Sir Richard Francis Burton Pamphlet Collection: Finding Aid
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Book of Abstracts
BORDERS AND CROSSINGS TRAVEL WRITING CONFERENCE Pula – Brijuni, 13-16 September 2018 BOOK OF ABSTRACTS BORDERS AND CROSSINGS 2018 International and Multidisciplinary Conference on Travel Writing Pula-Brijuni, 13-16 September 2018 BOOK OF ABSTRACTS Published by Juraj Dobrila University of Pula For the Publisher Full Professor Alfio Barbieri, Ph.D. Editor Assistant Professor Nataša Urošević, Ph.D. Proofreading Krešimir Vunić, prof. Graphic Layout Tajana Baršnik Peloza, prof. Cover illustrations Joseph Mallord William Turner, Antiquities of Pola, 1818, in: Thomas Allason, Picturesque Views of the Antiquities of Pola in Istria, London, 1819 Hugo Charlemont, Reconstruction of the Roman Villa in the Bay of Verige, 1924, National Park Brijuni ISBN 978-953-7320-88-1 CONTENTS PREFACE – WELCOME MESSAGE 4 CALL FOR PAPERS 5 CONFERENCE PROGRAMME 6 ABSTRACTS 22 CONFERENCE PARTICIPANTS 88 GENERAL INFORMATION 100 NP BRIJUNI MAP 101 Dear colleagues, On behalf of the Organizing Committee, we are delighted to welcome all the conference participants and our guests from the partner institutions to Pula and the Brijuni Islands for the Borders and Crossings Travel Writing Conference, which isscheduled from 13th till 16th September 2018 in the Brijuni National Park. This year's conference will be a special occasion to celebrate the 20thanniversary of the ‘Borders and Crossings’ conference, which is the regular meeting of all scholars interested in the issues of travel, travel writing and tourism in a unique historic environment of Pula and the Brijuni Islands. The previous conferences were held in Derry (1998), Brest (2000), Versailles (2002), Ankara (2003), Birmingham (2004), Palermo (2006), Nuoro, Sardinia (2007), Melbourne (2008), Birmingham (2012), Liverpool (2013), Veliko Tarnovo (2014), Belfast (2015), Kielce (2016) and Aberystwyth (2017). -
Pristup Cjelovitom Tekstu Rada
THE IMPACT OF TECHNOLOGY ON THE DEVELOPMENT OF TOURISM IN SOUTH CROATIA IN THE BEGINNING OF THE 20TH CENTURY Marija BENI PENAVA1 Marija GJURAŠI2 University of Dubrovnik, 29 Branitelja Dubrovnika, 20000 Dubrovnik, CROATIA University of Dubrovnik, 29 Branitelja Dubrovnika, 20000 Dubrovnik, CROATIA * Marija Beni Penava; E-mail: [email protected]; phone: +385 20445934 Abstract — This paper analyses, using archive records and relevant literature, the application of technological advances in transport and tourism in South Croatia in the period that preceded cruisers with thousands of passengers, mass air transport, as well as the usage of computers reservation systems and credit cards that are used in tourism industry nowadays. Technology was intensively involved in the tourism industry in the past. The impacts of technology could be seen on the connectivity by railway as well as sea, land and air traffic. In addition to the mentioned factors of communicative tourism, its receptive factors – hotel industry, catering, marketing, cultural institutions, public services etc became more dependent on technologies in the interwar period. The connection between the advances in technology and the new growing service sector of tourism in the Croatian south was a prerequisite of the coming development of mass tourism. Therefore, the human need for rest, recreation and adventure while abandoning their permanent residence achieved its purpose – enjoyment and relaxation. Peripheral parts of the Croatian south outgrew into world tourist destinations due to the progress of both transport and communication technology in the first half of the 20th century. Keywords— technology, tourism, South Croatia, 20th century 1. INTRODUCTION The Republic of Croatia is oriented towards tourism development, it is a recognized and popular destination with a clear development strategy and vision of its future in tourism. -
Tourism and Fascism. Tourism Development on the Eastern Italian Border 99
Petra Kavrečič: Tourism and Fascism. Tourism Development on the Eastern Italian Border 99 1.02 Petra Kavrečič* Tourism and Fascism. Tourism Development on the Eastern Italian Border** IZVLEČEK TURIZEM IN FAŠIZEM. TURISTIČNI RAZVOJ NA ITALIJANSKI VZHODNI MEJI Prispevek se osredotoča na obravnavo turističnega razvoja nekdanje italijanske province Julijske krajine (Venezia Giulia). V ospredju zanimanja je torej obdobje med obema voj- nama. Območje, ki je predmet analize, predstavlja zanimivo študijo primera, ki še ni bila deležna zadostne historične znanstvene obravnave, vsaj glede področja turističnega razvoja. Zanima me raziskovanje povezave in povezanosti med političnim režimom in nacionalnim diskurzom s turistično panogo oziroma različnimi tipologijami turistične ponudbe. Kako se je posameznim turističnim destinacijam (»starim« ali »novim«) uspelo prilagoditi novim političnim razmeram, ki so nastopile po koncu prve svetovne vojne, in kako se je turizem razvijal v okviru totalitarnega sistema, v tem primeru fašizma. Pri tem bo predstavljena različna turistična ponudba obravnavanega območja. Ključne besede: turizem, fašizem, obdobje med obema vojnama, Julijska krajina * Dr. Sc., Assistant Professor of History, Department of History, Faculty of Humanities, University of Pri- morska, Titov trg 5, 6000 Koper; [email protected] ** This paper is the result of the research project “Post-Imperial Transitions and Transformations from a Local Perspective: Slovene Borderlands Between the Dual Monarchy and Nation States (1918–1923)” (J6-1801), financially supported by the Slovenian Research Agency. 100 Prispevki za novejšo zgodovino LX – 2/2020 ABSTRACT The paper explores tourism development in the Italian region of Venezia Giulia. The terri- tory under discussion represents an interesting but unexplored field of study in historiography, focusing on tourism development during the interwar period. -
Intercultural Contact in the Austro-Hungarian Empire: Opatija/Abbazia in 1867-1914
Intercultural contact in the Austro-Hungarian Empire: Opatija/Abbazia in 1867-1914 Anja Iveković Martinis Institute for Anthropological Research Zagreb, Croatia Historical Perspectives on Transnationalism and Intercultural Dialogue in the Austro-Hungarian Empire (TIDA) project funded by the Croatian Science Foundation (2014-2018) aim: to counterbalance the historiographical approach to the Austro-Hungarian Empire in Croatia (emphasis on the national movement and problematic relations between national groups) focus: intercultural contact and its role in the formation of hybrid identities; national indifference Austria-Hungary Austria-Hungary migration (economic reasons, transferral of public sector employees) longer traditions of cultural contact in some regions (e.g. the Adriatic) cultural heterogeneity, mutual influences, cosmopolitanism, cultural hybrids Multilingualism in private life multilingualism in Austria-Hungary research has focused on language policy and institutions (education system, administration...) lack of research on communication in private life intercultural relationships in the private family sphere played a great role in the formation of hybrid cultural identities lack of research on intimate intercultural relationships in a historical context Wruss family letters State Archive in Rijeka, Wruss Family Collection correspondence between Rudolf Wruss and Emilie Uršič period: 1898/1901 middle class Slovenian and Croatized Slovenian + participating in several “national” cultures 8 letters (1 E to R, 7 -
The Imperial Riviera Trieste, Ljubljana and the Istrian Peninsula
MARTIN RANDALL TRAVEL ART • ARCHITECTURE • GASTRONOMY • ARCHAEOLOGY • HISTORY • MUSIC • LITERATURE The Imperial Riviera Trieste, Ljubljana and the Istrian Peninsula 13–19 September 2021 (mh 893) 7 days • £2,520 Lecturer: Richard Bassett Follow in the footsteps of the Habsburgs, Europe’s leading imperial dynasty. Explore three countries from one hotel, crossing between Italy, Slovenia and Croatia. All six nights are spent in Trieste. Led by Richard Bassett, historian of the Austro- Hungarian Empire and author of For God and Kaiser and Last Days of Old Europe. The Habsburg Empire vanished barely a hundred years ago but nowhere is its legacy more apparent than in the once great seaport of Trieste, its hinterland and the adjoining coastline. The region was once a progressive and prosperous international melting pot, but Trieste, steel engraving c. 1840. in the 20th century it was riven by borders, often contested. The result was that the in Vienna but a man determined to express the moments alive were devoted to planning the territory became peripheral and dropped from culture of the newly emerging southern Slavs in atmospheric gardens of the castle’s park. mainstream tourist itineraries – despite the a vivid and original language. The result is one Day 3: Ljubljana. The capital of Slovenia, hoard of extraordinarily handsome cities and of the most enchanting of European capitals, if Ljubljana is a city formed in the Imperial settlements, sensationally interesting history one of the smallest. Austrian tradition, but following the collapse and outstanding natural beauty. The tour also explores the relatively of the Habsburg empire it was vigorously This tour evokes the memory of a multi- unknown interior of nearby Istria. -
Renaissance Quarterly Books Received: January–March 2011
Renaissance Quarterly Books Received: January–March 2011 EDITIONS AND TRANSLATIONS: Alexander, Gavin R. Writing after Sidney: The Literary Response to Sir Philip Sidney 1586– 1640. Paperback edition. Oxford: Oxford University Press, 2010. xliv + 380 pp. index. illus. bibl. $55. ISBN: 978–0–19–959112–1. Barbour, Richmond. The Third Voyage Journals: Writing and Performance in the London East India Company, 1607–10. New York: Palgrave Macmillan, 2009. 281 pp. index. append. illus. gloss. bibl. $75. ISBN: 978–0–230–61675–2. Buchanan, George. Poetic Paraphrase of The Psalms of David. Ed. Roger P. H. Green. Geneva: Librairie Droz S.A., 2011. 640 pp. index. append. bibl. $115. ISBN: 978–2–600–01445–8. Campbell, Gordon, and Thomas N. Corns, eds. John Milton: Life, Work, and Thought. Paperback edition. Oxford: Oxford University Press, 2010. xv + 488 pp. index. illus. map. bibl. $24.95. ISBN: 978–0–19–959103–9. Calderini, Domizio. Commentary on Silius Italicus. Travaux d’Humanisme et Renaissance 477. Ed. Frances Muecke and John Dunston. Geneva: Librairie Droz S.A., 2010. 958 pp. index. tbls. bibl. $150. ISBN: 978–2–600–01434–2 (cl), 978–2–600–01434–2 (pbk). Campanella, Tommaso. Selected Philosophical Poems of Tommaso Campanella: A Bilingual Edition. Ed. Sherry L. Roush. Chicago: The University of Chicago Press, 2011. xi + 248 pp. index. bibl. $45. ISBN: 978–0–226–09205–8. Castner, Catherine J., trans. Biondo Flavio’s Italia Illustrata: Text, Translation, and Commentary. Volume 2: Central and Southern Italy. Binghamton: Global Academic Publishing, 2009. xvi + 488 pp. index. illus. map. bibl. $36. ISBN: 978–1–58684–278–9. -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
Nationalist Tourism in the Austrian Empire, 1880-1918
Swarthmore College Works History Faculty Works History 2002 "Every German Visitor Has A Volkisch Obligation He Must Fulfill": Nationalist Tourism In The Austrian Empire, 1880-1918 Pieter M. Judson , '78 Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-history Part of the History Commons Let us know how access to these works benefits ouy Recommended Citation Pieter M. Judson , '78. (2002). ""Every German Visitor Has A Volkisch Obligation He Must Fulfill": Nationalist Tourism In The Austrian Empire, 1880-1918". Histories Of Leisure. 147-168. https://works.swarthmore.edu/fac-history/181 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in History Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. 8 “Every German visitor has a völkischvölkischvölkisch obligation he must fulfill”: Nationalist Tourism in the Austrian Empire, 1880–19181880–19181880–1918 Pieter Judson Recently, a German Provincial Association to Promote Tourism in Southern Austria was founded in Laibach [Slovene: Ljubljana] for the purpose of encouraging German Tourism. The Association hopes to convince at least some of the current wave of German tourists to visit the nature-rich beauties of Carniola. Naturally, the organization will take care that the economic advantages of this tourism only benefit the German or German friendly populace in Carniola. (Südmark, 1912)1 “The Bohemian Woods -
The Habsburg Empire in the Adriatic: from Discovering “Our South” to the Gospel of the European Reconciliation
The Habsburg Empire in the Adriatic: from discovering “our South” to the gospel of the European reconciliation Bojan Baskar* In his latest travelogue titled La leggenda dei monti naviganti, the famed Italian jour- nalist and travel writer Paolo Rumiz1 begins with the following sentence: «Se una sera d’estate in Dalmazia senti un canto di montagna venire da una vela all’ancora, non aver dubbi: è una barca di triestini». To a reader familiar with the geography of the Adriatic, such an observation should not come as a surprise. Neither should the statement that Dalmatia is a system of valleys «riempite d’acqua salata, di pra- terie d’alghe, di banchi di pesce azzurro e di relitti di navi»2. Despite its baroque imagery, it actually dialogues with the Braudelian vision of the Mediterranean as a close proximity and interpenetration of the mountain and the sea. By remind- ing his readership that, in Braudel’s view, the Mediterranean was «the sea of high- landers» or «a space of pastoralists who became captains of a ship», Rumiz was perhaps deliberately provocative toward his Triestine compatriots since many of them might find such images offensive (cfr. Baskar 2007). 1 P. Rumiz, La leggenda dei monti naviganti, Milano, Feltrinelli, 2007, p. 19. 2 Ibid., p. 20. * Docente di Antropologia presso il Dipartimento di Sociologia della Facoltà delle Arti dell’ Università di Lubiana. 13 Competing imperial legacies Yet Rumiz could as easily claim that the highland singing, reverberating from the sailing boat, reveals the presence of the Austrians. As a landlocked nation, largely Alpine and also notorious for their Alpine-style folk music, the Austrians are nevertheless massively participating in the Adriatic tourism and the related cultural-historical imagination of the once Austrian sea. -
The Spa and Seaside Resort in the Development of Euro- Mediterranean Travel and Tourism – the Case of Brijuni Islands
THE SPA AND SEASIDE RESORT IN THE DEVELOPMENT OF EURO- MEDITERRANEAN TRAVEL AND TOURISM – THE CASE OF BRIJUNI ISLANDS NATAŠA UROŠEVIĆ | 53 | Juraj Dobrila University of Pula, Croatia The paper will offer a new perspective in elaboration of key phases of the tourism development on the Brijuni Islands, by analysing their important function as an élite Mediterranean spa and seaside resort in a transnational framework. The author will show how cultural practices and patterns of tourist behav- iour, characteristic for European early spa and seaside resorts, spread throughout Mediterranean during the 19th and early 20th century. Similar to an established network of European spas, transnational cultural transfers and common features characterized also a Euro-Mediterranean network of climatic seaside resorts. Many of them developed on the place of an- cient spas and aristocratic residences, such as the first modern élite resorts in Italy and France. We can follow a similar process in the Adriatic, where first climatic spas patronized by royalty attracted a fashionable clientele. The author explored and com- pared some of the well-known island aristocratic residences, such as the Isle of Wight, the Hyėres Islands, Capri, Mallorca, Corfu and Brijuni. The conducted research indicated that the beginnings of modern tourism in the Adriatic followed existing patterns of the European leading spa and seaside resorts. The main contribution of this paper would be in linking revitalisa- tion of unique cultural heritage with a local tourist tradition as a model for sustainable development. Key words: Mediterranean, tourism, European spa, seaside re- sort, Adriatic, Brijuni Volume 13 | 2020 | Number 1 Nataša Urošević INTRODUCTION In the history of European travel and tourism, the Mediterranean has a central position, as a contact zone characterized by intense transnational mobility and intercultural encounters: „It is where the continents of Europe, Africa and Asia meet and where North faces South in an asymmetrical relationship. -
Diapositiva 1
TLANTE CIMITERI SIGNIFICATIVI ITALIANI Sefit Con il Patrocinio del Sefit BOLOGNA Cimitero Monumentale della Certosa T L A N T E CIMITERI SIGNIFICATIVI ITALIANI Edizione novembre 2018 logo cimitero stemma BOLOGNA Comune Cimitero Monumentale della Certosa Il complesso monumentale, il più vasto della città, è il risultato di oltre duemila anni di storia: prima necropoli etrusca, poi monastero certosino dal 1334 al 1796, infine cimitero dal 1801 a oggi. Sotto le sale e i portici è possibile ammirare un catalogo unico di scultura, architettura e arti applicate che partendo dall'arte neoclassica giunge fino alle istanze moderne attraverso il Romanticismo, il Verismo, il Liberty e il Classicismo del XX secolo. Nel cimitero sono ospitate alcune figure importanti per la storia locale e nazionale, tra cui lo statista Marco Minghetti; i pittori Giorgio Morandi e Bruno Saetti; il premio Nobel per la letteratura Giosue Carducci e lo scrittore Riccardo Bacchelli; il cantante d’opera Carlo Broschi detto Farinelli, il compositore Ottorino Respighi e il cantante Lucio Dalla; i fondatori delle aziende Maserati, Ducati, Weber, Zanichelli. La Certosa è stata per tutto l'Ottocento meta privilegiata del visitatore a Bologna. Lord Byron, Jules Janin, Charles Dickens, Theodor Mommsen e Sigmund Freud hanno lasciato traccia della loro passeggiata nel cimitero. ingresso principale: via della Certosa 18 (cortile chiesa) www.museibologna.it/risorgimento info pointaltro storico-artistico logo : via della Certosa 18 (cortile chiesa) aperto: martedì 10.00-13.00, giovedì -
Farinelli Or Concerning the Vocal Derivations of the Old Custom of Castration Oscar Bottasso
Original JMM Farinelli or Concerning the Vocal Derivations of the Old Custom of Castration Oscar Bottasso Instituto de Inmunología. Facultad de Ciencias Médicas, Universidad Nacional de Rosario (Argentina). Correspondence: Oscar Bottasso. Facultad de Ciencias Médicas. Santa Fe 3100. Rosario -2000- (Argentina). e-mail: [email protected] Received 14 October 2009; accepted 2 January 2010 Summary The film presents some of the passages of the life of Carlo Broschi, the famous Farinelli, a castrato who delighted so many lovers of the settecentista opera. Upon witnessing a street challenge between the young singer and a young trumpeter, over which Farinelli is victorious due to his extraordinary voice, George F. Handel, at the time an official musician of the English court and being present almost by chance, proposes a trip to London. Farinelli rejects the offer which leads to a tense relation between the two of them, a relationship full of antipathies but at the same time with a certain degree of mutual recog- nition. In contrast to Farinelli’s scarcely addressed confinement in the Spanish court, at the peak of his career, the film is rich in showing us the varied visits of the Broschi brothers to different European sce- narios, blended with episodes where Farinelli’s seductive character triggers numerous love scenes final- ly consummated by his brother Ricardo, anatomically intact. According to the physiopathology of prepu- bertal castration this seems more over-acted than real. Keywords: Carlo Broschi, Castration, Farinelli, Gérard Corbiau, Haendel. Technical details (Benedict), Omero Antonutti (Nicola Porpora), Marianne Basler (Countess Mauer) Pier Paolo Title: Farinelli. Capponi (Broschi) Graham Valentine (Prince of Original title: Farinelli.