Wao Kele O Puna Comprehensive Management Plan

Total Page:16

File Type:pdf, Size:1020Kb

Wao Kele O Puna Comprehensive Management Plan Wao Kele o Puna Comprehensive Management Plan Prepared for: August, 2017 Prepared by: Nālehualawaku‘ulei Nālehualawaku‘ulei Nā-lehua-lawa-ku‘u-lei is a team of cultural resource specialists and planners that have taken on the responsibilities in preparing this comprehensive management for the Office of Hawaiian Affairs. Nā pua o kēia lei nani The flowers of this lovely lei Lehua a‘o Wao Kele The lehua blossoms of Wao Kele Lawa lua i kēia lei Bound tightly in this lei Ku‘u lei makamae My most treasured lei Lei hiwahiwa o Puna Beloved lei of Puna E mālama mākou iā ‘oe Let us serve you E hō mai ka ‘ike Grant us wisdom ‘O mākou nā pua For we represent the flowers O Nālehualawaku‘ulei Of Nālehualawaku‘ulei (Poem by na Auli‘i Mitchell, Cultural Surveys Hawai‘i) We come together like the flowers strung in a lei to complete the task put before us. To assist in the preservation of Hawaiian lands, the sacred lands of Wao Kele o Puna, therefore we are: The Flowers That Complete My Lei Preparation of the Wao Kele o Puna Comprehensive Management Plan In addition to the planning team (Nālehualawaku‘ulei), many minds and hands played important roles in the preparation of this Wao Kele o Puna Comprehensive Management Plan. Likewise, a number of support documents were used in the development of this plan (many are noted as Appendices). As part of the planning process, the Office of Hawaiian Affairs assembled the ‘Aha Kūkā (Advisory Council), bringing members of the diverse Puna community together to provide mana‘o (thoughts and opinions) to OHA regarding the development of this comprehensive management plan (CMP). Regular meetings were held. Participation included: Voting Members of ‘Aha KūKā Faye Hanohano Leila Kealoha Charles Heaukulani Terri Lei Napeahi Jennifer Johansen Lisa Hall-Peleiholani Luana Jones Rene Siracusa Drew Kapp OHA Staff and Non-Voting Members Jonathan Ching (OHA) Jay Hatayama (DOFAW) Olu Campbell (OHA) Palikapu Dedman (Pele Defense Fund) Candace Wharton (OHA) Emily Naeole Pua Ishibashi (OHA) Paula Kekahuna Kalena Blakemore (OHA) Dana Keawe The voting members of the 'Aha Kuka developed Core Statements for what they agreed should be the Vision and Mission of Wao Kele o Puna and its management: Vision Wao Kele o Puna will be locally and globally recognized for forest stewardship, conservation, and provision of customary practices through the application of a Native Hawaiian cultural perspective, and serve as a model and inspiration for indigenous communities worldwide. Mission Provide Native Hawaiians and the broader community with opportunities to interact with Wao Kele o Puna meaningfully and reciprocally. Educate the community about the importance of ʻāina and the benefits of engaging with ʻāina. Steward Wao Kele o Puna through the application of a Hawaiian cultural perspective that integrates traditional and modern Hawaiian science and best practices in conservation, while ensuring traditional and customary rights. Public community meetings were held on January 5, 2017 and July 6, 2017. ii Readers’ Guide in Reading and Working with The Wao Kele o Puna Comprehensive Management Plan As you read this Comprehensive Management Plan (CMP) you will see it is not ‘typical’ to other land use management plans in content, form or presentation; nor is it like typical real estate reporting. This is intentional. When we contracted to prepare the Wao Kele o Puna Comprehensive Management Plan for the Office of Hawaiian Affairs, we were directed to: (P)rovide a CMP that shall be a unique, innovative, and culturally competent CMP. The CMP shall not simply include culture as a component of the CMP, but feature culture as the driving force and lens through which the CMP shall be created, implemented, and allowed to evolve. While the CMP shall embrace modern day science, technology, and proven best practices in conservation, it shall do so through a cultural perspective. Ultimately, the CMP shall provide a culturally competent stewardship framework for the OHA to implement measures to protect, preserve, enhance, and perpetuate, the cultural und natural resources of Wao Kele o Puna for current and future generations. We were tasked to comply with the ‘Cultural Competence Reference Guide’ that states that the CMP will be developed, implemented, and allowed to evolve, based in part, on the following: Cultural & Spiritual Base; Symbiotic Relationship; Personal Relationship; Ali‘i Stewardship; Holistic View; Wai; Cultural Knowledge; Kapu System; Pono; Wahi Pana (storied place); Cultural Zones (Wao); Kanaka Maoli Interactions and ‘Imi Na‘auao (to seek, obtain, and utilize knowledge, intelligence, and truth). So, throughout the CMP you will see repeated references to these. This CMP incorporates traditional knowledge, as well as modern management measures. Cultural competence is the foundation of the CMP. Because all people do not have the same background and understanding of cultural practices, the initial sections of the CMP highlight some of these to make sure readers have a common baseline understanding of the forest in Hawaiian culture. This is purposeful. While this is critical to help give the less-experienced some basic cultural context, it is believed that more-experienced readers will appreciate the recap. In part, this also helps to assure that those associated with the property will learn about and care about Wao Kele o Puna; in so doing, it helps to assure that they will work together to care for Wao Kele o Puna. Readers of typical CMPs need to be patient in reading this planning document. In reading it, you will see that before getting into details of Wao Kele o Puna, we start at broad, higher level thinking and perspectives – this is to give the reader the appropriate cultural context and competence to this property, and, therefore, this plan. In part, this considers the teachings of Dr. Pualani Kanaka‘ole-Kanahele in her lecture series on Papakū Makawalu. It is how Hawaiians perceive their universe, seeing things with the depths of eight eyes. In her teaching, Dr. Kanahele often refers to the three houses of knowledge. These knowledge houses are where kānaka maoli receive the teaching about the creation of our universe. These three levels are iii levels of atmosphere in which the earth planet was created from the Kumulipo or creation story, from the darkness to the light, mai ka pō i ke ao. (Auli‘i Mitchell) As noted in the Edith Kanaka‘ole Foundation website, the three major houses of knowledge are foundations for understanding existence and our place in it – these are: Papahulilani is the space from above the head to where the stars sit. It is inclusive of the sun, moon, stars, planets, winds, clouds, and the measurement of the vertical and horizontal spaces of the atmosphere. It is also a class of experts who are spiritually, physically, and intellectually attuned to the space above and its relationship to the earth. Papahulihonua is inclusive of earth and ocean. It is the ongoing study of the natural earth and ocean and its development, transformation and evolution by natural causes. It is also a class of experts who are spiritually, physically, and intellectually attuned to this earth and its relationship to the space above and the life forms on it. Papahānaumoku moves from the embryonic state of all life forces to death. It is the birthing cycle of all flora and fauna inclusive of man. It is the process of investigating, questioning, analyzing and reflecting upon all things that give birth, regenerate and procreate. It is also a class of experts who are spiritually, physically and intellectually attuned to things born and the habitat that provides their nourishment, shelter, and growth. As such, the CMP purposefully starts with the gods; then speaks of the resources, including ongoing formation of the land; and continues with the growth of plants and animals on the land, first in broad cultural context, then as it relates specifically to Wao Kele o Puna. Likewise, there are repeated references to appropriate attitude and activities on the property. These provide the context for recommendations later in the plan. Just as you pause, then knock before entering someone’s home (seeking permission to enter); exchange expressions of warm welcome; then remove your shoes (so as to not soil their home); behave with courtesy and respect while in someone else’s home (courteously declining what is offered or only taking what you need, and repairing/replacing anything you break or take); and then departing with cordial exchanges and well wishes – so, too, is one expected to act accordingly in nature. The reader of this CMP is reminded that all things are integrated, interrelated and interdependent - as a system, from the mountains to the ocean - irrespective of today’s arbitrary jurisdictional or ownership lines. With the foundation of cultural context of appropriate attitude and actions in place, the CMP then goes into details of the property; challenges associated with it; consideration of alternative actions; and then specific actions in management. The reader of typical land use plans will find comfort that the plan incorporates traditional and modern management measures in caring for the property. However, these are noted at the end of the document, rather than the beginning, or at the end of each section. The plan is unconventional in its structure. Rather than the Western form of structured hierarchical chapter, paragraph and line separations, the CMP is written in sections that flow from one to the other, rather than as distinct, independent chapters. Likewise, sections and subsections are titled/labeled through the use of ‘Ōlelo No‘eau – using Hawaiian iv proverbs that have been handed down through the generations through Hawaiʻi’s oral tradition. These were collected from the works of Mary Kawena Pukui.
Recommended publications
  • Borobudur 1 Pm
    BOROBUDUR SHIP RECONSTRUCTION: DESIGN OUTLINE The intention is to develop a reconstruction of the type of large outrigger vessels depicted at Borobudur in a form suitable for ocean voyaging DISTANCES AND DURATION OF VOYAGES and recreating the first millennium Indonesian voyaging to Madagascar and Africa. Distances: Sunda Strait to Southern Maldives: Approx. 1600 n.m. The vessel should be capable of transporting some Maldives to Northern Madagascar: Approx. 1300 n.m. 25-30 persons, all necessary provisions, stores and a cargo of a few cubic metres volume. Assuming that the voyaging route to Madagascar was via the Maldives, a reasonably swift vessel As far as possible the reconstruction will be built could expect to make each leg of the voyage in using construction techniques from 1st millennium approximately two weeks in the southern winter Southeast Asia: edge-doweled planking, lashings months when good southeasterly winds can be to lugs on the inboard face of planks (tambuku) to expected. However, a period of calm can be secure the frames, and multiple through-beams to experienced at any time of year and provisioning strengthen the hull structure. for three-four weeks would be prudent. The Maldives would provide limited opportunity There are five bas-relief depictions of large vessels for re-provisioning. It can be assumed that rice with outriggers in the galleries of Borobudur. They sufficient for protracted voyaging would be carried are not five depictions of the same vessel. While from Java. the five vessels are obviously similar and may be seen as illustrating a distinct type of vessel there are differences in the clearly observed details.
    [Show full text]
  • Hawaii Been Researched for You Rect Violation of Copyright Already and Collected Into Laws
    COPYRIGHT 2003/2ND EDITON 2012 H A W A I I I N C Historically Speaking Patch Program ABOUT THIS ‘HISTORICALLY SPEAKING’ MANUAL PATCHWORK DESIGNS, This manual was created Included are maps, crafts, please feel free to contact TABLE OF CONTENTS to assist you or your group games, stories, recipes, Patchwork Designs, Inc. us- in completing the ‘The Ha- coloring sheets, songs, ing any of the methods listed Requirements and 2-6 waii Patch Program.’ language sheets, and other below. Answers educational information. Manuals are books written These materials can be Festivals and Holidays 7-10 to specifically meet each reproduced and distributed 11-16 requirement in a country’s Games to the individuals complet- patch program and help ing the program. Crafts 17-23 individuals earn the associ- Recipes 24-27 ated patch. Any other use of these pro- grams and the materials Create a Book about 28-43 All of the information has contained in them is in di- Hawaii been researched for you rect violation of copyright already and collected into laws. Resources 44 one place. Order Form and Ship- 45-46 If you have any questions, ping Chart Written By: Cheryle Oandasan Copyright 2003/2012 ORDERING AND CONTACT INFORMATION SPECIAL POINTS OF INTEREST: After completing the ‘The Patchwork Designs, Inc. Using these same card types, • Celebrate Festivals Hawaii Patch Program’, 8421 Churchside Drive you may also fax your order to Gainesville, VA 20155 (703) 743-9942. • Color maps and play you may order the patch games through Patchwork De- Online Store signs, Incorporated. You • Create an African Credit Card Customers may also order beaded necklace.
    [Show full text]
  • Growing Plants for Hawaiian Lei ‘A‘Ali‘I
    6 Growing Plants for Hawaiian Lei ‘a‘ali‘i OTHER COMMON NAMES: ‘a‘ali‘i kū range of habitats from dunes at sea makani, ‘a‘ali‘i kū ma kua, kū- level up through leeward and dry makani, hop bush, hopseed bush forests and to the highest peaks SCIENTIFIC NAME: Dodonaea viscosa CURRENT STATUS IN THE WILD IN HAWAI‘I: common FAMILY: Sapindaceae (soapberry family) CULTIVARS: female cultivars such as ‘Purpurea’ and ‘Saratoga’ have NATURAL SETTING/LOCATION: indigenous, been selected for good fruit color pantropical species, found on all the main Hawaiian Islands except Kaho‘olawe; grows in a wide Growing your own PROPAGATION FORM: seeds; semi-hardwood cuttings or air layering for selected color forms PREPLANTING TREATMENT: step on seed capsule to release small, round, black seeds, or use heavy gloves and rub capsules vigorously between hands; put seeds in water that has been brought to a boil and removed from heat, soak for about 24 hours; if seeds start to swell, sow imme- diately; discard floating, nonviable seeds; use strong rooting hormone on cuttings TEMPERATURE: PLANTING DEPTH: sow seeds ¼" deep in tolerates dry heat; tem- after fruiting period to shape or keep medium; insert base of cutting 1–2" perature 32–90°F short; can be shaped into a small tree or maintained as a shrub, hedge, or into medium ELEVATION: 10–7700' espalier (on a trellis) GERMINATION TIME: 2–4 weeks SALT TOLERANCE: good (moderate at SPECIAL CULTURAL HINTS: male and female CUTTING ROOTING TIME: 1½–3 months higher elevations) plants are separate, although bisex- WIND RESISTANCE:
    [Show full text]
  • Mar/Apr 2021
    The official publication of the OUTRIGGER CANOE CLUB M A R — A P R 2 0 2 1 The perfect place to find your perfect place Victoria Place Residence 01 Living Room Striking a balance between urban energy and island serenity, Ward Village is a truly remarkable neighborhood. With a diverse collection of stunning residences to fit different tastes and lifestyles, this is the place you’ve been looking for. ‘A‘ali‘i residences starting from the $500,000s Kō‘ula residences starting from the $500,000s Victoria Place residences starting from the low $1,000,000s welcometowardvillage.com | 808 379 3387 PRICES ARE APPROXIMATE AND SUBJECT TO CHANGE AT ANY TIME. THIS IS NOT INTENDED TO BE AN OFFERING OR SOLICITATION OF SALE IN ANY JURISDICTION WHERE THE PROJECT IS NOT REGISTERED IN ACCORDANCE WITH APPLICABLE LAW OR WHERE SUCH OFFERING OR SOLICITATION WOULD OTHERWISE BE PROHIBITED BY LAW. WARD VILLAGE, A MASTER PLANNED DEVELOPMENT IN HONOLULU, HAWAII, IS STILL BEING CONSTRUCTED. ANY VISUAL REPRESENTATIONS OF WARD VILLAGE OR THE Offered by Ward Village Properties, LLC RB-21701 CONDOMINIUM PROJECTS THEREIN, INCLUDING THEIR LOCATION, UNITS, COMMON ELEMENTS AND AMENITIES, MAY NOT ACCURATELY PORTRAY THE MASTER PLANNED DEVELOPMENT OR ITS CONDOMINIUM PROJECTS. ALL VISUAL DEPICTIONS AND DESCRIPTIONS IN THIS ADVERTISEMENT ARE FOR ILLUSTRATIVE PURPOSES ONLY. THE DEVELOPER MAKES NO GUARANTEE, REPRESENTATION OR WARRANTY WHATSOEVER THAT THE DEVELOPMENTS, FACILITIES OR IMPROVEMENTS OR FURNISHINGS AND APPLIANCES DEPICTED WILL ULTIMATELY APPEAR AS SHOWN OR EVEN BE INCLUDED AS A PART OF WARD VILLAGE OR ANY CONDOMINIUM PROJECT THEREIN. WARD VILLAGE PROPERTIES, LLC, RB-21701.
    [Show full text]
  • Recommended Restaurants
    RECOMMENDED RESTAURANTS Dining in Wailea/Makena: HUMUHUMUNUKUNUKUAPUA’A Grand Wailea Romantic and exotic, this oceanside restaurant offers the most spectacular sunset views. Named after Hawaii's state fish, our Polynesian thatch roof restaurant floats on a saltwater lagoon filled with tropical fish. Select your own lobster from the lagoon or savor delicious Island fish and meat entrees with Polynesian or Hawaiian influences. 5:30pm-9:00pm Dinner BISTRO MOLOKINI Grand Wailea In the heart of Grand Wailea Resort, Bistro Molokini offers a relaxing, open-air ambience with breathtaking views of the Pacific and distant islands. Featuring an exhibition kitchen and kiawe wood- burning oven, the Bistro offers a delightful blend of California and Island cuisine. 11:00am-5:00pm Lunch 5:00pm-9:00pm Dinner GRAND DINING ROOM MAUI Grand Wailea With panoramic views of the beautiful Reflecting Pool, the Pacific Ocean and neighboring islands of Molokini and Kaho'olawe, the Grand Dining Room offers a daily breakfast buffet and a la carte menu in a truly stunning setting. 7:00am-11:00am Breakfast 7:00am-10:00am Breakfast (Sunday) 10:30am-1:00pm Sunday Champagne Brunch TOMMY BAHAMA’S TROPICAL CAFÉ The Shops at Wailea Tommy Bahama’s Restaurant & Bar is a unique celebration of the islands offering a relaxed escape from the hustle and bustle with truly inspired cuisine with a Tropical Caribbean Twist. 11:00am-5:00pm Lunch 5:00pm-10:00pm Dinner 5:00pm-11:00pm Dinner (Friday and Saturday) LONGHI’S WAILEA The Shops at Wailea Longhi's sets the benchmark for impeccable dining offering their award winning Italian/Mediterranean cuisine: fresh island fish, prime steaks, giant lobsters plucked fresh from their own lobster tanks, fabulous pasta dishes and the most succulent desserts.
    [Show full text]
  • Meroz-Plank Canoe-Edited1 Without Bold Ital
    UC Berkeley Survey Reports, Survey of California and Other Indian Languages Title The Plank Canoe of Southern California: Not a Polynesian Import, but a Local Innovation Permalink https://escholarship.org/uc/item/1977t6ww Author Meroz, Yoram Publication Date 2013 eScholarship.org Powered by the California Digital Library University of California The Plank Canoe of Southern California: Not a Polynesian Import, but a Local Innovation YORAM MEROZ By nearly a millennium ago, Polynesians had settled most of the habitable islands of the eastern Pacific, as far east as Easter Island and as far north as Hawai‘i, after journeys of thousands of kilometers across open water. It is reasonable to ask whether Polynesian voyagers traveled thousands of kilometers more and reached the Americas. Despite much research and speculation over the past two centuries, evidence of contact between Polynesia and the Americas is scant. At present, it is generally accepted that Polynesians did reach South America, largely on the basis of the presence of the sweet potato, an American cultivar, in prehistoric East Polynesia. More such evidence would be significant and exciting; however, no other argument for such contact is currently free of uncertainty or controversy.1 In a separate debate, archaeologists and ethnologists have been disputing the rise of the unusually complex society of the Chumash of Southern California. Chumash social complexity was closely associated with the development of the plank-built canoe (Hudson et al. 1978), a unique technological and cultural complex, whose origins remain obscure (Gamble 2002). In a recent series of papers, Terry Jones and Kathryn Klar present what they claim is linguistic, archaeological, and ethnographical evidence for prehistoric contact from Polynesia to the Americas (Jones and Klar 2005, Klar and Jones 2005).
    [Show full text]
  • Ad E& MAY 2 6 1967
    FEBRUARY, 1966 254 &Ad e& MAY 2 6 1967 Amstrong, Richard,presents census report 145; Minister of Public Abbott, Dr. Agatin 173 Instruction 22k; 227, 233, 235, 236, Abortion 205 23 7 About A Remarkable Stranger, Story 7 Arnlstrong, Mrs. Richard 227 Adms, Capt . Alexander, loyal supporter Armstrong, Sam, son of Richard 224 of Kamehameha I 95; 96, 136 Ashford, Volney ,threatens Kalakaua 44 Adans, E.P., auctioneer 84 Ashford and Ashford 26 Adams, Romanzo, 59, 62, 110, 111, ll3, Asiatic cholera 113 Ilk, 144, 146, 148, 149, 204, 26 ---Askold, Russian corvette 105, 109 Adams Gardens 95 Astor, John Jacob 194, 195 Adams Lane 95 Astoria, fur trading post 195, 196 Adobe, use of 130 Atherton, F.C, 142 ---mc-Advertiser 84, 85 Attorney General file 38 Agriculture, Dept. of 61 Auction of Court House on Queen Street kguiar, Ernest Fa 156 85 Aiu, Maiki 173 Auhea, Chiefess-Premier 132, 133 illmeda, Mrs. Frank 169, 172 Auld, Andrew 223 Alapai-nui, Chief of Hawaii 126 Austin, James We 29 klapai Street 233 Automobile, first in islands 47 Alapa Regiment 171 ---Albert, barkentine 211 kle,xander, Xary 7 Alexander, W.D., disputes Adams 1 claim Bailey, Edward 169; oil paintings by 2s originator of flag 96 170: 171 Alexander, Rev. W.P., estimates birth mile: House, Wailuku 169, 170, 171 and death rates 110; 203 Bailey paintings 170, 171 Alexander Liholiho SEE: Kamehameha IV Baker, Ray Jerome ,photographer 80, 87, 7 rn Aliiolani Hale 1, 41 opens 84 1 (J- Allen, E.H., U.S. Consul 223, 228 Baker, T.J.
    [Show full text]
  • Linguistic Evidence for a Prehistoric Polynesia—Southern California Contact Event
    Linguistic Evidence for a Prehistoric Polynesia—Southern California Contact Event KATHRYN A. KLAR University of California, Berkeley TERRY L. JONES California Polytechnic State University Abstract. We describe linguistic evidence for at least one episode of pre- historic contact between Polynesia and Native California, proposing that a borrowed Proto—Central Eastern Polynesian lexical compound was realized as Chumashan tomol ‘plank canoe’ and its dialect variants. Similarly, we suggest that the Gabrielino borrowed two Polynesian forms to designate the ‘sewn- plank canoe’ and ‘boat’ (in general, though probably specifically a dugout). Where the Chumashan form speaks to the material from which plank canoes were made, the Gabrielino forms specifically referred to the techniques (adzing, piercing, sewing). We do not suggest that there is any genetic relationship between Polynesian languages and Chumashan or Gabrielino, only that the linguistic data strongly suggest at least one prehistoric contact event. Introduction. Arguments for prehistoric contact between Polynesia and what is now southern California have been in print since the late nineteenth century when Lang (1877) suggested that the shell fishhooks used by Native Hawaiians and the Chumash of Southern California were so stylistically similar that they had to reflect a shared cultural origin. Later California anthropologists in- cluding the archaeologist Ronald Olson (1930) and the distinguished Alfred Kroeber (1939) suggested that the sewn-plank canoes used by the Chumash and the Gabrielino off the southern California coast were so sophisticated and uni- que for Native America that they likely reflected influence from Polynesia, where plank sewing was common and widespread. However, they adduced no linguistic evidence in support of this hypothesis.
    [Show full text]
  • Dugout Canoe Gr: Prek-2 (Lesson 6)
    TRADITIONAL TRANSPORTATION: DUGOUT CANOE GR: PREK-2 (LESSON 6) Elder Quote/Belief: “Summer came and they would go around by boat. They made their first dugout canoes. They chopped down large cottonwood, and fashioned that into a canoe. They went in that into Eyak Lake. Then they tried spruce instead of cotton wood. That too was good. They carved large boats out of spruce.” -Anna Nelson Harry 1 Anna Nelson Harry, Yakutat, about 1975. (Photo courtesy of Richard Dauenhauer) Grade Level: PreK-2 Overview: The Eyak and Sugpiaq people traditionally carved dugout canoes in the Chugach Region, specifically in Prince William Sound. “The canoes were so seaworthy that they were used not just for interisland voyages to visit relatives or allies, but also to wage war and to engage in trade missions over hundreds of miles. In fact, dugout canoes plied the waters between Southeast Alaska, (Eyak) and Kodiak Island in the days before the coming of Europeans”. (Echo’s http://www.echospace.org/articles/273/sections/665.html) Standards: AK Cultural: AK Content Science: CRCC: E4: Culturally-knowledgeable students B2: A student should understand and MC1: Different kinds of wood have demonstrate an awareness and be able to apply the concepts, models, different qualities and different uses; appreciation of the relationships and theories, universal principles, and facts wood can be obtained from the forest processes of interaction of all elements in that explain the physical world. and from driftwood. the world around them. A student should determine how ideas and concepts from one knowledge system relate to those derived from another knowledge system.
    [Show full text]
  • The Canoe Is the People LEARNER's TEXT
    The Canoe Is The People LEARNER’S TEXT United Nations Local and Indigenous Educational, Scientific and Knowledge Systems Cultural Organization Learnerstxtfinal_C5.indd 1 14/11/2013 11:28 The Canoe Is the People educational Resource Pack: Learner’s Text The Resource Pack also includes: Teacher’s Manual, CD–ROM and Poster. Produced by the Local and Indigenous Knowledge Systems (LINKS) Programme, UNESCO www.unesco.org/links Published in 2013 by the United Nations Educational, Scientific and Cultural Organization 7, place de Fontenoy, 75352 Paris 07 SP, France ©2013 UNESCO All rights reserved The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Coordinated by Douglas Nakashima, Head, LINKS Programme, UNESCO Author Gillian O’Connell Printed by UNESCO Printed in France Contact: Douglas Nakashima LINKS Programme UNESCO [email protected] 2 The Canoe Is the People: Indigenous Navigation in the Pacific Learnerstxtfinal_C5.indd 2 14/11/2013 11:28 contents learner’s SECTIONTEXT 3 The Canoe Is the People: Indigenous Navigation in the Pacific Learnerstxtfinal_C5.indd 3 14/11/2013 11:28 Acknowledgements The Canoe Is the People Resource Pack has benefited from the collaborative efforts of a large number of people and institutions who have each contributed to shaping the final product.
    [Show full text]
  • Ethnohistory of Puna
    Research in Action: Ethnohistory of Puna: Davianna Pōmaikaʻi McGregor Praxis: exercise or practice of an art, science or skill. Praxis distinguishes Ethnic Studies from the long-established disciplines of the social sciences. Ethnic Studies faculty are committed to placing research at the service of the community and challenging students to examine and analyze contemporary issues of concern to Hawaiʻi’s ethnic communities from diverse perspectives. The clash between the beliefs, customs, and practices of Hawaiian descendants of Pele (Hawaiian goddess of the volcano) and the developers of geothermal energy is one of the issues which drew upon the resources of Ethnic Studies faculty and students.1 The issue evolved as the federal and state governments partnered with private corporations to clear the largest remaining lowland rainforest in Hawaiʻi for geothermal wells and power plants. In response, Hawaiians filed several civil suits, organized religious ceremonies in the volcanic rainforest, produced documentary films and joined with environmentalists in public protests. A key turning point in the struggle was a ruling by the US federal court that an Environmental Impact Study (EIS) was required for the project to proceed. Where proposed development projects funded by the federal government affect native peoples, new historic preservation laws mandated the inclusion of a cultural impact study in the EIS. Thus, for the first time since the passage of the new laws, a cultural impact study was conducted for native Hawaiians in Hawaiʻi. The First Cultural Impact Study on Native Hawaiians University of Hawaiʻi faculty from the Ethnic Studies Department, the Department of Urban and Regional Planning and the School of Social Work were contracted to conduct the study.2 The team drew upon the individual skills and experiences of their faculty and developed a multi-method approach for the study.
    [Show full text]
  • Territory Selection by Puaiohi
    Territory Selection by Puaiohi: Influence of food abundance, nest sites, and forest composition and structure Lauren Solomon1, Lisa Crampton1, Ruby Hammond1, Pauline Roberts1,2 1Kaua`i Forest Bird Recovery Project, State of Hawai`i Division of Forestry and Wildlife, Kaua`i, HI, 2Sapphos Environmental, Inc., Pasadena, CA Introduction Methods Discussion • The Puaiohi, Myadestes palmeri, is a critically endangered single- • Used ArcMap 10 to overlay cliff location and survey points onto Puaiohi territories • No territories where there are no cliffs island endemic songbird (Figures 4 and 5) • Bigger, more barren and vertical walls more likely to be in territories • Native to Kaua`i, Hawaii • Aspect could influence exposure to wind and rain, insolation, and • Current population estimated at 200-1000 individuals1 nest temperature; further analysis needed into influence of aspect • Moss coverage could be indicative of higher moisture or greater • Suitable habitat restricted to high elevation (>1000m) forest in the invertebrate density Alaka’i Wilderness Preserve (Figures 1 and 2) • Fecal samples analyzed for seeds (522 seeds from 36 samples)2 • Puaiohi mostly nest on vertical cliff walls (Figure 2) • Kanawao significant: third most abundant fruit found in fecal • Puaiohi mainly frugivorous, supplementing diet with insects samples, but less available total fruit than other species (Figures 11 • Relative influence of several factors (cliff features, forest structure and 12) and composition, and fruit abundance) on Puaiohi space use and distribution is unknown Species Mean Figure 4. Map of study streams Figure 5. Map of study streams showing fruit/plot displaying territories and cliff wall territories and vegetation and fruit Lapalapa (Cheirodendron 332 locations.
    [Show full text]