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Meroz-Plank Canoe-Edited1 Without Bold Ital
UC Berkeley Survey Reports, Survey of California and Other Indian Languages Title The Plank Canoe of Southern California: Not a Polynesian Import, but a Local Innovation Permalink https://escholarship.org/uc/item/1977t6ww Author Meroz, Yoram Publication Date 2013 eScholarship.org Powered by the California Digital Library University of California The Plank Canoe of Southern California: Not a Polynesian Import, but a Local Innovation YORAM MEROZ By nearly a millennium ago, Polynesians had settled most of the habitable islands of the eastern Pacific, as far east as Easter Island and as far north as Hawai‘i, after journeys of thousands of kilometers across open water. It is reasonable to ask whether Polynesian voyagers traveled thousands of kilometers more and reached the Americas. Despite much research and speculation over the past two centuries, evidence of contact between Polynesia and the Americas is scant. At present, it is generally accepted that Polynesians did reach South America, largely on the basis of the presence of the sweet potato, an American cultivar, in prehistoric East Polynesia. More such evidence would be significant and exciting; however, no other argument for such contact is currently free of uncertainty or controversy.1 In a separate debate, archaeologists and ethnologists have been disputing the rise of the unusually complex society of the Chumash of Southern California. Chumash social complexity was closely associated with the development of the plank-built canoe (Hudson et al. 1978), a unique technological and cultural complex, whose origins remain obscure (Gamble 2002). In a recent series of papers, Terry Jones and Kathryn Klar present what they claim is linguistic, archaeological, and ethnographical evidence for prehistoric contact from Polynesia to the Americas (Jones and Klar 2005, Klar and Jones 2005). -
Wao Kele O Puna Comprehensive Management Plan
Wao Kele o Puna Comprehensive Management Plan Prepared for: August, 2017 Prepared by: Nālehualawaku‘ulei Nālehualawaku‘ulei Nā-lehua-lawa-ku‘u-lei is a team of cultural resource specialists and planners that have taken on the responsibilities in preparing this comprehensive management for the Office of Hawaiian Affairs. Nā pua o kēia lei nani The flowers of this lovely lei Lehua a‘o Wao Kele The lehua blossoms of Wao Kele Lawa lua i kēia lei Bound tightly in this lei Ku‘u lei makamae My most treasured lei Lei hiwahiwa o Puna Beloved lei of Puna E mālama mākou iā ‘oe Let us serve you E hō mai ka ‘ike Grant us wisdom ‘O mākou nā pua For we represent the flowers O Nālehualawaku‘ulei Of Nālehualawaku‘ulei (Poem by na Auli‘i Mitchell, Cultural Surveys Hawai‘i) We come together like the flowers strung in a lei to complete the task put before us. To assist in the preservation of Hawaiian lands, the sacred lands of Wao Kele o Puna, therefore we are: The Flowers That Complete My Lei Preparation of the Wao Kele o Puna Comprehensive Management Plan In addition to the planning team (Nālehualawaku‘ulei), many minds and hands played important roles in the preparation of this Wao Kele o Puna Comprehensive Management Plan. Likewise, a number of support documents were used in the development of this plan (many are noted as Appendices). As part of the planning process, the Office of Hawaiian Affairs assembled the ‘Aha Kūkā (Advisory Council), bringing members of the diverse Puna community together to provide mana‘o (thoughts and opinions) to OHA regarding the development of this comprehensive management plan (CMP). -
The Canoe Is the People LEARNER's TEXT
The Canoe Is The People LEARNER’S TEXT United Nations Local and Indigenous Educational, Scientific and Knowledge Systems Cultural Organization Learnerstxtfinal_C5.indd 1 14/11/2013 11:28 The Canoe Is the People educational Resource Pack: Learner’s Text The Resource Pack also includes: Teacher’s Manual, CD–ROM and Poster. Produced by the Local and Indigenous Knowledge Systems (LINKS) Programme, UNESCO www.unesco.org/links Published in 2013 by the United Nations Educational, Scientific and Cultural Organization 7, place de Fontenoy, 75352 Paris 07 SP, France ©2013 UNESCO All rights reserved The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Coordinated by Douglas Nakashima, Head, LINKS Programme, UNESCO Author Gillian O’Connell Printed by UNESCO Printed in France Contact: Douglas Nakashima LINKS Programme UNESCO [email protected] 2 The Canoe Is the People: Indigenous Navigation in the Pacific Learnerstxtfinal_C5.indd 2 14/11/2013 11:28 contents learner’s SECTIONTEXT 3 The Canoe Is the People: Indigenous Navigation in the Pacific Learnerstxtfinal_C5.indd 3 14/11/2013 11:28 Acknowledgements The Canoe Is the People Resource Pack has benefited from the collaborative efforts of a large number of people and institutions who have each contributed to shaping the final product. -
Polynesian Origins and Migrations
46 POLYNESIAN CULTURE HISTORY From what continent they originally emigrated, and by what steps they have spread through so vast a space, those who are curious in disquisitions of this nature, may perhaps not find it very difficult to conjecture. It has been already observed, that they bear strong marks of affinity to some of the Indian tribes, that inhabit the Ladrones and Caroline Islands: and the same affinity may again be traced amongst the Battas and the Malays. When these events happened, is not so easy to ascertain; it was probably not very lately, as they are extremely populous, and have no tradition of their own origin, but what is perfectly fabulous; whilst, on the other hand, the unadulterated state of their general language, and the simplicity which still prevails in their customs and manners, seem to indicate, that it could not have been at any very distant period (Vol, 3, p. 125). Also considered in the journals is the possibility of multiple sources for the vast Polynesian culture complex, but the conclusion is offered that a common origin was more likely. The discussion of this point fore shadows later anthropological arguments of diffusion versus independent invention to account for similar culture traits: Possibly, however, the presumption, arising from this resemblance, that all these islands were peopled by the same nation, or tribe, may be resisted, under the plausible pretence, that customs very similar prevail amongst very distant people, without inferring any other common source, besides the general principles of human nature, the same in all ages, and every part of the globe. -
Tok Blong Evening Dec 16
Tok Blong Pasifik Pacific Peoples’ Partnership’s 40th Anniversary Special Edition Rising Tides: Our Lands, Our Waters, Our Peoples !1 Welcome to a special commemorative edition of our publication Tok Blong Pasifk, themed Rising Tides: Our Lands, Our Waters, Our Peoples. To celebrate Pacifc Peoples’ Partnership’s 40 years of action, we honour the resilience and depth of connections between Indigenous peoples and their environment as well as the tireless work of champions and change-makers, both north and south, who advocate for equity and sustainability that benefts us all … Papua Land of Peace - p.8 Pacifc Voices X-Change Artist for generations to come. Residency Programme - p.22 Rising Tides Opening Ceremony - p.12 Rising Tides Honouring Feast - p.13 One Wave Festival- p.14 Credit: Mark Gauti Credit: Mark Gauti We Are With You Vanuatu! Fundraising event in response to Cyclone Pam - p.10 Credit: Heather Tuft CONTENTS Pacific Peoples’ Partnership PPP Celebrates Five More Years of Pacifc Unity & Action….…………………. 4 Celebrating 40 Years of Action Talofa Lava from PPP’s President ..……………………….………………. 6 Established in 1975, Pacifc Peoples’ Partnership Executive Director’s Message …………………………………………….. 7 is a unique non-governmental , non-proft organization working with communities and West Papua: The Current Situation .………….……….………..…….…… 8 organizations in the South and North Pacifc to support shared aspirations for peace, cultural Vanuatu We are With You! …………………………………. ….…….….. 10 integrity, social justice, human dignity, and environmental sustainability by: Rising Tides: Our Lands, Our Waters, Our Peoples ………..…………….. 12 One Wave Festival ……………………………………………………….. 14 • Promoting increased understanding among Canadians on issues of importance to the 15 people of the Pacifc Islands. -
NZQA Science & Technology Terms
NZQA Science & Technology Terms Last Updated 4 Nov 2010 English Māori ‘fitness culture’ ‘ahurea whakapakari tinana’ 1000 degrees celsius mano takiri henekereti 1-hexene 1-waiwaro rua owaro 200 km above (earth) rua rau kiromita ki runga rawa 2-amino-3-methylbutane 2-amino-3-mewarop ūwaro 2–bromo–3–methylbutanoic acid 2–pūkeha–3–waikawa p ūwaro m ēwaro 2-chloro-3-methylbutanoic acid waikawa 2-haum āota-3-pūwaro mewaro 2-methyl propenoate 2-mewaro waiwaro rua p ōhākawa 2-methylpropan-2-ol waihä-2-pöwaro-2-mewaro 2-propanol 2-waih ā p ōwaro 3-chlorobutan-1-ol 3-haum āota waih ā-1-pūwaro 3–chloropropan–1–ol 3–waih ā–1–pōwaro p ūhaum āota 3-D Ahu-3 3-D Area Horahanga Ahu-3 3-D bar pae Ahu-3 3-D Column Tīwae Ahu-3 3-D effect rākeitanga Ahu-3 3-D Line Rārangi Ahu-3 3-D Pie Porohita Ahu-3 3-D Style Kāhua Ahu-3 3-D Surface Mata Ahu-3 3rd party hunga tuatoru 4-chlorobutanoic acid waikawa p ūwaro 4-pūhaum āota 4-methylpent-2-ene 4-waiwaro-rua-2-pēwaro mewaro 4-methylpent-2-yne 4-waiwaro-toru-2-pēwaro mewaro 50-50 chance 50-50 te t ūponotanga abandon, to leave behind whakar ērea abandoned (land) whenua mahue abdominal pain ngau o te puku, k ōpito ability āheinga ability pūmanawa aborigine tangata whenua o Ahitereiria abort haukoti abortion kuka, tahe, whakatahe abound, multiply makuru about mō about 2.4 metres high kei te āhua 2.4 mita te teitei about face tahuri k ē above sea level mai i te mata o te moana abrasive (of character), quick to anger pūtiotio absolute mārika absolute pūrawa absolute desire for one another tara koukoua Absolute Magnitude -
THE STORY of PACIFIC SAILING CANOES and THEIR RIGS Adrian
From Buckfast to Borneo THE STORY OF PACIFIC SAILING CANOES AND THEIR RIGS Adrian Horridge ABSTRACT A revised survey of outrigger canoe rigs leads to the new conclusion that the primitive rig that made possible the Austronesian conquest of the Pacific was the mastless rig with a two-boom triangular sail supported on a loose prop, as survived in Madura and western Polynesia. It is proposed that the triangular sail spread across the Indian Ocean and became the lateen, which spread further to the Mediterranean and eventually to Portugal by the fourteenth century. New historical findings suggest that this Western lateen rig with a fixed mast, copied from a Portuguese caravellost in 1526, influeHced sailing practice in eastern Polynesia. Keywords: Pacific rigs, outrigger canoes, Austronesian, colonists. THE BEGINNING The first colonists from Indonesia certainly reached Australia more than fifty thousand years ago, but stone tools suitar 1 ~ to make dug-out canoes have not been found older than about twenty thousand years. Therefore the best guess is that the earliest sea crossings as far as the Solomon Islands were made with rafts.1 Of sailing rigs developed in those remote times we know nothing. However, a survey of the widespread sailing rafts still in use, mainly on rivers, in historic times, reveals a variety of rigs. The tak pai of Taiwan (Nishirnura 1925) had a square sail, the balsa rafts of the Peruvian coasts (Johnstone 1980: 224-28) used a two-boom triangular sail: the bamboo rafts (Ghe Be) of Haiphong Bay, Vietnam (Pietri 1949: 89) used a canvas lug sail or the low rounded junk sail of the southern Chinese: rafts in Fiji (Haddon and Hornell1936, i: 330) and Mangareva (Gambier Is.) (ibid: 91-94) had the local mastless two-boom triangular sail (Figure 52). -
Storytelling of Taiwanese Aborigines Plays
ABSTRACT STORYTELLING OF TAIWANESE ABORIGINAL PLAYS BALENG AND SNAKE, FLYING FISH FISHERS, AND HAWK SISTERS By SHU-CHIN HUANG This creative thesis focuses on my three adapted Taiwanese aboriginal plays, which staged in Ernst theatre in Miami University. Chapter One includes the historical origins of Taiwanese aborigines told by different countries through different perspective. Chapter Two is a review on the playwriting process how I applied storytelling and theatrical form in these three aboriginal stories. In Chapter Three, I discuss production process as well as the process translators working with translators. The whole creating process of these three plays focuses on the pursuit of nature theme and uses theatre as a new way of storytelling to English-speaking people. Chapter Four are the scripts, which were staged in Ernst nature theatre in Miami University in middle August, 2005. STORYTELLING OF TAIWANESE ABORIGINAL PLAYS BALENG AND SNAKE, FLYING FISH FISHERS, AND HAWK SISTERS A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Theatre by Shu-chin Huang Miami University Oxford, Ohio 2006 Advisor_______________________________ Dr. Howard A. Blanning Reader________________________________ Dr. Roger Bechtel Reader________________________________ Dr. William A. Wortman TABLE OF CONTENTS Acknowledgements …………………………………………………………..……..iii Introduction ……………………………………………………………………. ……1 Chapter One …………………………………………………………………………5 Chapter Two ………………………………………………………………………..18 Chapter Three ………………………………………………. …………………….26 Chapter Four ……………………………………………………………………….31 Work Cited…………………………………………………………………………. 57 Pictures of Productions……………………………………………………………..60 ii Acknowledgements I would like to express my special gratitude to Dr. Howard Blanning for being an understanding, inspiring, and supporting adviser, who always has insightful conversations with my plays. I thank the great teaching of Dr. -
Conquest Paradise
Conquest of Paradise Illustration ©1984, 2007 Herb Kawainui Kane Designer’s Notes Conquest of Paradise is a grand strategic game; not exactly an historic simulation game, but perhaps an archeological simulation game! Each turn of the game represents about five years of real time. Each hexagon on the game map spans about 600 nautical miles of the Pacific Ocean. Inside this booklet you will find the historic and archeological backgrounds – and their impact on the game – for the named Explorers, the Arts & Culture cards, and the Island Group tiles. There is nothing in this booklet that is required for game play. To make it easy to find the descriptions of your discoveries, each of the three sections is arranged in alphabetical order. One day, when they had been at sea for a long time, Explorers Makali’i said to Hawai’i Loa, “Let’s steer the canoe in the direction of the Eastern Star, the discoverer of land”. Hawai'i Loa So they steered straight onward and arrived at the Hawai’i Loa was a distinguished man. He was noted easternmost island of the Hawaiian chain. throughout the islands for his fishing excursions, which would occupy many months – sometimes the whole year! They went ashore and found the land fertile and pleasant, He would roam about the ocean in his big double-hulled filled with birds and coconut trees. Hawai’i Loa gave the canoe with his crew, his officers, his navigators, and land his name. They had left their wives and children at always with his principal navigator, Makali’i. -
SAILORS and TRADERS
SAILORS and TRADERS ".BSJUJNF)JTUPSZ PGUIF1BDJ¹D1FPQMFT Alastair Couper Sailors and Traders 1Coup_i-xiv.indd i 10/28/08 7:58:59 AM Sailors and A Maritime History of 1Coup_i-xiv.indd ii 10/28/08 7:59:00 AM Traders the Pacific Peoples Alastair Couper University of Hawai‘i Press honolulu 1Coup_i-xiv.indd iii 10/28/08 7:59:00 AM © 2009 University of Hawai‘i Press Library of Congress Cataloging-in-Publication Data Couper, A. D. Sailors and traders: a maritime history of the Pacific peoples / by Alastair Couper. p. cm. Includes bibliographical references and index. ISBN 978-0-8248-3239-1 (hardcover : alk. paper) 1. Pacific Islanders—History. 2. Sea Peoples—Pacific Area—History. 3. Sailors—Pacific Area—History. 4. Shipping—Pacific Area—History. I. Title. GN662.C68 2009 995—dc22 2008038710 An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book is 9780824887650 (PDF). More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. -
This Is New Zealand Reflects on Who We Thought We Were, Who We Think We Are
curated by Robert Leonard and Aaron Lister, with Moya Lawson First, a Word from the CuratorsRobert Leonard . .and . Aaron Lister Teasing out connections between images, ideology, and identity, our exhibition This Is New Zealand reflects on who we thought we were, who we think we are. Taking a critical look at stories we’ve told ourselves and others, it asks: Who and what have been included and excluded? And who is this mythical ‘we’? This Is New Zealand emerged out of our thinking about New Zealand’s participation in the Venice Biennale. New Zealand has been going to the Biennale since 2001, and it looms large for our art scene. The Biennale is the world’s largest, most important, and longest-running regular contemporary-art mega-show, and our participation declares our desire to be ‘international’, to be part of the wider art discussion. However, some of the artists we have sent to Venice have taken it as an opportunity to tackle old questions Lisa Reihana (sunglasses) and the Governor-General, of national identity, riffing on the Biennale’s Her Excellency the Rt. Hon. Dame Patsy Reddy (cloak), arrive in style on the Disdotona—a giant old-school national-pavilion structure. Our gondola, propelled by eighteen rowers from the show includes three examples from Venice. Canottieri Querini Rowing Club—for the opening of Reihana’s exhibition Emissaries, New Zealand Michael Stevenson’s 2003 project This Is pavilion, Venice Biennale, 10 May 2017. ‘It was the Trekka looks like a belated trade display wonderful coming down the Grand Canal. I felt like a queen’, said Reihana. -
Hawaii's Coastal Nonpoint Pollution Control Program
HAWAII'S COASTAL NONPOINT POLLUTION CONTROL PROGRAM MANAGEMENT PLAN Volume 1 Prepared By: Hawaii Coastal Zone Management Program Office of State Planning P.O. Box 3540 Honolulu, Hawaii 96811-3540 June 1996 A publication of the Hawaii Office of State Planning, pursuant to National Oceanic and Atmospheric Administration Award Nos. NA47OZ0264 and NA57OZ0270. This document was prepared with the assistance of the Hawaii Department of Health, Pacific Environmental Research, Susan Miller and many others in government, the private sector, and non-governmental organizations. Table of Contents List of Figures.............................................................................................................................. v List of Tables ............................................................................................................................... v Acronyms.....................................................................................................................................vi Summary of Agencies Responsible for Management Measure Implementation....................................................................................................................ix Executive Summary.................................................................................................................xv PART I: INTRODUCTION....................................................................................... I-1 1. Hawaii’s Environment........................................................................... I-2