Sunflower November 12, 1971
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Dick Schultz Casuady Sat Down at a Table Although Recent Clamor for Schultz's the Board Will (Orm a Committee to Make Yesterday
Schultz resigns. for 'good of program' By GREG LUND marking the most losses (16) ever by an in Control of Athletics to begin the task of Schultz's assistants, Dicll Kuchen and basketball coach in 1962 and associate the university. Asst. Sports Editor Iowa team. screening candidates as soon as possible. Joe Roberts, were not in Iowa City head baseball coach in 1970. Schultz was He also cited some "big wins" that stuck Dick Schultz casuaDy sat down at a table Although recent clamor for Schultz's The board will (orm a committee to make yesterday. Both were recruiting acting head baseball coach from 1963 to in his mind full of microphones and tape recorders in dismissal has been raised, the Iowa coach recommendations to the entire body . prospective athletes. 1965 before being JlImed head coach In "ne tl'72 lame with Kentucky down the Letterman's Lounge in the Field House said the pressure had no impact on his Schultz, 44 , said he had been pondering Schultz also aMounced he would have t966. His basebaU record stands at 126-108- there wa.a big one a. we lAve them their Thursday and announced he had just decision. his future for three or four weeks but had signed three or four players to Big Ten 3. biggHt los. ever al bome," be said. signed a new I(}.year contract at $50,000 not inlended to disclose any deci ion until letters or intent on March 1 but , because or Dlek ••cceeded Ralph Miller II bead "BHUag South Carotiaa when Uley were "There was no prH ure put on me by ' his indecision on the future , declined to do per year. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
XVIII:9) Robert Altman, the LONG GOODBYE, 1973 112 Minutes
March 17, 2009 (XVIII:9) Robert Altman, THE LONG GOODBYE, 1973 112 minutes Directed by Robert Altman Screenplay by Leigh Brackett Based on the novel by Raymond Chandler Produced by Jerry Bick Original Music by John Williams Cinematography by Vilmos Zsigmond Film Editing by Lou Lombardo Film dedicated to Dan Blocker Elliott Gould..Philip Marlowe Nina Van Pallandt..Eileen Wade Sterling Hayden..Roger Wade Mark Rydell..Marty Augustine Henry Gibson..Dr. Verringer David Arkin..Harry Jim Bouton..Terry Lennox Warren Berlinger..Morgan Jo Ann Brody..Jo Ann Eggenweiler Stephen Coit..Det. Farmer Jack Knight..Mabel Vincent & Theo (1990), "Tanner '88" (1988), The Caine Mutiny Pepe Callahan..Pepe Court-Martial (1988), Aria (1987), Fool for Love (1985), Secret Vincent Palmieri..Vince Honor (1984), Streamers (1983), Come Back to the Five and Pancho Córdova..Doctor Dime, Jimmy Dean, Jimmy Dean (1982), Popeye (1980), HealtH Enrique Lucero..Jefe (1980), A Perfect Couple (1979), Quintet (1979), A Wedding Jack Riley..Lenny - Piano Player (1978), 3 Women (1977), Buffalo Bill and the Indians, or Sitting Ken Sansom..Colony guard Bull's History Lesson (1976), Nashville (1975), California Split Jerry Jones..Det. Green (1974), Thieves Like Us (1974), The Long Goodbye (1973), David Carradine..Dave Marlowe's Cellmate Images (1972), McCabe & Mrs. Miller (1971), Brewster McCloud Arnold Schwarzenegger..Hood in Augustine's office (1970), That Cold Day in the Park (1969), Countdown (1968), Pot au feu (1965), "Combat!" (1962-1963), "Bus Stop" (1961-1962), ROBERT ALTMAN (February 20, 1925, Kansas City, Missouri— "Bonanza" (1960-1961), "The Roaring 20's" (1960-1961), "U.S. November 20, 2006, Los Angeles, complications from leukemia) Marshal" (1959-1960), "Westinghouse Desilu Playhouse" (1960), has 89 directing and 40 writing credits. -
The Daily Egyptian, February 17, 1981
Southern Illinois University Carbondale OpenSIUC February 1981 Daily Egyptian 1981 2-17-1981 The aiD ly Egyptian, February 17, 1981 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_February1981 Volume 65, Issue 99 Recommended Citation , . "The aiD ly Egyptian, February 17, 1981." (Feb 1981). This Article is brought to you for free and open access by the Daily Egyptian 1981 at OpenSIUC. It has been accepted for inclusion in February 1981 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. I) 'Daily cegyptian ... ope unaware 80uthem nlinois lIniversity uf 110mb blast Tuesday, February 17, 1981-Vol. 65. No. 99 . KARACHI, Pakistan (AP) - be Pakistanis in their 208, At A bomb went off Monday near a least o.l!e of the victims ..as VIP reviewiol stand at identified bf police as a Karachi's national stadium Pakistani Christian. minutes More Pope Jobn Paul Police said tIN! bomb .u II arrived to celebiate Mass for brought inlo the stadium 100,000 ~Je on his way to a shortly bE-fore John Paul VarsityTheater blaze peace 'l1ll18lon to the Far East. arrived, but it was not eJear The j)Jast killed !.he man who ~hether the pontiff ... the slipped tile device into the lD~victim. stadimn and seriously burt his A West El.I!'Op;!8Q ~ .... tw~ alleged accomplices, police said. woo declined to be ~ Sll:id be bad earlier seen two vi canses heavy damage John Paul, making a stoPover the men, including the ODe !n the predominantly Moslem la~y injw'ed, try to slip past By Pete Kaecb& nation on his 12-day tour ap poJ.ke guards to the restrict.ed S&aff Writer r·....... -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
Apartments Converting to Condos Fricloy
Apartments MaudiFStpr Converting To Condos Vol. XCIX, No. 104 — Manchester. Conn., Friday, February 1, 1980 • Since 1881 • 20n Single Copy • 15it Home Delivered Chamber By MARY KITZMANN State law mandates condominiums maintain separate heating elements Herald Reporter for each apartment. MANCHESTER - The Members The residents of the complex Manchester Garden Apartments greeted the conversion with mixed If have been converted into con reactions. m l dominiums. “ I have a lease that expires next See Firm Residents of the 102-unit complex year,” Jane Bagley said. “But I plan located on forest and St. James on staying the full five years. At my By MARTY KEARNS streets received word of the conver age it doesn’t pay to buy.” Mrs. sion Tuesday. The documents for Bagley is 83. Herald Reporler conversion were filed in the town MANCHESTER - The Chamber of Wesley Hale says he will probably clerk's office late Thursday. Commerce’s Friday Forum, a About 25 percent of the one and two move from Manchester when he program designed to familialize bedroom apartments are occupied by leaves the complex. chamber members with local elderly persons. Under the conver “My lease is up in June,” he said. businesses, today visited Dynamic sion agreement, the owners, a “ But I plan on staying until I have to Metal Products Co., Inc., at 422 N. limited partnership controlled by leave. I can’t buy it, I just sold my Main St. Mark Lavitt, Coventry, will let the house to move to Manchester.” Hans Weiss, president and founder tenants stay until their lease expires. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Robert Altman: Erste Bibliographische Notizen 2006
Repositorium für die Medienwissenschaft Nina Jebsen; Hans Jürgen Wulff Robert Altman: Erste bibliographische Notizen 2006 https://doi.org/10.25969/mediarep/12862 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Jebsen, Nina; Wulff, Hans Jürgen: Robert Altman: Erste bibliographische Notizen. Hamburg: Universität Hamburg, Institut für Germanistik 2006 (Medienwissenschaft: Berichte und Papiere 57). DOI: https://doi.org/10.25969/mediarep/12862. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0057_06.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 57 / 2006: Robert Altman. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Nina Jebsen, Hans J. Wulff. Letzte Änderung: 28. Februar 2006. URL der Hamburger Ausgabe: .http: //www1.uni-hamburg.de/Medien/berichte/arbeiten/0057_06.pdf. Robert Altman: Erste bibliographische Notizen Zusammengestellt v. Nina Jebsen u. Hans J. Wulff Inhalt //www.bfi.org.uk/showing/nft/interviews/altman/1.ht Bibliographie ml. 1. Interviews Beaver, Frank: An Interview with Robert Altman. In: Interviews: Chronologische Liste Michigan Quarterly Review 22, 1, Winter 1983, pp. 2. Bücher 45-55. 3. Artikel 4. Einzelne Filme (im Alphabet der Filme) Braudy, Leo / Kolker, Robert P.: Robert Altman: An Interview. In: Post Script: Essays in Film and the Humanities 1, 1, Fall 1981, pp. -
The Fastest Growing DVD, CD and Blu-Ray Retail Catalog the Future
The Fastest Growing DVD, CD and Blu-ray Retail Catalog The future delivered now. Allied Vaughn. Powering today's leading entertainment supply chain. Volume 8 Issue 24 For our friends currently snow bound in the Southeast, I have intentionally avoided any images of snow to wish all our Content Partners, Retailers and Industry doers and shakers all the best of the season. This week, we end the year with another super wave of new releases, films, tv programs and classics and prep 2019 from near all major studios, exclusively delivered to you. Thank you all for your successful retailing! Studios are reviewing their DVD and Blu-ray distribution strategies as to how best to manage the cost of inventory, the impact of out of stock and delayed manufacturing orders- elements that an ON DEMAND integrated distribution supply chain eliminates..have you considered Allied Vaughn as part of your 2019 strategic planning? Now's the time to let us consider working to make 2019 a success for you. Enjoy! Richard Skillman Vice President Allied Vaughn [email protected] Allied Vaughn Entertainment Main Page Allied Vaughn Entertainment Studio Catalog FOX Cinema releases newly remastered Classics 12/04/2018 024543586418 Bullfighters, The DVD-5 1945 Two private detectives, Stan and Ollie (Stan Laurel and Oliver Hardy), from Illinois fly to Mexico City in search of a mysterious woman. At the same time, thousands of bullfighting enthusiasts are awaiting the arrival of Don Sebastian, a famous matador from Spain, whos been delayed due to passport issues. When Hotshot Coleman, a press agent, realizes that Stan could be Sebastians twin, he tries to convince Stan to assume the matadors identity. -
Quest for New Coach May Shape Future of Athletics
Quest for new coach may shape future of athletics by PHILIP PARKER position without another job standing Committee on G. W. McReynolds, an committee's input is expected In the wake of the sudden lined up. Intercollegiate Athletics alumnus. Akers said that the to be minimal. resignation of head coach A1 Meanwhile the hunt for a (CIA): Dr. James Castaneda group will also inform the Although former Rice Conover, a group headed by new head man continues. The SWC faculty representative newly created committee football great Dickey Maegle Vice-President for External search group (not committee and chairman of CIA, Dr. reevaluating the Rice athletic has publicly tried to attract Affairs W. W. Akers and per se) consists of Akers, Bale Alan Chapman, George Miner program before announcing (continued on page 3) Athletic Director A. M. "Red" and four members on the of the "R" Association and Dr. the decision, but the Bale are leading the search for replacement, a decision that will greatly affect the future of the athletic program here. The move by Conover came as a surprise to the coaching staff and the administration. Reportedly Big A1 had survived an alumni attempt to oust him in early December. The effort was not too well Hie organized and failed when the backers balked at buying the remaining two years of his contract. It was expected that Conover would remain .. ope through at least next season. But on December 31, Conover informed the university that he wanted to be released from his contract citing a "business offer too volume 63, number 30 thursday, january 8, 1976 good to turn down." The next morning at a regularly scheduled recruiting meeting thresher he told his staff of his gets into Bicentennial with lecture series resignation and the infor- mation was released to the by GARY BREWTON being underwritten by Institute, Rice was the focus of level of University involve- press. -
Examining the Dialogic Construction of Women In
“TAKE HER CLOTHES OFF AND BRING HER TO ME!”: EXAMINING THE DIALOGIC CONSTRUCTION OF WOMEN IN ROBERT ALTMAN’S FILMS A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF ENGLISH, SPEECH, AND FOREIGN LANGUAGES COLLEGE OF ARTS AND SCIENCES BY CHARLENE SMITH GREEN B.A., M.A. DENTON, TEXAS DECEMBER 2017 Copyright © 2017 by Charlene Smith Green DEDICATION For my daughters, Christianne and Natalie Build your castles in the air, and then put foundations under them. ii ACKNOWLEDGEMENTS I would like to express deep and sincere gratitude to my advisor and director Dr. Lou Thompson for her support and encouragement throughout my academic journey, which began so many years ago. I am especially grateful for her thoughtful insight and tireless dedication to my research and writing about films, most especially her guidance with this project on the women in Robert Altman’s films. I would have never completed this project without her unwavering commitment to my research and writing. I would also like to thank my committee members Dr. Genevieve West and Dr. Brian Fehler for providing invaluable comments and feedback on my work. I am especially grateful for the tough questions they asked because those questions made me dig deeper and think harder when I made revisions. Their comments and questions have also led me toward ideas for future research and writing, and that is a priceless contribution indeed. Finally, there are two additional professors I would like to thank for their contributions to my research, writing, and academic growth.