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Electro House 2015 Download Soundcloud
Electro house 2015 download soundcloud CLICK TO DOWNLOAD TZ Comment by Czerniak Maciek. Lala bon. TZ Comment by Czerniak Maciek. Yeaa sa pette. TZ. Users who like Kemal Coban Electro House Club Mix ; Users who reposted Kemal Coban Electro House Club Mix ; Playlists containing Kemal Coban Electro House Club Mix Electro House by EDM Joy. Part of @edmjoy. Worldwide. 5 Tracks. Followers. Stream Tracks and Playlists from Electro House @ EDM Joy on your desktop or mobile device. An icon used to represent a menu that can be toggled by interacting with this icon. Best EDM Remixes Of Popular Songs - New Electro & House Remix; New Electro & House Best Of EDM Mix; New Electro & House Music Dance Club Party Mix #5; New Dirty Party Electro House Bass Ibiza Dance Mix [ FREE DOWNLOAD -> Click "Buy" ] BASS BOOSTED CAR MUSIC MIX BEST EDM, BOUNCE, ELECTRO HOUSE. FREE tracks! PLEASE follow and i will continue to post songs:) ALL CREDIT GOES TO THE PRODUCERS OF THE SONG, THIS PAGE IS FOR PROMOTIONAL USE ONLY I WILL ONLY POST SONGS THAT ARE PUT UP FOR FREE. 11 Tracks. Followers. Stream Tracks and Playlists from Free Electro House on your desktop or mobile device. Listen to the best DJs and radio presenters in the world for free. Free Download Music & Free Electronic Dance Music Downloads and Free new EDM songs and tracks. Get free Electro, House, Trance, Dubstep, Mixtape downloads. Exclusive download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Click here to download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Maximise Network, Eric Clapman and GANGSTA-HOUSE on Soundcloud Follow +1 entry I've already followed Maximise Music, Repost Media, Maximise Network, Eric. -
Pioneer's International Music Summit Grand Finale Festival Gets Ibiza's
Pioneer's International Music Summit Grand Finale Festival gets Ibiza’s 2012 clubbing season off to an electrifying start Submitted by: Kate Gordon Thursday, 31 May 2012 31st May 2012, Ibiza: Pioneer (http://www.djsounds.com/)’s position at the heart of the dance music industry has been reaffirmed with this year’s International Music Summit (IMS) Grand Finale Festival in Ibiza’s picturesque old town. As the only contemporary music event to be held within the Dalt Vila UNESCO World Heritage site, the IMS Grand Finale Festival is a truly momentous occasion. It officially marks the end of IMS and the opening of Ibiza’s world-famous clubbing season. This year DJ E.A.S.E., of Nightmares On Wax, kicked off proceedings as the setting sun bathed the Balearic island in a golden glow. Performances from Disclosure, Seth Troxler, Loco Dice, Azari & III and Carl Cox took the energised audience into the night. The crowd then headed over to Ibiza’s iconic Pacha nightclub, where Pete Tong and Calvin Harris raised the roof until the small hours. The previous evening had seen David Guetta, Paul Oakenfold, Diplo, MINX and Goldfish take to the stage at Dalt Vila as enthusiastic fans lapped up the atmosphere against the stunning backdrop of the Ibizan harbour. Now in its fifth year, the three-day IMS is one of the dance music industry’s most influential events. This year’s summit featured keynote speeches from internet giants such as Google, YouTube, Spotify and Twitter and interviews with legendary producers Giorgio Moroder and Nile Rodgers. -
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage. -
A Multi-Level Analysis of Songwriter Career Strategies by Rachel S
Changing Patterns of Cooperation in Occupational Communities: A Multi-Level Analysis of Songwriter Career Strategies By Rachel Skaggs Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology August 10, 2018 Nashville, Tennessee Approved: Daniel B. Cornfield, PhD Shaul Kelner, PhD Joshua Murray, PhD Copyright © 2018 by Rachel Skaggs All Rights Reserved ii To my father, Donnie Skaggs, who I’ve watched pursue his songwriting dreams. To my mother, Rose Skaggs, who supports his dreams and mine. To David Carlson. His dreams and mine are intertwined. iii ACKNOWLEDGMENTS It is an overwhelming task to think of all of the support that people have given me in support of this dissertation. My dissertation is about collaboration, and I have been unmeasurably lucky to have collaborated with wonderful people. I want to begin by thanking every songwriter I interviewed. Without their trust and insight, I could not have conducted research that is as compelling, touching, and important as the project that has emerged. The generosity and openness of these people, most of whom were total strangers to me, is inspiring. Next, I must acknowledge the support of the Robert Penn Warren Center for the Humanities. As a dissertation fellow at the Warren Center, I was able to truly develop my ideas and focus on the work of writing a good dissertation. My fellow fellows at the Warren Center challenged me and supported me. Danielle Picard, Wietske Smeele, Sara Kollner, Alexandra Alekseyeva, David Vila, and James Phelan all contributed to the ways I think about my own work as I try to present it in a manner that is intelligible and meaningful to an interdisciplinary audience. -
State of Bass
First published by Velocity Press 2020 velocitypress.uk Copyright © Martin James 2020 Cover design: Designment designment.studio Typesetting: Paul Baillie-Lane pblpublishing.co.uk Photography: Cleveland Aaron, Andy Cotterill, Courtney Hamilton, Tristan O’Neill Martin James has asserted his right under the Copyright, Designs and Patents Act 1988 to be identied as the author of this work All rights reserved. No part of this publication may be reproduced, in any form or by any means, without permission from the publisher While the publishers have made every reasonable eort to trace the copyright owners for some of the photographs in this book, there may be omissions of credits, for which we apologise. ISBN: 9781913231026 1: Ag’A THE JUNGLISTS NAMING THE SOUND, LOCATING THE SCENE ‘It always has been such a terrible name. I’ve never known any other type of music to get so misconstrued by its name.’ (Rob Playford, 1996) Of all of the dance music genres, none has been surrounded with quite so much controversy over its name than jungle. No sooner had it been coined than exponents of the scene were up in arms about the racist implications. Arguments raged over who rst used the term and many others simply refused to acknowledge the existence of the moniker. It wasn’t the rst time that jungle had been used as a way to describe a sound. Kool and the Gang had called their 1973 funk standard Jungle Boogie, while an instrumental version with an overdubbed ute part and additional percussion instruments was titled Jungle Jazz. The song ends with a Tarzan yell and features grunting, panting and scatting throughout. -
Tropical House for Serum Vol.3
PRODUCT INFORMATION RESONANCE SOUND TROPICAL HOUSE FOR SERUM VOL.3 DISTRIBUTED BY WWW.RESONANCE-SOUND.COM DETAILS & FEATURES One of our most successful series finally continues! Tropical House Vol. 3 captures the sound of this year’s summer and combines it with traditional Tropical House. Step away from your daily routine and dive into an atmosphere of waves, marimbas, guitars, uplifting melodies, smooth pads and enjoy the vibes directly from Ibiza. These presets have been crafted to bring you the highest quality sound of the pros directly into your studio. All of that would not have been possible without studying producers like Kygo, Robin Schulz, Thomas Jack, Sam Feldt, Matoma and many more for months. Thanks to Serum’s Noise Oscillator, you have the possibility to mix carefully sampled instruments like Marimbas, Guitars, Vibraphones and even Vocals into your next banger. To give you the perfect start, we included all 22 midi files from the demo so you can drag and drop them into your DAW, load a suitable preset and create a summer smasher right away. To give you even more flexibility, all presets feature maximum Macro and Modwheel assignment. There is no tropical sound that has not been covered in this set. With these Serum presets at your fingertips, the next festival season will be yours! The presets in detail: 2 Arps, 6 Bass, 3 FX, 2 Guitar, 7 Lead, 6 Pads, 24 Plucks, 4 Pianos, 2 Sequences and 8 Synth presets Features: - 64 Presets - 22 MIDIs - Modwheel and Macro assignments Requirements: Xfer Serum synthesizer v1.21b4 or later Please note: this pack contains Serum presets and MIDI files only. -
Download Press
LA PINCE RECORDS RELEASES ARTISTS PUBLIC RELATIONS CONTACT # PRESS KIT PRESS L A PINCE RECORDS THE GENESIS HOUSE OF THE CREW TECHNO reated in 2016 by the collective dj’s03 DUB CREATORS (DJD2B, Steve Ko & Lucho Misterhands), La Pince Records stand out by Creleasing its records in vinyl & digital. Rocked since the 90’s by the sounds of Detroit & Berlin, has bring to the collective on subtle blend to them music. Definitely dedicated to the dance floor, all tracks can be classified in the Techno / House categories. EP RELEASE VINYLS P LA PINCE RECORDS / PRESS KIT / 03 RELEASES LPR001 DJ D2B - MONGOLISTIC EP irst EP, DJ D2B deliver to you 3 unique & exclusive directed pieces House/Techno influenced by the minimal trends. FAlong with deep beats05 & shaman inspiration vocals, hypnotic melodies with sensual tones, “Which promise you a nice trip into the clouds”. A1 - MONGOLISTIC (Original Mix) A2 - SENSUAL EMOTION (Original Mix) B1 - FLOAT IN THE CLOUD (Original Mix) Released on: June 2016. AVAILABLE ON CLICK HERE TO LISTEN Syncrophone Records shop, Techno Import, House Monkey Records. decks.de, deejay.de, juno.co.uk, hhv.de, technique.co.jp, redeyerecords. co.uk. Beatport, JunoDownload, TrackSource, Apple Music, Spotifiy, Youtube P RELEASES / PRESS KIT / 05 LPR002 DUB CREATORS - KANPEKINA EP or the LPR002 DUB CREATORS release on their own imprint La Pince Records. This trio deliver to us their KANPEKINA EP. 06FMade up with 4 strong-deep bassline tracks the original mix & 3 dance-floor remix witch goes from House to Tech-House. A1 - KANPEKINA (Original Mix) A2 - KANPEKINA (Lucho Misterhands Remix) B1 - KANPEKINA (DJ D2B Remix) B2 - KANPEKINA (Steve Ko Remix) Supported by DJ Handmade (Tresor Berlin) . -
Issue No. 39 September/October 2016 3 Videogames Have Become Bonafide EYE Entertainment Franchises
Press Play LÉON Lewis Del Mar Luna Aura Marshmello NAO and more THE STORM ISSUE NO. 39 REPORT SEPTEMBER/OCTOBER 2016 TABLE OF CONTENTS 4 EYE OF THE STORM Press Play: How videogames could save the music industry 5 STORM TRACKER Roadies Roll Call, Kiira Is Killing It, The Best and the Brightest 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Martin Garrix. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Videogames have become a lucrative channel artists who are worth watching. Only those showing the most for musicians seeking incremental revenue promising potential for future commercial success make it onto our as well as exposure to a captive and highly monthly list. engaged audience. Soundtracks for games include a varied combination of original How do we know? music scores, sound effects and licensed tracks. Artists from Journey (yes, Journey) Through correspondence with industry insiders and our own ravenous to Linkin Park have created gamified music media consumption, we spend our month gathering names of artists experiences to bring their songs to visual who are “bubbling under”. We then extensively vet this information, life. In the wake of Spotify announcing an analyzing an artist’s print & digital media coverage, social media entire section of its streaming platform growth, sales chart statistics, and various other checks and balances to dedicated to videogame music, we’ve used ensure that our list represents the cream of the crop. -
14 July at the French House Clarion Summer 17 V4.Indd 2 26/06/2017 14:02
SUMMER 2018 NO. 170 THE CLARION CALL OF THE SOHO SOCIETY SOHO clarion VILLAGE FETE - 1 July at St Anne’s Gardens GAY PRIDE - 7 July All over Soho BASTILLE DAY - 14 July at the French House Clarion_Summer_17_V4.indd 2 26/06/2017 14:02 SOHO CLARION CONTENTS From the Tower, Editorial ...........................................................................................4 Soho News ...................................................................................................................... 5-7 Soho Village Fete .........................................................................................................8-9 Interview .........................................................................................................................10-11 Councillior Jonathan Glanz ......................................................................................12 Councillior Pancho Lewis ..........................................................................................13 Review .............................................................................................................................14-15 Message from St Anne’s ..........................................................................................16 George Hudson ............................................................................................................... 17 All Change at the Gay Hussar ...............................................................................18 Soho Bakers Club ..........................................................................................................19 -
2018/19 Hip Hop Rules & Regulations
2018/19 Hip Hop Rules for the New Zealand Schools Hip Hop Competition Presented by the New Zealand Competitive Aerobics Federation 2018/19 Hip Hop Rules, for the New Zealand Schools Hip Hop Championships © New Zealand Competitive Aerobic Federation Page 1 PART 1 – CATEGORIES ........................................................................................................................................................ 3 1.1 NSHHC Categories .............................................................................................................................................. 3 1.2 Hip Hop Unite Categories .................................................................................................................................. 3 1.3 NSHHC Section, Division, Year Group, & Grade Overview ................................................................................ 3 1.3.1 Adult Age Division ........................................................................................................................................ 3 1.3.2 Allowances to Age Divisions (Year Group) for NSHHC ................................................................................ 4 1.4 Participation Limit .............................................................................................................................................. 4 Part 2 – COMPETITION REQUIREMENTS ........................................................................................................................... 5 2.1 Performance Area .............................................................................................................................................