The Development of Lower Order Critical Reading Strategies in Third Cycle Students at a Public School
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PTSVNWU JS-5 Jam Station Style Listing
PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06 -
Music and Spiritual Feminism: Religious Concepts and Aesthetics
Music and spiritual feminism: Religious concepts and aesthe� cs in recent musical proposals by women ar� sts. MERCEDES LISKA PhD in Social Sciences at University of Buenos Aires. Researcher at CONICET (National Council of Scientifi c and Technical Research). Also works at Gino Germani´s Institute (UBA) and teaches at the Communication Sciences Volume 38 Graduation Program at UBA, and at the Manuel de Falla Conservatory as well. issue 1 / 2019 Email: [email protected] ORCID: https://orcid.org/0000-0001-9692-6446 Contracampo e-ISSN 2238-2577 Niterói (RJ), 38 (1) abr/2019-jul/2019 Contracampo – Brazilian Journal of Communication is a quarterly publication of the Graduate Programme in Communication Studies (PPGCOM) at Fluminense Federal University (UFF). It aims to contribute to critical refl ection within the fi eld of Media Studies, being a space for dissemination of research and scientifi c thought. TO REFERENCE THIS ARTICLE, PLEASE USE THE FOLLOWING CITATION: Liska, M. (2019). Music and spiritual feminism. Religious concepts and aesthetics in recent musical proposals by women artists. Contracampo – Brazilian Journal of Communication, 38 (1). Submitted on: 03/11/2019 / Accepted on: 04/23/2019 DOI – http://dx.doi.org/10.22409/contracampo.v38i1.28214 Abstract The spiritual feminism appears in the proposal of diverse women artists of Latin American popular music created recently. References linked to personal and social growth and well-being, to energy balance and the ancestral feminine powers, that are manifested in the poetic and thematic language of songs, in the visual, audiovisual and performative composition of the recitals. A set of multi religious representations present in diff erent musical aesthetics contribute to visualize female powers silenced by the patriarchal system. -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
Laís Galo Vanzella
UNIVERSIDADE DE SÃO PAULO - USP FACULDADE DE FILOSOFIA CIÊNCIAS E LETRAS DE RIBEIRÃO PRETO DEPARTAMENTO DE PSICOLOGIA Laís Galo Vanzella A memória individual e coletiva colombiana na performance de um gênero musical – o vallenato Ribeirão Preto 2018 LAÍS GALO VANZELLA A memória individual e coletiva colombiana na performance de um gênero musical – o vallenato Dissertação apresentada à Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto da Universidade de São Paulo para obter o título de Mestre em Ciências Área: Psicologia: Processos Culturais e Subjetivação. Orientadora: Profa. Dra. Francirosy Campos Barbosa Ribeirão Preto 2018 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Vanzella, Laís Galo A memória individual e coletiva colombiana na performance de um gênero musical – o vallenato. Ribeirão Preto, 2018. 229 p. : il. ; 30 cm Dissertação de Mestrado, apresentada à Faculdade de Psicologia de Ribeirão Preto/USP. Área de concentração: Processos Culturais e Subjetivação Orientador: Barbosa, Francirosy Campos. 1. Vallenato. 2. Memória Coletiva. 3. Carlos Vives. 4. Colômbia. 5. Música Nome: Laís Galo Vanzella Título: A memória individual e coletiva colombiana na performance de um gênero musical- o vallenato Dissertação apresentada à Faculdade de Filosofia Ciências e Letras de Ribeirão Preto da Universidade de São Paulo para obter o título de Mestre em Ciências Banca Examinadora Aprovado em: Profa. Dra. Instituição: Julgamento: Prof. Dr. Instituição: Julgamento: Prof. Dr. Instituição: Julgamento: AGRADECIMENTOS Agradeço aos meus amigos colombianos: Diana, por ser tão presente e carinhosa, os dias na sua casa em Bogotá (2009) foram uns dos melhores da minha vida. -
Background Music
BACKGROUND MUSIC GET THE BEST MUSIC ALL DAY LONG TouchTunes’ music programmers are passionate about music. They create a variety of fully licensed background music channels for TouchTunes locations to choose from. From Classic Rock and The Hits to Decades Variety and Holiday Mix, TouchTunes jukeboxes are designed to keep the party going all night long while still allowing patrons to make their own song selections. HIGHLIGHTS • Fully licensed for commercial establishments • Over 20 themed music channels to choose from • Each channel features over 30 hours of music • Refreshed monthly with new music • Channels can be changed instantly using the jukebox remote • Can be scheduled for a specific time of the day or all day long LITCMP V.032016 BACKGROUND MUSIC ADULT CONTEMPORARY REGGAE Easy light favorites from the ‘90s to today. Classic jams from Reggae legends. ALTERNATIVE ROCK THE HITS A diverse selection of alternative rock songs. A mix of current and mainstream hits across all genres. BLUES URBAN & HIP HOP A contemporary collection of blues artists. A contemporary mix of urban and hip-hop songs. CLASSIC R&B & SOUL ROCK MIX Sounds from the pioneers of R&B and Soul. The ultimate rock selection featuring timeless rock songs from CLASSIC ROCK the past 30 years. Rock’s biggest bands and timeless hits. DECADES VARIETY COUNTRY MIX Great songs by great artists from the 70’s to today. Mid-tempo mix of country music from the last 30 years. LATIN MIX EASY LISTENING A mix of Latin styles including Regional Mexican, Pop Rock, Lite pop and rock hits from the ‘80s, ‘90s and today. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Asab Proyecto Curricular De Artes Musicales Aportes
UNIVERSIDAD FRANCISCO JOSÉ DE CALDAS FACULTAD DE ARTES – ASAB PROYECTO CURRICULAR DE ARTES MUSICALES APORTES INTERPRETATIVOS Y CREATIVOS A LA BATERÍA EN EL ROCK COLOMBIANO DE CARLOS CORTÉS Y GREGORIO MERCHÁN. CAMILO ANDRÉS ORTEGÓN MUNEVAR CÓD.: 20132098059 ÉNFASIS: INSTRUMENTO MODALIDAD DE TRABAJO DE GRADO: MONOGRAFÍA BOGOTÁ, D.C. ABRIL DE 2018 UNIVERSIDAD FRANCISCO JOSÉ DE CALDAS FACULTAD DE ARTES – ASAB PROYECTO CURRICULAR DE ARTES MUSICALES APORTES INTERPRETATIVOS Y CREATIVOS A LA BATERÍA EN EL ROCK COLOMBIANO DE CARLOS CORTÉS Y GREGORIO MERCHÁN. CAMILO ANDRÉS ORTEGÓN MUNEVAR CÓD.: 20132098059 ÉNFASIS: INSTRUMENTO TUTOR: GERMÁN ANDRÉS HERRERA MODALIDAD DE TRABAJO DE GRADO: MONOGRAFÍA BOGOTÁ, D.C. ABRIL DE 2018 ¿Hay alguien alrededor que pueda explicarle a Dios? ¿Alguien lo suficientemente inteligente como para decirle qué hacer? ¿Cualquiera que le haya hecho un favor tan grande que Dios tiene que pedirle su consejo? Porque de Él, y por Él, y para Él, son todas las cosas. [Porque todas las cosas se originan con Él y vienen de Él; todas las cosas viven a través de Él, y todas las cosas se centran y tienden a consumarse y terminar en Él.] ¡A Él sea la gloria para siempre! Amén (que así sea). Romanos 11:34-36 Dedicado a mi Señor y Salvador, mi Buen Pastor, Jesucristo. AGRADECIMIENTOS Sé muy bien que en una página no alcanzaría a agradecer a todas las personas que han edificado mi vida musical con su amor, paciencia y talento y que aportaron a la construcción de este proyecto. Aun así, humildemente trataré de hacerlo. A Aquel que vivió, murió, resucitó y pronto volverá por mí. -
Download Internet Service Channel Lineup
INTERNET CHANNEL GUIDE DJ AND INTERRUPTION-FREE CHANNELS Exclusive to SiriusXM Music for Business Customers 02 Top 40 Hits Top 40 Hits 28 Adult Alternative Adult Alternative 66 Smooth Jazz Smooth & Contemporary Jazz 06 ’60s Pop Hits ’60s Pop Hits 30 Eclectic Rock Eclectic Rock 67 Classic Jazz Classic Jazz 07 ’70s Pop Hits Classic ’70s Hits/Oldies 32 Mellow Rock Mellow Rock 68 New Age New Age 08 ’80s Pop Hits Pop Hits of the ’80s 34 ’90s Alternative Grunge and ’90s Alternative Rock 70 Love Songs Favorite Adult Love Songs 09 ’90s Pop Hits ’90s Pop Hits 36 Alt Rock Alt Rock 703 Oldies Party Party Songs from the ’50s & ’60s 10 Pop 2000 Hits Pop 2000 Hits 48 R&B Hits R&B Hits from the ’80s, ’90s & Today 704 ’70s/’80s Pop ’70s & ’80s Super Party Hits 14 Acoustic Rock Acoustic Rock 49 Classic Soul & Motown Classic Soul & Motown 705 ’80s/’90s Pop ’80s & ’90s Party Hits 15 Pop Mix Modern Pop Mix Modern 51 Modern Dance Hits Current Dance Seasonal/Holiday 16 Pop Mix Bright Pop Mix Bright 53 Smooth Electronic Smooth Electronic 709 Seasonal/Holiday Music Channel 25 Rock Hits ’70s & ’80s ’70s & ’80s Classic Rock 56 New Country Today’s New Country 763 Latin Pop Hits Contemporary Latin Pop and Ballads 26 Classic Rock Hits ’60s & ’70s Classic Rock 58 Country Hits ’80s & ’90s ’80s & ’90s Country Hits 789 A Taste of Italy Italian Blend POP HIP-HOP 750 Cinemagic Movie Soundtracks & More 751 Krishna Das Yoga Radio Chant/Sacred/Spiritual Music 03 Venus Pop Music You Can Move to 43 Backspin Classic Hip-Hop XL 782 Holiday Traditions Traditional Holiday Music -
La Gran Encuesta De La Televisión En Colombia
Bogotá D.C., Marzo de 2008 What do we see? Preparado para: La GranEncuesta delaTelevisiónenColombia Nobody’s Unpredictable Nobody’s Est. Nº 8718 Tabla de contenido Fic ha Técn ica Hábitos de consumo de televisión Consumo de TV entre semana (De lunes a Viernes) Consumo de TV en fines de semana (Sábados y Domingos) Características de los Televisores en el Hogar Nuevo Estándar de Televisión Nuevos Canales Privados de Televisión Conclusiones CNTV- 2 Ficha Técnica Ficha Técnica Con el fin de obtener datos necesarios para la ejecución de las políticas del servicio, su regulación, formulación de planes y programas y el diseño de una estrategia pedagógica para la formación de televidentes críticos: Objetivo 9 Conocer de qué manera el público accede al servicio de televisión, y algunos de sus hábitos a la hora de ver televisión 9 Determinar el número y características generales de los televisores en el hogar 9 Explorar por los contenidos que los televidentes ven y los que quieren ver Gru po Objeti vo HbHombresymujeres mayores de 12 años deedddad,niliveles socioeconóiómicos alto (tt(estratos 6 y 5), medio (estrato 4 y 3) y bajo (estrato 2 y 1), residentes en 7 regiones del país. Entrevista personal con aplicación de un cuestionario estructurado en hogares. Muestra Técnica probabilística (en la mayoría de sus etapas), de conglomerados desiguales; estratificada, de marco de áreas y multietápica. Cubrimiento 75 municipios a nivel nacional, dividiendo el país geográficamente en 7 regiones (de TV). Muestra 3.755 entrevistas reales; 3.758 entrevistas ponderadas 2.4% para fenómenos presentes en la población en una proporción mínima del 35%, al 95% de Margen de error confiabilidad (para el total de la muestra) Trabajo de campo 2 al 21 de febrero de 2008 Realizado por: Ipsos – Napoleón Franco Encargado y Comisión Nacional de Televisión financiado por: CNTV- 4 Ficha Técnica CARIBE 20% Tamaño de municipio Género ANTIOQUIA Más de 550 mil 47% 14% En tre 200 m il y 550 m il 18% NOR- Entre 50 mil y 199.999 14% ORIENTE Menos de 50 mil 22% CAFÉ 53% 47% 6% 8% PACÍFICA N.S.E. -
MAPPING DIGITAL MEDIA: COLOMBIA Mapping Digital Media: Colombia
COUNTRY REPORT MAPPING DIGITAL MEDIA: COLOMBIA Mapping Digital Media: Colombia A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Jimena Zuluaga and María Paula Martínez (lead reporters) EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) Fernando Bermejo (regional editor) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Michael Starks, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Morris Lipson, senior legal advisor; and Gordana Jankovic, director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 14 August 2012 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 8 Social Indicators ................................................................................................................................ 10 Economic Indicators ........................................................................................................................ -
“Standardization of Cultural Products in Latin Pop-Music”
“STANDARDIZATION OF CULTURAL PRODUCTS IN LATIN POP-MUSIC” RESEARCH PAPER PREPARED FOR THE 28TH ANNUAL ILASSA CONFERENCE ON LATIN AMERICA TO BE HELD AT THE UNIVERSITY OF TEXAS AT AUSTIN FROM FEBRUARY 7TH THROUGH FEBRUARY 9TH ISRAEL ALONSO CHAVEZ LATIN AMERICAN AND CARIBBEAN CENTER FLORIDA INTERNATIONAL UNIVERSITY MIAMI, FLORIDA [email protected] 2008 Introduction 2 This work represents the initial stage of a project whose seed germinated thanks in part to what seems to be an ongoing debate between two different approaches to music in the sociological field. The first approach puts much of its emphasis on the functional dimension of music. That is, on the social functions it performs, enables and enhances; but also on its economic functionality. The subservience of music to economic ends does not imply a loss in terms of creativity for the representatives of this perspective. The second perspective does not deny that music fulfills certain economic and social functions. Yet, unlike the former, the latter warns against the atrophy of creativity that can be brought about by the models implented by “the culture industries”, to use Theodor W. Adorno’s concept. My concern here lies with the question of whether the claims made by this important member of the Frankfurt school about the products of “the culture industries” can be substantiated with empirical evidence. I want to investigate whether popular music (Latin pop music in this case) is indeed, as Adorno says, just another standardized product fashioned after the formulas of “the culture industries”. This work, however, forms part of a broader preoccupation with the issue of musical style, what causes it and what makes it change. -
Pst12 Galvez.Pdf
José Gálvez, Machtverhältnisse, Genderasymmetrien und Körperkonfigurationen in Reggaeton Schriftenreihe herausgegeben vom Forschungszentrum Populäre Musik der Humboldt-Universität zu Berlin Machtverhältnisse, Genderasymmetrien und Körperkonfigurationen in Reggaeton José Gálvez „Mulier, id est, caro“[1] -Martin Luther Zur Aktualität des Reggaeton Kaum ein anderes Phänomen hat sich einer so immensen Beliebtheit erfreut und zugleich eine so erbitterte Diskussion in Lateinamerika ausgelöst wie Reggaeton. Seit mehr als zehn Jahren ist Reggaeton ein nicht nur im spanischsprachigen Raum sehr verbreitetes und erfolgreiches Musikgenre, dessen Wurzeln im Reggae, Dancehall und Hip-Hop liegen.[2] Im Vergleich zu anderen lateinamerikanischen Genres populärer Musik weist Reggaeton oft explizite sexuelle Inhalte im Songtext auf, in denen, die Frau zum Begehrensobjekt oder zur unterwürfigen (Sex-)Dienerin degradiert wird. Insbesondere in den letzten Jahren wurde Reggaeton vorgeworfen, zur Reproduktion von patriarchalischen Ideologien in einer Region beizutragen, in der Gewalt gegen Frauen nach wie vor ein gravierendes Gesellschaftsproblem ist. So hat Reggaeton für kulturpolitische Diskussionen, pädagogische Überforderung und religiöse Empörung in etlichen lateinamerikanischen Ländern gesorgt.[3] Die Online-Kampagne Usa la razón, que la música no degrade tu condición (Sei vernünftig – lasse dich nicht durch Musik erniedrigen) plädiert beispielsweise für das Verbot von sexistischen Reggaeton-Songs und versucht Menschen für explizit sexistische, erniedrigende