Wesensmerkmale Einer Totalitären Diktatur
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7-9Th Grades Waves of Resistance by Chloe A. Girls Athletic Leadership School, Denver, CO
First Place Winner Division I – 7-9th Grades Waves of Resistance by Chloe A. Girls Athletic Leadership School, Denver, CO Between the early 1930s and mid-1940s, over 10 million people were tragically killed in the Holocaust. Unfortunately, speaking against the Nazi State was rare, and took an immense amount of courage. Eyes and ears were everywhere. Many people, who weren’t targeted, refrained from speaking up because of the fatal consequences they’d face. People could be reported and jailed for one small comment. The Gestapo often went after your family as well. The Nazis used fear tactics to silence people and stop resistance. In this difficult time, Sophie Scholl, demonstrated moral courage by writing and distributing the White Rose Leaflets which brought attention to the persecution of Jews and helped inspire others to speak out against injustice. Sophie, like many teens of the 1930s, was recruited to the Hitler Youth. Initially, she supported the movement as many Germans viewed Hitler as Germany’s last chance to succeed. As time passed, her parents expressed a different belief, making it clear Hitler and the Nazis were leading Germany down an unrighteous path (Hornber 1). Sophie and her brother, Hans, discovered Hitler and the Nazis were murdering millions of innocent Jews. Soon after this discovery, Hans and Christoph Probst, began writing about the cruelty and violence many Jews experienced, hoping to help the Jewish people. After the first White Rose leaflet was published, Sophie joined in, co-writing the White Rose, and taking on the dangerous task of distributing leaflets. The purpose was clear in the first leaflet, “If everyone waits till someone else makes a start, the messengers of the avenging Nemesis will draw incessantly closer” (White Rose Leaflet 1). -
The White Rose Program
LMU Theatre Arts presents The White Rose Staged Reading (Course Presentation) Loyola Marymount University College of Communication and Fine Arts & Department of Theatre Arts and Dance present THE WHITE ROSE by Lillian Garrett-Groag Directed by Marc Valera Cast Ivy Musgrove Stage Directions/Schmidt Emma Milani Sophie Scholl Cole Lombardi Hans Scholl Bella Hartman Alexander Schmorell Meighan La Rocca Christoph Probst Eddie Ainslie Wilhelm Graf Dan Levy Robert Mohr Royce Lundquist Anton Mahler Aidan Collett Bauer Produc tion Team Stage Manager - Caroline Gillespie Editor - Sathya Miele Sound - Juan Sebastian Bernal Props Master - John Burton Technical Director - Jason Sheppard Running Time: 2 hours The artists involved in this production would like to express great appreciation to the following people: Dean Bryant Alexander, Katharine Noon, Kevin Wetmore, Andrea Odinov, and the parents of our students who currently reside in different time zones. Acknowledging the novel challenges of the Covid era, we would like to recognize the extraordinary efforts of our production team: Jason Sheppard, Sathya Miele, Juan Sebastian Bernal, John Burton, and Caroline Gillespie. PLAYWRIGHT'S FORWARD: In 1942, a group of students of the University of Munich decided to actively protest the atrocities of the Nazi regime and to advocate that Germany lose the war as the only way to get rid of Hitler and his cohorts. They asked for resistance and sabotage of the war effort, among other things. They published their thoughts in five separate anonymous leaflets which they titled, 'The White Rose,' and which were distributed throughout Germany and Austria during the Summer of 1942 and Winter of 1943. -
“Não Nos Calaremos, Somos a Sua Consciência Pesada; a Rosa Branca Não Os Deixará Em Paz”
UNIVERSIDADE FEDERAL DE MINAS GERAIS FACULDADE DE FILOSOFIA E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA MARIA VISCONTI SALES “Não nos calaremos, somos a sua consciência pesada; a Rosa Branca não os deixará em paz” A Rosa Branca e sua resistência ao nazismo (1942-1943) Belo Horizonte 2017 MARIA VISCONTI SALES “Não nos calaremos, somos a sua consciência pesada; a Rosa Branca não os deixará em paz” A Rosa Branca e sua resistência ao nazismo (1942-1943) Dissertação de Mestrado apresentada ao Programa de Pós-graduação em História da Faculdade de Filosofia e Ciências Humanas da Universidade Federal de Minas Gerais como requisito parcial para a obtenção de título de Mestre em História. Área de concentração: História e Culturas Políticas. Orientadora: Prof.a Dr.a Heloísa Maria Murgel Starling Co-orientador: Prof. Dr. Newton Bignotto de Souza (Departamento de Filosofia- UFMG) Belo Horizonte 2017 943.60522 V826n 2017 Visconti, Maria “Não nos calaremos, somos a sua consciência pesada; a Rosa Branca não os deixará em paz” [manuscrito] : a Rosa Branca e sua resistência ao nazismo (1942-1943) / Maria Visconti Sales. - 2017. 270 f. Orientadora: Heloísa Maria Murgel Starling. Coorientador: Newton Bignotto de Souza. Dissertação (mestrado) - Universidade Federal de Minas Gerais, Faculdade de Filosofia e Ciências Humanas. Inclui bibliografia 1.História – Teses. 2.Nazismo - Teses. 3.Totalitarismo – Teses. 4. Folhetos - Teses.5.Alemanha – História, 1933-1945 -Teses I. Starling, Heloísa Maria Murgel. II. Bignotto, Newton. III. Universidade Federal de Minas Gerais. Faculdade de Filosofia e Ciências Humanas. IV .Título. AGRADECIMENTOS Onde você investe o seu amor, você investe a sua vida1 Estar plenamente em conformidade com a faculdade do juízo, de acordo com Hannah Arendt, significa ter a capacidade (e responsabilidade) de escolher, todos os dias, o outro que quero e suporto viver junto. -
Scientific Contributions of the First Female Chemists at the University of Vienna Mirrored in Publications in Chemical Monthly 1
Monatshefte für Chemie - Chemical Monthly (2019) 150:961–974 https://doi.org/10.1007/s00706-019-02408-4 ORIGINAL PAPER Scientifc contributions of the frst female chemists at the University of Vienna mirrored in publications in Chemical Monthly 1902–1919 Rudolf Werner Soukup1 · Robert Rosner1 Received: 29 November 2018 / Accepted: 1 March 2019 / Published online: 29 April 2019 © The Author(s) 2019 Abstract In 1897, the frst female students were admitted at the Faculty of Philosophy at Vienna University. The frst dissertation in chemistry was approved in 1902. In the following years, only one or two women were annually enrolled, while the number of male students of chemistry continuously fuctuated around 22. Whereas four women completed their doctorate in the frst year of WWI, six followed in 1917, and ten more in 1919. Strikingly, in that year the number of female students even exceeded that of male colleagues. Margarethe Furcht, the daughter of a Jewish stockbroker, was the frst female chemist with a doctoral degree certifcate in the Austro-Hungarian Empire. Her paper “Über die Veresterung von Sulfosäuren…”, which she published in 1902 together with her academic supervisor Rudolf Wegscheider, was one of the frst scientifc chemical publications of women in Austria. However, of all female graduates, only a small number worked as chemists within the next two decades. After the occupation of Austria by German Troops in March 1938, seven of the Jewish women managed to emigrate, four were murdered in the Holocaust. Given the importance of this period within the landscape of European scientifc history, we here aim to provide the frst comprehensive overview of the history of women studying chemistry at the University of Vienna. -
At the Heart of the White Rose: Letters and Diaries of Hans and Sophie
“A compelling, heart-wrenching testament to courage and goodness in the face of evil.” –Kirkus Reviews AtWHITE the eart ROSEof the Letters and Diaries of Hans and Sophie Scholl Edited by Inge Jens This is a preview. Get the entire book here. At the Heart of the White Rose Letters and Diaries of Hans and Sophie Scholl Edited by Inge Jens Translated from the German by J. Maxwell Brownjohn Preface by Richard Gilman Plough Publishing House This is a preview. Get the entire book here. Published by Plough Publishing House Walden, New York Robertsbridge, England Elsmore, Australia www.plough.com PRINT ISBN: 978-087486-029-0 MOBI ISBN: 978-0-87486-034-4 PDF ISBN: 978-0-87486-035-1 EPUB ISBN: 978-0-87486-030-6 This is a preview. Get the entire book here. Contents Foreword vii Preface to the American Edition ix Hans Scholl 1937–1939 1 Sophie Scholl 1937–1939 24 Hans Scholl 1939–1940 46 Sophie Scholl 1939–1940 65 Hans Scholl 1940–1941 104 Sophie Scholl 1940–1941 130 Hans Scholl Summer–Fall 1941 165 Sophie Scholl Fall 1941 185 Hans Scholl Winter 1941–1942 198 Sophie Scholl Winter–Spring 1942 206 Hans Scholl Winter–Spring 1942 213 Sophie Scholl Summer 1942 221 Hans Scholl Russia: 1942 234 Sophie Scholl Autumn 1942 268 This is a preview. Get the entire book here. Hans Scholl December 1942 285 Sophie Scholl Winter 1942–1943 291 Hans Scholl Winter 1942–1943 297 Sophie Scholl Winter 1943 301 Hans Scholl February 16 309 Sophie Scholl February 17 311 Acknowledgments 314 Index 317 Notes 325 This is a preview. -
UME Frederick County Master Gardener FREE 2017 Spring Seminars by Devra G
VOLUME 2, NO. 9 • www.woodsborotimes.com • sePtember 2014 VOLUME 5, NO. 4 • WWW.WOODSBOROTIMES.COM • APRIL 2017 tear on the rubber surface. A child swing suspended off the NewNew President playground and CEO comingCounty rejectsground anddeveloper pushed by an adult can be built. “Swings where kids drag their of Woodsboro Bank The playground structure is for newapplication barbecue grills, volleyball feet will only tear the surface children ages 5 to 12. courts,Michele and Kettner benches at the park up andSome create of the a councilmaintenance members Stephen K. Heine has joined in the Frederick community After soliciting design and - items the town had not origi- problem,”were concerned he said. that the“A applicationmerry- Woodsboro Bank as President where he serves as the YMCA of pricing proposals from sev- nallyThe asked Frederick for. County Council go-roundwas brought where kidsto themrun in asthe one and CEO, effective immediately, Frederick County, Chair-elect; eral recreation design compa- voted“I asked against them the Urbana not to rezoning leave samedocument circle pushing instead ofit threewill wearseparate following the announcement St. Katherine Drexel Catholic nies, town commissioners vot- anyapplication money onwhich the table,”would Rithave- andpieces. be a “It’smaintenance not the problemapplications of the retirement of C. Richard Church, Corporator; and the ed unanimously at their Aug. telmeyeradded 75 said. townhouses to the as andwell.” the merits of the application; Miller, Jr. late last year. Mr. Rotary Club of Carroll Creek. 12 meeting to hire playground MarketThe company District ofhas Urbana. constructed it Commissioneris the combining Ken of allKellar three of Heine has 35 years of banking He is on the Alfred University Specialists Inc., of Thurmont. -
The Executioner at War: Soldiers, Spies and Traitors
The Executioner At War: Soldiers, Spies and Traitors lbert Pierrepoint was not called up when war broke out. But there were war-related changes for him as well. Not only murderers and A murderesses could now be punished by death, there were sentences under the Treason Act and Treachery Act as well, both imposing »death« as the maximum penalty. The Treason Act went back to an ancient law of King Edward III's time (1351). »Treason« was, first of all, any attack on the legitimate ruler, for instance by planning to murder him, or on the legitimacy of the succession to the throne: It was treason as well if someone tried to smuggle his genes into the royal family by adultery with the queen, the oldest daughter of the king or the crown prince’s wife. This aspect of the law became surprisingly topical in our days: When it became known that Princess Diana while married to the Prince of Wales had had an affair with her riding instructor James Hewitt, there were quite some law experts who declared this to be a case of treason – following the letter of the Act, it doubtlessly was. However as it would have been difficult to find the two witnesses prescribed by the Act, a prosecution was never started. Just Hewitt’s brother officers of the Household Cavalry did something: They »entered his name on the gate« which was equivalent to drumming him out of the regiment and declaring the barracks off limits for him.317 During World War II, it became important that a person committed treason if they supported the king’s enemies in times of war. -
The White Rose in Cooperation With: Bayerische Landeszentrale Für Politische Bildungsarbeit the White Rose
The White Rose In cooperation with: Bayerische Landeszentrale für Politische Bildungsarbeit The White Rose The Student Resistance against Hitler Munich 1942/43 The Name 'White Rose' The Origin of the White Rose The Activities of the White Rose The Third Reich Young People in the Third Reich A City in the Third Reich Munich – Capital of the Movement Munich – Capital of German Art The University of Munich Orientations Willi Graf Professor Kurt Huber Hans Leipelt Christoph Probst Alexander Schmorell Hans Scholl Sophie Scholl Ulm Senior Year Eugen Grimminger Saarbrücken Group Falk Harnack 'Uncle Emil' Group Service at the Front in Russia The Leaflets of the White Rose NS Justice The Trials against the White Rose Epilogue 1 The Name Weiße Rose (White Rose) "To get back to my pamphlet 'Die Weiße Rose', I would like to answer the question 'Why did I give the leaflet this title and no other?' by explaining the following: The name 'Die Weiße Rose' was cho- sen arbitrarily. I proceeded from the assumption that powerful propaganda has to contain certain phrases which do not necessarily mean anything, which sound good, but which still stand for a programme. I may have chosen the name intuitively since at that time I was directly under the influence of the Span- ish romances 'Rosa Blanca' by Brentano. There is no connection with the 'White Rose' in English history." Hans Scholl, interrogation protocol of the Gestapo, 20.2.1943 The Origin of the White Rose The White Rose originated from individual friend- ships growing into circles of friends. Christoph Probst and Alexander Schmorell had been friends since their school days. -
Fearless Speech
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2018 Fearless Speech Mary Anne Franks Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the First Amendment Commons, Law and Race Commons, and the Law and Society Commons FEARLESS SPEECH Mary Anne Franks* ABSTRACT The American conception of free speech is primarily defined as the freedom to say whatever one wants, with little regard for the quality, context, or impact of the speech. Thus, American free speech doctrine is often characterized as neutral with regard to the speaker and the content of speech; in practice, however, it consistently privileges powerful over vulnerable speakers and harmful over critical speech. From Philadelphia to Skokie to Charlottesville, the First Amendment has been interpreted to protect speech by white men that silences and endangers women and minorities. As free speech doctrine and practice become increasingly concerned with private as well as state action, free speech becomes even more of a monopoly and monoculture dominated by the interests of white men. The impoverished and elitist conception of free speech that governs current American legal theory and practice undermines all three values the First Amendment is meant to protect: autonomy, truth, and democracy. This Article proposes that First Amendment theory and practice should be reoriented around ancient Greek concept of parrhesia, or fearless speech. As the philosopher Michel Foucault describes it, the speaker of parrhesia"chooses frankness instead of persuasion, truth instead of falsehood or silence, the risk of death instead of life and security, criticism instead of flattery, and moral duty instead of self-interest and moral apathy." Parrhesiais, in essence, the act of speaking truth to power. -
Die Weiße Rose Kurt Hubers Letzte Tage Herausgegeben Von Wolfgang Huber
Die Weiße Rose Kurt Hubers letzte Tage herausgegeben von Wolfgang Huber Herbert Utz Verlag · München Satz, Layout sowie Umschlaggestaltung: Matthias Hoffmann. Umschlagillustration: Marlis Glaser. Die Künstlerin verfasste zu ihrem Bild den auf Seite 6 wiedergegebenen Text. Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Dieses Werk ist urheberrechtlich geschützt. Die dadurch begründeten Rechte, insbesondere die der Überset- zung, des Nachdrucks, der Entnahme von Abbildungen, der Wiederga- be auf photomechani schem oder ähnlichem Wege und der Speicherung in Datenverarbeitungs anlagen bleiben – auch bei nur auszugsweiser Verwen- dung – vorbehalten. Copyright © Herbert Utz Verlag GmbH · 2018 ISBN 978-3-8316-4686-9 Printed in EU Herbert Utz Verlag GmbH, München 089–277791–00 · www.utzverlag.de Prof. Dr. Kurt Huber, geboren 1898 in Chur und aufgewachsen in Stuttgart. Das Zentrum seiner wissenschaftlichen Arbeit war die Musik: Wahrnehmung von Klängen, Tonpsychologie, Musikästhetik, allgemeine Ästhetik. Er lehrte an der Ludwig-Maximilians-Universität in München Psychologie, war Philosoph und Musikwissenschaftler, Mitglied der Weißen Rose; Hinrichtung in München-Sta- delheim zusammen mit Alexander Schmorell am 13. Juli 1943. Im Portait-Bild sind links verspielt-heitere Farbtupfer, Elemente, die an Töne erinnern können, Hinweise, die mit seiner Beschäftigung bereits in früheren Lebensjahren zu tun haben. Sie stehen für Klänge, Tonpsychologie; ein Hinweis auf seine Volkslied-Sammlung. Die hellgelb bis mittelgelben Farbfelder bringen das Klare, Lichte und Frohe zum Ausdruck, auch die Wärme in seiner Persön- lichkeit. Mit dem Grün wollte ich außer der Liebe zur Natur auch Bodenständig- keit veranschaulichen. -
Sophie Scholl
SOPHIE SCHOLL D I E L E T Z T E N T A G E DREHBUCH FRED BREINERSDORFER REGIE MARC ROTHEMUND eine Co-Produktion von neue Goldkind Film und Broth Film Fass. vom 1. Juni 2004 umformatiert in fdx VORSPANN Titel: SOPHIE SCHOLL die letzten Tage zugleich läuft im Off der Swingtitel Sugar Mit Billie Holliday WOHNUNG SCHOLL, KÜCHE, TAG/INNEN Gerade als die Vocalpassage von Billie Holliday beginnt: Sophie und GISELA SCHERTLING hören mit dem Radio (nicht Volksempfänger) Feindsender. Die BBC und über deren Sender auch DIE STIMME AMERIKAS spielten damals unter anderem populäre Swing-Titel. Diese Musik durfte in Deutschland niemand hören, deswegen kleben die beiden jungen Frauen fast mit den Ohren am Radio. Sophies Augen sprühen vor Begeisterung, und sie sieht, dass Gisela auch davon angesteckt ist. Sophie und Gisela trommeln auf dem Tisch. Sophie deutet auf Gisela und sagt: SOPHIE Das ist Billie Holliday, ich kenne die Stimme. GISELA Der Song ist neu! Toll! Sophie trommelt ein kurzes „Solo“. Dann ist Gisela an der Reihe. SOPHIE Hör mal das Saxophon° Ein Saxophonsolo. Sophie imitiert das Instrument, wie die Mädels heute Luftgitarre spielen. SOPHIE (CONT'D) Billie hat süsse Locken, Aber sie macht sie sich weg. GISELA Woher weißt du das? SOPHIE Hans hat eine englische Zeitung gehabt, da war ein Foto von ihr drin. Sophie schaut auf die Uhr und will das Radio abschalten. SOPHIE (CONT'D) Ich muss gehen. Tut mir leid, Gisela. Gisela hält sie zurück. 2. GISELA (bittend) Lass sie erst fertig singen. Sophie lacht, bleibt dran, trommelt wieder. SOPHIE Die Schwarzen sind einfach besser. -
The Influences of the White Rose and Their Peaceful Resistance for Intellectual Freedom
Marissa Swope, Liberty University “We are your Bad Conscience” The Influences of the White Rose and their Peaceful Resistance for Intellectual Freedom Amidst the climate of intellectual oppression experienced within Germany, the White Rose movement organized non-violent resistance within the Nazi stronghold of Munich. The White Rose represents the collective efforts of Hans and Sophie Scholl (siblings), Alexander Schmorell, Willi Graf, Christoph Probst, and Professor Kurt Huber. Together these German students and professor peacefully challenged Hitler and Nazism by composing, printing, and distributing anonymous leaflets which rejected Nazi tyranny and genocide. On June 27, 1942, the first leaflet was distributed. The paper was titled “Leaflet of the White Rose” and marked with a number one, signifying the first of a series. The opening lines of the first leaflet decried the Nazi regime and incited each German to critically investigate the actions of their government. The halls of Ludwig Maximillian University of Munich were scattered with these mysterious papers. Around one hundred copies of the leaflet had been mailed to a diversified grouping of recipients, including those who shared similar beliefs or were known to harbor resentment toward Nazism. Over the next year, a total of six leaflets circulated Munich, each advocating for active opposition to the Nazi regime. While the White Rose movement did not overthrow the Nazi regime, they defied the totalitarian state by voicing their beliefs and encouraging passive resistance. Their motivations stemmed from moral convictions and ideological differences between Nazism, namely the fundamental pursuit of freedom. Intellectual and religious similarities within familial relationships and friendships, restriction of freedom under the Third Reich, crimes of the German state during World War II, and the shared duty to encourage resistance influenced the members of the White Rose to defy the Nazi regime.