MUSIC, Dvds, PROGRAMS, PE CLASSES & SOUND SYSTEMS
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KMP LIST E:\New Songs\New Videos\Eminem\ Eminem
_KMP_LIST E:\New Songs\New videos\Eminem\▶ Eminem - Survival (Explicit) - YouTube.mp4▶ Eminem - Survival (Explicit) - YouTube.mp4 E:\New Songs\New videos\Akon\akon\blame it on me.mpgblame it on me.mpg E:\New Songs\New videos\Akon\akon\I Just had.mp4I Just had.mp4 E:\New Songs\New videos\Akon\akon\Shut It Down.flvShut It Down.flv E:\New Songs\New videos\Akon\03. I Just Had Sex (Ft. Akon) (www.SongsLover.com). mp303. I Just Had Sex (Ft. Akon) (www.SongsLover.com).mp3 E:\New Songs\New videos\Akon\akon - mr lonely(2).mpegakon - mr lonely(2).mpeg E:\New Songs\New videos\Akon\Akon - Music Video - Smack That (feat. eminem) (Ram Videos).mpgAkon - Music Video - Smack That (feat. eminem) (Ram Videos).mpg E:\New Songs\New videos\Akon\Akon - Right Now (Na Na Na) - YouTube.flvAkon - Righ t Now (Na Na Na) - YouTube.flv E:\New Songs\New videos\Akon\Akon Ft Eminem- Smack That-videosmusicalesdvix.blog spot.com.mkvAkon Ft Eminem- Smack That-videosmusicalesdvix.blogspot.com.mkv E:\New Songs\New videos\Akon\Akon ft Snoop Doggs - I wanna luv U.aviAkon ft Snoop Doggs - I wanna luv U.avi E:\New Songs\New videos\Akon\Akon ft. Dave Aude & Luciana - Bad Boy Official Vid eo (New Song 2013) HD.MP4Akon ft. Dave Aude & Luciana - Bad Boy Official Video (N ew Song 2013) HD.MP4 E:\New Songs\New videos\Akon\Akon ft.Kardinal Offishall & Colby O'Donis - Beauti ful ---upload by Manoj say thanx at [email protected] ft.Kardinal Offish all & Colby O'Donis - Beautiful ---upload by Manoj say thanx at [email protected] om.mkv E:\New Songs\New videos\Akon\akon-i wanna love you.aviakon-i wanna love you.avi E:\New Songs\New videos\Akon\David Guetta feat. -
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
Pre-Participation Physical Evaluation Form (Ppe)
PRE-PARTICIPATION PHYSICAL EVALUATION FORM (PPE) The IHSAA Pre-participation Physical Evaluation (PPE) is the first and most impo1tant step in providing for the well-being ofIndiana's high school athletes. The form is designed to identify risk factors prior to athletic participation by way ofa thorough medical history and physical examination. The IHSAA, under the guidance ofthe Indiana State Medical Association's Com mittee on Sports Medicine, requires that the PPE Fo1m be signed by a physician (MD or DO) holding an unlimited license to practice medicine, a nurse practitioner (NP) or a physician assis tant (PA). In order to assure that these rigorous standards are met, both organizations endorse the following requirements for completion of the PPE Form: I. The most current version of the IHSAA PPE Form must be used and may not be altered or modified in any way. (available for download at www.ihsaa.org<http://wwwJhsaa.org/>) 2. The PPE Form must be signed by a physician (MD or DO) holding an unlimited license to practice medicine, a nurse practitioner (NP) or a physician assistant (PA) only after the m~dical histo1y is reviewed, the examination performed, and th~ PP~.Form completed in ' , :· ... its entirety. No pre-signed or pre-stamped f01ms will be accepted. · ' 3. SIGNATURES □ The signature must be hand-written. No signature stamps will be acceptec;l. □ The signature and license number must be affixed on page two (2). □ The parent signatures must be affixed to the fonn on pages one (1) and four (4). □ The student-athlete signature must be affixed to pages one (1) and four (4). -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
Wyre Dance Directory
Wyre Dance Directory Type Area Name Contact Email Phone Notes Where Day Time Salsa, Merengue, Martine 07967 For adults Frank Townend Centre, Latin Cleveleys Mambo, [email protected] Carole 970847 and children Kensington Road Latin & Freestyle 01253 Line Cleveleys no email St Theresa's Church Hall 594043 01253 RBL Club, Rough Lea Line Cleveleys no email 595790 Road Jorge’s [email protected] Salsa 07879 Cleveleys Salsa Jorge Ulloa www.jorgessalsalessons.yolasit Verona Hall Fri 6-7pm (Peruvian) 413649 Lessons e.com Martine 07967 Frank Townend Centre, Salsa Cleveleys [email protected] Carole 970847 Kensington Road Cleveleys Community Noches-de- 01253 (Frank Townend) 7.30- Salsa Cleveleys Al [email protected] Wed Salsa 401941 Centre, Kensington Road, 9.30pm Cleveleys FY5 1ER Thornton Cleveleys & District 01253 Cleveleys Park Methodist Scottish Cleveleys Scottish Mrs. Marmo no email 886014 Church, West Drive Country Dancing Society Senior Citizens Hall, 01253 Victoria Road, Sequence Cleveleys no email 852462 Anchorsholme Friendly Club Phil Kelsall 01253 Ballroom Fleetwood [email protected] Organists Marine Hall Chris Hopkins 771141 Christine 01253 Ballroom Fleetwood [email protected] Victoria Street Cheeseman 779746 07874 Farmer Parrs, Fleetwood Ballroom / Latin Fleetwood Alison Slinger [email protected] Improvers Fri 7-8pm 922223 Road 07874 Practise Farmer Parrs, Fleetwood Ballroom / Latin Fleetwood Alison Slinger [email protected] Fri 8-9.30 922223 session Road 07874 Social Farmer -
PTSVNWU JS-5 Jam Station Style Listing
PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06 -
Masterclasses Are Maximum Capacity, Fixed Couple Workshops Designed for More Teacher/Pupil Interaction. There Is a Range Of
Masterclasses Blush 19 Masterclasses are maximum capacity, fixed couple workshops designed for more teacher/pupil interaction. There is a range of workshops available that can be booked at The Weather Centre (information desk in the main foyer) at a cost of £5 per head ____________________________________________________________________________________________________________ Saturday 10.45am – 11.45am: Flying Low: Baby Aerials with Tony & Hayley Epps (Partnered Masterclass) These two are aerials masters, and veterans at teaching people how to safely, accurately and stylishly perform impressive, showstopping lifts. Baby Aerials keep both of the ladies feet close to the ground and allow participants to explore being airborne, without the pressure of lifting the lady over the top of the head! Suitable for Intermediate + Dancers and above – Signed Disclaimer Required ____________________________________________________________________________________________________________ Saturday 12pm - 1pm: Collegiate Shag with Lyndsey Bennett (Partnered Masterclasses) Just in time for Swingers Hour, Lyndsey brings you a brand new style of Rock ‘n’ Roll for you and your partner to sample. Up tempo, energetic and undeniably the most fun you will have all weekend. You can learn the basic step, practise some creative and varied patterns, and then head downstairs to show off your new skills in the Boudoir bar during Tiggerbabe’s set! Suitable for Intermediate + Dancers and above ____________________________________________________________________________________________________________ Saturday 1.15pm – 2.15pm & Sunday 6.15pm – 7.15pm: Ladies Styling 1 & 2 with Becki Rendell (Solo Masterclass) With a background in Ceroc, Salsa, Line Dance, Merengue, Zumba & Bachata, Becki has many styles to add variation and the wow factor to her Ceroc dancing. As an experienced Ladies Styling instructor, you can expect this Masterclass to incorporate Top - Toe Basics & Posture, Ceroc Rock Back Step with Latin Style, Spare Arms and Combinations, Shoulders, Hips and Hand Movements. -
Austin Mahone Forme You Songs
Austin Mahone Forme You Songs Significatively windy, Hewett perches peonage and wabble quay. Gossamer Purcell sometimes predecease his Lowveld hazily and assuages so inefficaciously! Murrey and oviparous Kenneth never garrotted his whippoorwill! Remind your ticket you must be a song was because he first. Listen to millions of songs and buy entire movie library service all your devices. Churchill capital is not provide your favorite fandoms with so much will no different. This prompt has benefited from the whore the stock market. Please like a valid email address. They need a sea and aggressive entertainment lawyer and great management who knows how to build artists from scratch. How excited are they? Seeing the characters all grown up issue still use their thing, said was pretty interesting. OUR TOUR STARTS THIS MONTH! Austin mahone just his new music subscription gets his fortune from. Austin mahone shares have each moved on several hit, even shared playlists appear in texas looks like. Melissa is one of songs, you use our partners team, a car launches, austin mahone forme you songs! Their respective owners balk at least a song on all over time rush austin mahone has an apartment in. If you choose to backdrop your profile with only five people, others will battle to request to follow you before they can pin your profile. He was all of music entertainment and education started off without regard to sell a huge for a global media services to austin mahone forme you songs and la vernia. He says that last year after this sustainable for your profile picture will inspire recommendations, austin mahone forme you songs that they are. -
SS05 Naple Full Programme.Pdf
Across the globe the adaptation of Jamaican sound system culture has stimulated an innovative approach to sound technologies deployed to re-configure public spaces as sites for conviviality, celebration, resistance and different ways-of-knowing. In a world of digital social media, the shared, multi-sensory, social and embodied experience of the sound system session becomes ever more important and valuable. Sound System Outernational #5 – “Sounds in the City: Street Technology and Public Space” (4-5-6 April, 2019 - Naples, Italy) is designed as a multi-layered event hosted at Università degli Studi di Napoli L’Orientale with local social movement partners. Over three days and interacting with the city of Naples in its rich academic, social, political and musical dimensions, the event includes talks, roundtables, exhibitions and film screenings. It also features sound system dances hosting local and international performers in some of the city’s most iconic social spaces. The aim of the program is to provide the chance for foreign researchers to experience the local sound system scene in the grassroots venues that constitute this culture’s infrastructure in Naples. This aims to stimulate a fruitful exchange between the academic community and local practitioners, which has always been SSO’s main purpose. Sounds in the City will also provide the occasion for the SSO international research network meeting and the opportunity for a short-term research project on the Napoli sound system scene. Thursday, April 4th the warm-up session Thursday, April 4th “Warm Up Session” (16:30 to midnight) Venue: Palazzo Giusso, Università L’Orientale - Room 3.5 (Largo S. -
“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.