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www.knowitalljoe.com & Shelley Duvall Star In Musical "" Opening ...... At ...... Theatre The legendary and beloved anvil­ an internationally-known cartoon armed sailor of the seven seas, strip from who has delighted audiences world­ (written and drawn since 1958 by wide for over 51 years, magically ) into a living and comes to life in the new movie breathing screen musical comedy. musical "Popeye," a Robert Evans Producer Robert Evans and di­ Production and a rector Robert Altman hand-picked Film starring Robin Williams as a multi-talented cast, headed by Popeye and Shelley Duvall as Olive Williams and Duvall, which in­ Oyl. Opening on ..... at the ..... cludes , , Theatre, the big-screen enchant­ Paul L. Smith, Richard Libertini, ment is a presentation from Para­ Donald Moffat, Macintyre Dixon, mount Pictures Corporation and Roberta Maxwell, Donovan Scott, Walt Disney Productions. Allan Nicholls . .. and baby-faced Harry Nilsson, one of the most Wesley Ivan Hurt as Swee'pea, highly-regarded songwriters and vo­ winning the role when he was just calists in contemporary music, com­ 10 months old. posed the music and lyrics for the The performers' roster also in­ soundtrack of the motion picture, cludes some 50 unique entertain­ C. 0. Erickson was executive pro­ ers from the worlds of circus, Still ~ P-550 Scene 2A ducer and the photography is by mime, physical comedy, athletics Robin Williams as Popeye, the squinty-eyed sailor man, arrives in the town of Giuseppe Rotunno, A.S.C. and street theatre performance to Sweethaven in ' "Popeye," the movie based on the world­ Screenplay writer Jules Feiffer create a cartoon come to screen life. famous characters created by E. C. Segar. called " the most talented For nearly three years, producer social commentator . . . in our Evans had beeh trying to get that I yam!" is what he is and he's nroud of generation." With the movie "Pop­ "Popeye" before the cameras. The " Popeye's philosophy is truer to­ what he is. If people can 'walk out eye," he has entered the world of story of "Popeye," he explains, is day than when it was written," of the theatre believing Popeye's one of the past generation's great very much rooted in the one-eyed states Evans. "Popeye is a little philosophy and feeling a bit better cartoonists, the famed sailor's orig­ sailor's basic but wise credo of guy. He ain't handsome. He ain't about themselves, we've accom­ inator, E. C. Segar, and transformed " and that's all bright. He's not articulate. But, he plished what we set out to do."

THE STORY (Not for Publication)

At sunrise, following a thunderous storm, a lone sailor (ROBIN WILLIAMS) in a small row· What I Yam," is determined to stop the "exploitakashin of an infink." Popeye seizes Swee'pea, boat docks at the harbor town of Sweethaven. He is immediately confronted by a man dressed in hurls the ill·gotten profits in the air, and leaves. From his office over the casino, has been black (DONALD MOFFAT) who taxes him heavily for such things as " leaving-your·]unk·around­ watching all this, especially the baby's unusual powers. Bluto decides to have a talk with Wimpy. the-wharf tax." Met by the Taxman who charges Popeye an " unlicensed-baby-tax," Popeye takes a stand As the sailor sea·legs his way down the main street in search of lodging, doors slam as he and a punch that sends the Taxman sliding down the lumber chute to the sea. Confetti fills the passes and the inhabitants recoil as if he carried the plague, but he is undaunted as he greets sky and the townspeople pour into the street to celebrate their liberation and their liberator, even this paranoid population with a sailor's song, " Blow Me Down." Popeye. In the celebrating, Swee'pea ends up in the arms of Wimpy who rushes the baby to Out of a hOuse with a ROOMS FOR RENT sign rushes a jolly and muddled woman (ROBER· Bluto. For a sack of 30 hamburgers, Wimpy sells the baby to the brute. TA MAXWELL), obviously the matriarch of the household, who greets the sailor and invites him Worried about Swee'pea and touched by the lonely sailor, Olive sings "He Needs Me." A inside. There he officially learns this is Nana Oyl, and meets her husband Cole (MaciNTYRE DIX· saddened Popeye writes a note to Swee'pea telling him he'll find him wherever he is ON), their son Castor (DONOVAN SCOTT), and daughter Olive (SHELLEY DUVALL), who almost ("Swee'pea's Lullaby"), and puts it into a bottle headed for the open seas. destroys the spare room for rent that she shows to the sailor. Within his dingy domicile, the Commodore (RAY WALSTON) is lambasting Bluto for bringing At dinner, Popeye meets two other boarders, Mr. Wimpy (PAUL DOOLEY) and Mr. Geezil him the baby. It's the last straw in a long line of insults and indignities Bluto has suffered in the (RICHARD LIBERTINI), and hears about Olive's fiance, Captain Bluto (PAULL. SMITH), who runs Commodore's employ. As the Commodore rues the day he ever came to rule ("It's Not Easy the town for someone called the Commodore. As the large and loud Bluto cries "Lights Out!," Being Me"), Bluto asserts "It's Not Easy Being Mean," during which he ties up the old man and Sweethaven darkens. tells him he will use Swee'pea himself to find the Commodore's much-talked-about treasure on Chanting " Food Food Food," the citizens of Sweethaven the next morning proceed to the Scab Island. Rough House, the social center of the town, owned by cigarchomping Mr. Rough House (ALLAN Olive and Wimpy have been eavesdropping In horror, Wimpy having confessed to Olive and NICHOLLS). Wimpy offers a sympathetic ear to Popeye in exchange for a hamburger, so the proceeded with her to the beached schooner where the Commodore has resided in anonymity sailor spins the yarn about his search for the father who deserted him at the age of two. Crani ng for years. They have seen that the Commodore Is a grizzled old sailor growling from one side of to listen are the six Toughs (, CARLOS BROWN, NED DOWD, HOVEY BURGESS, his mouth, a pipe in the other, with huge forearms and one furious blue eye. They rush back to ROBERTO MESSINA, PIETRO TORRI SI), who roar at the "Momma's Boy's" story and begi n to tell Popeye that they have found Swee'pea and his father, the Commodore, who is "a rat, a crook taunt him. Popeye's patience runs out. With lightning speed and punch, he single-handedly turns and a kidnapper." the Toughs into weaks. Popeye hurries down to the waterfront and discovers that the cranky old man cursing and At sunset, Olive is busy getting ready for the engagement party to Bluto ("He's Large") with fussing to free himself from his bindings Is his father, though the Commodore refuses to have the help of the four Walfleur Sisters (THE STEINETTES: JULIE JANNEY, PATTY KATZ, DIANE anything to do with kids. Overcome, Popeye tries to prove, "becuz of da resemblinks," that they SHAFFER, NATHALIE BLOSSOM). Olive secretly packs her belongings and sneaks out her are father and son. To prove this, the Commodore tries to make Popeye eat a can of spinach. bedroom balcony. When Popeye refuses, the man goes into a tirade, revealing that Popeye didn't like spinach at the Downstairs, Nana Oyl bustles around. Bluto enters with the door in one hand and a bouquet age of two, and he still doesn't like the food that has kept the family strong for centuries. This in the other, unaware that Olive has backed out of her house and party. Olive is In quite a con­ was reason enough to leave his son some 30 years ago. fused state when she runs into Popeye. Bored by his tales, she decides, after all, to go to her own Bluto, hiding behind the door, uses the teary-two-eyed reunion to escape, taking Swee'pea engagement party, but notices that her basket has been switched. Inside, they find an infant and a screaming Olive with him as he heads toward the treasure. They are pursued by the Com­ (WESLEY IVAN HURT) with a rattle and a note that asks Popeye to care for the baby "like a mud­ modore's paddlewheeler where the crochety Pappy blames all the ruckus on "Kids." The old der" since the child's own mother was burdened with financial obligations. The baby instantly man speeds ahead and cuts the Vile Body in two as well as sinking the paddlewheeler. Bluto es­ wins Popeye's heart ... and Olive's. They proceed back to the Oyl house. capes in his dinghy with Swee'pea and Olive Inside the tugboat funnel. He heads into the recess­ The wait for Olive has turned Bluto into the worst kind of bull in a china shop ("I'm Mean"), es of Pirate's Cove, the site of Pappy's treasure, where Swee'pea points out the treasure chest. and when Olive returns with Popeye at her side and a baby in her arms, he launches Popeye on a Bluto dives down and re-emerges with his quest, the treasure. flight that lands him in the sea. The next morning, the Taxman visits th;, demolished Oyl house The tide washes Popeye and the others into the cove where they discover Bluto stealing the and, following Bluto's orders, strips the family of all that is left and imposes heavy taxes. treasure. Popeye and Bluto fight, on water, in water, underwater. After a long battle, Popeye ap­ There is new life in the family, however, with Swee'pea, the name Popeye has bestowed on pears to have lost until Poopdeck Pappy throws a can of spinach in the water near his son. his Sweethaven-found "orphink." Flanking the cradle in his makeshift nursery, Olive offers the Popeye still vehemently refuses to eat the foul-tasting vegetable. As Bluto hears his protests, he baby a vine-covered cottage and an idyllic landlubber's existence ("Stay With Me"), as Popeye of­ decides on one more mean deed, to force the spinach down Popeye's throat, then throws the an­ fers the open sea and a cradle in the crow's nest ("Sail With Me"). chor onto which the sailor is chained towards the bottom of the sea. A posted announcement that Oxblood Oxheart (PETER BRAY), the dirtiest fighter alive, will Olive in the tugboat funnel and Swee'pea in the dinghy have encountered the tentacled take on any contender for $15 in cash and ten golden days of tax exemption brings the townspeo­ reaches of Sl imy Sam, the giant octopus who presides under Pirate's Cove. As the tentacles sur­ ple to Max and Sons Square Garden, the only floating arena in the world. Castor Oyl takes Ox­ round the dinghy, Swee'pea is hoisted to safety. But Olive does not fare as well, as the tentacles heart's challenge to save his family from ru in, but is drop-kicked out of the ring soon after the turn, slithering up the tugboat funnel and down with a screami ng Olive in tow. fight begins after the crowd sings the "Sweethaven National Anthem." Popeye, incensed by the In this hurly-burly affair, the victorious Bluto is wading back to his treasure. Suddenly, the display of foul fighting, bounds into the ring to take his chances with Oxblood and decks him water erupts around him and as he looks down Into the sea, a gigantic fist meets his jaw and with a powerful punch. The ring fills with cheering Sweethavenites. sends him flying. Popeye has found new spinach strength and dives down to pry Olive away from The prize money doesn't amount to much after taxes. While feeding Swee'pea, Olive admits the octopus' stranglehold and squares away with the squid. One punch blows the octopus out of that she knew the outcome of the fight beforehand because Swee'pea told her. When Wimpy the water. hears that the baby might possibly possess clairvoyant powers, he asks if he may carry the baby Depositing Ol ive safely on a rock, Popeye faces a dazed Bluto who has splashed back on the for a walk. Wimpy takes Swee'pea to the floating Sweethaven Faerie Casino, for It Is Derby Day. scene. One look at Popeye and Bluto turns yellow, swimming for the high seas. Betting on Swee'pea's choices, Wimpy wins and wins again. Popeye, Olive, Pappy, Swee'pea, Wimpy, Geezll, Castor, Cole and Nana Oyl all rejoice, and A worried Popeye storms into the casino to find Wimpy and Swee'pea at the betting window. jubilantly fill Pirate's Cove with the strai ns of " I'm Popeye the Sailor Man." He is outraged and shocked by the environment and, cutting through the crowd declaring " I Yam RUNNING TIME: 114 MINUTES Well, Blow Me Down! Robin Williams Shelley Duvall Becomes First lady Of Brings Complete Creativity To "Popeye" Cartoons In New "Popeye" Musical The seemingly infinite talents of In the new musical motion pic­ Robin Williams take another magi­ ture "Popeye," Shelley tackles the cal twist and turn ever-forward as most exciting role yet in her career, he brings to screen life the most bringing to life the First Lady of famous swab that ever sailed the Cartoons, Miss herself. seven seas in the title role of the It's full circle time because as a big new musical "Popeye." girl, kids called her Olive Oyl. In From the be~ i nning, the creative past reviews of her films. she has team- headed by producer Robert been described as an Olive Oyl Evans, director Robert Altman, look-alike. screenplay writer Jules Feiffer, It seemed quite appropriate that composer Harry Nilsson and exe­ in January, 1979, director Robert cutive producer C. 0. Erickson­ Altman called her in where were in complete agreement that she was starring with Jack Nichol­ the spirit of the film, indeed the son in "The Shining" to tell her he entire character of Popeye and his had a role she was born to play: relations ·with others in the movie, Olive Oyl opposite Robin Williams' would come from the sailor's wise Popeye in the film to be produced credo: "I yam what I yam and by Robert Evans with a screenplay that's all that I yam." And, extend­ by Jules Feiffer and music and ing that further, I like what I yam lyrics by Harry Nilsson, C. 0. -oops- what I am. Erickson serving as executive Williams began his preparation producer. for the role nine months before Still # PR-4929 Scene 1A The role of the tall, skinny, pony­ filming began on locations in Mal­ Rob:n Williams is Popeye, the squinty­ tailed femme fatale of Popeye in ta. He began s tudy in ~ the original eyed, gravel-voiced sailor man who's the presentation from Paramount Still # P-MW-2814 Scene 18 King Features Svndicate cartoon searching for his long-lost "Poppa" Pictures Corporation and Walt Dis­ Shelley Duvall stars as Olive Oyl, the strips by E. C. Segar. For ideas in Paramount Pictures' "Popeye," the ney Productions brings to screen tall, skinny, pony-tailed femme fatale movie based on the world-famous of the anvil-armed sailor of the seven about the voice and movement, he comic strip characters created by life one of the best-known and best­ seas in the motion picture musical watched about 50 hours worth of E. C. Segar. loved cartoon characters of our "Popeye." animated cartoons produced by the time. Fleischer Studio in the 30's and 40's. ters surrounding him. You'd notice The ever-daffy Miss Olive can, stronger woman's role than that of Williams compared his work on every boat in the harbor was sunk. therefore, claim the title First Lady Miss Olive Oyl. 101 % woman? the Popeve voice to gargling with It's like Popeye got shipwrecked of Cartoons. She is older than Olive has got willpower and she's pebbles. He concentrated on push­ and will never get out of Sweet­ , Minnie Mouse, and Win­ fickle at the same time. Olive Oyl ing his voice down to two low haven. We had the idea that every­ nie Winkle. She has appeared in is the original liberated woman. levels, one for Popeye's re~ular one who came in there was enter­ close to 22,000 comic strips and She never knew she wasn't.'' voice and the second for mumb l in~ , ing a limbo, and when you get more than 500 animated cartoons, T he real test of her ability, Shel­ wh ich Williams felt Pooeve would there, :vou enter this cartoon world. and now comes to real life in the ley knew, would come in how she utilize as a way of "philoskophi­ And Popeye, when he enters, big-screen enchantment of could not only bring to life a "2-D" sin' " to himself. becomes more and more like !hem, "Popeye." line-drawing woman, but to enliven The voice quality came a great and you know he will never get Olive and Popeye first met on Olive and to flesh her out, without deal from the wav Popeye moved out." January 24, 1929. Miss Oyl's first disappointing a worldwide audience his mouth, and Williams rehearsed "There were some things I words to him were, "Aw, shut up, of Popeve and Olive Oyl fans. talking out of the left side of his couldn't do. To make Popeve as you bilge rat." Isn't it romantic? Each principal actor allowed the mouth with a pipe sticking out of nitty-gritty as could be. vou'd have Popeye and Olive first kissed on creation and growth to come alive the right. He also discovered that a lot of parents (complaining), but August 27, 1929, when she mistook differently, dependin~ on varying talking out of this side of his Popeve is Jil(e a down-home, total him for her then-current amour, deRrees of consultation and inspi­ mouth heloed shut his rieht eye Christian sailor who still has a nice Julius J. Herringbone. Shortly there­ ration from director Altman. They .. . also a characteristic of Pope:ve. nasty edee in him. 1 mean. just after Miss Oyl abandoned her long­ invented the inner thouehts of the Aside from the vocal and facial from being around the world, he time fella, the dreary dull Ham characters, they evolved family his­ characteristics, Williams began in­ would have seen enough things to Gravy, to begin a long whirlwind tories for them. they analyzed their tensive training in tap dance, acro­ give him a crusty sid~. courtship with Popeye lasting to habits so that the characters would batics and basic gymnastics in order "He functions on different levels. the present day. take human shape without destroy­ to achieve the "thin, wiry, little He has that mumbling. The whole To bring a one-dimensional car­ ing their cartoon personalities. cat" weight of Pooeve. and also to mumbling thing came out of the toon lady to three-dimensional "Once I 20t into the costume and attain a level of limbreness and fact that just, for me, it was a screen life was as challenging an the wiR.'' Shelley explains, "I was looseness. release just to kind of talk about assignment as any actress has ever Olive. The shoes dictated the way "Before he even ate the spinach." things you'd rather avoid talking had, but Shelley's natural efferves­ I walked. They were a size 14, and says Williams, who has thoroughly about. Above that you have the ence and multi talents were the I wear a size seven. They made me researched his character, "Popeye basic cartoon voice. It would be important ingredients. In casting take a longer stride and walk flat­ could move real fast. To be Popeye like in the actual cartoon, there principal roles for "Popeye," the footed and it was perfect. Olive I had to dance, fight and fly." are two bubbles going on at all creative team used Feiffer's script has her own kind of grace. It was when fiiJ1ling actually times. and cartoon pictures of the tradi­ "Olive's voice is very musical. commenced that Williams found "I read about people who have tional Segar characters as a guide­ She exaggerates on certain notes, the key to his Popeye character been on long ocean voyap:es, peo­ line. Their faith in the transforma­ no matter what she says. No mat­ that he would utilize for his film ple who have been alone for long tion of hair, make-up and costume ter what the words are, she still performance. WritPr Feiffer had periods of time. One man in par­ for physical identification put the emphasizes the basic note. 'WHAT! already told him, "The thing about ticular had verv long, intimate emphasis on acting talent and Hmmm-mmmm . . . PHOOEY!' Se~ar's cartoon world is that out­ conversations with himself. with comic timing. They believed that Musically, it's the same basic pat­ side of Popeye, everyone is weak, another side of himself. People like if the actor was good enough, the tern over and over again. devious, tricky, essentially corrupt that, alone for a lone time, either character could come alive. "Olive speaks very quickly, and and essentially likeable. Somehow, ~o mad or develop this incredible That was to be the magic, and she's always verv determined and Popeye is so ri ~hteous, he avoids fortitude. Shelley was ready. 101 % woman. You have to listen becoming a 'goody-two-shoes.' He "For Popeve, loneliness is the "In my first interpretation of to her musically because she em­ becomes the other side of every­ base. And in this Sweethaven how I was going to play the role, phasizes certain syllablps and words. one's corruption. His 'moraliky' is town, with all these people, there's all I had for Olive were my vague 'Hmmm-mmmm. Ye-ES.' She also so above-board and overstated, he the pain of a man tryinll to main­ memories of watching her on tele­ has a very strong and long neck becomes very lovable." t1!in. He has this incredible. 'I'm vision," Shelley recalls. I was called that she uses when she speaks. "Robin and I talked about the rip:hteous! I vam what I yam.'" Olive Ovl as a child, and I remem­ "Unlike manv other people, Olive opening scene," director Robert What Robin Williams yam-par­ ber I didn't like it much, but now is unique. I think of her as a com­ Altman recalls, "when Popeye fi rst don us: is- brings a magical and as an actress I think it's a bination of Stan Laurel and Mae comes into town, that he would be world-loved character to glorious compliment. West. I just sort of developed her. much more real than the charac- life in "Popeye." "Who could ask for a better or I don't know how ... it's magic." PERSONALITY

Macintyre Dixon Paul Dooley Wesley Ivan Hurt Richard Llbertlnl Roberta Maxwell

MaciNTYRE DIXON portrays Cole A professional actor since 1952, "Popeye," in which he makes his name "Stewed Prunes." The comic Oyl, the frazzled head of the Oyl Dooley has diversified both his per­ motion picture debut under the di­ duo toured through the '60s, ap­ household, in "Popeye." His other forming and writing skills to in­ rection of his grandfather, Robert pearing in clubs in Chicago, Los recent film work includes the mo­ clude stage, television, radio and Altman. Angeles, San Francisco and New tion pictures " Health" and "Reds." film. Starting out as a comic cow­ Just 10 months old when filming York. The two revived their Among his other film credits are boy on a New York-based children's began in January, 1980, Wesley "Stewed Prunes" act in New York " Starting Over," " Loving," TV show, he has performed in Ivan had spent one third of his life in 1974 and again in "Alice's Restaurant," "Fire Sale" summer stock, off-Broadway (Kurt on location in Malta during the in 1977. and "Thank God It's Friday." Weill's "Threepenny Opera") and six-month shooting schedule. He was cQ-> Born in Everett, Massachusetts, Broadway ("The Odd Couple"),.as the most pampered of actors, being Dixon attended Emerson College in well as in two Feiffer plays, the the only one to have his own Nana Oyl, who is the warm­ Boston where he studied drama. aforementioned "Hold Me," and dressing room and dresser. hearted, scatter-brained matriarch After a tour of duty with the U.S. "The White House Murder Case." By the time shooting was com­ of theOyl family and their boarders, Army, he worked backstage at New A charter member of the New pleted, he had acquired eight is played by ROBERTA MAXWELL. York City's Circle-in-the-Square York branch of Second City, he teeth and was learning to walk. With the exception of her work in Theatre. He later became an un­ performed with Alan Arkin, Bar­ Wesley's biggest complaint as he two recent films, the Robert Ail­ derstudy and got his big chance bara Harris and Joan Rivers. grew seemed to be over the sewn­ man-produced "Rich Kids" and "The Changeling" with George C. when he replaced the leading man Having made guest appearances up fan-tail of his ni~htgown cos­ at a Saturday matinee in Brendan on several TV dramas, he has also tume that permitted him to crawl Scott, Ms. Maxwell's acting has Behan's "Quare Fellow." written for that medium, includ­ but not walk. He was also learning primarily centered around the the­ Joining the cast of "Popeye" ing being a head writer for Public to talk, his vocabulary including atre, with a rich and varied career produced a number of reunions for Television's educational series "The Maltese words picked up from his in Canada, Great Britain and the Dixon as he had worked in Second Electric Company." He created the babysitters. United States. City with both Paul Dooley (Wim­ young people's soap opera "Love She began her acting life in her py) and Richard Libertini (Geezil), of Chair," inventing such charac­ native Canada, playing a myriad of with whom he had formed an im­ ters as J. Arthur Crank, Fargo leading roles with the Shakespeare RICHARD LIBERTINJ portrays Festival in Stratford, . provisational comedy act called North and Decoder, among others. the fastidious food-monger of Sweet­ "Stewed Prunes" that toured the Over the years, Paul has written Her initial Broadway appearance haven, Geezil. was in "The Prime of Miss Jean country in the early 1960's. and performed in thousands of ra­ Previous to " Popeye," he ap­ Macintyre's Broadway credits in­ dio and television commercials. He Brodie" with Zoe Caldwell. She peared in the films "The In-Laws," subsequently appeared in the clude " Twigs " " Over Here " "The operates his own agency, All Over "," "Fire Sale," Unknown so'ldier and His' Wife" Creation, in New York. He also Joseph Papp production of "Slag," "The Night They Raided Mins­ for which she won the Drama Desk and "Eh?," in which he replaced co-scripted Altman's "Health." ky's," "Lovers and Other Stran­ Hoffman when the actor Born in Parkersburg, West Vir­ Award. She is also a two-time gers" "Don't Drink the Water " Obie Award winner, honored for was signed for the film "The ginia, Dooley received a Bachelor's Out-of-Towners," "Catch-2Z" Graduate." Degree in speech from the Univer­ "Th~ her performances in the off-Broad­ and "Lady Liberty." way productions of "Ashes" and Dixon lives in sity of West Virginia. He came to Previous to and in between films, with his wife, actress Saundra New York in a '48 Dodge with $50 "Whistle in the Dark." Richard's acting work includes On Broadway, Roberta origi­ MacDonald Dixon, and his son, in his pocket and has resided in stage and television, as well as live Pip, both of whom play residents ever since. As a boy, nated the role of Jill in "Equus" improvisational comedy. On Broad­ and the role of Portia in Arnold of Sweethaven in the motion pic­ Paul's first ambition was to be a way, he has appeared in "Story ture of "Popeye." cartoonist, his second to be an actor. Wesker's "The Merchant." Also Theatre," "Don't Drink the Water" on Broadway, she was in the re­ The role of Wimpy provides him a and "Bad Habits." Off-Broadway, cQ-> unique fulfillment of both goals. vival of "Hay Fever" with Shirley he has performed Jules Feiffer's Booth and starred in David Mer­ PAUL DOOLEY first came to the cQ-> "White House Murder Case," rick's presentation of the Stratford attention of director Robert Alt­ "Plays for Bleeker Street," " Pri­ (Ontario) Festival production of man while he was performing in With the curve of his bald-faced mary English Class" and "The Mad "There's One in Every Marriage." the off-Broadway production of smile, the twinkle of his bright Show." He was most recently on Ms. Maxwell is a prominent Jules Feiffer's "Hold Me." Three and the grace of his stage in a revival of "Story The­ member of the years and several film perform­ inimitable crawl, I 0 - month -old atre" at the Kennedy Center in Theatre in Minneapolis, often per­ ances later, Paul was cast as Wim­ WESLEY IVAN HURT was born to Washington, D.C. forms at the American Shakesoeare py, the world's most famous con­ the role of Swee'pea, the little guy On television he has appeared Festival in Connecticut, and has sumer of hamburgers in the Alt­ who wins the hearts of Popeye, in "The Mary Tyler Moore Show," appeared in several of America's man-directed and Feiffer-scripted Olive Oyl and even the villainous "The Bob Newhart Show," Baret­ regional theatres, including the motion picture, "Popeye." Bluto. ta," "," "Mary Hartman, Long Wharf in New Haven, the Within the past year, Dooley Born in Salinas, Kansas, on March Mary Hartman," and has also per­ Charles Street Playhouse in Boston gained critical and audience recog­ 5, 1979, Wesley weighed six pounds, formed in sketches on the variety and for the Philadelphia Drama nition for his role as the grumpy 12 ounces at birth, smiled by the programs, "The Ed Sullivan Show," Guild. head of the household in Peter time he was one month old, and "The Today Show," "The Johnny She recently starred in the revival Yates' "Breaking Away." The New was crawling around at six months. Carson Show" and "The Dick of two George Bernard Shaw plays, York stage actor's credits also in­ He is the son of Christine and Cavett Show." " Pygmalion" at the Ahmanson clude three previous Altman films: John Hurt and now resides in Fre­ In "Popeye," Libertini joins two Theatre in Los Angeles and "St. "A Wedding," "A Perfect Couple" mont, Nebraska, with his parents fellow Second City graduates, Paul Joan" for the Seattle Repertory and "Health," and also had roles and older brother. Though he hates Dooley (Wimpv) and Macintyre Theatre. in the motion pictures "Rich Kids," spinach, he does like custard and Dixon (Cole Oyl), with whom he On television, she has been seen "Slapshot," "Death Wish" and developed a fond affection for Mal­ performed under the title "Libertini as Barbara Weaver in the daytime "The Out-of-Towners." tese bread during the filming of and Dixon" and later under the drama, "Another World," and has PROFILES

Donald Moffat Allan Nicholls Donovan Scott Paul L. Smith RayWaistqn

appeared in two NET productions, Moving to Los Angeles, he was Born in Chico, , the Smith was born in Boston to a "A Touch of the Poet" and introduced to Altman by actor 32-year-old actor now makes his family of Russian extraction that "Mourning Becomes Electra." Keith Carradine. He was signed home in . included a seven-foot grandfather .q, by the director to make his motion .q, who weighed 450 pounds. Seven­ picture debut in "Nashville," and He's 320 pounds, and six-foot teen pounds at birth, he was six British-born actor DONALD also wrote songs for the film. feet tall by the time he was 12 MOFFAT's role as the troublesome four inches tall from the top of his Subsequent film roles followed 25-inch-around head (resting on a years old. Taxman of Sweethaven was pre­ in "Buffalo Bill and the Indians," .q, ceded by another film for Robert 22-and-a-half inch neck) to the bot­ "Welcome to L.A.," "A Wedding," tom of his size 12, 5E width shoes. No stranger to the American Altman, "Health," and such movies "A Perfect Couple" and "Health," as "Rachel, Rachel," "The Great It is with this stature, plus a roster musical, RAY WALSTON's role as all of which Altman either pro­ of European and American film the cranky and mysterious Com­ Minnesota Raid," "Terminal Man" duced or directed. Nicholls was and "On the Nickel." credits, that PAUL L. SMITH modore in "Popeye" follows a associate producer on Altman's assumes the role of the bearded long line of famous character roles He holds the distinction of being "Quintet." the only actor to have received bully, Bluto, in the film "Popeye." he has created. Most notable was Nicholls received a Writer's Guild Best known for his role as the his famous tattooed-belly-dancing Tony Award nominations for two nomination for the screenplay of separate roles in the same year for sadistic Turkish jailer in the 1978 Luther Billis in "" "A Wedding," to which he was a "Midnight Express," Paul has spent starring Rossano Brazzi and Mitzi the Broadway plays "Right You contributor. He co-wrote the orig­ Are . . . If You Think You Are" 15 of the past 20 years in Europe, Gaynor and his Tony-winning per­ inal screenplay of "A Perfect acting in films in Israel, Spain, formance as the irascible devil in and " Duck." Couple," as well as writing most Born in Devonport, England, Germany, Italy and France. His "." In both cases, of its music score. For "Health," first film experience came with he appeared in the stage and screen Moffat made his professional act­ he co-wrote the song score with ing debut with the Old Vic at the Otto Preminger's "Exodus." After versions. The Steinettes (four women who the filming in Israel was completed, With an acting career that spans Edinburgh Festival, appearing in appear in "Popeye" as the Wal­ "Macbeth." Paul spent the next' few years over 40 years, Walston has ap­ fleur Sisters) and also co-wrote working in European films. peared in every medium of the Since arriving in the United the music for the Altman-produced States in 1956, he has acted in, as When he returned to the U.S., entertainment business. His films "Rich Kids." he began working on the New include the aforementioned "South well as directed, on and off-Broad­ Now living in California, Nich­ way plays and at numerous region­ York stage and spent a brief time Pacific" and "Damn Yankees," olls' other film credits include "Slap in Hollywood doing TV assign­ plus "Say One For Me," "Portrait al theatres. Moffat has appeared Shot" and "Jennifer on My Mind." in many plays at the Mark Taper ments. In 1967, at the outbreak of in Black," "Tall Story," "Kiss Me, He has also guest-starred on the the Israeli-Arab six-day war, he re­ Stupid,' "Convicts 4," "Caprice," Forum in LosAngeles,among them "Lou Grant" CBS-TV series. "The Trial of the Catonsville turned to Israel, and volunteered "Paint Your Wagon," "Silver Nine," "Terra Nova" and "Forget­ .q, to be a driver of an Israeli supply Streak," and two Academy Award­ Me-Not Lane," for which he re­ truck. winning Best Pictures of the Year, ceived a nomination from the L.A. DONOVAN SCOTT is cast in Afterwards, Paul acquired dual "" and "The Drama Critics Circle. "Popeye" as the simpering sibling Israeli-American citizenship mak­ ." A founding member of the Los of the Oyl family, Castor Oyl. ing his home in Tel Aviv for 12 On Broadway in 1948, while ap­ Angeles Actors' Theatre, Moffat The young, multi-talented actor years, where he appeared in 40 pearing as the traveling salesman has performed there in "The appeared last year in Steven Spiel­ Israeli productions, including in Tennessee Williams' "Summer Kitchen" and "Waiting for Godot," berg's "1941" and will be seen with "Moses" with Burt Lancaster. He and Smoke," he won the Clarence the latter earning him another Lily Tomlin in the soon-to-be­ also directed three films. The multi­ Derwent A ward as Best Supporting nomination from the L.A. Drama released "Incredible Shrinking lingual actor travelled to other for­ Actor and was voted the most Critics Circle. Woman." eign film sites, as well as appearing promising young actor in the Vari­ Moffat now makes his home in His background training as an in the German-made "21 Hours in ety Drama Circle Poll. Los Angeles. actor includes two years at San Munich" with William Holden, His extensive Broadway career .q, Francisco's American Conservato­ "The Return of the " in includes a five-play, 20-year asso­ ry Theatre and two years of mime China and a series of five Italian ciation with director ALLAN NICHOLLS joined the studies. He also directed a comme­ action comedies especially written which includes his memorable role cast of "Popeye" in the role of dia dell'arte troupe which toured the for him in which he played a gentle in "Damn Yankees," as well as Rough House, the no-nonsense, East Coast. His skills at mime, as giant hero, a character that became 's "Me cigar-chomping proprietor of the well as juggling, acrobatics and­ immensely popular with European and Juliet." Other Broadway cred­ Rough House Cafe. The film ex­ his specialty-falls, are thoroughly audiences. its have included "The Rat Race," tends the collaboration between utilized in his role as the pudgy, Paul returned to the United States "The. House of Flowers," "G.I. Robert Altman and the multi-tal­ buffoonish brother of Olive Oyl. in 1977, making his home in Cali­ ," "The Alchemist," " Rich­ ented actor, who has either acted Scott's stage credits include per­ fornia with Eve Knoller, an actress ard II" and "." in, co-written, scored or been asso­ formances in "Zen Boogie" in Los who plays a resident of Sweethaven Walston was in the Chicago and ciate producer for seven of the Angeles, "Hamlet" and "Taming in the film. London comoanies of "South Pacif­ director's films. of the Shrew" at the Old Globe in He was recently seen in "The In­ ic," as weli as touring in such A native of , Nicholls San Diego, plus "Alice in Wonder­ Laws" opposite Peter Falk and productions as "Canterbury Tales," was the lead singer with rock land" and "The Wizard of Oz" at Alan Arkin, as well as the TV "The Odd Couple," "Oliver!" and groups before coming to New York the Marin Shakesoeare Festival. movie-of-the-week "Disaster on the "The Rivals." City in 1969 to play the lead in He has completed two pilots for Coastliner" with In 1963, Ray starred with Bill "Hair" on Broadway. He followed NBC-TV and has guest-starred on and Raymond Burr. He appeared in Bixby on the TV series "My Favor­ this with roles in "Jesus Christ Su­ a number of series on television, the " Masada" television· mini-series ite Martian," which ran for three perstar " "Dude " "Innner City" including "Laverne and Shirley," where he played the role of a Jew­ years. He has also done guest parts and "S'gt. Peppe~'s Lonely Hearts "The Susan Anton Show" and ish warrior opposite Peter Strauss, on numerous television programs, Club Band." "Grandpa Goes to Washington." Peter O 'Toole and Anthony Quayle. in comic and dramatic roles. CAST OF CHARACTERS

Popeye ...... •• ...... ROBIN WILLIAMS THE ROUGH HOUSE GANG Gozo...... • ...... ROBERTO MESSINA Olive Oyl ...... ••...... SHELLEY DUVALL Chico, The Dishwasher ...... LARRY PISONI Bolo ...... •...... PIETRO TORRISI Poopdeck Pappy ..... •...... RAY WALSTON Swifty, The Cook ...... CARLO PELLEGRINI Wimpy ...... ••...... PAUL DOOLEY La Verne, The Waitress ...... SUSAN KINGSLEY THE HOUSEWIVES Bluto...... •...... PAULL. SMITH Splatz, The Janitor ...... MICHAEL CHRISTEN EN Daisy ...... • ...... MARGERY BOND Geezil ...... • ...... • ...... RICHARD LIBEATINI Petunia ...... JUDY BURGESS The Tax man ...... ••...... •• ...... DONALD MOFFAT The Preacher ...... • ...... RAY COOPER Violet ...... •...... SAUNDRA MacDONALD Cole Oyl...... •...... •...... MaciNTYRE DIXON Slick, The Milkman ...... •• ...... NOEL PARENTI Min ...... ••.•...... EVE KNOLLER Nana Oyl ...... •...... ROBERTA MAXWELL Rosie, The Milkmaid ...... KAREN McCORMICK Pickellna ...... PEGGY PISONI CastorOyl...... •...... DONOVAN SCOTT Bear, The Hermit ...... JOHN BRISTOL Daphne ...... BARBARA ZEGLER Rough House ...... ALLAN NICHOLLS Mayor Stonefeller, The Official...... PAUL ZEGLER Swee'pea ...... WESLEY IVAN HURT THE WALFLEUR SISTERS THE STEINETTES: Mena...... JULIE JANNEY Mrs. Stonefeller...... PAMELA BURRELL THE PEOPLE OF SWEETHAVEN Mina ...... PATTY KATZ The Mailman/Po liceman ...... DAVID ARKIN Ham Gravy, The Old Boyfriend ...... BILL IRWIN Mona ...... •...... DIANE SHAFFER THE MUSICIANS Bill Barnacle, The Town Drunk ...... ROBERT FORTIER Blossom ...... NATHALIE BLOSSOM Von Schnitzel, The Conductor ...... KLAUS VOO RM ANN Harry Hotcash, The Gambler ...... DAVID McCHAREN THE TOUGHS Clem, The Banjo Player ...... DOUG DILLARD Cherry, His Moll ...... SHARON KINNEY Hoagy, The Piano Player ...... VAN DYKE PARKS Oxblood Oxheart, The Fighter...... •.. PETER BRAY Spike ...... ••...... DENNIS FRANZ Mrs. Oxheart, His Mom ...... LIN DA HUNT Slug ...... , ...... •• , . .... CARLOS BROWN Oscar, The Barber ...... STAN WILSON Scoop, The Reporter ...... GEOFF HOYLE Butch ...... NED DOWD The Chimneysweep ...... ROBERTO DELL'AQUA Chi~lfl i nt, The Pawnbroker ...... WAYNE ROBSON Mort ...... HOVEY BURGESS Cindy, The Drudge ...... VALERIE VELARDI TECHNICAL CREDITS

Directed by ...... ROBERT ALTMAN Sound Effects Consultant ...... RODNEY HOLLAND Scri pt Supervisor ...... LUCA KOUIMELIS Produced by ...... •...... ROBERT EVANS Sound Editors ...... SAM SHAW, JOHN LARSON Talent Coordinator ...... RICK SPARKS Screenplay by ...... JULES FEIFFER BILL PHILLIPS, MICHAEL FORD, HAL SANDERS Publicist...... BRIDGET TERRY Executive Producer ...... •...... C.O. ERICKSON Loop Editor ...... LARRY SINGER, M.P.S.E. Publicity Assistants ...... RITA GALEA, CATHY KELLER Music & Lyrics by ...... HARRY NILSSON Sound Effects Editors ...... TERESA ECKTON Unit Photographer ...... PAUL RONALD Photography by ...... GIUSEPPE ROTUNNO, A.S.C. ANDY PATTERSON Unit Manager ...... PAOLO LUCIDI Production Designer ...... WOLF KROEGER Supervising Music Editor...... TED WHITFIELD Unit Coordinators ...... DAVID LEVY, PETER BRAY Supervising Editor...... TONY LOMBARDO Music Editor ...... RICHARD WHITFIELD Title Design ...... PATTY RYAN Costume Designer ...... SCOTT BUSHNELL Assistant Music Editor ...... LESLIE A. WHITFIELD Opticals by ...... CINEMA RESEARCH Additional Score by ...... TOM PIERSON Post Production Coordinator ...... SUZANNE HINES Executive Assistant to Mr. Evans ...... BARBARA KALISH Post Production Sound and Editorial Facilities Assistants to Mr. Evans ...... CATHY CHAZAN by Lion's Gate Sound STEPHANIE A RAN AS Based on the "POPEYE" characters created by E.C. Segar for King Features Syndicate. "Popeye" is a Trademark of Camera Operators ...... GIOVANNI FIORE Mr. Williams Dance Style Created by ...... LOU WILLS Th e Hearst Corporation, King Features Syndicate Division. GIANFRANCO TRANSUNTO Assistant to Mr. Williams ...... MARK RUTENBERG Assistant Operators ...... LUIGI BERNARDINI Location Auditors ...... RICHARD DUBUQUE MAURO MERCHETTI TIM ENGEL The music and lyric to "I'M POPEYE THE SAILOR MAN" GIAN MARIA MAJORANA Assistant Accountant...... LUCIANO TARTAGLIA are by Sammy Lerner Underwater Camera Operator ...... LORENZO BATTAGLIA Master Carpenters...... •...... GAETANO MIRANTI Camera Assistants ...... ROBERT REED ALTMAN BERT BOWERS is the voice of Popeye in the animated pro­ MAURIZIO ZAMPAGIN Master Painter ...... GUGLIEMO MODESTINI logue. Sculptors ...... ANGELO MARTA Gaffer ...... RUDOLFO BRAMUCCI ANGELO ZACCARIA, MICHAEL STROUD Key Grips .... . VLADIMIRO SALVATORE, ALBERTO EMIDI by Hanna-Barbera Productions, Inc. Draftsmen ...... LESTER SMITH, STEPHEN BREAM Boom Man ...... DON MERRITT Animated Artifacts Created by ...... COSMEKINETICS Recorder ...... DOUG SHULMAN ELLIS BURMAN, BOB WILLIAMS Assistant Art Directors ...... REG BREAM Location Engineer ...... RANDY HONAKER Physical Therapist ...... JAMES A. RUMSEY, R.P.T. STEPHANE REICHEL Special Effects Coordinator ...... ALLEN HALL Caterer ...... MICKEY CHONOS Choreography Dance ...... SHARON KINNEY Assistant ...... ROBERT WILLARD Production Manager-Europe ...... FREDERICK MULLER Circus ...... HOVEY BURGESS Technical Advisors ...... R.J. HOHMAN Transportation Captain ...... BILL TURNER STEVE FOSTER Robin Williams' Dance Numbers Staged by ... . LOU WILLS Our gratitude to an international crew whose artistry Associate Producer ...... SCOTT BUSHNELL Stunt Coordinator ...... ROBERTO MESSINA helped to bring Sweethaven and the world of Popeye to life. First Assistant Directors ...... BOB DAHLIN Wardrobe Supervisor ...... JOHN HAY VICTOR TOUAJANSKY Wardrobe Construction ...... KATE McDERMOTT Filmed on location in Malta in collaboration with Malta film Sound by ...... ROBERT GRAVENOR Wardrobe Mistress ...... YVONNE ZARB COUSIN facilities. Songs Arranged and Conducted by . . .. VAN DYKE PARKS Property Master ...... STEPHEN ALTMAN Special ai r t ransportation by Alitalia Airlines. Location Manager ...... ROBERT EGGENWEILER Property Men ...... JOHN BUCKLIN, TONY MACCARIO TECHNOVISION"' Color and Prints by METROCOLOR'" Film Editors ...... JOHN W. HOLMES, A.C.E. Set Decorator ...... JACK STEPHENS DAVID ALAN SIMMONS Construction Coordinator ...... STEPHANE REICHEL Original Soundtrack Album from The Boardwalk Entertain­ Additional Editing ...... RAJA A. GOSNELL Construction Manager ...... ALVARO BELSOLE ment Company Assistant Editors ...... PAUL AU BELL Makeup Supervisor...... GIANCARLO DEL BROCCO The persons and events in this film are fictitious. Any simi­ STEPHEN TUCKER, ERIC WHITFIELD Makeup Artist ...... ALFREDO TIBERI larity to actual persons or events is unintentional. . BOB LEDERMAN, JACQUES TOBEREN Assistants ...... GILBERTO PROVENGHI This motion picture is protected under the laws of the Unit­ Supervising Re-Recording Mixer..... MICHAEL MINKLER, ALVARO ROSSI ed States and o ther countries. Unauthorized duplication, C.A.S. Chief Hairdresser ...... MARIA TERESA CORAl DON I distribution or exhibition may result in civil liability and Scoring and Music Re-Recording Mixer . .... DAN WALLIN Hairdressers ...... • ...... ALDO SIGNORETTI criminal prosecution. Re-Recording Engineer ...... STEVE BRIMMER GABRIELLA BORZELLI Supervising Sound Editor ...... SAM GEMETTE Assistant ...... RITA INNOCENZI Credits as of 11-24·80

SOUNDTRACK ALBUM BOOK PROMOTIONS The Boardwalk Entertainment Com­ pany has released the original motion Following are three beautiful and exciting POPEYE books which picture soundtrack album of POPEYE will be available for local promotions. These are important mer­ which is being distributed by CBS chandising tools and should be utilized to the fullest extent: Records. All of the songs included in the album were composed by POPEYE: THE MOVIE NOVEL, edited and adapted by Richard J. Harry Nilsson with the exception of Anobile based on the screenplay. This oversized trade paperback, the all-time classic "I'm Popeye The featuring 800 full-color frames from the fi lm, is by Avon Books. Sailor Man" written by Sammy Lerner. In addition, the composition " I Yam THE POPEYE STORY by Bridget Terry, which tells "how it all What I Yam" sung by Robin Williams happened, the people, the places, the events" with more than 200 has been released by Boardwalk as photographs from the film, published by Dell Books. a single with " He Needs Me" sung by Shelley Duvall on the flip side. POPEYE: A PHOTO STORY, a 64-page hard cover book of text and 80 full-color stills from the film, published by Random House. Please contact your local CBS Records representative to arrange record store and radio promotions, as this album promises to be an important merchandising tool. LICENSED MERCHANDISE SOUVENIR PROGRAM Over 1,000 POPEYE cartoon items manufactured by approximately 200 licensees will be available ranging from bubble gum to 14k A beautiful 9 x 12 full-color 20-page souvenir program, featuring gold jewelry. Included in this group are some 25 different movie­ stills from the film, bios and special drawings from the original related items such as !-shirts, posters, board games, etc. For cartoon is available from George Fenmore Associates, 254 W. 54th information on ordering, contact-Ms. Ita Golzman, King Features Street, New York, N.Y. 10019, (21 2) 977-4140. Syndicate, 235 E. 45th Street, New York, N.Y. 10017, (212) 682-5600. WAVES A WAPPY WOLIDAY WIT ME AN. OLIVE!

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UAVES A UAPPY UOLIDAY WIT ME AN. OLIVE I

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