 Paul Brason PPRP
Eleonora and Sibylla (Study) Mary Rees-Mogg
89 x 94 cm (35 x 37 ins) 61 x 46 cm (24 x 18 ins)
Pencil Pencil
28 Sir Alan Battersby
97 x 107 cm (38 x 42 ins)
Oil
29 Keith Breeden RP
Professor Lord Krebs of Wytham, Principal of Jesus College, Oxford
100 x 90 cm (40 x 36 ins)
Oil
Courtesy of Jesus College
30 Professor Graham Russell, Emeritus Professor of Musculoskeletal Pharmacology
81 x 66 cm (32 x 26 ins)
Oil
Courtesy of The Botnar Research Centre
31 Peter Brown RP NEAC PS Hon. RBA ROI
Ella at the Door and in the Hall
92 x 59 cm (36 x 23 ins)
Oil
Ella, at the brink of her 9th birthday, is a lover of life. She appears confident and noisy at home but is just as shy as any child when she is out in the big wide world. Here she is twice: In the hall and on the threshold of the house.
Hattie Asleep, Summer ’14
35.5 x 33 cm (14 x 13 ins)
Pencil
The kids are great to draw asleep. Sometimes they ask me to draw them as they nod off. This is Hattie, the summer before she started secondary school, finally not sharing with her younger sister but in a room of her own.
32 Shot by Ned
137 x 107 cm (54 x 42 ins)
Oil
I have a go at a family portrait every now and then. I am keen to record the family as it grows. This is the first floor landing of our house: a busy junction of the home. Bedrooms, a bathroom and my studio lead directly off it. It becomes Ned’s space base, Ella’s dance floor and Hattie’s Gym at weekends. In the middle of the night panicking feet tumble through it towards our bedroom to escape nightmares and in the morning impatient siblings pace the floor awaiting the bathroom slot. It would be lovely to think we all interact wonderfully all the time but of course the reality is we disappear into our own worlds or that of the ether while inhabiting the same space. Ned, however, although self-sufficient, demands attention from his siblings and his Mum and Dad. Lisa here would be the only real witness to my assassination.
33 Tom Coates RP PPNEAC PPPS PPRBA RWA RWS
Pauline with her Favourite Hat The Black Shawl
71 x 81 cm (28 x 32 ins) 71 x 84 cm (28 x 33 ins)
Oil Oil
34 Peter Rockwell
66 x 76 cm (26 x 30 ins)
Oil
I met Peter while staying with friends in Tuscany. He came to sit for me each afternoon at 3pm, wearing different shirts each day, and normally dropping off to sleep within ten minutes! I learnt a lot from him about his famous father, Norman, and his painting methods. Peter himself is a renowned sculptor and professor in Rome, author of Art of Stoneworking and international consultant on Stone Conservation and Restoration.
35 David Cobley RP NEAC RWA
Professor Martin Daunton
112 x 86 cm (44 x 34 ins)
Oil
36 Neil Osborn
96.5 x 127 cm (38 x 50 ins)
Oil
37 Anthony Connolly RP
Annunziata
50 x 40 cm (20 x 16 ins)
Oil
38 Sam Dalby RP
Paul Kelly
70 x 60 cm (28 x 24 ins)
Oil
39 Saied Dai RP NEAC
The Musician
66 x 51 cm (26 x 20 ins)
Oil
40 The Enigma of Jasper Rose
163 x 112 cm (64 x 44 ins)
Oil
41 Simon Davis RP RBSA
Standing Nude Standing Nude (Sepia)
71 x 61 cm (28 x 24 ins) 64 x 43 cm (25 x 17 ins)
Oil Oil
42 Le Phare
74 x 58 cm (29 x 23 ins)
Oil
43 Miriam Escofet Assoc RP
Shubha
90 x 70 cm (35 x 28 ins)
Oil
This portrait was commissioned as a wedding present for Shubha and her husband James by his parents. There are biographical elements in the portrait: Shubha’s dress is the one she was wearing when James proposed; her wedding sari is draped over her arm and she is wearing her mother in law’s jewellery. Shubha’s natural demeanour made me think of Dominique Ingres’ wonderful society portraits, and I think some of that elegance has come through in the finished piece.
44 Kathryn and Milo
95 x 80 cm (37 x 31 ins)
Oil
Work in progress
This is a mother and son portrait, in a pose I observed them naturally adopt after an Easter lunch last year. Something about the rhythm of the pose, the colour and the age old ‘mother and son’ motif really captivated me, and I mentally archived it as a potential portrait. Some months later, I asked Kathryn and Milo to pose for me in the exact same position. I always think of other artists and works when I am painting, and with this piece, I could not help thinking of the ‘pieta’ theme, especially with Kathryn’s outfit (albeit in a very modern style!) of royal blue and touches of gold.
45 Andrew Festing PPRP
Mr Stan Cribb Mr Raymond Barnard
86 x 66 cm (34 x 26 ins) 59 x 61 cm (23 x 24 ins)
Oil Oil
46 Mr Ricky Toomey
91.5 x 63.5 cm (36 x 25 ins)
Oil
47 Richard Foster RP
Barlow Family Capriccio
92 x 71 cm (36 x 28 ins) 142 x 110 cm (56 x 43 ins)
Oil Oil
48 Fishing Hut, Stobiehaugh
61 x 51 cm (24 x 20 ins)
Oil
49 Joseph Galvin Assoc RP
Dr Ann Rhys
40 x 51 cm (16 x 20 ins)
Oil
Dr Ann Rhys is fondly known in Wales as ‘Dr Ann’. Since retiring as a psychiatrist with special interests in mental health problems in the community in Ceredigion and consulting psychiatrist to the University of Wales, Aberystwyth, she has become somewhat of a celebrity on the Welsh language programme Prynhawn Da. For the past 15 years she has had a weekly slot, sharing her expert medical knowledge and helpful advice on television and radio. Through all this, she managed to raise seven children, and is grandmother to 13 – she also happens to be my mother in law, and is an extraordinary person!
The portrait was completed over several sittings, and was painted entirely from life. It was a gradual process that incorporated many subtle changes in expression and pose. Through these many observations, I feel that I was able to capture a true sense of her warmth and questioning nature.
50 Richard Q Hoare OBE – Founder and Past Chairman of The Bulldog Trust
76 x 98 cm (30 x 39 ins)
Oil
I first met Tigger in 2007 at Two Temple Place, home to the charity, The Bulldog Trust. The event was an exhibition of self-portraits by RP members, which also served as the launch of the then new Bulldog Portrait Bursary to support portrait painters in their early career. I was the first fortunate recipient of this award. Receiving the Bulldog Bursary was a life changing experience that helped me tremendously in establishing myself as a portrait painter. I was thrilled, therefore, to have the opportunity to paint this portrait of Tigger for The Bulldog Trust.
During the sittings, I was introduced to the wonderful bronze bulldog, symbol of the Trust. It quickly became apparent that this cast bronze sculpture was to play an important role in the portrait. I really enjoyed the sittings, and with them, the opportunity of getting to know a very kind and considerate man.
51 David Graham RP
Party Piece
76 x 63.5 cm (30 x 25 ins)
Oil
52 High Hat
94 x 58.5 cm (37 x 23 ins)
Oil
53 Valeriy Gridnev RP PS ROI
Guitarist
65.5 x 105 cm (26 x 41 ins)
Oil
54 The Framer
58 x 90 cm (23 x 35 ins)
Oil
55 Robin-Lee Hall PRP
21st Century Family
63 x 71 cm (25 x 28 ins)
Egg tempera
56 Brendan Kelly RP
Fabio
100 x 112 cm (39 x 44 ins)
Oil
57 Peter Kuhfeld RP NEAC
Michael Fawcett MVO
122 x 96.5 cm (48 x 38 ins)
Oil
58 Mark Roscoe Assoc RP
“Detail from a Larger Scene” (from The Faculty of Advocates Bench and Bar painting 2015)
52 x 62 cm (20 x 24 ins)
Oil
59 June Mendoza AO OBE RP ROI Hon. SWA
Danielle de Niese, Opera Singer
152.5 x 107 cm (60 x 42 ins)
Oil
This painting was done over a year between Danielle’s opera engagements in the US at the Met, Norway, or wherever. We painted in the big Organ Room at Glyndebourne. Danni was marvellous, but the conditions were not: winter sun tended to pour across the room (death to the painting), and it was freezing. Danni, in her gorgeous couture dress, didn’t seem to notice – amazing!
60 Peter Avis and Andrew Keener Talking Music
107 x 152.5 cm (42 x 60 ins)
Oil
These two charmers were irresistible as a conversational subject. Immersed as they both are professionally in music, I wanted the close interplay of empathy and separateness. Despite the cramped room and frequent, frustrating bursts of sun (no north facing room available) it was a thoroughly enjoyable exercise, and started, by pure coincidence before I knew of the RP’s ‘Conversations’ project.
Salena Jones, Jazz Singer
168 x 91.5 cm (66 x 36 ins)
Oil
61 Anthony Morris RP NEAC
Portrait of Jack Morris
84 x 75 cm (33 x 30 ins)
Oil
This is a portrait of my younger brother Jack. We were both always drawing at home and at school, where we were lucky to have such an inspiring art master who gave us much encouragement.
I left school to go to Oxford School of Art, and Jack, three years later, in 1957, took drawings along to Morris Motors at Cowley and joined the Technical Publications Division. He recalls his first test piece was to draw a fuel tank unit, drawn with a crow quill, ruler and french curves.
Jack spent the rest of his working life at Cowley, producing fantastic cutaway drawings for many publications, so much so that you could get into the car and drive it away. He now lives in Garsington, Oxfordshire, with his wife Jill, and is now producing wonderful wildlife paintings and scenes of the local countryside.
62 Portrait of Glyn
92 x 66 cm (36 x 26 ins)
Oil
63 David R Newens Assoc RP
Margaret
88 x 63 cm (35 x 25 ins)
Oil
64 Susie
51 x 41 cm (20 x 16 ins)
Oil
65 Michael Noakes RP PPROI
66 Sir Donald Sinden CBE (detail)
133 x 107 cm (52 x 42 ins)
Oil
We had known the Sindens for decades, and had talked earlier about a portrait – but it somehow did not get under way until he was in his late eighties. He was busy, and had been out-of-work as an actor for only five weeks until a few years ago.
Sittings were spread over 2012 to 2014. I had seen him in a one-man performance, and I wished to echo that isolated single figure on a stage, with theatrical lighting. I made the background a vivid colour, and I would not have done that to a more ordinary sitter. He telephoned me once, speaking for nearly an hour: then there was a pause of three minutes, and he rang again and talked for a further forty minutes. Wonderful, wonderful stuff. And, of course, I wanted to show his humour, his exhilarating life-enhancing humour.
His home, Rat’s Castle, was a wonder of theatre associations. My room when I stayed there had numerous pictures – and a blotter marked JG… John Gielgud. In Lexie Whitter at 4¾ fact, the can he holds in the portrait had belonged to John Mills. 56 x 45 cm (22 x 18 ins)
I painted many theatre and film figures Pencil years ago, and his view on them was subtly different from mine since he had worked with them as a relatively young actor; and A couple of years ago, I drew Lexie’s brother, Charlie, when he was the in fact I have just been commissioned to same age as she is now. I showed that portrait here too. Four and three- paint Dame Judi Dench, so to my delight quarters is a significant age, and an individual’s character and personality that continues… emerges – with these two, anyway – by then.
67 Anastasia Pollard RP
Self Portrait
28 x 24 cm (11 x 9 ins)
Oil
68 Danny
28 x 24 cm (11 x 9 ins)
Oil
69 Susan Ryder RP NEAC Hon. SWA
General Sir John Swinton with his Daughter Tilda
104 x 114 cm (41 x 45 ins)
Oil
Work in progress
70 Nixie, Mirabel and Grace Walduck
125 x 99 cm (49 x 39 ins)
Oil
71 Melissa Scott-Miller RP NEAC
Family in a Hampstead Garden
91 x 122 cm (36 x 48 ins)
Oil
72 Hugh Williams
84 x 72 cm (33 x 28 ins)
Oil
73 Jeff Stultiens RP
Isobel and Bertie
81.3 x 61 cm (32 x 24 ins)
Oil
Work in progress
74 Antony Williams RP NEAC PS
Andrew Looking Down
43 x 38.7 cm (17 x 15 ins)
Egg tempera
75 Benjamin Sullivan RP
David Oelman
68 x 50 cm (27 x 20 ins)
Pencil and conté
76 Sir Colin Lucas
72 x 48 cm (28 x 19 ins)
Pencil and conté
77 Daphne J Todd OBE PPRP NEAC Hon. SWA
Gerald Sklar Esq. Gesticulating
61 x 61 cm (24 x 24 ins)
Oil
78 The Right Reverend Graeme Knowles CVO
76 x 61 cm (30 x 24 ins)
Oil
By kind permission of the Dean & Chapter, St Paul's Cathedral
79 John Walton RP
Professor Paul Luzio
68 x 78 cm (27 x 31 ins)
Oil
Professor Paul Luzio was Master of St Edmund’s College Cambridge from 2004 to 2014.
In his hand is a highly magnified version of a clathrin cage representing his research in cell biology. To the left you see the college, its coat of arms and a symbolic representation of its sporting activities with their mascot. To the right you have his wife Jane and her Morris dancers.
80 John & Joseph
43 x 43 cm (17 x 17 ins)
Oil
Painted on a panel given to me by Jason Bowyer to produce a self portrait for the show at the Hogarth Museum. Unfortunately, I was taken ill and didn’t complete it on time. Joseph is my second great grandson!
81 Toby Wiggins RP
Wee-To. Tom and Edna Waterman, Stapleford
72 x 102 cm (28 x 40 ins)
Oil
82 Guy Bamford at Dunshay Studio Chris Bardini
135 x 85 cm (53 x 33 ins) 40 x 30 cm (16 x 12 ins)
Oil Oil
83 John Wonnacott CBE Hon. RP
Lady with an Apple
100 x 70 cm (39 x 28 ins)
Oil
Work in progress
My portrait began with a head painting on a 10” canvas, until my subject, a distinguished author, asked if she might work on her laptop while I worked on my drawing, and this set the pose for the full figure painting. Then, the Christopher Wood hanging above the El Greco-crimson couch began to dominate all my visual responses. To find my way into the delicate tonal rhythms of the head and features, I worked first with the veils of light and shadow thrown by a table lamp to criss-cross and unify the picture surface.
84 Taipans on the 48th Floor and these set the circular motifs for my final painting. The interacting circle of figures sat together for only two or three 115 x 160 cm (45 x 63 ins) posed meetings, but each director would call in separately to read through the papers or just to wind down with Oil conversation unrelated to company business while I worked on my painting. The only Chinese, Hong Kong based, director would come in early each morning to sit for a direct I first drew my Taipan subjects individually in their city offices painting head study while educating me with his deep before following them to Hong Kong for a fortnight of back- knowledge of the history of the company. My commission to-back company meetings. The office I was given to use as was to create a painting based on a previous company a studio had large porthole windows looking at the harbour, portrait by the 19th century painter George Chinnery.
85 Robbie Wraith RP
Burlesque
117 x 168 cm (46 x 66 ins)
Oil
86 Portrait Study
66 x 56 cm (26 x 22 ins)
Oil
87 Explore the best of British portrait painting at therp.co.uk
The RP website is a valuable resource which unlocks the past, present and future of the Royal Society of Portrait Painters.
Find out about FUTURE exhibitions, awards and forthcoming events on the news blog. Discover exclusive interviews with, and biographies and portfolios about our PRESENT members. Learn about the history of the Royal Society of Portrait Painters and read PAST exhibition catalogues.
Register online at therp.co.uk to be the first to hear about RP exhibitions and special events 88
‘CHRIS BARDINI’ BY TOBY WIGGINS RP Annual Exhibition 2015 Annual Exhibition 2015 9 Clive PAUL BRASON PPRP Oil 18 Eleonora and Sibylla (Study) 31 x 26 cm (12 x 10 ins) Pencil ALASTAIR ADAMS PPRP £1,050 89 x 94 cm (35 x 37 ins) 1 Avrom Sher NFS Oil OLGA BODROVA 19 Mary Rees-Mogg 85 x 76 cm (33 x 30 ins) Invited by John Walton RP Pencil NFS 10 Girl with Apples 61 x 46 cm (24 x 18 ins) Oil 2 David Wilson NFS 95 x 75 cm (37 x 30 ins) Oil NFS 20 Sir Alan Battersby 101 x 67 cm (40 x 26 ins) Oil NFS JANE BOND RP NEAC 97 x 107 cm (38 x 42 ins) 11 Lady Buckinghamshire NFS JENNIFER ANDERSON Oil 3 The Directors: A Portrait of Neil MacGregor, 79 x 74 cm (31 x 29 ins) KEITH BREEDEN RP Director of the British Museum, London, NFS 21 Professor Graham Russell, Emeritus and Tom Campbell, Director of the Professor of Musculoskeletal Pharmacology Metropolitan Museum, New York 12 Peter Green, Headmaster of Courtesy of The Botnar Research Centre Oil Ardingly College 2007 – 2014 Oil 120 x 100 cm (47 x 39 ins) Oil 81 x 66 cm (32 x 26 ins) £100,000 81.5 x 74 cm (32 x 29 ins) NFS NFS CLAIRE ANSCOMB 22 Professor Lord Krebs of Wytham, 4 Veil PETER BOWEN Principal of Jesus College, Oxford Graphite 13 Tom Ward-Thomas Courtesy of Jesus College 28 x 35 cm (11 x 14 ins) Oil Oil £500 45 x 35 cm (18 x 14 ins) 100 x 90 cm (40 x 36 ins) £1,200 NFS CAROLINE BAYS 5 Michael JASON BOWYER RP PPNEAC PS ILSA BRITTAIN Charcoal 14 A Small Self 23 Rise 83 x 76 cm (33 x 30 ins) Oil Oil £850 38 x 38 cm (15 x 15 ins) 30 x 23 cm (12 x 9 ins) £1,500 £450 NATHALIE BEAUVILLAIN SCOTT 15 Andnous 6 Yohan MARTIN BROOKS Charcoal Oil 24 Tom 30 x 25 cm (12 x 10 ins) 45 x 35 cm (18 x 14 ins) Oil £650 £9,000 53.3 x 64 cm (21 x 25 ins) 16 Mr Sparksman £3,500 FRANCES BELL Assoc RP Ink 7 Self Portrait (Part 1, 2 and 3) 38 x 38 cm (15 x 15 ins) PETER BROWN RP NEAC PS Oil £800 Hon. RBA ROI 53 x 58 cm (21 x 23 ins) 25 Ella at the Door and in the Hall 17 Sammy G NFS Oil Charcoal 92 x 59 cm (36 x 23 ins) 51 x 38 cm (20 x 15 ins) TIM BENSON VPROI £8,250 8 Clifford £1,500 Oil 31 x 26 cm (12 x 10 ins) £1,050 26 Ella on the Plan Chest 35 The Black Shawl ANNABEL CULLEN Oil Oil 45 Adrian 38 x 33 cm (15 x 13 ins) 71 x 84 cm (28 x 33 ins) Oil £2,250 NFS 40 x 30 cm (16 x 12 ins) £2,500 27 Hattie Asleep, Summer ’14 DAVID COBLEY RP NEAC Pencil 36 Kirsty MERRIE CURTISS-FULLER 35.5 x 33 cm (14 x 13 ins) Oil 46 Simon James I NFS 42 x 37 cm (17 x 15 ins) Pencil £1,650 64 x 49 cm (25 x 19 ins) JOHN BURKE £680 28 Louis 37 Neil Osborn Oil Oil LANTIAN D 30 x 20 cm (12 x 8 ins) 96.5 x 127 cm (38 x 50 ins) 47 Passersby No. 7 £4,000 NFS Oil 38 Professor Martin Daunton 30 x 40 cm (12 x 16 ins) ANNE-MARIE BUTLIN Oil £6,000 29 Madeleine 112 x 86 cm (44 x 34 ins) Oil NFS SAIED DAI RP NEAC 20 x 20 cm (8 x 8 ins) 48 The Enigma of Jasper Rose NFS ANTHONY CONNOLLY RP Oil 30 Madeleine at Plas Menai 39 AMDG 163 x 112 cm (64 x 44 ins) Oil Pencil NFS 76 x 41 cm (30 x 16 ins) 120 x 90 cm (47 x 35 ins) 49 The Musician £3,000 NFS Oil 40 Annunziata 66 x 51 cm (26 x 20 ins) CARL CHAPPLE Oil NFS 31 Mike Wozniak 50 x 40 cm (20 x 16 ins) Oil NFS SAM DALBY RP 45 x 35 cm (18 x 14 ins) 50 Justin £1,200 41 CPH Oil Oil 90 x 80 cm (35 x 31 ins) TOMAS CLAYTON 120 x 90 cm (47 x 35 ins) £12,000 32 Ghost NFS Oil 51 Paul Kelly 37 x 57 cm (15 x 22 ins) 42 The Rt. Hon. Lord Spicer Oil £1,350 Oil 70 x 60 cm (28 x 24 ins) 80 x 50 cm (31 x 20 ins) NFS TOM COATES RP PPNEAC PPPS NFS 52 Self Portrait PPRBA RWA RWS Oil 33 Pauline with her Favourite Hat BELINDA CROZIER 45 x 35 cm (18 x 14 ins) Oil 43 Linda £6,000 71 x 81 cm (28 x 32 ins) Conté NFS 29 x 24 cm (11 x 9 ins) £400 SIMON DAVIS VPRP RBSA 34 Peter Rockwell 53 Le Phare Oil 44 Selfie in the Studio Oil 66 x 76 cm (26 x 30 ins) Oil 74 x 58 cm (29 x 23 ins) NFS 29 x 25 cm (11 x 10 ins) £2,500 £1,200 54 Standing Nude 63 Shubha 73 Richard Q Hoare OBE – Founder and Oil Oil Past Chairman of The Bulldog Trust 71 x 61 cm (28 x 24 ins) 90 x 70 cm (35 x 28 ins) Oil £2,500 NFS 76 x 98 cm (30 x 39 ins) NFS 55 Standing Nude (Sepia) ANTHONY EYTON RA Hon. PS Hon. ROI Oil ‘Conversations’ Prize Selector LUCIE GEFFRÉ 64 x 43 cm (25 x 17 ins) 64 Self Portrait 74 Claire in a Woollen Hat £1,500 Oil Oil 38 x 46 cm (15 x 18 ins) 73 x 50 cm (29 x 20 ins) HELEN DAVISON £4,500 £2,300 56 Selfie Oil ANDREW FESTING PPRP DAVID GRAHAM RP 31 x 25 cm (12 x 10 ins) 65 Mr Raymond Barnard 75 High Hat £350 Oil Oil 59 x 61 cm (23 x 24 ins) 94 x 58.5 cm (37 x 23 ins) MICHELE DEL CAMPO NFS £10,000 57 Redhead Oil 66 Mr Ricky Toomey 76 Portrait in Marrakesh 89 x 130 cm (35 x 51 ins) Oil Oil £6,500 91.5 x 63.5 cm (36 x 25 ins) 76 x 51 cm (30 x 20 ins) NFS £3,500 SUSANNA DEROSSI 67 Mr Stan Cribb 77 Party Piece 58 Olivia and Terese Oil Oil Oil 86 x 66 cm (34 x 26 ins) 76 x 63.5 cm (30 x 25 ins) 73 x 92 cm (29 x 36 ins) NFS £10,000 £1,200
RICHARD FOSTER RP NICOLAS GRANGER-TAYLOR AJAY DESHPANDE 68 Barlow Family Invited by Antony Williams RP NEAC PS 59 Raja Oil 78 Tom Burke Oil 92 x 71 cm (36 x 28 ins) Oil 30 x 25 cm (12 x 10 ins) NFS 30.5 x 20.2 cm (12 x 8 ins) £300 £12,000 69 Capriccio 60 Santosh Oil Oil CARL GRAUER 142 x 110 cm (56 x 43 ins) 30 x 25 cm (12 x 10 ins) 79 Roman Reads Rocamora NFS £300 Oil 70 Fishing Hut, Stobiehaugh 90 x 60 cm (35 x 24 ins) PHOEBE DICKINSON Oil £3,000 61 Carson on Set at Highclere Castle 61 x 51 cm (24 x 20 ins) (Part of a series of paintings documenting NFS LYN GRAY the making of Downton Abbey) 80 Monique Oil 71 Summer Evening Oil 35 x 18 cm (14 x 7 ins) Watercolour 62 x 46 cm (24 x 18 ins) NFS 26 x 18 cm (10 x 7 ins) £900 NFS MIRIAM ESCOFET Assoc RP 62 Kathryn and Milo JOSEPH GALVIN Assoc RP Oil 72 Dr Ann Rhys 95 x 80 cm (37 x 31 ins) Oil £15,000 40 x 51 cm (16 x 20 ins) NFS ANTHONY GREEN RA Hon. RBA JULIA HAWKINS ANDREW JAMES RP NEAC Hon. ROI 90 Portrait of Anna Fischer 98 Scarlet Invited by Melissa Scott-Miller RP NEAC Pencil Oil 81 Madeleine 62 x 43 cm (24 x 17 ins) 71 x 51 cm (28 x 20 ins) Oil £700 £4,000 72 x 48 cm (28 x 19 ins) 99 Self Portrait with Detached Retina £24,000 ANDREW HITCHCOCK Oil 91 Yvonne 122 x 91 cm (48 x 36 ins) VALERIY GRIDNEV RP PS ROI Pencil NFS 82 Guitarist 46 x 36 cm (18 x 14 ins) Oil £800 HERO JOHNSON 65.5 x 105 cm (26 x 41 ins) Invited by Jason Bowyer RP PPNEAC PS NFS PETER HOLT 100 Paulina 92 Marija and Michael 83 Maria Oil Oil Charcoal 70 x 80 cm (28 x 31 ins) 78 x 52 cm (31 x 20 ins) 50 x 70 cm (20 x 28 ins) NFS NFS £3,500 JIRI KELLER 84 Nina BENJAMIN HOPE 101 Emma Oil 93 Self Portrait with Palette Pencil 90 x 146 cm (35 x 57 ins) Oil 80 x 56 cm (31 x 22 ins) £14,500 92 x 73 cm (36 x 29 ins) £750 £3,800 85 The Framer 102 Flavio Oil EMMA HOPKINS Oil 58 x 90 cm (23 x 35 ins) Bulldog Bursary Winner 2014/15 60 x 50 cm (24 x 20 ins) NFS 94 Geri Morgan £2,500 Oil RAOOF HAGHIGHI 150 x 100 cm (59 x 39 ins) BRENDAN KELLY RP 86 In the Light £5,000 103 Anne Acrylic Oil 30 x 40 cm (12 x 16 ins) FLORENCE HOUSTON 53 x 58 cm (21 x 23 ins) £2,500 95 Miniature of Geordie NFS Oil ROBIN-LEE HALL PRP 10 x 10 cm (4 x 4 ins) 104 Fabio 87 21st Century Family £800 Acrylic and watercolour Egg tempera 100 x 112 cm (39 x 44 ins) 63 x 71 cm (25 x 28 ins) TOM HUGHES £8,500 NFS 96 Living Rooms with Lamps 105 Kate Oil Oil ROXANA HALLS 64 x 64 cm (25 x 25 ins) 53 x 58 cm (21 x 23 ins) 88 Hero £2,600 NFS Oil 79 x 79 cm (31 x 31 ins) TOBY HUNT 106 Rebecca £3,300 97 Portrait of Simon Weston Oil Oil 53 x 58 cm (21 x 23 ins) PAUL HARBER 70 x 50 cm (28 x 20 ins) NFS 89 Miss Zoe Tee £985 Watercolour 38 x 55 cm (15 x 22 ins) £5,000 PHILLIP KING KENNY MCKENDRY NASHUNMENGHE 107 Janis 115 Self Portrait at 50 125 Elizabeth Reduction linoprint Oil Oil (edition of 10) 24 x 18 cm (9 x 7 ins) 40 x 30 cm (16 x 12 ins) 31 x 31 cm (12 x 12 ins) £1,500 £1,500 NFS JUNE MENDOZA AO OBE RP DAVID R NEWENS Assoc RP PETER KUHFELD RP NEAC ROI Hon. SWA 126 Margaret 108 Head of a Girl 116 Danielle de Niese, Opera Singer Oil Pencil Oil 88 x 63 cm (35 x 25 ins) 46 x 43 cm (18 x 17 ins) 152.5 x 107 cm (60 x 42 ins) NFS NFS NFS 127 Susie 109 Michael Fawcett MVO 117 Peter Avis and Andrew Keener Talking Music Oil Oil Oil 51 x 41 cm (20 x 16 ins) 122 x 96.5 cm (48 x 38 ins) 107 x 152.5 cm (42 x 60 ins) £1,400 NFS NFS A K NEWINGTON 118 Salena Jones, Jazz Singer GEORGE LAWRENCE-BROWN 128 Jake Oil 110 Self Portrait at 24 Mixed media 168 x 91.5 cm (66 x 36 ins) Oil 58 x 48 cm (23 x 19 ins) NFS 30 x 25 cm (12 x 10 ins) £2,000 £2,000 DAVID MILLER Assoc RP MICHAEL NOAKES RP PPROI 119 An Invalide EDWARD LAWRENSON 129 Lexie Whitter at 4¾ Oil 111 Nihil Ultra (Self Portrait at 26) Pencil 134 x 103 cm (53 x 41 ins) Oil and resin 56 x 45 cm (22 x 18 ins) NFS 21 x 15 cm (8 x 6 ins) NFS £500 120 Ewen 130 Sir Donald Sinden CBE Oil Oil ELENA LELEN 64 x 53 cm (25 x 21 ins) 133 x 107 cm (52 x 42 ins) 112 Portrait of an Old Man NFS NFS Pencil 43 x 33 cm (17 x 13 ins) SARAH JANE MOON ASHLEY OGILVY £1,500 121 Jam and Emma Invited by Andrew James RP Oil 131 Dirkie, Night Shelter, Cape Town HELEN LLOYD-ELLIOT 153 x 153 cm (60 x 60 ins) Oil 113 Kirsty £7,250 79 x 61 cm (31 x 24 ins) Oil £4,000 76 x 65 cm (30 x 26 ins) ANTHONY MORRIS RP NEAC £3,500 122 Portrait of a Young Girl KEN PAINE PS Pastel 132 Man of the Cloth DAVID MAIDEN 56 x 46 cm (22 x 18 ins) Acrylic 114 Pots NFS 95 x 75 cm (37 x 30 ins) Oil £5,000 40 x 40 cm (16 x 16 ins) 123 Portrait of Glyn £4,500 Oil 92 x 66 cm (36 x 26 ins) TANVI PATHARE NFS 133 A Smoke Break Oil 124 Portrait of Jack Morris 130 x 70 cm (51 x 28 ins) Oil £8,000 84 x 75 cm (33 x 30 ins) NFS HELEN PERKINS MARK ROSCOE Assoc RP MELISSA SCOTT-MILLER RP NEAC Invited by Sam Dalby RP 143 “Detail from a Larger Scene” 152 Hugh Williams 134 Lana (from The Faculty of Advocates 2015) Oil Oil Oil 84 x 72 cm (33 x 28 ins) 38 x 28 cm (15 x 11 ins) 52 x 62 cm (20 x 24 ins) NFS £2,000 NFS KIM SCOULLER TOM PHILLIPS CBE RA Hon. RP Hon. PS NIGEL ROSE 153 Self Portrait 135 Sir David Scholey 144 Portrait of a Man Oil Pencil Charcoal 30 x 30 cm (12 x 12 ins) 40 x 32 cm (16 x 13 ins) 60 x 42 cm (24 x 17 ins) £1,100 NFS £950 SUE SIDE SOPHIE PLOEG ILARIA ROSSELLI DEL TURCO 154 Will 136 Paul 145 The Dancer Graphite Oil Oil 39 x 47 cm (15 x 19 ins) 54 x 44 cm (21 x 17 ins) 26 x 33 cm (10 x 13 ins) NFS NFS £850 LIANE STEVENSON PAULINA PLUTO SUSAN RYDER RP NEAC Hon. SWA 155 Benedict.2. Invited by Jane Bond RP NEAC 146 General Sir John Swinton with Oil 137 Me Against the Light his Daughter Tilda 84 x 69 cm (33 x 27 ins) Oil Oil £900 73.6 x 124.4 cm (29 x 49 ins) 104 x 114 cm (41 x 45 ins) 156 Hilary £2,500 NFS Oil 147 Miracle of a Cochlear Implant 51 x 51 cm (20 x 20 ins) ANASTASIA POLLARD RP Oil £560 138 Danny 81 x 97 cm (32 x 38 ins) Oil NFS JEFF STULTIENS RP 28 x 24 cm (11 x 9 ins) 157 Colin the Boat Builder (Bajan Portrait Series) £1,200 148 Nixie, Mirabel and Grace Walduck Pastel Oil 139 Self Portrait 67.5 x 47.5 cm (27 x 19 ins) 125 x 99 cm (49 x 39 ins) Oil NFS NFS 28 x 24 cm (11 x 9 ins) 158 David Rogers MBE, Co-founder of NFS CHARLIE SCHAFFER eahconsequences.com, in memory of 140 Sharn 149 Stephen his son, Adam Oil Oil Oil 44 x 37 cm (17 x 15 ins) 39 x 36 cm (15 x 14 ins) 112 x 81.3 cm (44 x 32 ins) £2,000 NFS NFS
159 Isobel and Bertie CAROLINE POOLE TERI ANNE SCOBLE Oil 141 Caroline 150 Lord Julian Fellowes 81.3 x 61 cm (32 x 24 ins) Oil Oil NFS 46 x 36 cm (18 x 14 ins) 41 x 31 cm (16 x 12 ins) £1,000 NFS 160 Journey’s End – Nightfall Oil EMILY PORTER-SALMON FIONA SCOTT 81.3 x 76 cm (32 x 30 ins) 142 Blue Orchid 151 Henry (Young Farmer) NFS Acrylic Oil 90 x 60 cm (35 x 24 ins) 113 x 93 cm (44 x 37 ins) £4,750 NFS BENJAMIN SULLIVAN RP NICOLE MICHELLE TULLY TOBY WARD NEAC 161 David Oelman 170 NG 2 179 The Guitarist Pencil and conté Oil Oil 68 x 50 cm (27 x 20 ins) 25 x 25 cm (10 x 10 ins) 76 x 84 cm (30 x 33 ins) NFS £2,400 £9,000
162 Julian Bingley SIMON TURVEY SWLA COLIN WATSON Pencil, conté and watercolour 171 Elianor Jonzen 180 Saleem 86 x 68 cm (34 x 27 ins) Oil Oil NFS 37 x 33 cm (15 x 13 ins) 33 x 44 cm (13 x 17 ins) 163 Sir Colin Lucas £950 £3,500 Pencil and conté 172 Lily, Jude and Katie 72 x 48 cm (28 x 19 ins) TOBY WIGGINS RP Oil NFS 181 Chris Bardini 98 x 68 cm (39 x 27 ins) Oil £8,500 YANKO TIHOV 40 x 30 cm (16 x 12 ins) 164 Face One NFS NIKOLAOS TZOUMAS Graphite 173 The Girl with the Orange Lips, Nancy 182 Guy Bamford at Dunshay Studio 50 x 35 cm (20 x 14 ins) Acrylic Oil £2,200 40 x 40 cm (16 x 16 ins) 135 x 85 cm (53 x 33 ins) £450 NFS DAPHNE TODD OBE PPRP NEAC Hon. SWA 183 Kevin Keates – Stone Mason and MARCO VENTURA 165 Gerald Sklar Esq. Gesticulating Quarry Owner 174 Profile Portrait of I.C. Oil Black chalk Graphite 61 x 61 cm (24 x 24 ins) 71 x 58 cm (28 x 23 ins) 15 x 10 cm (6 x 4 ins) NFS £550 £1,500 166 Michael Turner with his Viola 184 Wee-To. Tom and Edna Waterman, Stapleford 175 Self Portrait Pastel Oil Oil 35.5 x 41 cm (14 x 16 ins) 72 x 102 cm (28 x 40 ins) 18 x 13 cm (7 x 5 ins) NFS NFS £2,700 167 Professor Emerita Viv Gardner, about to GRAEME WILCOX Get Up and Go MARK WALTER 185 Two Figures (In Conference) Oil 176 Close Up Oil 76 x 61 cm (30 x 24 ins) Graphite 152 x 122 cm (60 x 48 ins) NFS 51 x 41 cm (20 x 16 ins) £14,000 £700 168 The Right Reverend Graeme Knowles CVO ANTONY WILLIAMS RP NEAC PS By kind permission of the Dean & Chapter, JOHN WALTON RP 186 Andrew Looking Down St Paul’s Cathedral 177 John & Joseph Egg tempera Oil Oil 43 x 38.7 cm (17 x 15 ins) 76 x 61 cm (30 x 24 ins) 43 x 43 cm (17 x 17 ins) £17,500 NFS NFS 187 Martin STELLA TOOTH 178 Professor Paul Luzio Egg tempera 169 Kate Adie Presenter BBC Radio 4 Oil 48 x 39 cm (19 x 15 ins) from our own Correspondent 68 x 78 cm (27 x 31 ins) NFS Oil NFS 83 x 74 cm (33 x 29 ins) £2,400 JOHN WONNACOTT CBE Hon. RP ‘Conversations’ Prize ANTHONY MORRIS RP NEAC 188 Lady with an Apple 203 Drinkers in The Cornwell Arms Oil Oil 100 x 70 cm (39 x 28 ins) PETER BROWN RP NEAC PS 90 x 115 cm (35 x 45 ins) NFS Hon. RBA ROI NFS 195 Shot by Ned 189 Night Portrait Oil BRIAN MORRIS Pencil 137 x 107 cm (54 x 42 ins) 204 Upp åt Bäcken (Up the Creek) 75 x 57 cm (30 x 22 ins) £14,000 Acrylic NFS 110 x 140 cm (43 x 55 ins) 190 Taipans on the 48th Floor DAVID CALDWELL £5,000 Oil 196 Studio Portrait (Louise & I) 115 x 160 cm (45 x 63 ins) Oil JOE ONGIE NFS 130 x 80 cm (51 x 31 ins) 205 Ruth and Scampy £1,600 Oil ROBBIE WRAITH RP 91 x 91 cm (36 x 36 ins) 191 Burlesque MARK CAZALET £1,500 Oil 197 I’ve Been Loving You Too Long 117 x 168 cm (46 x 66 ins) (To Stop Now) SHANTI PANCHAL POA Oil 206 The Date 90 x 120 cm (35 x 47 ins) Watercolour 192 Dheeba NFS 101 x 81 cm (40 x 32 ins) Charcoal £8,500 64 x 52 cm (25 x 20 ins) BELINDA CROZIER NFS 198 Male Madonna MORGAN PENN 193 Portrait Study Oil 207 The Picnic Oil 90 x 60 cm (35 x 24 ins) Oil 66 x 56 cm (26 x 22 ins) £6,000 100 x 100 cm (39 x 39 ins) POA NFS EMILY FALUDY 194 Toddy Hoare 199 At Edmund’s House MELISSA SCOTT-MILLER RP NEAC Charcoal Oil 208 Family in a Hampstead Garden 79 x 43 cm (31 x 17 ins) 110 x 161 cm (43 x 63 ins) Oil NFS £7,000 91 x 122 cm (36 x 48 ins) NFS DELPHINE HOGARTH 209 Two Brothers and their Dog 200 The Group Oil Oil, ink and acrylic 70 x 90 cm (28 x 35 ins) 150 x 150 cm (59 x 59 ins) NFS £2,800
LORNA MAY WADSWORTH TOBY HUNT 210 They Have Lunch Every Tuesday / 201 The Scientists Conversation Piece: Messrs Corbin & King Oil Acrylic, oil and 24 carat gold 150 x 110 cm (59 x 43 ins) 213 x 122 cm (84 x 48 ins) £3,545 NFS
EWAN MCCLURE 202 The Last Supra Oil 136 x 173 cm (54 x 68 ins) £8,000 COLIN WATSON People’s Portraits 211 Confidant Oil 97 x 112 cm (38 x 44 ins) JUNE MENDOZA OBE RP ROI Hon. SWA £8,500 215 Chris McCann, Scaffolder Oil GRAEME WILCOX 102 x 89 cm (40 x 35 ins) 212 The Anatomy Lesson NFS Oil 153 x 153 cm (60 x 60 ins) ANASTASIA POLLARD RP £15,000 216 Nick Oil SIÂN WILKINS 20 x 17 cm (8 x 6.5 ins) 213 Old Friends NFS Watercolour 16 x 24 cm (6 x 9 ins) BENJAMIN SULLIVAN RP £750 217 John McWilliam Oil JOHN WONNACOTT CBE Hon. RP 119 x 69 cm (47 x 27 ins) 214 Ian and Lois, The White Slip NFS Oil 225 x 135 cm (89 x 53 ins) DAPHNE TODD OBE PPRP NFS NEAC Hon. SWA 218 Ron and Ray Pett, Butchers Oil 127 x 102 cm (50 x 40 ins) NFS
JASON WALKER RP 219 ‘Brooksy’ Oil 53 x 51 cm (21 x 20 ins) NFS
TOBY WIGGINS RP 220 Larry Skeats, Retired Dorset Shepherd Oil 59 x 41 cm (22 x 16 ins) NFS Inside Portraits
džŚŝďŝƟŽŶ ƌƵŶƐ ϭϲ ƚŽ ϭϵ Ɖƌŝů ϮϬϭϱ Mall Galleries Learning Centre, The Mall, London SW1 ǁǁǁ͘ƚŚĞƌƉ͘ĐŽ͘ƵŬ
Emma Hopkins and Sarah Jane Moon, past recipients of the Bulldog Bursary, give us a glimpse into the inner workings behind the ĮŶŝƐŚĞĚ ƉŽƌƚƌĂŝƚ͘ dŚĞ ƚǁŽ ĂƌƟƐƚƐ ŚĂǀĞ been invited to takeover the Mall Galleries Learning Centre in order to experiment with ĂůƚĞƌŶĂƟǀĞ ǁĂLJƐ ŽĨ ƐŚĂƌŝŶŐ their work with audiences, ŐŝǀŝŶŐ ƚŚĞ ƉƵďůŝĐ Ă ďĞƩĞƌ insight into their individual ƉƌĂĐƟĐĞƐ͘ DƵůƟĚŝƐĐŝƉůŝŶĂƌLJ works interact with the 19th century architecture ŽĨ ƚŚĞ ƐƉĂĐĞ͕ ĐƌĞĂƟŶŐ ĂŶ immersive environment, ĞdžƉůŽƌŝŶŐ ƚŚĞ ƌĞůĂƟŽŶƐŚŝƉ ďĞƚǁĞĞŶ ƉĂŝŶƟŶŐ͕ new media and other
Tigana + Egle ĚŝƐĐŝƉůŝŶĞƐ͘ Geri Morgan ŽƚŚ ĂƌƟƐƚƐ ǁŝůů ďĞ ƉƌĞƐĞŶƚ ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ ĞdžŚŝďŝƟŽŶ to meet visitors and discuss the hidden stories Sarah Jane Moon, Emma Hopkins, ďĞŚŝŶĚ ƚŚĞŝƌ ĂƌƚǁŽƌŬƐ͘ Changing Faces – a new perspective on disfigurement
Over one million people in the UK have journey as I shed tears. My mother then a disfigurement. Some are born with a decided that enough was enough and birthmark or congenital condition; sought help. others acquire scarring, asymmetry or Changing Faces offered me support reduced movement as a result of from the age of eleven to 14. Sharing accidents, violence, warfare, cancer my feelings with one of their team and surgery, facial paralysis and skin learning techniques to tackle the stares conditions. was immensely helpful. I don’t feel Every day they are vulnerable to I’d be the person I am today without staring, bullying, prejudice and their help.” discrimination – on the street, at school Changing Faces thanks the Royal Society and in the workplace. For 20 years, of Portrait Painters for continuing to Changing Faces has been transforming raise awareness of our work. lives with empowering support while promoting fair treatment and equal We rely entirely on donations to opportunities through our Face continue supporting and representing Equality campaign. people with disfigurements.
Michael, a psychology student, who Changing Faces has facial burns, says: The Squire Centre “‘When I was eleven, I had a horrible 33-37 University Street experience on a train. I was sitting next London WC1E 6JN to my Mum and I could feel the piercing Tel: 0845 4500 275 glares of everyone around me. I www.changingfaces.org.uk couldn’t handle it so I pulled my coat www.facebook.com/changingfacesuk over my head and left it there the whole @faceequality
Chief Executive and Founder: James Partridge OBE
Patrons: Sir Christopher Benson, Rory Bremner, Michelle Dockery, Lord Fellowes of West Stafford, Gloria Hunniford, Terry Mansfield CBE, Jan Ravens, William Simons, Fiona Squire, Simon Weston OBE, Benjamin Zephaniah
Registered Charity No. 1011222
(QYLURQPHQWDOO\IULHQGO\FDWHULQJIRUYHU\RFFDVLRQ
(GHQ([SUHVVSURYLGHVDQH[WGD\RQOLQHRUGHULQJVHUYLFH (GHQ(YHQWVSURYLGHVDVXSSRUWHGVHUYLFHRIVLPLODUPHQXV (GHQE\$GULDQ&ROOLVFKRQVSHFLDOLVHVLQFUHDWLQJWUXO\ GHOLYHULQJĆQLVKHGIRRGW\SLFDOO\IRUEXVLQHVVPHHWLQJV GHOLYHUHGLQWKH([SUHVVGLYLVLRQEXWIRUELJJHUHYHQWVZKHUH VSHFWDFXODUIRRGIRURFFDVLRQVWKDWGHPDQGWKHEHVW$GULDQèV 6DQGZLFK/XQFKHV)LQJHU%XIIHWV)RUN%XIIHWV+RW TXRWHVDQGKHOSDUHUHTXLUHGLQERWKGHFLGLQJPHQXVKLULQJ EHVSRNHPHQXVEULQJDQH[FLWLQJTXDOLW\DQGćDYRXUWRDQ\ %RZO0HDOV%UHDNIDVW'ULQNV &RQIHUHQFH3DFNDJHV VWDIIDQGPDQDJLQJWKHUXQQLQJRIWKHHYHQW HYHQWRIIHULQJDQH[FOXVLYHH[SHULHQFHIRUJDODGLQQHUV ZHGGLQJVDQGUHFHSWLRQV
ZZZHGHQFDWHUHUVORQGRQ HYHQWV#HGHQFDWHUHUVORQGRQ ZZZWZLWWHUFRP(GHQ&DWHUHUV
The Michael Harding range contains superb, modern lightfast and ancient colours. All of Michael Harding handmade oil paints have incredible tint, concentration and saturation unlike any other oil paint.
www.michaelharding.co.uk Facebook: Michael Harding Oil Paints Twitter: @mhoilpaints london atelier of representational art
The London Atelier of Representational Art [ ] offers full time tuition in drawing, painting and sculpture utilising tradi- tional atelier techniques and practices.
Now providing intensive masterclasses in RQTVTCKVWTG CPF ƂIWTG RCKPVKPI
Places still available on our Easter and Summer Schools.
The London Atelier of Representational Art W0012/14 Basement Studios r Westminster Business Square r 1-45 Durham Street Vauxhall r London r SE11 5JH
Tel: 0207 738 8884 Email: [email protected] Painting: ‘Iska’ by Luca Indraccolo
WWW.LARKINSURANCE.CO.UKWWW.LARKINSURANCEKINSURANCE.CO.UK
INSURANCEINSURANCE MMADEADE TTOO MEASURE
PRIVATEPRIVVAAATTEE CLCLIENTIENT ININSURANCESURANCE THATTHAATT GGOESOES OONENE SSTEPTEEP FFURTHERURTHER
HighHigh VaValueValue Properties,Properties, FineFine ArtArt andand valuablesvaluables requirerequire insuranceinsurance thatthat ggoesoes aboveabove andand beyond.beyond. ToTo protectprotect yyourour mostmost valuablevaluable aassets,ssets, putput yyourour trusttrust inin Lark.Lark.
PRIVATEPRIVVAAATTE CCLIENTSLIENTS BROKERBROKER OFOF THETHE YEARYEAR 20132013 & 20142014 ANDAND INSURANCEINSURANCE BROKERBROKER OFOF TTHEHE YYEAREAR 20132013
@larkinsurancece UNISOUNISONN CCOLOUROLOUR bbeganegan aass aann enenquiryquiry inintoto colour. colour.T TToToday,odayy,, wwe e aarere kknownnown fforfoor our our uniquniqueue range range ooff sso o ppastels,astels, second second ttoo none none in ttheirheir ssubtletyubtlety aandnd intensity intensity of of cocolour,olour, ttheirheir uencyuency and and rresponsivenessesponsiveness ttoo touch, touch, Beautiful Pastels handmade in aandnd in ttheirheir dedelicacylicacy aandnd rrobustness.obustness. the Northumberland Countryside. FFollowollow uuss oonn FFacebookacebook ttoo kkeepeepp uupp ttoo ddateaatte oonn aallll tthehe llatestaattest pproductroduct nnews.ews. Visit www.unisoncolour.com for more details. IMAGE - TAI SHAN SCHIERENBERG, MALI CHEEK, OIL ON CANVAS
INTRODUCING OUR BRAND NEW PORTRAIT PAINTING DIPLOMA HEAD OF PAINTING The Art Academy TAI SHAN Mermaid Court 165A Borough High Street SCHIERENBERG London SE1 1HR www.artacademy.org.uk
2015
Royal Society of Portrait Painters 2015 RP therp.co.uk