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												Telephone Calls (3)” of the Richard B
The original documents are located in Box 17, folder “President - Telephone Calls (3)” of the Richard B. Cheney Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 17 of the Richard B. Cheney Files at the Gerald R. Ford Presidential Library . '' ::· . rf . RECOMMENDED TELEPHONE CALLS TO: Congressman G. William Whitehurst Congressman M. Caldwell Butler Congres1man J. Kenneth Robinson DATEs Wednesday, June 2, 1976 RECOMMENDED BY: Dlck Cheney PURPOSE: To urge them to do everything they can at the Vi rglnla State Convention on June 4, 5 and 6th, and to ask them for their help and assistance in getting us a share of the at large delegates. BACKGROUND: It's going to be very tough because the Reagan people probably will select virtually all of the at large delegates, with the exception of Mills Godwin, who will be with us. ACTION: _______________________________________________ June 1, 1976 401/272-5410 (PFC Field Man, Bill Russo) TALKING POINTS FOR RHODE ISLAND PHONE CALL The call is to Mayor Buddy Cianci, PFC Chairman. - 
												
												Personal Calendar, 1995-2007
i Personal Calendar, 1995-2007 by Professor Darrell M. West Dept. of Political Science Brown University Providence, Rhode Island and Vice President of Governance Studies Brookings Institution Washington, DC 2016 ii Table of Contents Preface 1995 ............................................................................................. 4 1996 ............................................................................................ 31 1997 ........................................................................................... 58 1998 ........................................................................................... 83 1999 .......................................................................................... 110 2000 .......................................................................................... 138 2001 .......................................................................................... 160 2002 ........................................................................................ 186 2003 ........................................................................................ 214 2004 ........................................................................................ 238 2005 ........................................................................................ 259 2006 ........................................................................................ 279 2007 ........................................................................................ 300 Index ........................................................................................ - 
												
												Electro House 2015 Download Soundcloud
Electro house 2015 download soundcloud CLICK TO DOWNLOAD TZ Comment by Czerniak Maciek. Lala bon. TZ Comment by Czerniak Maciek. Yeaa sa pette. TZ. Users who like Kemal Coban Electro House Club Mix ; Users who reposted Kemal Coban Electro House Club Mix ; Playlists containing Kemal Coban Electro House Club Mix Electro House by EDM Joy. Part of @edmjoy. Worldwide. 5 Tracks. Followers. Stream Tracks and Playlists from Electro House @ EDM Joy on your desktop or mobile device. An icon used to represent a menu that can be toggled by interacting with this icon. Best EDM Remixes Of Popular Songs - New Electro & House Remix; New Electro & House Best Of EDM Mix; New Electro & House Music Dance Club Party Mix #5; New Dirty Party Electro House Bass Ibiza Dance Mix [ FREE DOWNLOAD -> Click "Buy" ] BASS BOOSTED CAR MUSIC MIX BEST EDM, BOUNCE, ELECTRO HOUSE. FREE tracks! PLEASE follow and i will continue to post songs:) ALL CREDIT GOES TO THE PRODUCERS OF THE SONG, THIS PAGE IS FOR PROMOTIONAL USE ONLY I WILL ONLY POST SONGS THAT ARE PUT UP FOR FREE. 11 Tracks. Followers. Stream Tracks and Playlists from Free Electro House on your desktop or mobile device. Listen to the best DJs and radio presenters in the world for free. Free Download Music & Free Electronic Dance Music Downloads and Free new EDM songs and tracks. Get free Electro, House, Trance, Dubstep, Mixtape downloads. Exclusive download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Click here to download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Maximise Network, Eric Clapman and GANGSTA-HOUSE on Soundcloud Follow +1 entry I've already followed Maximise Music, Repost Media, Maximise Network, Eric. - 
												
												President - Telephone Calls (2)” of the Richard B
The original documents are located in Box 17, folder “President - Telephone Calls (2)” of the Richard B. Cheney Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 17 of the Richard B. Cheney Files at the Gerald R. Ford Presidential Library ,;.._.. ~~;·.~·- .·.· ~-.. .· ..·. ~- . •.-:..:,.:·-. .-~-:-} ·· ~·--· :·~·-.... ~.-.: -~ ·":~· :~.·:::--!{;.~·~ ._,::,.~~~:::·~=~:~;.;;:.;~.;~i8JitA~w~;ri~r·•v:&;·~ ·e--.:.:,;,·.~ .. ~;...:,.~~,·-;;;:,:_ ..• THE WHITE HOUSE WASHINGTON K~ t.l T ..u:. \(. y l\,~~;'"Y # 3 < . ~OTt.~ ~~~ -"P1ltS.tDI!'-'l' ~t&.. c. -y"Ro"&At.&.y vasir Ke'-',.uc..~ty .. ,... -f.le.. tL>e.e..te.NI) 0 ~ Mf'\y l'i, IS. Th\.s will he ~t.\ oF' ~ 3 ' . $ T _,.-c... &~• u~ +~ \\.)t.lvct t. Te~t.>~s••• ,..,.~ fh:.""'''". ORIGINAL . •· . SPECIAL Do RETIRED· TO . · CUMENTS Ftf. .E . ~- .~ ·. THE WHITE HOUSE WASHINGTON RECOMMENDED TELEPHONE CALL TO Congressman Tim Lee Carter {Kentucky, 5th District) 225-4601 DATE Prior to May 25 primary in Kentucky RECOMMENDED BY Rog Morton, Stu Spencer PURPOSE To thank the Congressman for his April 5th endorsement and for the assistance of his organization. - 
												
												PTSVNWU JS-5 Jam Station Style Listing
PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06 - 
												
												ENERGY MASTERMIX - Playlists Vom 30.10.2020
ENERGY MASTERMIX - Playlists vom 30.10.2020 MORGAN NAGOYA Keine Playlist vorhanden FLIP CAPELLA 1. Timmy Trumpet, Vini Vici – Thunder 2. Purple Disco Machine & Sophie & The Giants & Vs Edward Maya - Hypnotized Stereo Love (Djs From Mars Edit) 3. Dua Lipa Vs Moto Blanco - Levitating Vs Happy Together Remix (BNM Mashup) 4. Joel Corry, MNEK - Head & Heart (WeDamnz VIP Edit) 5. Miley Cyrus vs Sam Feldt & Fedde Le Grand - Midnight Sky X You Should Know (Dave Defender Smash) 6. 24kGolden - Mood (Hardstyle Remix) 7. Anna-Sopie – Cambodia 8. Anna-Sophie X Tiesto & Mesto X Castion - Cambodia X Can't Get Enough (Flip Capella Smash) 9. Tiesto & Mesto - Can't Get Enough (Castion Remix) 10. Jason Derulo Vs Joe Stone - Take You Dancing Vs Superstar (BNM Bootleg) 11. Jason Derulo X Subshock & Evangelos - Take You Dancin X Sippin (Flip Capella Smash) 12. Subshock & Evangelos – Sippin 13. Avaro - I Don't Wanna Play (No Games) 14. Avaro X Volac X NUBass - I Don't Wanna Play (No Games) X Funky (Flip Capella Smash) 15. Volac - Funky (NuBass Remix) 16. Ofenbach & Quarterhead - Head Shoulders Knees & Toes [Alle Farben Remix) 17. Ava Max - Who's Laughing Now (Breathe Carolina Remix) 18. Ava Max X Breathe Caroline X Habstrakt - Show Me Who's Laughing Now (Flip Capella Smash) 19. Habstrakt - Show Me (VIP) 20. Masn - Psycho! (Topic Remix) 21. Moonway - 2 Times 22. Dave Defender – Remedy 23. Internet Money - Lemonade (Dubdogz & Watzgood) 24. Internet Money - Lemonade (Cheyenne Giles Edit) 25. Laidback Luke - Rolling Stone (DJs From Mars Remix) 26. Imanbek - I'm Just Feelin' (Du Du Du) (MOTi Remix) 27. - 
												
												“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. - 
												
												Music 3500: American Music This Final Exam Is Comprehensive —It Covers the Entire Course (Monday December Starting at 5PM In
FINAL EXAM STUDY GUIDE Music 3500: American Music This final exam is comprehensive —it covers the entire course (Monday December starting at 5PM in Knauss Hall 2452) Exam Format: 70 questions (each question is worth 4 points), plus a 40-point "fill-in-the-chart" (described below) (these two things total a maximum of 320 possible points toward your final course grade total). The format of the 70-question computer-graded section of the final exam will be: ...Matching ...Multiple Choice ...True/False (from text readings, class lectures, YouTube video links) General study recommendations: - Do the online quiz assignments for Chapters 1-9 (these must be completed by Monday April 24) ---------- For the Computer-Graded part of the final exam: 1. Know the definitions of Important Terms at the ends of Chapters 2-8 - Chapter 1 (textbook, page 5) -- know "popular music," "roots music," "Classical art- music" - Chapter 2 (textbook, page 19) -- know "old-time music," "hot jazz," "race music" - Chapter 3 (textbook, page 31) -- know "bebop," "big-band," "boogie-woogie" - Chapter 4 (textbook, page 42) -- know "backbeat," "chance music," "cool jazz," "multi- serialism," "rhythm & blues," "soul" - Chapter 5 (textbook, page 52) -- know "soundtrack," "free jazz" - Chapter 6 (textbook, pages 58-59) -- know "fusion," minimalism," - Chapter 7 (textbook, pages 69-70) -- know "techno," "smooth jazz," "hip-hop" - Chapter 8 (textbook, page 81) -- know "sound art" 2. Know which decade the following music technologies came from: (Review the chronological order of - 
												
												What's News at Rhode Island College Rhode Island College
Rhode Island College Digital Commons @ RIC What's News? Newspapers 10-13-2008 What's News At Rhode Island College Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/whats_news Recommended Citation Rhode Island College, "What's News At Rhode Island College" (2008). What's News?. 92. https://digitalcommons.ric.edu/whats_news/92 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in What's News? by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. October 13,3, 22008008 VVol.ol. 2299 IIssuessue 2 WHAT’S NEWS @ Rhode Island College Established in 1980 Circulation over 52,000 RIC, URI receive $12.5 million National Science Foundation grant By Rob Martin of chemistry at RIC and a lead Managing Editor principal investigator on the project, A project based at Rhode Island known at RITES (Rhode Island College and the University of Rhode Technology Enhanced Science). Island to improve science learning at Gov. Donald L. Carcieri the middle and secondary levels in announced the grant award at Rhode Island has received a $12.5 a ceremony at Johnston Senior million grant from the National High School on Sept. 25. Science Foundation (NSF) – the Carcieri commended the state’s largest such grant ever awarded in higher education institutions for Rhode Island. The project will be establishing a “great sense of administered in schools statewide camaraderie” and “aggressively through the newly established collaborating” with Rhode Rhode Island STEM (science, Island’s K-12 school system. - 
												
												The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). - 
												
												The Wiki Music Dataset: a Tool for Computational Analysis of Popular Music
The Wiki Music dataset: A tool for computational analysis of popular music Fabio Celli Profilio Company s.r.l. via sommarive 18, 38123 Trento, Italy Email: fabio@profilio.co Abstract—Is it possible use algorithms to find trends in monic and timbral properties that brought changes in music the history of popular music? And is it possible to predict sound around 1964, 1983 and 1991 [14]. Beside these research the characteristics of future music genres? In order to answer fields, there is a trend in the psychology of music that studies these questions, we produced a hand-crafted dataset with the how the musical preferences are reflected in the dimensions intent to put together features about style, psychology, sociology of personality [11]. From this kind of research emerged the and typology, annotated by music genre and indexed by time MUSIC model [20], which found that genre preferences can and decade. We collected a list of popular genres by decade from Wikipedia and scored music genres based on Wikipedia be decomposed into five factors: Mellow (relaxed, slow, and ro- descriptions. Using statistical and machine learning techniques, mantic), Unpretentious, (easy, soft, well-known), Sophisticated we find trends in the musical preferences and use time series (complex, intelligent or avant-garde), Intense (loud, aggressive, forecasting to evaluate the prediction of future music genres. and tense) and Contemporary (catchy, rhythmic or danceable). Is it possible to find trends in the characteristics of the genres? Keywords—Popular Music, Computational Music analysis, And is it possible to predict the characteristics of future genres? Wikipedia, Natural Language Processing, dataset To answer these questions, we produced a hand-crafted dataset with the intent to put together MUSIC, style and sonic features, I. - 
												
												Copyright by Jessica Lyle Anaipakos 2012
Copyright by Jessica Lyle Anaipakos 2012 The Thesis Committee for Jessica Lyle Anaipakos Certifies that this is the approved version of the following thesis: Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Janet Staiger Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age by Jessica Lyle Anaipakos, B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To G&C and my twin. Acknowledgements This thesis would not have been possible without the guidance, encouragement, knowledge, patience, and positive energy of Dr. Shanti Kumar and Dr. Janet Staiger. I am sincerely appreciative that they agreed to take this journey with me. I would also like to give a massive shout out to the Radio-Television-Film Department. A big thanks to my friends Branden Whitehurst and Elvis Vereançe Burrows and another thank you to Bob Dixon from Seven Artist Management for allowing me to use Harper Smith’s photograph of Skrillex from Electric Daisy Carnival. v Abstract Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age Jessica Lyle Anaipakos, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009.