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TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
Selbstverpflichtungs- Erklärung: Bilanz
Bilanz der Selbstverpflichtungserklärung des ZDF 2019-2020 Das ZDF-Programm 2019-2020 Selbstverpflichtungs- erklärung: Bilanz Bilanz der Selbstverpflichtungserklärung des ZDF 2019-2020 Vorwort Das Programmjahr 2020 und somit auch diese Bilanz der Selbstverpflich- tungserklärung 2019-2020 sind von der unvorhergesehenen Corona- Pandemie stark geprägt. Trotz der Verlegungen wichtiger Großereignisse aus dem Bereich des Sports, Absagen von Live-Shows und Konzerten sowie Dreh-Verschiebungen sämtlicher fiktionaler Produktionen um meh- rere Monate hat sich die Krise nicht negativ auf die Nutzung der ZDF- Angebote ausgewirkt. Die traditionellen Medien im Allgemeinen und die Informationsangebote des ZDF im Besonderen erlebten ab Mitte März 2020 eine deutliche Nut- zungssteigerung. In dieser Entwicklung zeigte sich, dass das Publikum verstärkt auf Werte wie Glaubwürdigkeit, Verlässlichkeit und Relevanz setzte – die in repräsentativen Umfragen immer wieder belegten Ker- nattribute des öffentlich-rechtlichen Rundfunks. Nicht nur mit Nachrich- tenprogrammen sind die linearen und non-linearen Kanäle der ZDF-Fa- milie dem gesteigerten Nutzungsbedürfnis entgegengekommen, sondern auch mit hintergründigen Dokumentationen, Bildungs- und Wissen- schaftsprogrammen. Zudem waren und sind die Nutzer*innen auf der Su- che nach fiktionalen und unterhaltenden Programmen, darunter bei- spielsweise auch solche, die unter Pandemie-Bedingungen hergestellt werden konnten, wie fiktionale Kurzformen oder Kulturangebote an un- gewohnten Orten. Das ZDF hat durch eine Vielzahl -
The New Media Economics of Video-On-Demand Markets: Lessons for Competition Policy
Ilmenau University of Technology Institute of Economics ________________________________________________________ Ilmenau Economics Discussion Papers, Vol. 24, No. 116 The New Media Economics of Video-on-Demand Markets: Lessons for Competition Policy Oliver Budzinski & Nadine Lindstädt-Dreusicke Oktober 2018 Institute of Economics Ehrenbergstraße 29 Ernst-Abbe-Zentrum D-98 684 Ilmenau Phone 03677/69-4030/-4032 Fax 03677/69-4203 http://www.wirtschaft.tu-ilmenau.de ISSN 0949-3859 The New Media Economics of Video-on-Demand Markets: Lessons for Competition Policy Oliver Budzinski# & Nadine Lindstädt-Dreusicke* + Abstract: The markets for audiovisual content are subject to dynamic change. Where once “traditional” (free-to-air, cable, satellite) television was dominating, i.e. linear audiovisual media services, markets display nowadays strong growth of different types of video-on-de- mand (VoD), i.e. nonlinear audiovisual media services, including both Paid-for VoD like Am- azon Prime and Netflix and Advertised-financed VoD like YouTube. Competition policy deci- sions in such dynamic markets are always particularly challenging. The German competition authority was presented such a challenge when, at the beginning of the 2010s, German television providers sought to enter online VoD markets with the help of cooperative plat- forms. We review the antitrust concerns that were raised back then in an ex post analysis. In doing so, we first discuss the dynamic development of the German VoD markets during the last decade. In the second part of this paper, we derive four aspects, in which the previous antitrust analysis cannot be upheld from today’s perspective. First, relevant implications of modern platform economics were neglected. Second, some inconsistencies in the assess- ment of the two projects appear to be inappropriate. -
Global Pay TV Fragments
Global pay TV fragments The top 503 pay TV operators will reach 853 million subscribers from the 1.02 billion global total by 2026. The top 50 operators accounted for 64% of the world’s pay TV subscribers by end-2020, with this proportion dropping to 62% by 2026. Pay TV subscribers by operator ranking (million) 1200 1000 143 165 38 45 800 74 80 102 102 600 224 215 400 200 423 412 0 2020 2026 Top 10 11-50 51-100 101-200 201+ Excluded from report The top 50 will lose 20 million subscribers over the next five years. However, operators beyond the top 100 will gain subscribers over the same period. Simon Murray, Principal Analyst at Digital TV Research, said: “Most industries consolidate as they mature. The pay TV sector is doing the opposite – fragmenting. Most of the subscriber growth will take place in developing countries where operators are not controlled by larger corporations.” By end-2020, 13 operators had more than 10 million pay TV subscribers. China and India will continue to dominate the top pay TV operator rankings, partly as their subscriber bases climb but also due to the US operators losing subscribers. Between 2020 and 2026, 307 of the 503 operators (61%) will gain subscribers, with 13 showing no change and 183 losing subscribers (36%). In 2020, 28 pay TV operators earned more than $1 billion in revenues, but this will drop to 24 operators by 2026. The Global Pay TV Operator Forecasts report covers 503 operators with 726 platforms [132 digital cable, 116 analog cable, 279 satellite, 142 IPTV and 57 DTT] across 135 countries. -
Playout Delay of TV Broadcasting
Master Thesis Playout delay of TV broadcasting Wouter Kooij 06/03/2014 University of Twente Faculty of Electrical Engineering, Mathematics and Computer Science Nederlandse Organisatie voor toegepast-natuurwetenschappelijk onderzoek, TNO Supervisors UT Prof. Dr. Ir. Boudewijn R. Haverkort Dr.ir. Pieter-Tjerk de Boer Supervisors TNO Ir. Hans Stokking Ray van Brandenburg, M.Sc. Date of the graduation 13/03/2014 Contents Acknowledgments 3 Nomenclature 5 1. Background 7 1.1. Introduction . .7 1.2. Research questions . .7 1.3. Outline . .8 2. Related Work 11 3. TV content delivery networks 13 3.1. Introduction . 13 3.2. Overview . 13 3.2.1. Analog TV . 14 3.2.2. Terrestrial, Satellite and Cable TV (DVB) . 15 3.2.3. IPTV . 15 3.3. TV Content delivery chain elements . 18 4. Delays in TV content delivery networks 21 4.1. Introduction . 21 4.2. Encoding and decoding . 22 4.2.1. Coding types . 23 4.2.2. Conclusion . 25 4.3. Transmission delays . 25 4.4. IPTV Techniques . 26 4.5. Delays in the KPN Chain . 26 5. Design and development of a playout difference measurement system 29 5.1. Introduction . 29 5.2. Content recognition techniques . 29 5.2.1. Audio fingerprinting . 31 5.3. Overview . 35 5.4. Reference time-source . 38 5.4.1. GPS as time-source . 38 5.4.2. GPS architecture in Android . 39 5.4.3. Obtaining GPS time in Android . 41 i Contents Contents 5.4.4. NTP as time-source . 44 5.4.5. NTP implementation in Android . 45 5.4.6. -
The New Media Economics of Video-On-Demand Markets: Lessons for Competition Policy (Updated Version)
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Budzinski, Oliver; Lindstädt-Dreusicke, Nadine Working Paper The new media economics of video-on-demand markets: Lessons for competition policy (updated version) Ilmenau Economics Discussion Papers, No. 125 Provided in Cooperation with: Ilmenau University of Technology, Institute of Economics Suggested Citation: Budzinski, Oliver; Lindstädt-Dreusicke, Nadine (2019) : The new media economics of video-on-demand markets: Lessons for competition policy (updated version), Ilmenau Economics Discussion Papers, No. 125, Technische Universität Ilmenau, Institut für Volkswirtschaftslehre, Ilmenau This Version is available at: http://hdl.handle.net/10419/197010 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Ilmenau University of Technology Institute of Economics ________________________________________________________ Ilmenau Economics Discussion Papers, Vol. -
Senderliste Digital Stand: Januar 2017
Senderliste Digital Stand: Januar 2017 FREE TV Kanal TV-Programme Hörfunk-Programme Frequenz Symbolrate Modulation S 21 Tele 5, Sport1, DMAX, SonnenklarTV, HSE24, Sunshine live, Rock Antenne 306 MHz 6,875 64 QAM HSE24 Trend, Deluxe Music, ERF plus S 22 Sat1, Pro7, Kabel1, N24, Sat1 Gold, Pro7 Maxx, 314 MHz 6,875 64 QAM Kabel 1 Doku S 23 arte, ONE, tagesschau24, EinsPlus, Phoenix 322 MHz 6,875 64 QAM S 29 RTL, RTL 2, SuperRTL, VOX, n-tv, RTL NITRO, 370 MHz 6,875 64 QAM RTLplus S 30 Bayerisches Fernsehen Nord und Süd, 378 MHz 6,875 64 QAM Das Erste (ARD), hr-fernsehen, WDR Köln, SWR Fernsehen BW S 31 MDR Sachsen, MDR Sachsen-Anhalt, 386 MHz 6,875 64 QAM MDR Thüringen, NDR FS HH, NDR FS MV, NDR FS NDS, MDR FS SH, rbb berlin, rbb Brandenburg, SWR Fernsehn RP S 32 ZDF, 3sat, KIKA, ZDFneo, ZDFinfo, ZDFkultur Dkultur, DLF, DRadio Wissen 394 MHz 6,875 64 QAM S 33 Disney Channel, 1-2-3.tv, Anixe SD, SIXX, Klassik Radio, Domradio 402 MHz 6,875 64 QAM QVC Beauty & Style, TLC, N24 Doku S 35 Servus TV HD, HSE24 HD 418 MHz 6,900 256 QAM PRIVATE HD-SENDER „BASIS HD“ Kanal TV-Programme Frequenz Symbolrate Modulation K 21 RTL HD, VOX HD, Pro7 HD, Sat1 HD, 474 MHz 6,900 256 QAM RTL NITRO HD, n-tv HD K 28 SIXX HD, SuperRTL HD, RTL2 HD, VIVA HD/ 530 MHz 6,900 256 QAM Comedy Central HD, DELUXE MUSIC HD, Disney Channel HD, TC ATV 2 K 32 Pro7 Maxx HD, MTV HD 562 MHz 6,900 256 QAM S 41 DMAX HD, TELE5 HD, Nickelodeon HD, 466 MHz 6,900 256 QAM Sport1 HD, Kabel1 HD, TLC HD POLNISCHE PROGRAMME Kanal TV-Programme Frequenz Symbolrate Modulation K 37 TVP1 HD, TVP2 HD, -
Status for the Implementation of DVB-T in the CEPT Area October 2005
WG RRC-06(05) Status for the implementation of DVB-T in the CEPT area October 2005 Introduction The ITU Regional Radiocommunications Conference RRC-06 shall establish a new agreement and associated frequency plans, including a new plan for terrestrial digital television (DVB-T) in the frequency bands 174 - 230 MHz (Band III) and 470 - 862 MHz (Bands IV/V). In preparation for the RRC-06 the CEPT has decided to follow the implementation of DVB-T. A significant number of CEPT countries have made a commitment to DVB-T with pilot or test transmissions taking place and planning studies under way for nation-wide coverage. Furthermore, a number of countries already have operational transmissions. In order to inform the WG RRC-06 on the implementation of DVB-T the ERO is maintaining this overview document. It consists of a table with figures on frequencies, transmitters, receivers and population coverage. Additional information is provided in the text following the table in the form of notes for each country. Please note that the map indicates the current status of implementation of DVB-T in CEPT countries and not the actual coverage. An updated overview is to be presented at each WG RRC-06 meeting. Last update: 06 October 2005. Next WG RRC-06 meeting: 31 January – 02 February 2006 1 National service launch date announced or already on air (11) Frequecy planning or test transmissions going on (20) Considering (1) No information (15) DVB-T implementation in the CEPT area 06-10-2005 Figure 1: DVB-T status in Europe 2 DVB-T implementation progress overview Country Co- Number of transmitters Percentage of households that can already, or are Number of Date of ordination (not number of stations) expected in the near future to, receive the quoted DVB-T last update in progress In operation Total after one year number of multiplexes receivers from now in use e.r.p. -
12/FINAL Working Party on Telecommunication And
Unclassified DSTI/ICCP/TISP(2005)12/FINAL Organisation de Coopération et de Développement Economiques Organisation for Economic Co-operation and Development 07-Apr-2006 ___________________________________________________________________________________________ English - Or. English DIRECTORATE FOR SCIENCE, TECHNOLOGY AND INDUSTRY COMMITTEE FOR INFORMATION, COMPUTER AND COMMUNICATIONS POLICY Unclassified DSTI/ICCP/TISP(2005)12/FINAL Working Party on Telecommunication and Information Services Policies MULTIPLE PLAY: PRICING AND POLICY TRENDS English - Or. English JT03207142 Document complet disponible sur OLIS dans son format d'origine Complete document available on OLIS in its original format DSTI/ICCP/TISP(2005)12/FINAL FOREWORD This report was presented to the Working Party on Telecommunication and Information Services Policies in December 2005 and was declassified by the Committee for Information, Computer and Communications Policy in March 2006. The report was prepared by Mr. Yoshikazu Okamoto and Mr. Taylor Reynolds of the OECD’s Directorate for Science, Technology and Industry. It is published under the responsibility of the Secretary- General of the OECD. © OECD/OCDE 2006 2 DSTI/ICCP/TISP(2005)12/FINAL TABLE OF CONTENTS MAIN POINTS.............................................................................................................................................. 6 Regulatory issues........................................................................................................................................ 7 INTRODUCTION -
INAP Ebuconnect
EBUconnect AWARD 2012 List of the 5 selected promo per category with the percentage of "live" vote for the gold and silver awards winners in each category CATEGORY 1 / BEST SPORT PROMOTION NR. BROADCASTER TITLE OF PROMO 34% Channel - Russia Russia - Ireland Promo 27% S4C - Wales Rugby World Cup 2011 NRK - Norway FIS - Nordic Worls Ski Championships 2011 ZDF - Germany Audi Cup France 3 - France Rugby world cup CATEGORY 2 / BEST NEWS OR CURRENT AFFAIRS PROMOTION NR. BROADCASTER TITLE OF PROMO 33% YLE - Finland Living Archive - Where Yesterday Lives 31% ZDF - Germany William & Kate France 5 - France History of America BBC - UK BBC2 Money Season SVT - Sweden 9/11 CATEGORY 3 / BEST ENTERTAINMENT PROMOTION NR. BROADCASTER TITLE OF PROMO 26% Rai - Italy Cinderella 1922 25% TV 2 - Denmark DMA - Danish Music Award 2011 BBC - UK Art Revealed SVT - Sweden Maestro - Who murdered Beethoven ? Georgia Wakapedia CATEGORY 4 / BEST MOVIE OR DRAMA PROMOTION NR. BROADCASTER TITLE OF PROMO 40% BBC - UK Luther 30% Rai - Italy Raidue Happy crime Christmas TV 2 Denmark X-files - I want to believe ARD - Germany Miss Marple TV 2 ZULU Bloody Christmas CATEGORY 5 / BEST CHILDREN’S OR YOUNG PEOPLES PROMOTION NR. BROADCASTER TITLE OF PROMO 50% SVT - Sweden 15 39% BBC - UK Horrible Histories SVT - Sweden Sommarlov VRT - Belgium Wie wordt wrapper ? WDR - Germany Fairytale - Time CATEGORY 6 / BEST CHANNEL BRANDING PROMOTION NR. BROADCASTER TITLE OF PROMO 64% ZDF - Germany ZDFkultur 12% ORF - Austria ORF2 Rebranding DW - Germany CI Campaign IBA - Israël Something new in the air 3sat - Germany 3sat - TRIALOG CATEGORY 7 / BEST PROGRAMME OR EVENT BRANDING PROMOTION NR. -
Playout Delay of TV Broadcasting
Master Thesis Playout delay of TV broadcasting Wouter Kooij 11/03/2014 University of Twente Faculty of Electrical Engineering, Mathematics and Computer Science Nederlandse Organisatie voor toegepast-natuurwetenschappelijk onderzoek, TNO Supervisors UT Prof. Dr. Ir. Boudewijn R. Haverkort Dr.ir. Pieter-Tjerk de Boer Supervisors TNO Ir. Hans Stokking Ray van Brandenburg, M.Sc. Date of the graduation 13/03/2014 Contents Acknowledgments 3 Nomenclature 5 1. Background 7 1.1. Introduction . .7 1.2. Research questions . .7 1.3. Outline . .8 2. Related Work 11 3. TV content delivery networks 13 3.1. Introduction . 13 3.2. Overview . 13 3.2.1. Analog TV . 14 3.2.2. Terrestrial, Satellite and Cable TV (DVB) . 15 3.2.3. IPTV . 15 3.3. TV Content delivery chain elements . 18 4. Delays in TV content delivery networks 21 4.1. Introduction . 21 4.2. Encoding and decoding . 22 4.2.1. Coding types . 23 4.2.2. Conclusion . 25 4.3. Transmission delays . 25 4.4. IPTV Techniques . 26 4.5. Delays in the KPN Chain . 26 5. Design and development of a playout difference measurement system 29 5.1. Introduction . 29 5.2. Content recognition techniques . 29 5.2.1. Audio fingerprinting . 31 5.3. Overview . 35 5.4. Reference time-source . 38 5.4.1. GPS as time-source . 38 5.4.2. GPS architecture in Android . 39 5.4.3. Obtaining GPS time in Android . 41 i Contents Contents 5.4.4. NTP as time-source . 44 5.4.5. NTP implementation in Android . 45 5.4.6. -
European Pay TV Operator Forecasts: Table of Contents
European Pay TV Operator Forecasts: Table of Contents Published in September 2012, this 140-page electronically-delivered report comes in two parts: A 110-page PDF giving a global executive summary, country/operator analysis and forecasts. An 30-page excel workbook giving comparison tables and country-by- country forecasts in detail for 95 operators across 25 territories from 2007 to 2017. Countries and operators covered: Country No of ops Operators Austria 3 Telekom Austria; UPC; Sky Belgium 4 Belgacom; Numericable; Telenet; VOO Croatia 2 Digi TV; Max TV/T-HT Czech 4 Digi TV; Telefonica; Skylink; UPC Denmark 6 Canal Digital; Viasat; You See; Stofa; Boxer; TDC Finland 6 Digita; Elisa; Teliasonera; DNA; Canal Digital; Viasat France 6 Orange; SFR; CanalSat; Numericable; Free; TNT Germany 5 KBW; KDG; DT; Sky; Unitymedia Greece 1 Nova Hungary 3 T-Home; Digi TV; UPC (cable & DTH) Ireland 2 UPC; Sky Italy 3 Mediaset; Sky; Telecom Italia Netherlands 5 UPC; Canal Digitaal; Tele 2; Ziggo; KPN/Digitenne Norway 5 Canal Digital; Viasat; Riks TV; Telenor; Get Poland 8 N; TNK; TP/Orange; Vectra; Multimedia Polska; Cyfra Polsat; Cyfra+; UPC Portugal 3 PT; Zon; Cabovisao Romania 3 Romtelecom; RCS-RDS/Digi TV; UPC Russia 7 NTV Plus; Tricolor; Akado; MTS; ER Telecom; Rostelecom; Beeline Serbia 1 SBB Slovakia 4 UPC; RCS-RDS; Skylink; Slovak Telekom Spain 3 Ono; Canal Plus; Telefonica Sweden 5 Canal Digital; Viasat; Com Hem; Telia; Boxer Switzerland 2 Swisscom; UPC/Cablecom Ukraine 1 Volia UK 3 Sky; Virgin; BT Forecasts (2007-2017) contain the following detail for each country: By country: TV households Digital cable subs Analog cable subs Pay IPTV subscribers Pay digital DTH subs Pay DTT homes By operator (and by platform by operator): Subscribers Subscription & VOD revenues ARPU Liberty Global and BSkyB to continue European pay TV dominance Pay TV subscriptions for the 95 operators across 25 countries covered in a new report from Digital TV Research will increase from a collective 96.2 million in 2007 to 140.9 million by 2017.