Maxine Hong Kingston

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Critical Essays on MAXINE HONG KINGSTON edited by LAURA E. SKANDERA-TROMBLEY G. K. Hall & Co. An Imprint of Simon & Schuster Macmillan -. New York Prentice Hall International London Mexico City New Delhi Singapore Sydney Toronto Contents • General Editor's Note i Publisher's Note iii Introduction 1 LAURA E. SKANDERA-TROMBLEY INTERVIEW A Conversation with Maxine Hong Kingston 33 LAURA E. SKANDERA-TROMBLEY OVERVIEW Maxine Hong Kingston's Fake Books 51 DEBRA SHOSTAK REVIEWS OF THE WOMAN WARRIOR In Defiance of 2 Worlds 77 JOHN LEONARD \yGhosts 79 DIANE JOHNSON The Mysterious West [and Diane Johnson's Reply] 84 JEFFREY PAUL CHAN AND DIANE JOHNSON ^Ghosts" of Girlhood Lift Obscure Book to Peak of Acclaim 88 NAN ROBERTSON RESPONSE TO REVIEWS OF THE WOMAN WARRIOR r^ Cultural Mis-readings by American Reviewers 95 MAXINE HONG KINGSTON VII viii • CONTENTS ESSAYS ON THE WOMAN WARRIOR The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism? 107 KING-KOK CHEUNG The Subject of Memoirs: The Woman Warrior's Technology of Ideographic Selfhood 125 LEE QUINBY Autobiography as Guided Chinatown Tour? Maxine Hong Kingston's The Woman Warrior and the Chinese-American Autobiographical Controversy 146 SAU-LING CYNTHIA WONG Maxine Hong Kingston and the Dialogic Dilemma of Asian American Writers 168 AMY LING Re-presenting The Woman Warrior: An Essay of Interpretive History 182 DAVID LEIWEI LI REVIEWS OF CHINA MEN Chinese Ghost Story 207 FREDRIC WAKEMAN JR. Ghosts on a Gold Mountain 216 CLARA CLAIBORNE PARK _ China Men 223 LINDA KAUFFMAN ESSAYS ON CHINA MEN Tang Ao in America: Male Subject Positions in China Men 229 DONALD C. GOELLNICHT When the Ghosts Speak: Oral and Written Narrative Forms in Maxine Hong Kingston's China Men 246 MARY SLOWIK Engendering Genre: Gender and Nationalism in China Men and The Woman Warrior 261 LEILANI NISHIME CONTENTS • ix REVIEWS OF TRIPMASTER MONKEY Wittman at the Golden Gate ' 279 BHARATI MUKHERJEE » Manic Monologue '" 282 ANNE TYLER Demons and Warriors 285 CAROLINE ONG ESSAYS ON TRIPMASTER MONKEY Clashing Constructs of Reality: Reading Maxine Hong Kingston's Tripmaster Monkey: His Fake Book as Indigenous Ethnography 291 PATRICIA LIN Bee-e-een! Nation, Transformation, and the Hyphen of Ethnicity in Kingston's Tripmaster Monkey 304 ISABELLA FURTH Parody and Pacifist Transformations in Maxine Hong Kingston's Tripmaster Monkey: His Fake Book 318 A. NOELLE WILLIAMS Cross-Cultural Play: Maxine Hong Kingston's Tripmaster Monkey 334 JEANNE R. SMITH Index 349.

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Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng
Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng UNIVERSITY OF JYVÄSKYLÄ ISBN 978-951-39-5622-6 URN:ISBN:978-951-39-5622-6 2014 Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S212 joulukuun 3. päivänä 2013 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Old Festival Hall S212, on December 3, 2013, at 12 o’clock noon. UNIVERSITY OF JYVÄSKYLÄ �� ABSTRACT Pehkoranta, Anna Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng University of Jyväskylä, 2013, 173 p. Diss. This doctoral dissertation investigates the dynamics of melancholia, ethics, and aesthetics in a selection of Chinese American women’s fiction. The corpus of the study consists of four prose narratives written by three different authors: Crossings (1968) by Chuang Hua, The Woman Warrior (1976) by Maxine Hong Kingston, and Bone (1993) and Steer Toward Rock (2008) by Fae Myenne Ng. The study is comprised of four individual articles accompanied with a reflective introduction that illuminates the theoretical, methodological, and discursive context of the articles. While the theoretical framework of this dissertation is rooted mainly in sociologically oriented literary criticism, most importantly in Asian Americanist, psychoanalytical, and feminist critical practices, the study also shows a particular interest in the literary form and the aesthetic in the narratives it examines.
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1183 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. "Talk-stories" in the Fictions of Maxine Hong Kingston and Amy Tan by Hiu Wing Wong A thesis submitted in partial fulfilment of the requirements for' the degree of Doctor of Philosophy in English and Comparative Literary Studies University of Warwick, Department of English and Comparative Literary Studies November 2006 Table of Contents Page Number Acknowledgements Declaration ii Abstract iii Abbreviations iv Chapter 1 Introduction: Stories and "Talk-stories" Chapter 2 15 Singing a High-pitched Song: Struggle for a Voice through "Talk-stories" in Maxine Hong Kingston's The Woman Warrior: Memoirs of a Girlhood among Ghosts' Chapter 3 94 Mythic/Creative Rewriting of American History: Claiming America through "Talk-stories" in Kingston's China Men Chapter 4 138 Fusion and Literariness: Construction of a Chinese American (Communal) Identity with a "Talk-story" Play in Kingston's Tripnzaster Monkey: His Fake Book Chapter 5 189 "Foreign-ness" and Popularity: Mother-Daughter "Talking-stories" in Amy Tan's The Joy Luck Club, The Kitchen God's Wife, and The Bonesetter's Daughter Chapter 6 299 Conclusion: Stories that Never End Works Cited and Consulted 305 Acknowledgement First of all, I would like to express my heartfelt gratitude to Professor Michael Bell, my thesis supervisor, for his invaluable advice, insightful recommendations, constructive criticism, continual patience and support, and endless motivation throughout the completion of this thesis.
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Maxine Hong Kingston
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Minnesota Digital Conservancy Maxine Hong Kingston How strange that the emigrant villagers are shouters, hollering face to face. My father asks, “Why is it I can hear Chinese from Quick Facts blocks away? Is it that I understand the language? Or is it that they talk loud?” They turn the radio up full blast to hear the operas, * Born in 1927 which do not seem to hurt their ears. And they yell over the sing- * Chinese- ers that wail over the drums, everybody talking at once, big arm gestures, spit flying. You can see the disgust on American faces American novel- looking at women like that. It isn’t just the loudness. It is the way ist, memoirist, Chinese sounds, chingchong ugly, to American ears, not beauti- and short story ful like Japanese sayonara words with the consonants and vowels writer as regular as Italian. We make guttural peasant noise and have * Wrote Ton Duc Thang names you can’t remember. And the Chinese can’t The Woman hear Americans at all; the language is too soft and western music Warrior and unhearable. I’ve watched a Chinese audience laugh, visit, talk- China Men story, and holler during a piano recital, as if the musician could not hear them. A Chinese-American, somebody’s son, was playing Chopin, which has no punctuation, no cymbals, no gongs. Chinese piano music is five black keys. Normal Chinese women’s voices are strong and bossy.
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The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Rhetoric and Language Faculty Publications and Rhetoric and Language Research 2014 Hoisan-wa in Jest: Humor, Laughter, and the Construction of Counter-Hegemonic Affect in Contemporary Chinese American Language Maintenance Genevieve Leung University of San Francisco, [email protected] Follow this and additional works at: http://repository.usfca.edu/rl_fac Part of the Comparative and Historical Linguistics Commons, Cultural History Commons, East Asian Languages and Societies Commons, and the Language Description and Documentation Commons Recommended Citation Leung, G. (2014). Hoisan-wa in jest: Humor, laughter, and the construction of counter-hegemonic affect in contemporary Chinese American language maintenance. Humor, 27(2), 203-225. http://dx.doi.org/10.1515/humor-2014-0020 This Article is brought to you for free and open access by the Rhetoric and Language at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Rhetoric and Language Faculty Publications and Research by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. DOI 10.1515/humor-2014-0020 Humor 2014; 27(2): 203 – 225 Genevieve Leung Hoisan-wa in jest: Humor, laughter, and the construction of counter-hegemonic affect in contemporary Chinese American language maintenance Abstract: This research examines the language and cultural maintenance of Chinese Americans of a specific heritage: Hoisan-wa people. Hoisan-wa is one of the languages linking nearly all early Chinese immigrants in the U.S., but this language background has been pushed aside by the presence of other Chinese languages in America, such as Standard Cantonese and Mandarin.
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Maxine Hong Kingston Papers, 1952-1999
http://oac.cdlib.org/findaid/ark:/13030/kt6w10293c No online items Finding Aid to the Maxine Hong Kingston Papers, 1952-1999 Finding Aid written by Bancroft Library staff The Bancroft Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Maxine Hong BANC MSS 85/20 c 1 Kingston Papers, 1952-1999 Finding Aid to the Maxine Hong Kingston Papers, 1952-1999 Collection Number: BANC MSS 85/20 c The Bancroft Library University of California, Berkeley Berkeley, California Finding Aid Written By: Bancroft Library staff Date Completed: April 2007 © 2007 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Maxine Hong Kingston papers Date (inclusive): 1952-1999 Collection Number: BANC MSS 85/20 c Creators : Kingston, Maxine Hong Extent: Number of containers: 61 boxes, 16 oversize boxes, 4 oversize folders, 1 volumeLinear feet: approximately 30 Repository: The Bancroft Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: The Maxine Hong Kingston Papers contain typescripts, proofs and galleys, announcements, reviews, and related material for Kingston's books, The Woman Warrior and China Men, as well as other material related to her writing. The collection dates from 1952 to 1999 and has been divided into six series: Books; Other Writings; Correspondence; Professional Papers; Biographical Research Materials; Teaching Career; and Personal and Family Papers.
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