BOSTON UNIVERSITY TANGLEWOOD INSTITUTE
---YOUNG ARTISTS ORCHESTRA---
SEATING AUDITIONS
Prepare one solo selection of your choice.
Prepare the following excerpts.
o Respighi, Fountains of Rome § 3 measures before rehearsal 11 to the downbeat of 2 before rehearsal 16 o Mozart, Requiem § Alto trombone: II. Kyrie entire movement § Tenor trombone: Tuba mirum entire movement o Britten, Sinfonia da Requiem § 10 measures after rehearsal 18 to rehearsal 35 o Dvorak, Symphony No. 8 § Mvt IV: measure 360 to end o Stravinsky, Rite of Spring § Part 1: Rehearsal 20 to rehearsal 46 § Part 1: Rehearsal 70 to rehearsal 71 § Part 2: Rehearsal 103 to 104 § Part 2: One measure after rehearsal 115 to downbeat of rehearsal 117 § Part 2: Rehearsal 134 to two measures before rehearsal 138 § Part 2: Danse Sacrale rehearsal 142 to end
For practice purposes, a full set of public domain parts can be found in their entirety via the links below, hosted by IMSLP. Although BUTI may use slightly different editions than what is available on IMSLP, looking through these parts is an invaluable step in preparing for your summer study at BUTI. • Stravinsky: http://imslp.us/php/linkhandler.php?path=/scores/Stravinsky_Igor_1971/Stravinsky%20- %20Rite%20of%20Spring%20%28Trombones%20and%20Tubas%29.pdf • Dvorak: http://imslp.org/wiki/Special:ImagefromIndex/41134 • Respighi: http://imslp.org/wiki/Special:ImagefromIndex/19279 • Mozart: http://imslp.org/wiki/Special:ImagefromIndex/23874 http://imslp.org/wiki/Special:ImagefromIndex/23872 FONTANE Dl ROMA PO.EMA SINFONICO Ottorino Respighi (1916) Edited by Clinton F. Nieweg and Nancy M. Bradburd TROMBONE 1? La fontana di Valle Giulia all' alba.
La fontana del Tritone al mattino. ftt b Vivo 3 1:\ 3 t:\ ~p I • I I - I I 1 I - H
Phi vivo Un poco meno (/Jatamenttl) Plu vivo ancora. (Allegretto) 10 liD f5 [ill f')' [21 f6 rm :liB If ,~I I I I I I I§,~ I I I I lr pE I , f cres. u
Un poco rnll. poco rit· a tempo (molto vivo) 6 (ID 15 1R (?t·: rCft·:r·:r·:tf f F I rr: 1~ '~ • I • ~ I ~ ~ I
4
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Nr. 1 Dies irae III. SEQUENZ Allegro assai I I - I I liB lq; L L 1f f - Ir r IE E t LF IE F t tJI EE t LF IE E Nr EI 8 f 1 ~ l i B ~> EE-l- I~F" J!L' ElrHJrEIPr If El!c#JcEIC"pF·gvl 17 l i B ~> ErtEF!rrF IEt-1 7 IFF IEE-Ir r IEPffiHtffl 27 l i B~> r r t E!1 r r r r 1rgr r P1 9L r 1~~br r r ~~rr r 1~ERr r 1 36 1 ~ b I 9 b -----._ -----._ -----._ -----._ liB b r r r 1 r r 1 r qr 1 r r 1 r r - 1 1 , - 1 - r- p1 r r r r r r r r 1 52 f liBHf Qh EE IE E F E I E E r CF IE F E F I E E - I 7 I - E" PiDE EQ I 61 l i B ~> Et - It F EI Pr r p!Dr 0 IE t - I ~ It pIp I D't IJ r - II
N r. 2 Tuba mirum
N r. 3 Rex tremendae
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Britten, Requiem II. DIES IRAE lTil .m._ Allegro con fuoco con sord. v 9 8 2 DID 9
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1 (non 8Va) 2 G.P.~ 4:
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Ill. REQUIEM AETERNAM Andante molto tranquillo 1381 12 ~-#II _iJ± 5 pespr. sempre molto tranquillo @QJ con sord. ~:'# E(itl '1 * 1 r f!rfl, * rF FlO ·ll~ z r 1~t t ?t tj PP distinto cresc. = P
B.& H. R847 Dvorak, Symphony 8, Mvt. IV Trom1one I.
molto rilard.
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