DOCSLIB.ORG

XVIII:9) Robert Altman, the LONG GOODBYE, 1973 112 Minutes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
XVIII:9) Robert Altman, the LONG GOODBYE, 1973 112 Minutes March 17, 2009 (XVIII:9) Robert Altman, THE LONG GOODBYE, 1973 112 minutes Directed by Robert Altman Screenplay by Leigh Brackett Based on the novel by Raymond Chandler Produced by Jerry Bick Original Music by John Williams Cinematography by Vilmos Zsigmond Film Editing by Lou Lombardo Film dedicated to Dan Blocker Elliott Gould..Philip Marlowe Nina Van Pallandt..Eileen Wade Sterling Hayden..Roger Wade Mark Rydell..Marty Augustine Henry Gibson..Dr. Verringer David Arkin..Harry Jim Bouton..Terry Lennox Warren Berlinger..Morgan Jo Ann Brody..Jo Ann Eggenweiler Stephen Coit..Det. Farmer Jack Knight..Mabel Vincent & Theo (1990), "Tanner '88" (1988), The Caine Mutiny Pepe Callahan..Pepe Court-Martial (1988), Aria (1987), Fool for Love (1985), Secret Vincent Palmieri..Vince Honor (1984), Streamers (1983), Come Back to the Five and Pancho Córdova..Doctor Dime, Jimmy Dean, Jimmy Dean (1982), Popeye (1980), HealtH Enrique Lucero..Jefe (1980), A Perfect Couple (1979), Quintet (1979), A Wedding Jack Riley..Lenny - Piano Player (1978), 3 Women (1977), Buffalo Bill and the Indians, or Sitting Ken Sansom..Colony guard Bull's History Lesson (1976), Nashville (1975), California Split Jerry Jones..Det. Green (1974), Thieves Like Us (1974), The Long Goodbye (1973), David Carradine..Dave Marlowe's Cellmate Images (1972), McCabe & Mrs. Miller (1971), Brewster McCloud Arnold Schwarzenegger..Hood in Augustine's office (1970), That Cold Day in the Park (1969), Countdown (1968), Pot au feu (1965), "Combat!" (1962-1963), "Bus Stop" (1961-1962), ROBERT ALTMAN (February 20, 1925, Kansas City, Missouri— "Bonanza" (1960-1961), "The Roaring 20's" (1960-1961), "U.S. November 20, 2006, Los Angeles, complications from leukemia) Marshal" (1959-1960), "Westinghouse Desilu Playhouse" (1960), has 89 directing and 40 writing credits. He was American Film "The Millionaire" (1958-1959), "M Squad" (1958), The James Instituted Director of the Year for Gosford Park (2001). He Dean Story (1957), The Delinquents (1957), The Magic Bond received an Honorary Oscar in 2002 and best director nominations (1956), The Perfect Crime (1955), The Builders (1954), The Last for Gosford Park (2001, also nominated for Best Picture), Short Mile (1953), How to Run a Filling Station (1953), King Basketball Cuts (1993), The Player (1992), Nashville (1975, also Best (1952), The Sound of Bells (1952), and Modern Football (1951). Picture) and MASH (1970). Some of his other films and tv projects were A Prairie Home Companion (2006), "Tanner on LEIGH BRACKETT (December 7, 1915, Los Angeles—March 18, Tanner" (2004), The Company (2003), Dr. T and the Women 1978, cancer) has 17 writing credits,among them Star Wars: (2000), Cookie's Fortune (1999), The Gingerbread Man (1998), Episode V - The Empire Strikes Back (1980), "The Rockford Kansas City (1996), Jazz '34 (1996), Prêt-à-Porter (1994), The Files" (1975), "Archer" (1975), The Long Goodbye (1973), Rio Real McTeague (1993), Black and Blue (1993), McTeague (1992), Lobo (1970), El Dorado (1966), Hatari! (1962), Rio Bravo Altman—THE LONG GOODBYE—2 (1959), Crime Doctor's Man Hunt (1946), The Big Sleep (1946), Sheriff (1957), The Killing (1956), The Last Command (1955), and The Vampire's Ghost (1945). Suddenly (1954), Johnny Guitar (1954), Prince Valiant (1954), So Big (1953), Kansas Pacific (1953), Flat Top (1952), The Golden ELLIOTT GOULD (August 29, 1938, Brooklyn, New York) has Hawk (1952), The Asphalt Jungle (1950), El Paso (1949), and 144 acting credits. He received an Oscar nomination for Best Virginia (1941). John Huston wrote this of Hayden: “To this day Actor in a Supporting Role for Bob & Carol & Ted & Alice you sense shame in those people who knuckled under to the (1969). Some of his other appearances were in Little Hercules in witch-hunters. Sterling Hayden was one of the few among them 3-D (2008), The Caller (2008), The Deal (2008), Ocean's Thirteen who didn’t try to excuse himself, or to justify his actions. At one (2007), Open Window (2006), Ocean's Twelve (2004), "K Street" time he had been an actual card-carrying Communist but, under (2003), "Friends" (1994-2003), Ocean's Eleven (2001), The Big the pressure of the Red Scare he changed his mind and decided Hit (1998), Inside Out (1997), "L.A. Law" (1993), Bugsy (1991, that Communism was a danger to this country. He proceeded to The Telephone (1988), Conspiracy: The Trial of the Chicago 8 name names—including that of his best friend. As a result, this (1987), "E/R" (1984-1985), Over the Brooklyn Bridge (1984), The man went to prison and later died. Knowing Sterling, I’m sure he Devil and Max Devlin (1981), The Muppet Movie (1979), The believed he was doing the right thing at the time. But when the Lady Vanishes (1979), Capricorn One (1978), A Bridge Too Far full significance of his act was brought home to him, he was (1977), Harry and Walter Go to New York (1976), I Will, I Will... stricken with remorse. He openly declared that he was ashamed of for Now (1976), California Split (1974), S*P*Y*S (1974), The himself for what he had done, wrote a book which told about the Long Goodbye (1973), Little Murders (1971), I Love My Wife episode, and dedicated it to his friend. Sterling is one of the few (1970), Move (1970), Getting Straight (1970), Airport (1970), actors I know who continued to grow over the years. I always felt M*A*S*H (1970), The Night They Raided Minsky's (1968), and great sympathy with him for this failure to live up to his own idea The Confession (1964). of himself. But even from this experience he learned and grew. There is a kingliness about Sterling now.”(An Open Book, 1980, NINA VAN PALLANDT (July 15, 1932, Copenhagen, Denmark) has p. 137) 25 acting credits. According to Wikipedia, she “married Frederik, Baron van Pallandt in 1960. They formed a singing duo, Nina & MARK RYDELL (March 23, 1934, New York City) has more Frederik, and achieved worldwide popularity with their calypso- directing (25) than acting credits (18). He was nominated for a style songs….They parted in 1969, and divorced in 1975. Frederik Best Director Oscar for On Golden Pond (1981). Some of his van Pallandt settled in the Philippines in the 1990s. He joined a other directing credits are Even Money (2006), Intersection major Australian crime syndicate, for which he provided (1994), The River (1984), The Rose (1979), Harry and Walter Go transportation for drug trafficking, and to New York (1976), Cinderella Liberty (1973), was shot dead with his second wife in The Cowboys (1972), The Reivers (1969), The 1994. In the early 1970s, Nina van Fox (1967), "Gunsmoke" (1964-1966), "The Pallandt was romantically linked to Fugitive" (1966), "The Wild Wild West" (1966), fellow Ibiza resident Clifford Irving. In "I Spy" (1965), and "Ben Casey" (1963-1964). the 2007 film, The Hoax, about Irving's As an actor he appeared in Even Money (2006), fake autobiography of Howard Hughes, Hollywood Ending (2002), Havana (1990), The Nina van Pallandt is portrayed by Julie Long Goodbye (1973), "As the World Turns" Delpy. The film starred Richard Gere, (1956), "The Edge of Night" (1956), and Crime who appeared with the real van Pallandt in the Streets (1956). in one of his earliest films, American Gigolo. She appeared in two other HENRY GIBSON (September 21, 1935, Altman films, Quintet (1970) and A Germantown, Pennsylvania) has 134 acting Wedding (1978). Some of her other films credits, including "Boston Legal" (2004-2008), were Time Out (1988), O.C. and Stiggs Big Stan (2007), "King of the Hill" (2005-2007), (1985), Cutter's Way (1981), American Wedding Crashers (2005), The Commission Gigolo (1980), Assault on Agathon (2003), Magnolia (1999), Stranger in the (1975), The Long Goodbye (1973), Kingdom (1998), Asylum (1997), Mother Night Mandolinen und Mondschein (1959), (1996), Escape to Witch Mountain (1995), Kærlighedens melodi (1959), Verdens "Tales from the Crypt" (1992), "Murder, She rigeste pige (1958), and Nina & Frederik Wrote" (1988-1992), Brenda Starr (1989), Night Western (1958). Visitor (1989), The Incredible Shrinking Woman (1981), HealtH (1980), The Blues Brothers STERLING HAYDEN (March 26, 1916, (1980), "The Dukes of Hazzard" (1980), Upper Montclair, New Jersey—May 23, "Wonder Woman" (1975-1978), The Last 1986, Sausalito, California, prostate Remake of Beau Geste (1977), The Long cancer) has 72 acting credits, including Goodbye (1973), Charlotte's Web (1973), Evil "The Blue and the Gray" (1982), Venom (1981), Gas (1981), Nine Roy Slade (1972), "Rowan & Martin's Laugh-In" (1968-1971), to Five (1980), The Outsider (1980), Winter Kills (1979), King of Kiss Me, Stupid (1964), "The Beverly Hillbillies" (1964), and The the Gypsies (1978), Novecento/1900 (1976), The Long Goodbye Nutty Professor (1963). (1973), The Godfather (1972), Loving (1970), Hard Contract (1969), Dr. Strangelove or: How I Learned to Stop Worrying and DAVID CARRADINE (December 8, 1936, Hollywood) has 216, Love the Bomb (1964), Gun Battle at Monterey (1957), The Iron including Night of the Templar (2009, in post-production), The Altman—THE LONG GOODBYE—3 Rain Chronicles (2009, in post-production), My Suicide (2008, in King Shot (2009, in production), Three Stories About Joan (2009) post-production), Autumn (2009) (completed), Money to Burn (filming), Cassandra's Dream (2007), Melinda and Melinda (2008), (completed), Kandisha (2008) (completed), Detention (2004), Jersey Girl (2004), The Body (2001), The Argument (2008) (completed), Road of No Return (2009), Kung Fu Killer (1999), Assassins (1995), The Crossing Guard (1995), Maverick (2008), Richard III (2008), How to Rob a Bank (2007), Epic (1994), Intersection (1994), Sliver (1993), Stalin (1992), The Movie (2007), Final Move (2006), The Last Sect (2006), Brothers Bonfire of the Vanities (1990), The Two Jakes (1990), Fat Man in Arms (2005), Last Goodbye (2004), Kill Bill: Vol.
Load more

Recommended publications
  • The Long Goodbye I 1973 Directed by Robert Altman
    TCM BREAKFAST CLUB SCREENING The Long Goodbye I 1973 Directed by Robert Altman With characteristic fearlessness, director Robert Altman dared to offend the purists with his 1970s interpretation of the Raymond Chandler classic The Long Goodbye (1973). It turned out to be a triumph for both him and its star, Elliott Gould. TCM writer David Humphrey assesses the film and describes it as a fine tribute to Altman, who died on November 20 at the age of 81. Raymond Chandler devotees were perhaps entitled to feel screen, and plainly gave priority to injecting comedy into the nervous at the news that Elliot Gould had been cast as Philip persona of Chandler’s sardonic, hardbitten private detective. For Marlowe in the 1973 movie The Long Goodbye. Bogart may have Brackett it was a return to familiar territory, as he had co-written been dead for 16 years, but many believed – and still do – that the script for Chandler‘s The Big Sleep (1946) with Bogie as his Marlowe was the definitive one. Anyone else taking the role Marlowe, 27 years earlier. The tale is satisfyingly labyrinthine in of the LA gumshoe would be like Rumpole without Leo McKern, the Chandler tradition: chain-smoking private eye Marlowe they reasoned, or Flash Gordon without Buster Crabbe. They had drives a friend from Los Angeles South to the Tijuana border and not banked on two crucial components: Robert Altman being in on returning finds his apartment swarming with LAPD’s finest, the director’s chair, and Gould on the top of his not who duly announce that he’s under arrest for abetting the inconsiderable form.
    [Show full text]
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • The First Amendment, the Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P
    Working Paper Series Villanova University Charles Widger School of Law Year 2004 The First Amendment, The Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P. Magarian Villanova University School of Law, [email protected] This paper is posted at Villanova University Charles Widger School of Law Digital Repository. http://digitalcommons.law.villanova.edu/wps/art6 THE FIRST AMENDMENT, THE PUBLIC -PRIVA TE DISTINCTION, AND NONGOVERNMENTAL SUPPRESSION OF WARTIME POLITICAL DEBATE 1 BY GREGORY P. MAGARIAN DRAFT 5-12-04 TABLE OF CONTENTS INTRODUCTION ......................................................................................... 1 I. CONFRONTING NONGOVERNMENTAL CENSORSHIP OF POLITICAL DEBATE IN WARTIME .................. 5 A. The Value and Vulnerability of Wartime Political Debate ........................................................................... 5 1. The Historical Vulnerability of Wartime Political Debate to Nongovernmental Suppression ....................................................................... 5 2. The Public Rights Theory of Expressive Freedom and the Necessity of Robust Political Debate for Democratic Self -Government........................ 11 B. Nongovernmental Censorship of Political Speech During the “War on Terrorism” ............................................... 18 1. Misinformation and Suppression of Information by News Media ............................................ 19 2. Exclusions of Political Speakers from Privately Owned Public Spaces.
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • THE NEW HAMPSHIRE Friday, April 25,1969 Durham, N.H
    THE NEW HAMPSHIRE Friday, April 25,1969 Durham, N.H. Will strike today SPU tax statement read in House by Pat Broderick and George Owen The Student Political Union submitted Strike convocations a 500 word statement to the House of Representatives in Concord yesterday at 9 a.m. and 1 p.m. afternoon calling for “ tax justice.” How­ by Nancie Stone ever, the House voted 182-142 not to print Convocations will take place at 9 a.m. the statement in the House journal. and 1 p.m. in front of Thompson Hall The statement was read by House mi­ today, as the main events of a “ strike” nority leader Robert Raiche of Man­ planned by the Student Political Union. chester. Earlier in the day, thirty The “ strike” will protest recent UNH UNH students rallied at the State House budget cuts by Governor Walter Peterson in protest of the state tax structure. and the House Appropriations Com­ “ The purpose of this rally is not mittee. to ask for additional funds for UNH,” Events are expected to include the the statement read. “ The purpose of distribution of literature on the state this rally is to demand a new tax budget and tax issue and also dialogue structure. on methods of dealing with the current “ The only way to rectify this situa­ University budget crisis. tion is to pass a graduated income tax,” Striking students are expected to re­ continued the paper. “ Last year there quest permission to speak in their were 24 families that grossed over classes about the budget and tax situa­ a million dollars in income and paid tions.
    [Show full text]
  • Dick Schultz Casuady Sat Down at a Table Although Recent Clamor for Schultz's the Board Will (Orm a Committee to Make Yesterday
    Schultz resigns. for 'good of program' By GREG LUND marking the most losses (16) ever by an in Control of Athletics to begin the task of Schultz's assistants, Dicll Kuchen and basketball coach in 1962 and associate the university. Asst. Sports Editor Iowa team. screening candidates as soon as possible. Joe Roberts, were not in Iowa City head baseball coach in 1970. Schultz was He also cited some "big wins" that stuck Dick Schultz casuaDy sat down at a table Although recent clamor for Schultz's The board will (orm a committee to make yesterday. Both were recruiting acting head baseball coach from 1963 to in his mind full of microphones and tape recorders in dismissal has been raised, the Iowa coach recommendations to the entire body . prospective athletes. 1965 before being JlImed head coach In "ne tl'72 lame with Kentucky down the Letterman's Lounge in the Field House said the pressure had no impact on his Schultz, 44 , said he had been pondering Schultz also aMounced he would have t966. His basebaU record stands at 126-108- there wa.a big one a. we lAve them their Thursday and announced he had just decision. his future for three or four weeks but had signed three or four players to Big Ten 3. biggHt los. ever al bome," be said. signed a new I(}.year contract at $50,000 not inlended to disclose any deci ion until letters or intent on March 1 but , because or Dlek ••cceeded Ralph Miller II bead "BHUag South Carotiaa when Uley were "There was no prH ure put on me by ' his indecision on the future , declined to do per year.
    [Show full text]
  • Tv Land Adds More Stars to Its Stunning Talent Roster As Two New Pilots Finalize Casting
    TV LAND ADDS MORE STARS TO ITS STUNNING TALENT ROSTER AS TWO NEW PILOTS FINALIZE CASTING Elliott Gould And Missi Pyle Join Ben Falcone, Jay Mohr, Josh Cooke, Ellen Woglom, Geoff Pierson And Kelen Coleman In Multi- And Single-Camera Pilots For The Network August 23, 2012 – Los Angeles, CA – Elliott Gould (“Friends”) and Missi Pyle (“The Artist”) have joined previously reported stars Ben Falcone, Jay Mohr, Josh Cooke, Ellen Woglom, Geoff Pierson and Kelen Coleman in TV Land’s two new pilots, it was announced today by Keith Cox, Executive Vice President, Development and Original Programming for TV Land. Falcone (“Bridesmaids”) will play the lead in “I’m Not Dead Yet” (working title) as Sandy Lazarus, a driving instructor who, after learning he has a potentially fatal heart condition, decides to start speaking his mind and grab life by the horns. This personality change is greeted by shock and skepticism from his wife (Pyle), father (Gould) and children. “I’m Not Dead Yet” will shoot in September. TV Land’s second pilot, “Brothers-in-Law” (working title), will star Mohr (“Last Comic Standing”), Cooke (“Better With You”), Woglom (“Outlaw”) Pierson (“24”) and Coleman (“The Newsroom”). The pilot focuses on the family dynamic between Neil (Cooke) and his wife Cheska (Coleman) as they adjust to Van (Mohr), the eccentric fiancé of Cheska’s twin sister Maddie (Woglom). Pierson stars as Tom, the family patriarch, whose instant bond with Van makes Neil jealous and annoyed. On top of that, the sisters constantly encourage Neil and Van to form a friendship, even though the men have absolutely nothing in common.
    [Show full text]
  • Cine Y Enseñanza En Ciencias De La Salud. El Caso De La Polio. Desde La Anatomía a La Microbiología
    FACULTAD DE MEDICINA Departamento de Anatomía e Histología humana Cine y enseñanza en ciencias de la salud. El caso de la polio. Desde la Anatomía a la Microbiología Trabajo presentado por D. Enrique García Merino para optar al grado de Doctor por la Universidad de Salamanca Dirigida por: D. Francisco Collía y Dña. María José Fresnadillo Campus .Mi§uel de Unamuno» Avda. Campo Charro, s/n. Teléfono 34 23 294547 Fax 34 23 294687 UNIVERSIDAD DE SALAMANCA 37007. -SALAMANCA (España) Departamento de Anatomia e Histologia Humanas D. FRANcrsco DE pAULA cor-lía rrnruÁruoEz, pRoFESoR TrruLAR DEL DEpARTAMENTo DE aruarovríe E HrsroLocía uuvrRruas y oñn vranía.rosÉ rRrsmADrLLo rvrRRrírurz pRoFESoRA coNTRATADA DocroR DE MrcRoBror-ocín DEL DEpARTAMENTo MEDtctNA pREVENTtvA sALUD púgltcR y MrcRoBror-ocía vrÉorcR DE LA FAcULTAD DE MEDtctNA DE LA UN IVERSIDAD DE SALAMANCA CERTIFICAN: Que D. ENRIQUE CRnCÍa MERINO ha realizado, bajo nuestra dirección, el trabajo titulado ,,CINE Y ¡rrISrÑAruZR EN CIENCIAS DE LA SALUD. EL CASoDE LA PoLIo. DESDE m RruRrovIía a LA MICROBIOI-OCíA" en los Departamentos Anatomía e Histología humanas y Medicina Preventiva Salud Pública y Microbiología Médica de la Universidad de Salamanca y que reúne, a nuestro juicio, meritos suficientes para poder optar al Grado de Doctor por la Universidad de Salamanca. Y para que conste, firmamos el presente certificado, en Salamanca a 22 de octubre de 201,4 snadillo Martínez AGRADECIMIENTOS Este trabajo no habría sido posible sin la colaboración de muchas personas que me han brindado su ayuda, sus conocimientos y su apoyo, por eso quiero agradecerles a todos ellos cuanto han hecho por mí, para que pudiera llegar a buen fin este trabajo de la mejor forma posible.
    [Show full text]
  • 159 Minutes Directed & Produced by Robert Altman Written by Joan
    APRIL 17, 2007 (XIV:13) (1975) 159 minutes Directed & produced by Robert Altman Written by Joan Tewkesbury Original music by Arlene Barnett, Jonnie Barnett, Karen Black, Ronee Blakley, Gary Busey, Keith Carradine, Juan Grizzle, Allan F.Nicholls, Dave Peel, Joe Raposo Cinematography by Paul Lohmann Film Editiors Dennis M. Hill and Sidney Levin Sound recorded by Chris McLaughlin Sound editor William A. Sawyer Original lyrics Robert Altman, Henry Gibson, Ben Raleigh, Richard Reicheg, Lily Tomlin Political campaign designer....Thomas HalPhillips David Arkin...Norman Barbara Baxley...Lady Pearl Ned Beatty...Delbert Reese Karen Black...Connie White Ronee Blakley...Barbara Jean Timothy Brown ...Tommy Brown Patti Bryant...Smokey Mountain Laurel Keith Carradine...Tom Frank Richard Baskin...Frog Geraldine Chaplin...Opal Jonnie Barnett...Himself Robert DoQui...Wade Cooley Vassar Clements...Himself Shelley Duvall...L. A. Joan Sue Barton...Herself Allen Garfield...Barnett Elliott Gould...Himself Henry Gibson...Haven Hamilton Julie Christie...Herself Scott Glenn...Private First Class Glenn Kelly Robert L. DeWeese Jr....Mr. Green Jeff Goldblum...Tricycle Man Gailard Sartain...Man at Lunch Counter Barbara Harris...Albuquerque Howard K. Smith...Himself David Hayward ...Kenny Fraiser Academy Award for Best Song: Keith Carradine, “I’m Easy” Michael Murphy...John Triplette Selected for the National Film Registry by the National Film Allan F. Nicholls...Bill Preservation Board Dave Peel...Bud Hamilton Cristina Raines...Mary ROBERT ALTMAN (20 February 1925, Kansas City, Bert Remsen...Star Missouri—20 November 2006, Los Angeles), has developed Lily Tomlin...Linnea Reese the form of interlocked narrative to a level that is frequently Gwen Welles ... Sueleen Gay copied (e.g.
    [Show full text]
  • MEMOIRS of a GEISHA John Williams, Composer Dreamworks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, Prods
    KENNETH WANNBERG MUSIC EDITOR MEMOIRS OF A GEISHA John Williams, Composer DreamWorks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, prods. Rob Marshall, dir. STAR WARS: EPISODE 3-REVENGE John Williams, Composer OF THE SITH Lucas Film Rick McCallum, prod. George Lucas, dir. THE TERMINAL John Williams, Composer DreamWorks SKG Laurie MacDonald, Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. HARRY POTTER AND THE PRISONER John Williams, Composer OF AZKABAN Warner Bros. David Heyman, prod. Alfonso Cuaron, dir. CATCH ME IF YOU CAN John Williams, Composer DreamWorks SKG Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. MINORITY REPORT John Williams, Composer 20th Century Fox Walter Parkes, Jan De Bont, Gerald Molen, Bonnie Curtis, prods. Steven Spielberg, dir. STAR WARS: EPISODE 2-ATTACK OF John Williams, Composer THE CLONES LucasFilm / JAK Productions Rick McCallum, prod. George Lucas, dir. HARRY POTTER AND THE John Williams, Composer SORCERER’S STONE Warner Bros. David Heyman, prod. Chris Columbus, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KENNETH WANNBERG MUSIC EDITOR A.I.: ARTIFICIAL INTELLIGENCE John Williams, Composer DreamWorks / Warner Bros. Kathleen Kennedy, Bonnie Curtis, Steven Spielberg, prods. Steven Spielberg, dir. THE PATRIOT John Williams, Composer Sony Pictures Dean Devlin, Mark Gordon (II), Gary Levinson, prods. Roland Emmerich, dir. ANGELA’S ASHES John Williams, Composer Paramount Pictures David Brown, Alan Parker, Scott Rudin, prods. Alan Parker, dir. STAR WARS: THE PHANTOM John Williams, Composer MENACE Lucas Film Rick McCallum, prod. George Lucas, dir. STEPMOM John Williams, Composer Sony Pictures Wendy Finerman, Mark Radcliffe, Michael Barnathan, prods. Chris Columbus, dir. SAVING PRIVATE RYAN John Williams, Composer DreamWorks SKG Steven Spielberg, Mark Gordon, Ian Bryce, Gary Levinson, prods.
    [Show full text]
  • Classic Film Series
    Pay-as-you-wish Friday Nights! CLASSIC PAID Non-Profit U.S. Postage U.S. Permit #1782 FILM SERIES White NY Plains, Fall 2017/Winter 2018 Pay-as-you-wish Friday Nights! Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable filmmakers, writers, legal scholars, and historians. Justice in Film Explore how film has tackled social strife, morality, and the perennial struggle between right and wrong—conflicts that manifest across cultures and history. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advance reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society Members receive priority. For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Dale Gregory Vice President for Public Programs | Alex Kassl Manager of Public Programs | Hannah Donoghue Assistant Manager of Public Programs | Kate Yurkovsky Public Programs Assistant Classic Film Series Film Classic 170 Central Park170 West at Richard Gilder (77th Way Street) NY 10024New York, Publication Team: Publication Don Pollard Don Pollard Don Joan MarcusJoan Tony Rinaldo Tony NEW-YORK HISTORICAL SOCIETY Lorella Zanetti Collection of the Nancy Crampton Nancy MUSEUM LIBRARY Supreme Court of the U.S. From top left: Philip C. Bobbitt, Amanda Foreman, Fredrik Logevall, Ron Simon, Dale Gregory, Sheila Griffin Annette Gordon-Reed, Michael Korda, Associate Justice, U.S. Supreme Court, Samuel Alito, Susan Lacy, Marissa Doran Marissa Justice in Film Gail Lumet Buckley, Bob Herbert, Antonio Monda, Linda Greenhouse, Robert Post, Kenji Yoshino Friday, October 27, 7 pm Goodbye, Mr.
    [Show full text]
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
    [Show full text]