Lost Cities of the Amazon the Amazon Tropical Forest Is Not As Wild As It Looks by Michael J
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City in the Sand Ebook
CITY IN THE SAND PDF, EPUB, EBOOK Mary Chubb | 213 pages | 29 Jan 2000 | Libri Publications Ltd | 9781901965025 | English | London, United Kingdom City in the Sand PDF Book Guests staying in any of The Castle accommodations will find The Castle is the perfect beachfront and oceanfront location. That has to be rare indeed. Open Preview See a Problem? I thought was an excellent addition to the main book. If the artifacts are indeed prehistoric stone tools, then it means humans settled on the shores of ancient Pleistocene lake more than 30, years ago. The well was the only permanent watering place in those parts and, being a necessary watering place for Bedouin raiders, had been the scene of many fierce encounters in the past, [12]. According to those overseeing the project, Neom has already invited tenders from a range of international firms, while plans are moving forward to build a road bridge to Egypt. In the valley of the Tombs, to the east of the city, the "houses of the dead," veritable underground palaces, were decorated with particularly fine sculpture and frescoes. Most tales of the lost city locate it somewhere in the Rub' al Khali desert, also known as the Empty Quarter, a vast area of sand dunes covering most of the southern third of the Arabian Peninsula , including most of Saudi Arabia and parts of Oman , the United Arab Emirates , and Yemen. Biotech City of the Future Healthcare. Original Title. At the beginning of the 17th century, the Emir Fakhr ad-Din was still using Palmyra as a place to exercise his police, however he was anxious to have greater security than offered by the ruined city, so he had a castle built on the hillside overlooking it. -
The Belo Monte Dam: Greatest “Natural” Disaster of Our Generation? by Shane Puthuparambil
THE BELO MONTE DAM: GREATEST “NATURAL” DISASTER OF OUR GENERATION? BY SHANE PUTHUPARAMBIL n 1989, in the Brazilian town of Altamira, nearly two decades. However, in 2011, the shallow and traveling at high velocities Ia Kayapo woman spoke passionately to a Brazilian environmental ministry (IBAMA) are often referred to as “rapids.” The Volta gathering that had been arranged by various granted licenses to Norte Energia—a Grande represents some of the largest and international nonprofits. “We don’t need Brazilian construction consortium—to start most complex rapids on Earth.5 Prior to electricity; electricity won’t give us food,” she construction on a new project. Today, the human development, this bend was home said. “We need the rivers to flow freely—our world’s fourth largest hydroelectric project, to hundreds of freshwater fish species, each futures depend on them. We need our forests known as the Belo Monte Dam, is nearly inhabiting its own unique niche within the to hunt and gather in. Don’t talk to us about complete, and the social and environmental river. In fact, a recent survey collected an relieving our ‘poverty’—we are the richest concerns of the past are now the nauseating astounding 450 species from 48 distinct fish people in Brazil. We are Indians.”1 realties of the present. families in the Volta Grande, demonstrating Strong-willed and emotional, the Kayapo the enormous diversity of fish in the river.6 The woman's voice reverberated throughout THE XINGU AND BELO MONTE Belo Monte hydroelectric complex, which is the international -
Encontro Xingu ‘08
ipcst08.files.wordpress.com/2008/05/_... Encontro Xingu ‘08 Day 5: Riverside Departure 27 May 2008 Participants began to assemble at the riverside from 7:30 with the arrival of buses loaded with rural workers and small farmers from the surrounding area. Many had started out in the small hours just to attend this last day; others had been in Altamira for some days. By the time the Indians arrived, more than an hour later, the non-Indians were in full swing. They formed an arena surrounded by banners, and several community leaders made impassioned speeches. An unexpected arrival was the BBC’s Bruce Parry. He is in the Amazon making a series with Indus Films, following the river from its source in the Peruvian Andes to its mouth. Cameraman Keith’s video camera simply dwarfed everyone else’s, as did the Indus crew of seven. Bruce was not here specifically to cover the Encontro Xingu, but such a unique gathering of Indians and rural people was an opportunity the team could not resist. They seemed bowled over by the sheer scale of the event, but confused about why the Brazilian Government had decided not to send any senior representatives to hear the Indians’ case. The Kayapo arrived in a column, dancing and chanting. Keith, who is very tall, was surrounded by the warriors as they swept into the arena, circling in the traditional way. He relished the experience and emerged beaming. Instinctively sensing another photo opportunity, the Indians rushed into the water, making symbolic use of the river to highlight their relationship with it. -
Karl Von Den Steinen Os Encontrou Em 1887
CD £ AWYTYZA TriNGKU CO 03 Z3 CD CD d O >03 O 03 N "cd _Q £ 3 ~CD CD CD Q_ O > -V/4 INSTITUTO SOCIOAMBIÊNTAL www.socioamblental. org 0 Público alvo O Parque Indígena do Xingu (PIX) abriga, em seus 2.642.003 hectares no estado de Mato Grosso, uma surpreendente variedade de grupos indígenas, diferenciados dos pontos de vista étnico, lingüístico e sociocultural. São quatorze povos, com uma popula ção estimada em 3.500 pessoas, distribuídas em 32 aldeias. Este livro será usado na Escola Aweti, na Escola do Posto Leonardo e em outras escolas do Alto Xingu onde residem pessoas falantes da língua Aweti, em razão dos casamentos com pessoas de outras etnias. Os Aweti A maioria dos povos do sul do Parque Indígena Xingu chegaram à região dos formadores do rio Xingu há alguns séculos, buscando um abrigo seguro diante da ocupação não-indígena sobre o território brasileiro. Esses povos, convivendo na mesma região, criaram uma coligação que inclui o compartilhamento de diversos elemen tos culturais, festas coletivas, intercâmbio econômico, muitos laços de amizade e casamento. Os Aweti fazem parte desta área cultural, conhecida como “Alto Xingu”. Cada povo tem uma participação particular neste complexo. Os Aweti são grandes fabricantes de sal, extraído do aguapé, trocando esse produto com os demais povos xinguanos. Os Aweti ocupam há muito tempo a região do baixo curso dos rios Tuatuari e Kurisevo, onde Karl Von den Steinen os encontrou em 1887. As epidemias de sarampo e gripe causaram uma catástrofe demográfica na metade do século XX, reduzindo os Aweti a duas dúzias de pessoas. -
Discover South America: Chile, Argentina & Uruguay 2020
TRAVEL PLANNING GUIDE Discover South America: Chile, Argentina & Uruguay 2020 Grand Circle Travel ® Worldwide Discovery at an Extraordinary Value 1 Dear Traveler, Timeless cultures ... unforgettable landscapes ... legendary landmarks. We invite you to discover centuries-old traditions and cosmopolitan gems with Grand Circle Travel on one of our enriching vacations around the globe. No matter what your dream destination, Grand Circle offers an unrivaled combination of value and experience—all in the company of like-minded fellow American travelers and a local Program Director. Assigned to no more than 42 travelers, these experts are ready and eager to share their homeland and insights as only a local can. Whether it's recommending their favorite restaurant, connecting travelers with people and culture, or providing the best regional maps to enhance your leisure time, our Program Directors are here to take care of all the details and ensure that you have a fun and carefree travel experience. You'll also enjoy the best value in the travel industry. Each of our trips includes all accommodations, most meals, exclusive Discovery Series events, guided tours, and most gratuities, all at a value that no other company can match. Plus, solo travelers can enjoy FREE Single Supplements on all Grand Circle Tours and extensions for even more value. In addition to our wealth of included features, each itinerary is balanced with ample free time to ensure you're able to make your vacation truly your own. Plus, with Grand Circle, you have the freedom to personalize your trip. For example, you can customize your air experience, and start your trip early or stay longer with our optional pre- and post-trip extensions. -
Discover South America: Chile & Argentina 2017
® ® Discover South America: Chile & Argentina 2017 EXTEND YOUR TRIP Peru: Machu Picchu, Cuzco & Lima Brazil’s Iguassu Falls & Rio de Janeiro Your Travel Handbook CONTENTS Passport, Visas & Travel Documents . 3 Electricity . 23 Your Passport . 3 Visa Required for Brazil Only . 3 Climate . 26 Migration Forms . 4 Trusted Traveler Programs . 4 Emergency Photocopies of Key Documents . 4 About Your Destinations . 30 Overseas Taxes & Fees . 5 Your Program Director . 30 During Your Trip . 30 Shopping . 32 Health . 6 U .S . Customs Regulations & Shipping Keep Your Abilities In Mind . 6 Charges . 33 Health Check . 6 Agricultural Statement for Chile . 33 Vaccinations . 7 Yellow Fever Vaccination—Suggested for Brazil ONLY . 7 Demographics & Background . 35 Staying Healthy on Your Trip . 8 Resources . 45 Money Matters . 10 Suggested Readings . 45 Top Three Tips . 10 Suggested Movies . 49 Local Currency . 10 Useful Websites . 52 How to Exchange Money . 11 ATMs . 11 Credit & Debit Cards . 12 Tipping Guidelines . 13 Preparing for Your Trip . 15 Land Only Travelers . 15 Air Inclusive Travelers . 15 Optional Tours . 16 Communications . 17 Packing . 19 Your Luggage . 20 Clothing Suggestions . 20 What to Bring . 21 2 RSA2017 07/14/2017 PASSPORT, VISAS & TRAVEL DOCUMENTS Your Passport • Must be in good condition • Must be valid for at least 6 months after your scheduled return to the U.S. • Must have the required number of blank pages (details below) • The blank pages must be labeled “Visas” at the top. Pages labeled “Amendments and Endorsements” are not acceptable Need to Renew Your Passport? Contact the National Passport Information Center (NPIC) at 1-877-487-2778, or visit their website at www.travel.state.gov for information on obtaining a new passport or renewing your existing passport. -
Prosodic Distinctions Between the Varieties of the Upper Xingu Carib Language: Results of an Acoustic Analysis
AMERINDIA n°35, 2011 Prosodic distinctions between the varieties of the Upper Xingu Carib language: results of an acoustic analysis Glauber Romling da SILVA & Bruna FRANCHETTO UFRJ, CNPq 1. Introduction: the Upper-Xingu Carib language and its varieties The Carib subsystem of Upper Xingu consists of four local groups: the Kuikuro (four villages, with a fifth one being formed), the Matipu and Nahukwá (who live together in three villages), and the Kalapalo (two villages). All these groups speak a language which belongs to one of the two meridional branches of the Carib family (Meira & Franchetto 2005), and which nowadays presents two main varieties: one spoken by the Kuikuro and the younger Matipu generations, and the other spoken by the Kalapalo and the Nahukwá. Franchetto (2001) states that “we could establish a common origin of the Upper-Xingu Carib from which the first big division would have unfolded (Kalapalo/Nahukwá vs. Kuikuro/Matipu).” These two varieties distinguish themselves by lexical as well as rhythmic differences. According to Franchetto (2001: 133), “in the Carib subsystem of the Culuene river, the interplay between socio-political identities of the local groups (ótomo) is based on distinct rhythmic and prosodic structures”. Speakers express themselves metaphorically when talking about their linguistic identities. From a Kuikuro point of view (or 42 AMERINDIA n°35, 2011 from whom is judging the other) we get the assumption of speaking ‘straight’ (titage) as opposed to speaking as the Kalapalo/Nahukwá do, which is ‘in curves, bouncy, wavy’ (tühenkgegiko) or ‘backwards’ (inhukilü) (Franchetto 1986; Fausto, Franchetto & Heckenberger 2008). In any case, the idea of ‘straightness’ as a way of speaking reveals a value judgment with regard to what it is not. -
11. References
11. References Arizona Department of Transportation (ADOT). State Transportation Improvement Program. December 1994. Associated Cultural Resource Experts (ACRE). Boulder City/U.S. 93 Corridor Study Historic Structures Survey. Vol. 1: Final Report. September 2002. _______________. Boulder City/U.S. 93 Corridor Study Historic Structures Survey. Vol. 1: Technical Report. July 2001. Averett, Walter. Directory of Southern Nevada Place Names. Las Vegas. 1963. Bedwell, S. F. Fort Rock Basin: Prehistory and Environment. University of Oregon Books, Eugene, Oregon. 1973. _______________. Prehistory and Environment of the Pluvial Fort Rock Lake Area of South Central Oregon. Ph.D. dissertation, Department of Anthropology, University of Oregon, Eugene. 1970. Bernard, Mary. Boulder Beach Utility Line Installation. LAME 79C. 1979. Bettinger, Robert L. and Martin A. Baumhoff. The Numic Spread: Great Basin Cultures in Competition. American Antiquity 46(3):485-503. 1982. Blair, Lynda M. An Evaluation of Eighteen Historic Transmission Line Systems That Originate From Hoover Dam, Clark County, Nevada. Harry Reid Center for Environmental Studies, Marjorie Barrick Museum of Natural History, University of Nevada, Las Vegas. 1994. _______________. A New Interpretation of Archaeological Features in the California Wash Region of Southern Nevada. M.A. Thesis, Department of Anthropology, University of Nevada, Las Vegas. 1986. _______________. Virgin Anasazi Turquoise Extraction and Trade. Paper presented at the 1985 Arizona-Nevada Academy of Sciences, Las Vegas, Nevada. 1985. Blair, Lynda M. and Megan Fuller-Murillo. Rock Circles of Southern Nevada and Adjacent Portions of the Mojave Desert. Harry Reid Center for Environmental Studies, University of Nevada, Las Vegas. HRC Report 2-1-29. 1997. Blair, Lynda M. -
The Lost City of Z
THE LOST CITY OF Z Written by James Gray Based on the book by David Grann WHITE DRAFT July 31, 2015 BLUE REVISIONS August 19, 2015 PINK REVISIONS August 24, 2015 YELLOW REVISIONS September 6,2015 GREEN REVISIONS September 30, 2015 GOLDENROD REV. October 18, 2015 BUFF REVISIONS OCTOBER 25th, 2015 LCOZ Productions, Ltd. THE LOST CITY OF Z White 7/31/15 * GRAY AND WHITE. * Our opening image is uneven lines of gray and white, * beautiful and abstract. * We HEAR WIND. * The CAMERA ZOOMS OUT to REVEAL: * 1 EXT. IRISH LANDSCAPE - LATE DAY 1 * A desolate-seeming, visually magnificent landscape. We were * looking at clouds, and they form glorious patterns in the * lowered sky. Like a painting by Lorraine, or Corot, or * Turner. * The horizon is dark, almost charcoal black. * A thin layer of fog drifts slowly across that abstract * surface. * As the FOG MOVES, it reveals: a MAN. * He has been running towards us. A silhouette. Like the rest * of the opening image, his appearance to us should conjure the * PRIMAL, the MYTHIC, the ELEMENTAL. It is as though he were * born out of this fog, this cosmic force. * He emerges from the fog. * It is PERCY HARRISON FAWCETT. * Thirties and handsome. Not exactly a youngster, but not * creaky and old, either. Strikes us as cheerful. A gentle * voice, an even manner. Despite his cheer and charm, however, * there is something steely about him, resolved, committed. * His eyes reveal a far more complex person than the exterior * might first allow; behind their twinkle there lurks a * capacity for furious wrath and implacable resolution, the * more dangerous because they are held in leash.. -
Arts Array Fall 2017 Visiting Author Opening Reception Reading with Mandy Catron in the Trenches Sunday, August 27 September 7 3 P.M
Arts Array Fall 2017 Visiting Author Opening Reception Reading with Mandy Catron In the Trenches Sunday, August 27 September 7 3 p.m. 6-8 p.m. Sinking Spring Presbyterian Church William King Museum Free for everyone As a companion exhibit to The Great War: Printmakers of World War I the William King Museum of Art has collected memorabilia from the Great War— Abingdon native, Mandy Catron, will read from her best-selling new book, How uniforms, weapons, mess kits—to give visitors a chance to imagine the lives of To Fall in Love with Anyone and lecture on the book’s development. Part memoir, soldiers and civilians who lived during this violent and uncertain period of world part philosophical musing, and part scientific findings, Catron’s book explores history. The full exhibit is available September 1 to November 5. what it means to love someone, to be loved and how we present our love to the world. What makes love last? Can love ever work the way it seems to in Spencer-Miller Concert Series movies and books and on social media? Is there a right way to fall in love? Or even a right person to fall in love with? Copies of the book will be for sale at The Checkers of Sound the event. Sponsored by Washington County Public Library’s “Friends of the Library.” Sunday, September 10 3 p.m. Film Sinking Spring Presbyterian Church Hidden Figures $10 Monday and Tuesday, August 28 and 29 The annual Spencer-Miller concert series 4 p.m. and 7:30 p.m. -
F Scott Fitzgerald's New York
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1993 His Lost City: F Scott Fitzgerald's New York Kris Robert Murphy College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Murphy, Kris Robert, "His Lost City: F Scott Fitzgerald's New York" (1993). Dissertations, Theses, and Masters Projects. Paper 1539625818. https://dx.doi.org/doi:10.21220/s2-zdpj-yf53 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. HIS LOST CITY: F. SCOTT FITZGERALD’S NEW YORK A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Kris R. Murphy 1993 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, July 1993 Scott Donaldson Christopher MacGowan Robert Maccubbin TABLE OF CONTENTS Page ACKNOWLEDGEMENTS.............................................................................................iv ABSTRACT.............................................................................. ...................................... v CHAPTER I. ‘The far away East. .the vast, breathless bustle of New York”. 3 CHAPTER II. “Trips to New York” (1907-1918)........................................................ 11 CHAPTER III. ‘The land of ambition and success” (1919-1920) ................................ 25 CHAPTER IV. ‘The great city of the conquering people” (1920-1921)...................... 53 CHAPTER V. -
Origem Da Pintura Do Lutador Matipu
GOVERNO DO ESTADO DE MATO GROSSO SECRETARIA DE ESTADO DE CIÊNCIA E TECNOLOGIA UNIVERSIDADE DO ESTADO DE MATO GROSSO CARLOS ALBERTO REYES MALDONADO UNEMAT CAMPUS UNIVERSITÁRIO DEP. RENÊ BARBOUR LICENCIATURA INTERCULTURAL INDÍGENA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Barra do Bugres 2016 MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Universidade do Estado de Mato Grosso- UNEMAT, Campus Universitário Dep. Est. Renê Barbour, como requisito parcial para obtenção do título de graduado em Línguas, Artes e Literatura. Orientador: Prof.ª Drª. Mônica Cidele da Cruz Barra do Bugres 2016 FICHA CATALOGRÁFICA MAIKE MATIPU ORIGEM DA PINTURA DO LUTADOR MATIPU Trabalho de Conclusão de Curso apresentado à Banca Avaliadora do Curso de Licenciatura Intercultural – UNEMAT, Campus Universitário Dep. Renê Barbour como requisito para obtenção do título de Licenciado em Línguas, Artes e Literatura. Barra do Bugres, 28 de abril de 2016. BANCA EXAMINADORA _______________________________________________ Prof.ª Drª. Mônica Cidele da Cruz Professora Orientadora _______________________________________________ Prof. Esp. Aigi Nafukuá Professor Avaliador _______________________________________________ Prof. Me. Isaías Munis Batista Professor Avaliador Barra do Bugres 2016 DEDICATÓRIA Dedico este trabalho para minha esposa Soko Kujahi Agika Kuikuro, aos meus filhos, às famílias e filhos da comunidade. Através do conhecimento do meu povo Matipu, consegui realizar o trabalho e fortalecer a cultura para futuras gerações. AGRADECIMENTOS Agradeço aos dois anciões narradores da história do passado. Principalmente agradeço ao meu pai Yamatuá Matipu, reconhecido como grande flautista e cantor. Agradeço, ainda, Manufá Matipu, que me auxiliou durante a pesquisa sobre o conhecimento dos antepassados. Agradeço a toda minha família que fez o trabalho comigo, e também agradeço muita minha esposa Soko Kujahi Agika Kuikuro, meus filhos Amatuá Matheus Matipu, Kaintehi Marquinho Matipu, Tahugaki Parisi Matipu e Ariati Maiate Rebeca Matipu.