Maxine Hong Kingston Papers, 1952-1999
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Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng
Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng UNIVERSITY OF JYVÄSKYLÄ ISBN 978-951-39-5622-6 URN:ISBN:978-951-39-5622-6 2014 Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S212 joulukuun 3. päivänä 2013 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Old Festival Hall S212, on December 3, 2013, at 12 o’clock noon. UNIVERSITY OF JYVÄSKYLÄ �� ABSTRACT Pehkoranta, Anna Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng University of Jyväskylä, 2013, 173 p. Diss. This doctoral dissertation investigates the dynamics of melancholia, ethics, and aesthetics in a selection of Chinese American women’s fiction. The corpus of the study consists of four prose narratives written by three different authors: Crossings (1968) by Chuang Hua, The Woman Warrior (1976) by Maxine Hong Kingston, and Bone (1993) and Steer Toward Rock (2008) by Fae Myenne Ng. The study is comprised of four individual articles accompanied with a reflective introduction that illuminates the theoretical, methodological, and discursive context of the articles. While the theoretical framework of this dissertation is rooted mainly in sociologically oriented literary criticism, most importantly in Asian Americanist, psychoanalytical, and feminist critical practices, the study also shows a particular interest in the literary form and the aesthetic in the narratives it examines. -
6086 AR Cover R1:17.310 MFAH AR 2015-16 Cover.Rd4.Qxd
μ˙ The Museum of Fine Arts, Houston annual report 2015–2016 MFAH BY THE NUMBERS July 1, 2015–June 30, 2016 • 900,595 visits to the Museum, the Lillie and Hugh Roy Tuition Attendance Revenue $3.2 Other Cullen Sculpture Garden, Bayou Bend Collection and $2.1 5% 3% $7.1 Gardens, Rienzi, and the Glassell School of Art 11% Membership Revenue $2.9 • 112,000 visitors and students reached through learning 5% and interpretation programs on-site and off-site FY 2016 • 37,521 youth visitors ages 18 and under received free Operating Operating Revenues Endowment or discounted access to the MFAH Fund-raising (million) Spending $14.2 $34.0 22% 54% • 42,865 schoolchildren and their chaperones received free tours of the MFAH • 1,020 community engagement programs were presented Total Revenues: $63.5 million • 100 community partners citywide collaborated with the MFAH Exhibitions, Curatorial, and Collections $12.5 Auxiliary • 2,282,725 visits recorded at mfah.org 20% Activities $3.2 5% • 119,465 visits recorded at the new online collections Fund-raising $4.9 module 8% • 197,985 people followed the MFAH on Facebook, FY 2016 Education, Instagram, and Twitter Operating Expenses Libraries, (million) and Visitor Engagment $12.7 • 266,580 unique visitors accessed the Documents 21% of 20th-Century Latin American and Latino Art Website, icaadocs.mfah.org Management Buildings and Grounds and General $13.1 and Security $15.6 21% • 69,373 visitors attended Sculpted in Steel: Art Deco 25% Automobiles and Motorcycles, 1929–1940 Total Expenses: $62 million • 26,434 member -
JK Bloomsday Interview
A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books). -
Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 94720
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA 94720 No. 6l May 197s Dr. and Mrs. David Prescott Barrows, with their children, Anna, Ella, Tom, and Betty, at Manila, ig And it is the story of "along the way" that '111 Along the Way comprises this substantial transcript, a gift from her children in honor of Mrs. Hagar's You Have Fun!" seventy-fifth birthday. In her perceptive introduction to Ella Bar From a childhood spent for the most part rows Hagar's Continuing Memoirs: Family, in the Philippines where her father, David Community, University, Marion Sproul Prescott Barrows, served as General Super Goodin notes that the last sentence of this intendent of Education, Ella Barrows came interview, recently completed by Bancroft's to Berkeley in 1910, attended McKinley Regional Oral History Office, ends with the School and Berkeley High School, and en phrase: "all along the way you have fun!" tered the University with its Class of 1919. [1] Life in the small college town in those halcy Annual Meeting: June 1st Bancroft's Contemporary on days before the first World War is vividly recalled, and contrasted with the changes The twenty-eighth Annual Meeting of Poetry Collection brought about by the war and by her father's The Friends of The Bancroft Library will be appointment to the presidency of the Uni held in Wheeler Auditorium on Sunday IN THE SUMMER OF 1965 the University of versity in December, 1919. From her job as afternoon, June 1st, at 2:30 p.m. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1183 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. "Talk-stories" in the Fictions of Maxine Hong Kingston and Amy Tan by Hiu Wing Wong A thesis submitted in partial fulfilment of the requirements for' the degree of Doctor of Philosophy in English and Comparative Literary Studies University of Warwick, Department of English and Comparative Literary Studies November 2006 Table of Contents Page Number Acknowledgements Declaration ii Abstract iii Abbreviations iv Chapter 1 Introduction: Stories and "Talk-stories" Chapter 2 15 Singing a High-pitched Song: Struggle for a Voice through "Talk-stories" in Maxine Hong Kingston's The Woman Warrior: Memoirs of a Girlhood among Ghosts' Chapter 3 94 Mythic/Creative Rewriting of American History: Claiming America through "Talk-stories" in Kingston's China Men Chapter 4 138 Fusion and Literariness: Construction of a Chinese American (Communal) Identity with a "Talk-story" Play in Kingston's Tripnzaster Monkey: His Fake Book Chapter 5 189 "Foreign-ness" and Popularity: Mother-Daughter "Talking-stories" in Amy Tan's The Joy Luck Club, The Kitchen God's Wife, and The Bonesetter's Daughter Chapter 6 299 Conclusion: Stories that Never End Works Cited and Consulted 305 Acknowledgement First of all, I would like to express my heartfelt gratitude to Professor Michael Bell, my thesis supervisor, for his invaluable advice, insightful recommendations, constructive criticism, continual patience and support, and endless motivation throughout the completion of this thesis. -
Maxine Hong Kingston
Critical Essays on MAXINE HONG KINGSTON edited by LAURA E. SKANDERA-TROMBLEY G. K. Hall & Co. An Imprint of Simon & Schuster Macmillan -. New York Prentice Hall International London Mexico City New Delhi Singapore Sydney Toronto Contents • General Editor's Note i Publisher's Note iii Introduction 1 LAURA E. SKANDERA-TROMBLEY INTERVIEW A Conversation with Maxine Hong Kingston 33 LAURA E. SKANDERA-TROMBLEY OVERVIEW Maxine Hong Kingston's Fake Books 51 DEBRA SHOSTAK REVIEWS OF THE WOMAN WARRIOR In Defiance of 2 Worlds 77 JOHN LEONARD \yGhosts 79 DIANE JOHNSON The Mysterious West [and Diane Johnson's Reply] 84 JEFFREY PAUL CHAN AND DIANE JOHNSON ^Ghosts" of Girlhood Lift Obscure Book to Peak of Acclaim 88 NAN ROBERTSON RESPONSE TO REVIEWS OF THE WOMAN WARRIOR r^ Cultural Mis-readings by American Reviewers 95 MAXINE HONG KINGSTON VII viii • CONTENTS ESSAYS ON THE WOMAN WARRIOR The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism? 107 KING-KOK CHEUNG The Subject of Memoirs: The Woman Warrior's Technology of Ideographic Selfhood 125 LEE QUINBY Autobiography as Guided Chinatown Tour? Maxine Hong Kingston's The Woman Warrior and the Chinese-American Autobiographical Controversy 146 SAU-LING CYNTHIA WONG Maxine Hong Kingston and the Dialogic Dilemma of Asian American Writers 168 AMY LING Re-presenting The Woman Warrior: An Essay of Interpretive History 182 DAVID LEIWEI LI REVIEWS OF CHINA MEN Chinese Ghost Story 207 FREDRIC WAKEMAN JR. Ghosts on a Gold Mountain 216 CLARA CLAIBORNE PARK _ China Men 223 LINDA KAUFFMAN ESSAYS ON CHINA MEN Tang Ao in America: Male Subject Positions in China Men 229 DONALD C. -
The Tanforan Memorial Project: How Art and History Intersected
THE TANFORAN MEMORIAL PROJECT: HOW ART AND HISTORY INTERSECTED A Thesis submitted to the faculty of San Francisco State University AS In partial fulfillment of 5 0 the requirements for the Degree AOR- • 033 Master of Arts in Humanities by Richard J. Oba San Francisco, California Fall Term 2017 Copyright by Richard J. Oba 2017 CERTIFICATION OF APPROVAL I certify that I have read “The Tanforan Memorial Project: How Art and History Intersected” by Richard J. Oba, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Humanities at San Francisco State University. I Saul Steier, Associate Professor, Humanities “The Tanforan Memorial Project: How Art and History Intersected” Richard J. Oba San Francisco 2017 ABSTRACT Many Japanese Americans realize that their incarceration during WWII was unjust and patently unconstitutional. But many other American citizens are often unfamiliar with this dark chapter of American history. The work of great visual artists like Ansel Adams, Dorothea Lange, Chiura Obata, Mine Okubo, and others, who bore witness to these events convey their horror with great immediacy and human compassion. Their work allows the American society to visualize how the Japanese Americans were denied their constitutional rights in the name of national security. Without their visual images, the chronicling of this historical event would have faded into obscurity. I certify that the Abstract is a correct representation of the content of this Thesis ACKNOWLEDGEMENT I wish to acknowledge the support and love of my wife, Sidney Suzanne Pucek, May 16, 1948- October 16, 2016. -
Today's Leading Exponent of (The) Legacy
... today’s leading exponent of (the) legacy. Backstage 2007 THE DANCER OF THE FUTURE will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the human body. The dancer will not belong to a nation but to all humanity. She will not dance in the form of nymph, nor fairy, nor coquette, but in the form of woman in her greatest and purest expression. From all parts of her body shall shine radiant intelligence, bringing to the world the message of the aspirations of thousands of women. She shall dance the freedom of women – with the highest intelligence in the freest body. What speaks to me is that Isadora Duncan was inspired foremost by a passion for life, for living soulfully in the moment. ISADORA DUNCAN LORI BELILOVE Table of Contents History, Vision, and Overview 6 The Three Wings of the Isadora Duncan Dance Foundation I. The Performing Company 8 II. The School 12 ISADORA DUNCAN DANCE FOUNDATION is a 501(C)(3) non-profit organization III. The Historical Archive 16 recognized by the New York State Charities Bureau. Who Was Isadora Duncan? 18 141 West 26th Street, 3rd Floor New York, NY 10001-6800 Who is Lori Belilove? 26 212-691-5040 www.isadoraduncan.org An Interview 28 © All rights reserved No part of this publication may be reproduced without the written permission of the Isadora Duncan Dance Foundation. Conceived by James Richard Belilove. Prepared and compiled by Chantal D’Aulnis. Interviews with Lori Belilove based on published articles in Smithsonian, Dance Magazine, The New Yorker, Dance Teacher Now, Dancer Magazine, Brazil Associated Press, and Dance Australia. -
Fang Family San Francisco Examiner Photograph Archive Negative Files, Circa 1930-2000, Circa 1930-2000
http://oac.cdlib.org/findaid/ark:/13030/hb6t1nb85b No online items Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Bancroft Library staff The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2010 The Regents of the University of California. All rights reserved. Finding Aid to the Fang family San BANC PIC 2006.029--NEG 1 Francisco examiner photograph archive negative files, circa 1930-... Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Collection number: BANC PIC 2006.029--NEG The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Bancroft Library staff Finding Aid Encoded By: GenX © 2011 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Fang family San Francisco examiner photograph archive negative files Date (inclusive): circa 1930-2000 Collection Number: BANC PIC 2006.029--NEG Creator: San Francisco Examiner (Firm) Extent: 3,200 boxes (ca. 3,600,000 photographic negatives); safety film, nitrate film, and glass : various film sizes, chiefly 4 x 5 in. and 35mm. Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Local news photographs taken by staff of the Examiner, a major San Francisco daily newspaper. -
Maxine Hong Kingston
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Minnesota Digital Conservancy Maxine Hong Kingston How strange that the emigrant villagers are shouters, hollering face to face. My father asks, “Why is it I can hear Chinese from Quick Facts blocks away? Is it that I understand the language? Or is it that they talk loud?” They turn the radio up full blast to hear the operas, * Born in 1927 which do not seem to hurt their ears. And they yell over the sing- * Chinese- ers that wail over the drums, everybody talking at once, big arm gestures, spit flying. You can see the disgust on American faces American novel- looking at women like that. It isn’t just the loudness. It is the way ist, memoirist, Chinese sounds, chingchong ugly, to American ears, not beauti- and short story ful like Japanese sayonara words with the consonants and vowels writer as regular as Italian. We make guttural peasant noise and have * Wrote Ton Duc Thang names you can’t remember. And the Chinese can’t The Woman hear Americans at all; the language is too soft and western music Warrior and unhearable. I’ve watched a Chinese audience laugh, visit, talk- China Men story, and holler during a piano recital, as if the musician could not hear them. A Chinese-American, somebody’s son, was playing Chopin, which has no punctuation, no cymbals, no gongs. Chinese piano music is five black keys. Normal Chinese women’s voices are strong and bossy. -
The Library of Congress Information Bulletin, 2002. INSTITUTION Library of Congress, Washington, DC
DOCUMENT RESUME ED 478 305 IR 058 746 AUTHOR Lamolinara, Guy, Ed.; Dalrymple, Helen, Ed. TITLE The Library of Congress Information Bulletin, 2002. INSTITUTION Library of Congress, Washington, DC. ISSN ISSN-0041-7904 PUB DATE 2002-00-00 NOTE 318p.; For Volume 60 (2001 issues), see ED 464 636. AVAILABLE FROM For full text: http://www.loc.gov/loc/lcib/. PUB TYPE Collected Works Serials (022) JOURNAL CIT Library of Congress Information Bulletin; v61 n1-12 Jan-Dec 2002 EDRS PRICE EDRS Price MF01/PC13 Plus Postage. DESCRIPTORS *Exhibits; Library Collection Development; *Library Collections; Library Materials; *Library Services; *National Libraries; United States History IDENTIFIERS *Library of Congress ABSTRACT These 10 issues, representing one calendar year, including two double issues (2002)- of "The Library of Congress Information Bulletin," contain information on Library of Congress new collections and program developments, lectures and readings, financial support and materials donations, budget, honors and awards, World Wide Web sites and digital collections, new publications, exhibits, and preservation. Cover stories include:(1) "American Women: Guide to Women's History Resources Published"; (2) "The Year in Review";(3) "'Suffering Under a Great Injustice': Adams' Photos Document. Japanese Internment";(4) "Presenting a Stage for a Nation: Exhibition Portrays Genius of Roger L. Stevens";(5) "Swann Gallery Exhibition Features 'American Beauties'";(6) "Veterans Hear the Call: Folklife Center Sponsors History Project"; (7) "Courting Disaster: Building a Collection to Chronicle 9/11 and Its Aftermath"; (8) "Collecting a Career: The Katherine Dunham Legacy Project"; (9) "2002 National Book Festival: Second Annual Event Celebrates the Power of Words"; and (10) "The Civil War and American Memory: Examining the Many Facets of the Conflict." (AEF) Reproductions supplied by EDRS are the best that can be made from the original document. -
Finding Aid for The
1 FINDING AID FOR THE ANSEL ADAMS ARCHIVE AG31 Center for Creative Photography The University of Arizona Tucson, AZ 85721-0103 For further information about the archives at the Center for Creative Photography, please contact the Archivist: phone 520-621-6273; fax 520-621-9444 TABLE OF CONTENTS page number Description, Provenance, Restrictions 2 Scope and Content 2-3 Organization of the Collection 3-4 Correspondence 5-25 Correspondence Index 25-30 Biographical materials 30-33 Music related materials 34-36 Activity Files 36-97 Clippings 97 Publications 97-101 Audio-visual Materials 101-106 Memorabilia 106-107 Photographic Materials 107-118 Photographic Equipment 118-122 Appendix A: Periodicals and miscellaneous, by and about Adams Appendix B: Monographs by and about Adams Appendix C: Personal library: monographs by others Appendix D: Index to photographs in the Ansel Adams Archive Ansel Adams Archive, Center for Creative Photography, The University of Arizona 1 2 DESCRIPTION Papers, photographic materials, and memorabilia, 1920s -1984, of Ansel Adams (1902 - 1984), photographer, author, teacher and conservationist. Includes correspondence (1906 - 1984) between Adams and his family, friends, business associates, and other artists; activity files documenting his commercial projects (1930s - 1977); exhibitions (1936 - 1983); his associations with the Sierra Club (1937 - 1984), Friends of Photography (1967 - 1984), and Images and Words Workshop (1967 - 1972); writings, lectures, and interviews (1931 - 1982); publications with Morgan and Morgan (1950 - 1975), 5 Associates (1952 - 1979), and New York Graphic Society (1973 - 1983); photographic materials including work, reproduction, and exhibition prints; printed materials including reproductions of his work in periodicals and a portion of his personal library; audio and visual materials relating to interviews with him; and memorabilia including awards, certificates, equipment, and clothing.