The Prose Edda: Norse Mythology Pdf Free Download
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WAGNER and the VOLSUNGS None of Wagner’S Works Is More Closely Linked with Old Norse, and More Especially Old Icelandic, Culture
WAGNER AND THE VOLSUNGS None of Wagner’s works is more closely linked with Old Norse, and more especially Old Icelandic, culture. It would be carrying coals to Newcastle if I tried to go further into the significance of the incom- parable eddic poems. I will just mention that on my first visit to Iceland I was allowed to gaze on the actual manuscript, even to leaf through it . It is worth noting that Richard Wagner possessed in his library the same Icelandic–German dictionary that is still used today. His copy bears clear signs of use. This also bears witness to his search for the meaning and essence of the genuinely mythical, its very foundation. Wolfgang Wagner Introduction to the program of the production of the Ring in Reykjavik, 1994 Selma Gu›mundsdóttir, president of Richard-Wagner-Félagi› á Íslandi, pre- senting Wolfgang Wagner with a facsimile edition of the Codex Regius of the Poetic Edda on his eightieth birthday in Bayreuth, August 1999. Árni Björnsson Wagner and the Volsungs Icelandic Sources of Der Ring des Nibelungen Viking Society for Northern Research University College London 2003 © Árni Björnsson ISBN 978 0 903521 55 0 The cover illustration is of the eruption of Krafla, January 1981 (Photograph: Ómar Ragnarsson), and Wagner in 1871 (after an oil painting by Franz von Lenbach; cf. p. 51). Cover design by Augl‡singastofa Skaparans, Reykjavík. Printed by Short Run Press Limited, Exeter CONTENTS PREFACE ............................................................................................ 6 INTRODUCTION ............................................................................... 7 BRIEF BIOGRAPHY OF RICHARD WAGNER ............................ 17 CHRONOLOGY ............................................................................... 64 DEVELOPMENT OF GERMAN NATIONAL CONSCIOUSNESS ..68 ICELANDIC STUDIES IN GERMANY ......................................... -
An Investigation of the Kennings in Ragnarsdrápa and Øxarflokkr
Universitet i Oslo, Fall 2013 Exploring the Emotive versus the Scholarly: an Investigation of the Kennings in Ragnarsdrápa and Øxarflokkr By Sydney A. Krell Guidance: Mikael Males Master Thesis in Nordic Viking and Medieval Culture Summary The poetry of Bragi inn Gamli and Einarr Skúlason has been thoroughly studied by many Old Norse scholars, but never directly in comparison to one another. This paper will investigate the nuances of each author’s verse, specifically regarding the way in which they utilize kennings, and draw conclusions based upon their similarities and differences. Both Bragi and Einarr composed within the same language, geographical area, and poetic tradition; they used similar kenning types that evolve from pagan imagery; and each describes a precious weapon given to them by a ruler whom they praise via a traditional skaldic long style poem. However, they could not be more different. This is due to the fact that Einarr’s kennings are meant to show his scholastic prowess, and Bragi’s are meant to affect his audience and move his plot based verse forward. The poetry of Bragi Boddason makes use of pagan mythology, ekphrasis, nýgerving, ofljóst and metaphors in the form of kennings, just as the poetry of Einarr Skúlason does. And yet the poems differ so greatly. Bragi’s kennings are meant to affect his audience on an emotional level, whereas Einarr’s are meant to impress on a scholarly level. Each author accomplishes magnificent prose, but with different expectations and outcomes achieved. 1 Acknowledgements I would like to express my gratitude to my advisor Mikael Males for his support, useful comments, encouragement and guidance throughout the process of writing my master thesis. -
A Saga of Odin, Frigg and Loki Pdf, Epub, Ebook
DARK GROWS THE SUN : A SAGA OF ODIN, FRIGG AND LOKI PDF, EPUB, EBOOK Matt Bishop | 322 pages | 03 May 2020 | Fensalir Publishing, LLC | 9780998678924 | English | none Dark Grows the Sun : A saga of Odin, Frigg and Loki PDF Book He is said to bring inspiration to poets and writers. A number of small images in silver or bronze, dating from the Viking age, have also been found in various parts of Scandinavia. They then mixed, preserved and fermented Kvasirs' blood with honey into a powerful magical mead that inspired poets, shamans and magicians. Royal Academy of Arts, London. Lerwick: Shetland Heritage Publications. She and Bor had three sons who became the Aesir Gods. Thor goes out, finds Hymir's best ox, and rips its head off. Born of nine maidens, all of whom were sisters, He is the handsome gold-toothed guardian of Bifrost, the rainbow bridge leading to Asgard, the home of the Gods, and thus the connection between body and soul. He came round to see her and entered her home without a weapon to show that he came in peace. They find themselves facing a massive castle in an open area. The reemerged fields grow without needing to be sown. Baldur was the most beautiful of the gods, and he was also gentle, fair, and wise. Sjofn is the goddess who inclines the heart to love. Freyja objects. Eventually the Gods became weary of war and began to talk of peace and hostages. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. -
Nerthus, That Is, Mother Earth
Odin’s Wife: Mother Earth in Germanic Mythology SAMPLE CHAPTER © 2018 William P. Reaves II. Nerthus, that is, Mother Earth “Tacitus’ much-quoted account in Germania ch. 40 of the ceremonies related to the goddess Nerthus in the area around Schleswig-Holstein or Jylland is of particular interest here for several reasons. First of all, it suggests that the images of the Bronze Age petroglyphs depicting the hieros gamos and processions related to a fertility deity had parallels in southern Scandinavia as late as AD 100, when Tacitus wrote his account. Secondly, it provides the first reliable evidence that the ceremonies were now associated with a named goddess, who must therefore have had her own mythology and background. This in turn implies that enacted rituals to do with the goddess probably had a mythological parallel.” —Terry Gunnell, The Origins of Drama in Scandinavia, (1995), p.53. In literature, Terra Mater (Mother Earth) first appears as a distinct figure of the old heathen religion in the Germania. Despite intense scholarly debate over the motivations of its author, Germania, written by the Roman historian Tacitus around 98 AD, was probably intended as an accurate account of the customs and conditions of the Germanic tribes who posed a threat on the northern border of the Roman Empire for several hundred years. While his moral observations of the Germanic tribes in contrast to the Roman way of life have led some scholars to propose that this was his chief aim in writing it, this is not sufficient as a general interpretation of the text.1 Not only does Tacitus criticize the Germanic way of life almost as often as he praises it, but much of the material has nothing to do with moral issues and cannot be explained simply as filler. -
The Ember of the Hands – Memory and Transmission Through Kennings in Haraldsdrápa
I N T E R N A T I O NA L CO N F E R E N C E RCIC’20 Redefining Community in Intercultural Context Cluj-Napoca, 7-9 May 2020 THE EMBER OF THE HANDS – MEMORY AND TRANSMISSION THROUGH KENNINGS IN HARALDSDRÁPA Flavia TEOC* *Center for the Study of Antiquity and Christianity, University of Aarhus, Denmark Abstract: On 21 April 1042, the Varangian warrior and future king Haraldr harðráði blinded in public the Byzantine Emperor Mihail and his uncle Constantine. The episode is narrated by two of Haraldr’s skalds: Þórarinn Skeggjason and Þjóðolfr Arnórsson. In spite of the substantial amount of analysis that has been produced on their stanzas, doubts about the participation of the entire Varangian guard still abound (Kari Ellen Gade 2009). My study answers the question by making use of memory activated through the corpus of kennings analyzed as units of repeated speech in the conceptual field of Eugeniu Coseriu’s text linguistics. Essential dimensions of the internal dynamics of the text, the evocative relations represent the key problem of text linguistics. The appearance of a kenning in different texts represents, each time, an act of translation from a poetic memory to a communicative memory. Due to the reinsertion and reconfiguration processes which can be applied to them, the kennings gain new evocative functions, despite their conventional repeated nature. My study inspects the imagery in the kenning glóðum handa (embers of the hands) of Þórarinn Skeggjason’s Haraldsdrápa, which also occurs in the kenning glóðs Rínar (the embers of the Rhine) in Liðsmannaflokkr, composed c. -
Troyw Breakdown.Doc
Thor / Odin Shader Development Thor Shader Development Captain America and Shield Shader Development Environment Light Look Development Thor and Mjolnir Hammer Shader Development Thor Skin Lighting Development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer Shader Development Strucker and Zola Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Strucker Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Iceborn Lighting and Look development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Captain America and Shield Shader Development Environment Light Look Development Environment Lighting and Shading Development Ymir Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer and Shader Development Environment Lighting and Shader Development Hale Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Exo-Suit Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development -
Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
God of Warriors and Battle. Odin Rides an 8-Legged Horse Called Sleipnir
Odin God of warriors and battle. Odin rides an 8-legged horse called Sleipnir. In Old English, Odin is known as ‘Woden’ and Wednesday is named after him (Woden’s Day). visit twinkl.com Freya (or Freyja) Goddess of love, war and death. Freya rides in a chariot pulled by cats. Her twin brother is the god Frey. visit twinkl.com Thor God of thunder. Thor has a magical hammer called Mjolnir which he uses to summon thunderbolts. Thursday is named after Thor (Thor’s Day). visit twinkl.com Loki God of mischief. Loki likes to play tricks on the other gods and make trouble. Loki was born in Jotunheim, the land of the giants, not on Asgard. visit twinkl.com Frey (or Freyr) God of fertility. Frey is the twin brother of the goddess Freya. He brings peace and good fortune to men as well as making crops grow. visit twinkl.com Frigg Goddess of motherhood. Frigg is the wife of the god Odin. Friday is named after her (Frigg’s Day). visit twinkl.com Heimdall The guardian god. Heimdall watches over the rainbow bridge to Asgard, the Bifrost. He has strong hearing and sight and keeps watch for approaching enemies. He uses a horn to summon the other gods to fight. visit twinkl.com Baldr (or Baldur) God of light and purity. Baldr is so bright that light shines from him and he is so beautiful that flowers bow to him. visit twinkl.com Týr God of single-handed combat. Týr has one hand after the other was bitten off by the giant wolf Fenrir. -
Booster Cell Thor Zone
THOR ZONE BOOSTER CELL USER MANUAL (ENG) WHAT’S IN THE BOX? BOOSTER CELL SCREWS 4X M3x18 8X M3x4 BC LINK THOR ZONE S:t Persgatan 23, 602 33 Norrköping Sweden [email protected] thor-zone.com BOOSTER CELL 1 INSTALL BOOSTER CELL — SHELL (1/2) TOOLS SCREWS • Hex key (size: H2.0) INSTRUCTIONS 1. Remove the original front cap and the grills THOR ZONE S:t Persgatan 23, 602 33 Norrköping Sweden [email protected] thor-zone.com BOOSTER CELL 2 INSTALL BOOSTER CELL — SHELL (2/2) TOOLS SCREWS • Hex key (size: H2.0) INSTRUCTIONS 2. Align the Booster Cell to the Shell NOTE: Rotate Booster Cell by 180° if you are using flipped layout 3. Secure both of them to each other using 2x short grills THOR ZONE S:t Persgatan 23, 602 33 Norrköping Sweden [email protected] thor-zone.com BOOSTER CELL 3 INSTALL BOOSTER CELL — CORE TOOLS SCREWS • Hex key (size: H2.0) 2x M3x4 INSTRUCTIONS 1. Remove the original storage frames and screws 2. Attach the BC Link to the Core and secure it with two M3x4 screws 3. Connect the BC Link 2-pin connector (Booster Cell front button) NOTE: Configure as either a power button or reset switch 4. Connect the BC Link 4-pin connector to a fan header on your motherboard • Connect the BC Link 3-pin connector to one of the OUT-ports on your LED strips NOTE: MJOLNIR R ONLY PWM FAN HEADER OUT POWER OR RESET SWITCH THOR ZONE S:t Persgatan 23, 602 33 Norrköping Sweden [email protected] thor-zone.com BOOSTER CELL 4 ADD 120MM FAN TOOLS SCREWS • Hex key (size: H2.0) 4x M3x18 INSTRUCTIONS 1. -
JL Borges and the Poetic Art of the Icelandic Skalds
Sigrún Á. Eiríksdóttir “El verso incorruptible” Jorge Luis Borges and the Poetic Art of the Icelandic Skalds If the same words were repeated over and again, they could fade and become like a shaped coin, “stiff and dead upon the earth”. Einar Ólafur Sveinsson, Við uppspretturnar (At the Source). The kenning as rhetoric (of myth and history) round 1220 the Icelandic writer and historian, Snorri Sturlu- son, wrote a treatise on the rhetoric art of the skaldic poetry (“Skáldskaparmál”) which some seven hundred years later A 1 was partly reproduced by Borges in Argentina. When Borges wrote his essay on the kennings in 1933, he had not be- gun his studies of Old Norse and based his observations on transla- tions, into both English and German as indicated by his appendixed bibliography. Yet we can suppose that he had already become ac- quainted with the basic principle behind the kennings when he was a young boy and read Völsungasaga in the translation of William Morris 1 “Las kenningar”, in Historia de la eternidad. All references to Borges’ work (unless otherwise stated) are to Jorge Luis Borges, Obras completas, hereafter referred to as OC. On Snorri and Borges’ fascination and admiration for him see Literaturas germá- nicas medievales (LGM hereafter), the poem “Snorri Sturluson (1179-1241)” (El otro, el mismo), and my essay “‘La alucinación del lector’. Jorge Luis Borges and the legacy of Snorri Sturluson”. Variaciones Borges 2/1996 38 Sigrún Á. Eiríksdóttir and Eiríkr Magnússon.2 There he would have come across archaisms and even coinages from Germanic roots which the translators resorted to in order to capture the ancient and “barbaric” flavour of the original. -
Rędende Iudithše: the Heroic, Mythological and Christian Elements in the Old English Poem Judith
University of San Diego Digital USD Undergraduate Honors Theses Theses and Dissertations Fall 12-22-2015 Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith Judith Caywood Follow this and additional works at: https://digital.sandiego.edu/honors_theses Part of the European Languages and Societies Commons, and the Literature in English, British Isles Commons Digital USD Citation Caywood, Judith, "Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith" (2015). Undergraduate Honors Theses. 15. https://digital.sandiego.edu/honors_theses/15 This Undergraduate Honors Thesis is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital USD. For more information, please contact [email protected]. Rædende Iudithðe: The Heroic, Mythological and Christian Elements in the Old English Poem Judith ______________________ A Thesis Presented to The Faculty and the Honors Program Of the University of San Diego ______________________ By Jude Caywood Interdisciplinary Humanities 2015 Caywood 2 Judith is a character born from the complex multicultural forces that shaped Anglo-Saxon society, existing liminally between the mythological, the heroic and the Christian. Simultaneously Germanic warrior, pagan demi-goddess or supernatural figure, and Christian saint, Judith arbitrates amongst the seemingly incompatible forces that shaped the poet’s world, allowing the poem to serve as an important site for the making of a new Anglo-Saxon identity, one which would eventually come to be the united English identity. She becomes a single figure who is able to reconcile these opposing forces within herself and thereby does important cultural work for the world for which the poem was written. -
Mjolnir 2 Manual.Indd
ITEM OWNER’S MANUAL FOR MJOLNIR 2 DESCRIPTION BALANCED CROSSFET HYBRID/SOLID STATE HEADPHONE AMPLIFIER MODEL NO SCH-05-2 REVISION A RANDOM NUMBER 1011101100 MJOLNIR IS THOR’S HAMMER IN NORSE MYTHOLOGY. MJOLNIR 2 IS A UNIQUELY CAPABLE BALANCED HEADPHONE AMP. YEAH, NO RELATION. BUT MJOLNIR 2 DOES HAVE TONS OF POWER. AND THE ABILITY TO BE BOTH A TUBE HYBRID OR SOLID-STATE AMP. NOTES YEP. IT’S MAGIC. AUDIO EQUIPMENT ITEM SAFETY INSTRUCTIONS The following is required by the roughly 9,542 government agencies and regulations we have to comply with. If you have some common sense, they should seem pretty straightforward. In any case, read these instructions before proceeding farther, follow all instructions, and heed all warnings. Or else! 1. If you don’t know how to install audio devices, get a qualified professional to help. 2. Never use this device near water, and clean only with a dry cloth. 3. Assure adequate ventilation, do not block any ventilation openings, or place near heat sources. 4. Use only the supplied power cord or suitable replacement. Route cords away from traffic areas and protect them from being pinched. Unplug the cord from the outlet if the apparatus is unused for a long period of time. 5. To prevent electric shock, do not use the plug with an extension cord, receptacle, or outlet unless blades can be fully inserted. 6. Refer all servicing to qualified service personnel. Service is required when the device has been damaged, including cord or plug damage, liquid has been spilled or objects have fallen into the device, the device has been exposed to rain or moisture, does not operate normally, or has been dropped.