Neoclassicism and Local Artistic Tradition in The
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A History of Italian Literature Should Follow and Should Precede Other and Parallel Histories
I. i III 2.3 CORNELL UNIVERSITY LIBRARY C U rar,y Ubrary PQ4038 G°2l"l 8t8a iterature 1lwBiiMiiiiiiiifiiliiii ! 3 1924 oim 030 978 245 Date Due M#£ (£i* The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030978245 Short Histories of the Literatures of the World: IV. Edited by Edmund Gosse Short Histories of the Literatures of the World Edited by EDMUND GOSSE Large Crown 8vOj cloth, 6s. each Volume ANCIENT GREEK LITERATURE By Prof. Gilbert Murray, M.A. FRENCH LITERATURE By Prof. Edward Dowden, D.C.L., LL.D. MODERN ENGLISH LITERATURE By the Editor ITALIAN LITERATURE By Richard Garnett, C.B., LL.D. SPANISH LITERATURE By J. Fitzmaurice-Kelly [Shortly JAPANESE LITERATURE By William George Aston, C.M.G. [Shortly MODERN SCANDINAVIAN LITERATURE By George Brandes SANSKRIT LITERATURE By Prof. A. A. Macdonell. HUNGARIAN LITERATURE By Dr. Zoltan Beothy AMERICAN LITERATURE By Professor Moses Coit Tyler GERMAN LITERATURE By Dr. C. H. Herford LATIN LITERATURE By Dr. A. W. Verrall Other volumes will follow LONDON: WILLIAM HEINEMANN \AU rights reserved] A .History of ITALIAN LITERATURE RICHARD GARNETT, C.B., LL.D. Xon&on WILLIAM HEINEMANN MDCCCXCVIII v y. 1 1- fc V- < V ml' 1 , x.?*a»/? Printed by Ballantyne, Hanson &* Co. At the Ballantyne Press *. # / ' ri PREFACE "I think," says Jowett, writing to John Addington Symonds (August 4, 1890), "that you are happy in having unlocked so much of Italian literature, certainly the greatest in the world after Greek, Latin, English. -
Renaissance Quarterly Books Received: January–March 2011
Renaissance Quarterly Books Received: January–March 2011 EDITIONS AND TRANSLATIONS: Alexander, Gavin R. Writing after Sidney: The Literary Response to Sir Philip Sidney 1586– 1640. Paperback edition. Oxford: Oxford University Press, 2010. xliv + 380 pp. index. illus. bibl. $55. ISBN: 978–0–19–959112–1. Barbour, Richmond. The Third Voyage Journals: Writing and Performance in the London East India Company, 1607–10. New York: Palgrave Macmillan, 2009. 281 pp. index. append. illus. gloss. bibl. $75. ISBN: 978–0–230–61675–2. Buchanan, George. Poetic Paraphrase of The Psalms of David. Ed. Roger P. H. Green. Geneva: Librairie Droz S.A., 2011. 640 pp. index. append. bibl. $115. ISBN: 978–2–600–01445–8. Campbell, Gordon, and Thomas N. Corns, eds. John Milton: Life, Work, and Thought. Paperback edition. Oxford: Oxford University Press, 2010. xv + 488 pp. index. illus. map. bibl. $24.95. ISBN: 978–0–19–959103–9. Calderini, Domizio. Commentary on Silius Italicus. Travaux d’Humanisme et Renaissance 477. Ed. Frances Muecke and John Dunston. Geneva: Librairie Droz S.A., 2010. 958 pp. index. tbls. bibl. $150. ISBN: 978–2–600–01434–2 (cl), 978–2–600–01434–2 (pbk). Campanella, Tommaso. Selected Philosophical Poems of Tommaso Campanella: A Bilingual Edition. Ed. Sherry L. Roush. Chicago: The University of Chicago Press, 2011. xi + 248 pp. index. bibl. $45. ISBN: 978–0–226–09205–8. Castner, Catherine J., trans. Biondo Flavio’s Italia Illustrata: Text, Translation, and Commentary. Volume 2: Central and Southern Italy. Binghamton: Global Academic Publishing, 2009. xvi + 488 pp. index. illus. map. bibl. $36. ISBN: 978–1–58684–278–9. -
Z|Tvéåé Xéñtüw| Vtçà|? Äxààxüx X Ñxçá|Xü| ‹ Åéütä|
VÄtâw|É XáÑÉá|àÉ Z|tvÉÅÉ _xÉÑtÜw| VtÇà|? ÄxààxÜx x ÑxÇá|xÜ| ‹ ÅÉÜtÄ| e|àÜtààÉ w| Z|tvÉÅÉ _xÉÑtÜw| ;DKEI< w| _â|z| _ÉÄÄ|? ctÄtééÉ _xÉÑtÜw|? exvtÇtà|? `tÜv{xA VÄtâw|É XáÑÉá|àÉ Z|tvÉÅÉ _xÉÑtÜw| VtÇà|A ÄxààxÜx x ÑxÇá|xÜ| ‹ ÅÉÜtÄ| |Ç vÉÄÄtuÉÜté|ÉÇx vÉÇ Ät u|uÄ|Éàxvt ÑÜÉä|Çv|tÄx ÂctáÖâtÄx TÄu|ÇÉÊ w| VtÅÑÉutááÉ “Fu di statura mediocre, chinata ed esile, di colore bianco che volgeva al pallido, di testa grossa, di fronte quadra e larga, d’occhi cilestri e languidi, di naso proffilato, di lineamenti delicatissimi, di pronunziazione modesta e alquanto fioca, e d’un sorriso ineffabile e quasi celeste”. da “Sette anni di sodalizio con Giacomo Leopardi” (1880) di Antonio Ranieri. O patria mia, vedo le mura e gli archi e le colonne e i simulacri e l’erme torri degli avi nostri, ma la gloria non vedo … … … … All’Italia … Canti, I ZZZiacomo ___eopardi. Biografia. Giacomo Leopardi, al battesimo conte Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi, nasce a Recanati, un piccolo paesino situato su un rilievo del Subappennino marchigiano, in provincia di Macerata, Marche, (all’epoca appartenenti allo Stato Pontificio), il 29 giugno del 1798. Figlio del conte-letterato Monaldo (Recanati 1776-1847), un nobile colto che nutrì in ambito politico idee reazionarie, e da madre, la marchesa Adelaide Antici Mattei (Recanati 1778-1857). Primo di dieci figli, il piccolo Giacomo ricevette un educazione molto severa e rigida soprattutto da parte della madre, che a causa di problemi economici e familiari legati ai titoli nobiliari, resero al giovane poeta, un’infanzia molto infelice e priva di ogni affetto. -
GIOVAN PIETRO VIEUSSEUX Pensare L’Italia Guardando All’Europa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio istituzionale della ricerca - Università di Macerata LAURA MELOSI VIEUSSEUX E IL GIORNALISMO LETTERARIO E CIVILE ESTRATTO da GABINETTO SCIENTIFICO LETTERARIO G.P. VIEUSSEUX PENSARE L’ITALIA GUARDANDO ALL’EUROPA Atti del Convegno di studi Firenze, 27-29 giugno 2011 A CURA DI MAURIZIO BOSSI Leo S. Olschki Editore Firenze G.S.L.V. GABINETTO SCIENTIFICO LETTERARIO G.P. VIEUSSEUX 23 STUDI 23 GIOVAN PIETRO VIEUSSEUX Pensare l’Italia guardando all’Europa Atti del Convegno di studi Firenze, 27-29 giugno 2011 A cura di MAURIZIO BOSSI GIOVAN PIETRO VIEUSSEUX LEO S. OLSCHKI Leo S. Olschki ISBN 978 88 222 6264 6 2013 GABINETTO G.P. VIEUSSEUX GABINETTO SCIENTIFICO LETTERARIO G.P. VIEUSSEUX STUDI 23 GIOVAN PIETRO VIEUSSEUX Pensare l’Italia guardando all’Europa Atti del Convegno di studi Firenze, 27-29 giugno 2011 A cura di MAURIZIO BOSSI Leo S. Olschki 2013 Tutti i diritti riservati CASA EDITRICE LEO S. OLSCHKI Viuzzo del Pozzetto, 8 50126 Firenze www.olschki.it Il volume e` pubblicato con il determinante contributo di ISBN 978 88 222 6264 6 INDICE GLORIA MANGHETTI, Premessa . Pag. VII MAURIZIO BOSSI, Un’Europa in viaggio. Gli orizzonti di Vieusseux » XI LUIGI MASCILLI MIGLIORINI, Orizzonti politico-istituzionali euro- pei per la Toscana della Restaurazione . » 3 LUCIA TONINI, Nuove frontiere dell’Europa moderna nella Russia postnapoleonica. I viaggi di Vieusseux, Serristori, Pucci . » 11 ALESSANDRO VOLPI, Mercanti e mercato. Dalle merci alla cultura nell’esperienza dei Vieusseux . » 25 FRANCESCA SOFIA, Sismondi e Vieusseux: le stagioni di un’amicizia » 41 MARCO MANFREDI, Religiosita` civile nell’Europa di Vieusseux . -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
Le ''Cœur, Le Talent Et La Doctrine'' De Pietro Giordani Dans La Formation De Giacomo Leopardi
Le ”cœur, le talent et la doctrine” de Pietro Giordani dans la formation de Giacomo Leopardi Mario Fernando Franco To cite this version: Mario Fernando Franco. Le ”cœur, le talent et la doctrine” de Pietro Giordani dans la formation de Giacomo Leopardi. Littératures. Université Paul Valéry - Montpellier III; Université de la Manouba (Tunisie), 2014. Français. NNT : 2014MON30076. tel-01241290 HAL Id: tel-01241290 https://tel.archives-ouvertes.fr/tel-01241290 Submitted on 17 Dec 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ! Délivré par UNIVERSITÉ PAUL-VALÉRY MONTPELLIER 3 Préparée au sein de l’école doctorale ED 58 (Langues, Littératures, Cultures, Civilisations) Et de l’unité de recherche LLACS (Langues, Littératures, Arts et Cultures des Suds) Spécialité : DOCTORAT ÉTUDES ROMANES, Spécialité Études italiennes Présentée par Mario Fernando FRANCO TITRE DE LA THESE Le «cœur, le talent et la doctrine» de Giacomo Leopardi dans la formation de Pietro Giordani Soutenue le Mardi 9 décembre 2014 devant le jury composé de : Mme Myriam CARMINATI, Professeur, Université Paul-Valéry Montpellier 3, Co-directrice Mme Rawdha RAZGALLAH, Professeur, Université de Carthage, Tunis, Logo !établissement ! Co-directrice M. Ahmed SOMAI, Professeur, Université La Manouba, Tunis, Président Mme Silvia FINZI, Professeur, Université La Manouba, Tunis, Rapporteur M. -
Journal of Italian Translation
Journal of Italian Translation JIT24.indb 1 2/22/2018 12:27:54 PM Journal of Italian Translation is an international Editor journal devoted to the translation of literary works Luigi Bonaffini from and into Italian-English-Italian dialects. All translations are published with the original text. It also publishes essays and reviews dealing with Associate Editors Gaetano Cipolla Italian translation. It is published twice a year. Michael Palma Submissions should be in electronic form. Joseph Perricone Translations must be accompanied by the original texts, a brief profile of the translator, and a brief profile of the author. Original texts and transla- Assistant Editor tions should be on separate files. All submissions Paul D’Agostino and inquiries should be addressed to l.bonaffini@ att.net Book reviews should be sent to Paolo Spedi- Editorial Board Adria Bernardi cato: [email protected]. Geoffrey Brock Franco Buffoni Website: www.jitonline.org Barbara Carle Peter Carravetta Subscription rates: John Du Val U.S. and Canada. Individuals $30.00 a year, Luigi Fontanella $50 for 2 years. Anna Maria Farabbi Institutions $35.00 a year. Rina Ferrarelli Single copies $18.00. Irene Marchegiani Francesco Marroni For all mailing abroad please add $15 per Sebastiano Martelli issue. Payments in U.S. dollars. Make checks Anthony Molino payable to Journal of Italian Translation, Dept. of Stephen Sartarelli Modern Languages and Literatures, 2900 Bedford Cosma Siani Ave. Brooklyn, NY 11210 . Marco Sonzogni Joseph Tusiani Journal of Italian Translation -
Count Giacomo Leopardi - Poems
Classic Poetry Series Count Giacomo Leopardi - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Count Giacomo Leopardi(29 June 1798 – 14 June 1837) Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian poet, essayist, philosopher, and philologist. Although he lived in a secluded town in the ultra-conservative Papal States, he came in touch with the main thoughts of the Enlightenment, and, by his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. <b>Biography</b> Giacomo Leopardi was born of a local noble family in Recanati, in the Marche, at the time ruled by the papacy. His father, the count Monaldo Leopardi, was a good-hearted man, fond of literature but weak and reactionary, who remained bound to antiquated ideas and prejudices; his mother, the marquise Adelaide Antici Mattei, was a cold and authoritarian woman, obsessed over rebuilding the family's financial fortunes, which had been destroyed by Monaldo's gambling addiction. At home, a rigorous discipline of religion and savings reigned. However, Giacomo's happy childhood, which he spent with his younger brother Carlo Orazio and his sister Paolina, left its mark on the poet, who recorded his experiences in the poem Le Ricordanze. Leopardi, following a family tradition, began his studies under the tutelage of two priests, but his innate thirst for knowledge found its satisfaction primarily in his father's rich library. Initially guided by Father Sebastiano Sanchini, Leopardi quickly liberated himself by vast and profound readings. He committed himself so deeply to his "mad and most desperate" studies that, within a short time, he acquired an extraordinary knowledge of classical and philological culture—he could fluently read and write Latin, Greek and even Hebrew— but he suffered from the lack of an open and stimulating formal education. -
Leopardi's 1818 Poem "Sopra Un Monumento Di Dante" Anticipates Thomas Carlyle's 1841 Essay, Promoting the Idea of the Hero As Poet
Cristina La Porta 359 HISTORY AND THE POETIC VOCATION IN 'SOPRA UN MONUMENTO DI DANTE' It is a great thing for a Nation that it get an articulate voice, that it produce a man who will speak forth melodiously what the heart of it means! Italy, for example, poor Italy lies dismembered, scattered asunder, not appearing in any protocol or treaty as a unity at all; yet the noble Italy is actually one: Italy produced its Dante; Italy can speak! (Thomas Carlyle)1 Leopardi's 1818 poem "Sopra un monumento di Dante" anticipates Thomas Carlyle's 1841 essay, promoting the idea of the hero as poet. The poem, occasioned by the 1818 publication of a manifesto announcing the erection of a monument to Dante in Florence, had an immediate effect on nationalistic Italians. According to Leopardi's friend Pietro Giordani, "Le vostre canzoni girano per questa città come fuoco elettrico: tutti le vogliono [...] Si esclama di voi, come di un miracolo."2 Leopardi uses the celebratory event honoring Italy's past as a pretext for criticizing his contemporaries and looking forward to Italy's future. The idea of turning back to the past is paramount in Leopardi's rhetorical strategy. The poem is an exhortation to virtue, based on memory. Traditionally, memory was defined as an art by which we recall past events, and by which we speculate on future events through their similarity to the past.3 Cultural memory is crucial to Leopardi's vision for Italy.4 Dante's reputation had not been generally high in the eighteenth century, as is demonstrated by Voltaire's dismissal of the Divine Comedy in his Essay on the Epic Poetry of the European Nations from Homer down to Milton (1727). -
Diapositiva 1
TLANTE CIMITERI SIGNIFICATIVI ITALIANI Sefit Con il Patrocinio del Sefit BOLOGNA Cimitero Monumentale della Certosa T L A N T E CIMITERI SIGNIFICATIVI ITALIANI Edizione novembre 2018 logo cimitero stemma BOLOGNA Comune Cimitero Monumentale della Certosa Il complesso monumentale, il più vasto della città, è il risultato di oltre duemila anni di storia: prima necropoli etrusca, poi monastero certosino dal 1334 al 1796, infine cimitero dal 1801 a oggi. Sotto le sale e i portici è possibile ammirare un catalogo unico di scultura, architettura e arti applicate che partendo dall'arte neoclassica giunge fino alle istanze moderne attraverso il Romanticismo, il Verismo, il Liberty e il Classicismo del XX secolo. Nel cimitero sono ospitate alcune figure importanti per la storia locale e nazionale, tra cui lo statista Marco Minghetti; i pittori Giorgio Morandi e Bruno Saetti; il premio Nobel per la letteratura Giosue Carducci e lo scrittore Riccardo Bacchelli; il cantante d’opera Carlo Broschi detto Farinelli, il compositore Ottorino Respighi e il cantante Lucio Dalla; i fondatori delle aziende Maserati, Ducati, Weber, Zanichelli. La Certosa è stata per tutto l'Ottocento meta privilegiata del visitatore a Bologna. Lord Byron, Jules Janin, Charles Dickens, Theodor Mommsen e Sigmund Freud hanno lasciato traccia della loro passeggiata nel cimitero. ingresso principale: via della Certosa 18 (cortile chiesa) www.museibologna.it/risorgimento info pointaltro storico-artistico logo : via della Certosa 18 (cortile chiesa) aperto: martedì 10.00-13.00, giovedì -
Farinelli Or Concerning the Vocal Derivations of the Old Custom of Castration Oscar Bottasso
Original JMM Farinelli or Concerning the Vocal Derivations of the Old Custom of Castration Oscar Bottasso Instituto de Inmunología. Facultad de Ciencias Médicas, Universidad Nacional de Rosario (Argentina). Correspondence: Oscar Bottasso. Facultad de Ciencias Médicas. Santa Fe 3100. Rosario -2000- (Argentina). e-mail: [email protected] Received 14 October 2009; accepted 2 January 2010 Summary The film presents some of the passages of the life of Carlo Broschi, the famous Farinelli, a castrato who delighted so many lovers of the settecentista opera. Upon witnessing a street challenge between the young singer and a young trumpeter, over which Farinelli is victorious due to his extraordinary voice, George F. Handel, at the time an official musician of the English court and being present almost by chance, proposes a trip to London. Farinelli rejects the offer which leads to a tense relation between the two of them, a relationship full of antipathies but at the same time with a certain degree of mutual recog- nition. In contrast to Farinelli’s scarcely addressed confinement in the Spanish court, at the peak of his career, the film is rich in showing us the varied visits of the Broschi brothers to different European sce- narios, blended with episodes where Farinelli’s seductive character triggers numerous love scenes final- ly consummated by his brother Ricardo, anatomically intact. According to the physiopathology of prepu- bertal castration this seems more over-acted than real. Keywords: Carlo Broschi, Castration, Farinelli, Gérard Corbiau, Haendel. Technical details (Benedict), Omero Antonutti (Nicola Porpora), Marianne Basler (Countess Mauer) Pier Paolo Title: Farinelli. Capponi (Broschi) Graham Valentine (Prince of Original title: Farinelli. -
Sir Richard Francis Burton Pamphlet Collection: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c81z47q9 No online items Sir Richard Francis Burton Pamphlet Collection: Finding Aid Finding aid prepared by Julie Kemper and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens. Rare Books Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2015 The Huntington Library. All rights reserved. Sir Richard Francis Burton 635664 1 Pamphlet Collection: Finding Aid Overview of the Collection Title: Sir Richard Francis Burton Pamphlet Collection Dates (inclusive): 1812-1894 Bulk dates: 1860-1890 Collection Number: 635664 Creator: Burton, Richard Francis, Sir, 1821-1890 ; Burton, Isabel, Lady, 1831-1896 Extent: 432 envelopes (including 27 oversized envelopes) Repository: The Huntington Library, Art Collections, and Botanical Gardens. Rare Books Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains approximately 450 articles, offprints, pamphlets, and other works collected by the British explorer Sir Richard Francis Burton (1821-1890) and forms part of the Sir Richard Francis Burton Library Printed Material Collection. The items cover a span of 1812 to 1894 and include material under the subjects: General; Periodicals, Congress Reports; Anthropology, Archaeology, Folklore; Biography; Geography, Travel; Linguistics; Literature; Medicine, Psychology; Religion, Philosophy; Science, Pure, Natural, Applied; Sword; Africa; Americas; Asia; Europe; Pacific, Australasia. Some of the works include manuscript annotations by Burton as well as correspondence sent to him and insertions of articles and clippings. Language: Collection is mostly in English; non-English materials are indicated at the item level.