Suffolk University Newsletter (SUN), Vol. 37, No. 1, 2011
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Paulacoopergallery
P A U L A C O O P E R G A L L E R Y FOR IMMEDIATE RELEASE MARK DI SUVERO A public exhibition of Hugs (2011) 220 11th Avenue Opening October 6, 2018 NEW YORK—Paula Cooper Gallery in collaboration with the Moinian Group and Alex Brotmann Art Advisory are proud to announce the installation of Mark di Suvero’s monumental steel sculpture Hugs at 220 11th Avenue, New York. Organized on the occasion of the gallery’s fiftieth anniversary, the installation is located down the street from its new primary space at 524 W 26th Street. The presentation honors di Suvero’s long history with the gallery, having first collaborated with Cooper at Park Place Gallery (1965-67) and later at the Paula Cooper Gallery—including the second exhibition in 1968, and most recently in a one- person show in 2018. The sculpture will be on view from October 6, 2018, through winter 2019. Throughout his sixty-year career, di Suvero has created vibrant and dynamic works, which fuse vitality and improvisation with complex construction. Standing over fifty feet high, the pyramidal structure Hugs, is composed of steel I-beams whose three legs intersect in a central, curved form. Its expansive scale allows viewers to engage physically with the work, inducing a kinesthetic response as one walks under and around to perceive it from shifting vantages. Democratic accessibility and viewer participation have long been driving principles in di Suvero’s artistic practice: “When one is an artist, one wants to do art that is meaningful to a lot of people. -
2020-Commencement-Program.Pdf
One Hundred and Sixty-Second Annual Commencement JUNE 19, 2020 One Hundred and Sixty-Second Annual Commencement 11 A.M. CDT, FRIDAY, JUNE 19, 2020 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 1 6/12/20 12:14 PM UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). -
Piano Concerto Honoring Memory of Cliburn, Turk Is Sunday, May 5
MAY 2013 Annual Dance Concert is Friday, May 3 PERFORMANCE SHOWS OFF DANCE SKILLS OF KC STUDENTS The broad range of dance and performance; and Shelley skills of the Kilgore College Wayne for tap and jazz. Dance Department can be Tickets are $10, $5 for seen at the department’s students with KC identification. annual Spring Dance Concert, Tickets will go on sale at set for 8 p.m. Friday, May 3, in 6:30 p.m. the night of the Van Cliburn Auditorium on performance at the auditorium’s the Kilgore campus. box office. The choreography Tickets can be purchased by is a collaboration of the cash or check only – no credit students and instructors: cards accepted. Cathy Beckman for ballet, For more information, Above: (From left to right) Kelci Bjornlie, Lauren Cabrera, Ashlee Cloud, Meg Funderburk, modern dance technique, contact Beckman at (903) 983- Angie Gonzalez, Jazzlyn Howard, Jennifer Jones, Leisha Kastner, Macy Lopez, Heather improvisation/composition 8633. Prince, Caroline Roberts and Simon Weaver. Photo by O. Rufus Lovett Piano concerto honoring memory of Cliburn, Turk is Sunday, May 5 The Kilgore College Piano the memories of Van Cliburn Division will host a special and Anne Dean Turk than to concert in memory of two host a first-class piano concert great contributors to the music in their memory?” said Sandra community – Van Cliburn and Siler, KC piano instructor. Anne Dean Turk. “The legacies they left not The free concert is set for only Kilgore College, but also 3 p.m. Sunday, May 5, at Van the music community world- Cliburn Auditorium on the wide, will never be forgotten. -
A Sunny Day in Sligo
June 2009 VOL. 20 #6 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. Picture of Grace: A Sunny Day in Sligo The beauty of the Irish landscape, in this case, Glencar Lough in Sligo at the Leitrim border, jumps off the page in this photograph by Carsten Krieger, an image taken from her new book, “The West of Ireland.” Photo courtesy Man-made Images, Donegal. In Charge at the BPL Madame President and Mr. Mayor Amy Ryan is the multi- tasking president of the venerable Boston Pub- lic Library — the first woman president in the institution’s 151-year his- tory — and she has set a course for the library to serve the educational and cultural needs of Boston and provide access to some of the world’s most historic records, all in an economy of dramatic budget cuts and a significant rise in library use. Greg O’Brien profile, Page 6 Nine Miles of Irishness On Old Cape Cod, the nine-mile stretch along Route 28 from Hyannis to Harwich is fast becom- ing more like Galway or Kerry than the Cape of legend from years ago. This high-traffic run of roadway is dominated by Irish flags, Irish pubs, Irish restaurants, Irish hotels, and one of the fast- est-growing private Irish Ireland President Mary McAleese visited Boston last month and was welcomed to the city by Boston clubs in America. Mayor Tom Menino. Also pictured at the May 26 Parkman House event were the president’s husband, BIR columnist Joe Dr. -
Community in August Wilson and Tony Kushner
FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay. -
Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng
Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng UNIVERSITY OF JYVÄSKYLÄ ISBN 978-951-39-5622-6 URN:ISBN:978-951-39-5622-6 2014 Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S212 joulukuun 3. päivänä 2013 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Old Festival Hall S212, on December 3, 2013, at 12 o’clock noon. UNIVERSITY OF JYVÄSKYLÄ �� ABSTRACT Pehkoranta, Anna Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng University of Jyväskylä, 2013, 173 p. Diss. This doctoral dissertation investigates the dynamics of melancholia, ethics, and aesthetics in a selection of Chinese American women’s fiction. The corpus of the study consists of four prose narratives written by three different authors: Crossings (1968) by Chuang Hua, The Woman Warrior (1976) by Maxine Hong Kingston, and Bone (1993) and Steer Toward Rock (2008) by Fae Myenne Ng. The study is comprised of four individual articles accompanied with a reflective introduction that illuminates the theoretical, methodological, and discursive context of the articles. While the theoretical framework of this dissertation is rooted mainly in sociologically oriented literary criticism, most importantly in Asian Americanist, psychoanalytical, and feminist critical practices, the study also shows a particular interest in the literary form and the aesthetic in the narratives it examines. -
Fall 201720172017
2017 2017 2017 2017 Fall Fall Fall Fall This content downloaded from 024.136.113.202 on December 13, 2017 10:53:41 AM All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). American Art SummerFall 2017 2017 • 31/3 • 31/2 University of Chicago Press $20 $20 $20 $20 USA USA USA USA 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T reform reform reform reform cameras cameras cameras cameras “prints” “prints” “prints” “prints” and and and and memory memory memory memory playground playground playground playground of of of Kent’s of Kent’s Kent’s Kent’s guns, guns, guns, guns, abolitionism abolitionism abolitionism abolitionism art art art art and and and and the the the the Rockwell literary Rockwell Rockwell literary literary Rockwell issue literary issue issue issue Group, and Group, and Group, and Group, and in in in in this this this this Homer—dogs, Homer—dogs, Homer—dogs, Place Homer—dogs, Place Place Place In In In In nostalgia Park nostalgia nostalgia Park Park nostalgia Park Duncanson’s Duncanson’s Duncanson’s Duncanson’s Christenberry the Christenberry S. Christenberry the S. the S. Christenberry the S. Winslow Winslow Winslow Winslow with with with with Robert Robert Robert Robert Suvero, Suvero, Suvero, Suvero, William William William William di di di Technological di Technological Technological Technological Hunting Hunting Hunting Hunting Mark Mark Mark Mark Kinetics of Liberation in Mark di Suvero’s Play Sculpture Melissa Ragain Let’s begin with a typical comparison of a wood construction by Mark di Suvero with one of Tony Smith’s solitary cubes (fgs. -
Grants? Did You Know That If You’Ve Received a Grant from the Arizona Commission on the Arts, You May Have Indirectly Received $$ from NEA?
Welcome!! Thanks – Arizona Commission on the Arts Thanks—Bob Booker, Executive Director of the AZ Commission and Thanks—Jim Ballinger, Executive Director of the Phoenix Art Museum and member of the National Council on the Arts Audience Questions: How many applied to the NEA? How many received NEA grants? Did you know that if you’ve received a grant from the Arizona Commission on the Arts, you may have indirectly received $$ from NEA? How many served on an NEA grant panel? Today would like to share general information about: • Who we are and what we do. • Will guide you through NEA funding categories and, • Share tips on preparing what we hope will be a successful application 1 Let’s begin with Who we Are: NEA established as an independent federal agency by Congress 1965 Our Mission is to Advance: • Artistic excellence, creativity and innovation in the arts • For the benefit of individuals and communities NEA is single largest national public funder of the arts. Awarded more than $4 billion in grants since inception 2 Now, I’d like to introduce full scope of NEA’s Signature Programs 3 NEA provides: 1. Financial awards to eligible organizations and, 2. We recognize artists and arts organizations through several programs. We: • Award Direct Grants • Foster State and Regional Partnerships • Maintain Leadership Initiatives • Present Literature Fellowships Recognition Awards • Administer Lifetime Honorifics 4 Direct Grants constitute 60% of NEA’s grant funding. We support projects of artistic excellence and artistic merit in a wide range of artistic disciplines. In NEA’s current fiscal year, we have awarded 17 direct grants of $435,000 throughout the state of ARIZONA. -
“Life” — Sam Rein Solo Exhibition at Barrett Art Center by RAYMOND J
Inside: Raleigh on Film; Bethune on Theatre; Behrens on Music; Marvel’s ‘Art Byte’; th Critique: Sam Rein at Barrett Art Center; Year! Seckel on the Cultural Scene; Jeanne Heiberg & John Coyne ‘Speak Out’; Our 25 New Art Books; Short Fiction & Poetry; Extensive Calendar of Events…and more! ART TIMES Vol. 25 No. 6 Jan/Feb 2009 “Life” — Sam Rein Solo Exhibition at Barrett Art Center By RAYMOND J. STEINER IT’S ALWAYS A distinct pleasure sional surface alive not only to the for this viewer to come across a eye, but also to the spirit and soul. working artist from the “old school” A humanist with wit, perception, — you know, someone who can draw, and sensitivity, Sam Rein could not manipulate a paint-laden brush, have chosen a more fitting title for compose a motif, vary a ‘signature’, this solo exhibition* since “Life” so avoid a hackneyed formula that aptly reveals his long love affair with “sells”…in brief, bring a two-dimen- the pathos and bathos of the human River View Watercolor condition. This is an artist who not imagery (“Track Three”; “Table Talk only loves his craft, but who also is Al Fresco” — a charming genre piece in sympathy with the nature of be- of three oldsters conversing around ing — whether it be person, object, an outdoor table) is compelling, in- or landscape. viting the viewer to enter, to partici- Some thirty-seven works — pate in whatever is unfolding before charcoals, pastels, watercolors, the eye. Especially “present” in their gouaches, acrylics and even a pencil “thereness” — what the early Ger- drawing (“Reclining Nude, Head on man aestheticians referred to as the Hand”) — make up this show, more ding an sich (the thing in itself) — than enough to showcase Rein’s ver- are his studies of the female figure, satility in motif, genre, and in style. -
Landmarks, the Public Art Program of the University of Texas at Austin, Acquires Major Works by Marc Quinn and Ann Hamilton
Contact: Maria May, Resnicow and Associates (214) 207-6082, [email protected] Date: 7 July 2016 May Wijaya, Resnicow and Associates (212) 671-5167, [email protected] Landmarks, the public art program of The University of Texas at Austin, acquires major works by Marc Quinn and Ann Hamilton Landmarks' collection expands with the acquisition of a monumental sculpture by Marc Quinn and a newly commissioned project by Ann Hamilton AUSTIN, Texas — Landmarks, The University of Texas at Austin’s public art program, today announced two significant additions: the recent acquisition of Marc Quinn’s 2013 sculpture, Spiral of the Galaxy, to be unveiled in September 2016; and the commission of O N E E V E R Y O N E, a community-based photography project by Ann Hamilton (January 2017). Both works will be installed at the university’s Dell Medical School and are funded through a percent-for-art allocation that sets aside one-to-two percent of capital improvement projects for the acquisition of public art. The two acquisitions were initiated by Landmarks, one of the most important public art programs to emerge at an American university. On view throughout Austin’s 433-acre main campus, the collection includes works by Michael Ray Charles, Mark di Suvero, David Ellis, Sol LeWitt, Ben Rubin, Nancy Rubins, and James Turrell. Landmarks’ public art collection is broadly accessible and free to all, providing opportunities for students and visitors to engage with great works of art. “Adding Marc Quinn and Ann Hamilton to the diverse roster of artists represented by Landmarks is an honor,” said Andrée Bober, the founding director of the program. -
JK Bloomsday Interview
A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books).