Ingmar Bergman
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Life and Films of the Last Great European Director
Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN Macnab-05480001 macn5480001_fm May 19, 2009 11:55 Geoffrey Macnab writes on film for the Guardian, the Independent and Screen International. He is the author of The Making of Taxi Driver (2006), Key Moments in Cinema (2001), Searching for Stars: Stardom and Screenwriting in British Cinema (2000), and J. Arthur Rank and the British Film Industry (1993). Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN The Life and Films of the Last Great European Director Geoffrey Macnab Macnab-05480001 macn5480001_fm May 8, 2009 9:23 Sheila Whitaker: Advisory Editor Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © 2009 Geoffrey Macnab The right of Geoffrey Macnab to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84885 046 0 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress -
Executive Intelligence Review, Volume 16, Number 32, August 11, 1989
A TOTA� W�R STRATEGY AG"O�INST PEKING by Gen. Teng C:Hieh "AII we need do is to understand how to make the most of our strengths to attack the enemy's weaknesses. Then we can snatch victory out of the jaws of defeat. The Chinese Communist Party is extremely weak, just like a paper tiger-one poke and you could pierce it through. All the masses on the mainland are opposed to communism." -Gen. Teng Chieh is amazing little book by one of the top leaders of Taiwan ' s uomintang party, pub lished by Chinese Flag Monthly in December 1988, charted the �ou rse for the Chinese students ' revolution that erupted just a few months later. Preface by Lyndon H. LaRouche , Jr. .. Exclusive U.S. distributor: $5.99 (plus $1.50 postage and Ben Franklin Booksellers handling for first book, $.50 for 27 South King St. each additional book). Virginia Leesburg, VA 22075 residents add 4%% tax. (703) 777-3661 Founder and Contributing Editor: Lyndon H. LaRouche, Jr. Editor: Nora Hamerman From the Editor Managing Editors: John Sigerson and Susan Welsh Editoral Board: Warren Hamerman, Melvin Klenetsky, Antony Papert, Gerald Rose, Alan Salisbury, Edward Spannaus, Nancy Spannaus, Webster Tarpley, William Wertz, Carol White, Christopher White Soience and Technology: Carol White n a statement released Aug. 1, Lyndon LaRouche commented on Special Services: Richard Freeman I Book Editor: Katherine Notley the hostage crisis which is the subject of our lead article on page 40: Advertising Director: Marsha Freeman "At the last record, we have one U.S. lieutenant Marine colonel Circulation Manager: Joseph Jennings apparently killed and others facing death among the hostages held INTELLIGENCE DIRECTORS: Africa: Mary Lalevee by the terroristHezbollah, tied to Iran and to Syria's President Assad. -
A Portrait of Gertrud Fridh As Medea, by Rolf Winquist
A Portrait of Gertrud Fridh as Medea, by Rolf Winquist Eva-Lena Karlsson Curator, Swedish National Portrait Gallery and Royal Castles Collections Art Bulletin of Nationalmuseum Stockholm Volume OM Art Bulletin of Nationalmuseum, Stockholm, Picture Editor Every effort has been made by the publisher to is published with generous support from the Rikard Nordström credit organizations and individuals with regard Friends of the Nationalmuseum. to the supply of photographs. Please notify the Photo Credits publisher regarding corrections. The Nationalmuseum collaborates with © Herzog Anton Ulrich-Museum, Braunschweig Svenska Dagbladet, Fältman & Malmén (p. NQ ) Graphic Design and Grand Hôtel Stockholm. © The Gothenburg Museum of Art/Hossein BIGG Sehatlou (p. NU ) Items in the Acquisitions section are listed © Malmö Art Museum/Andreas Rasmusson Layout alphabetically by artists’ names, except in the case (p. OO ) Agneta Bervokk of applied arts items, which are listed in order of © Wildenstein & Co., Inc., New York (p. OV ) their inventory numbers. Measurements are in © RMN Grand Palais/Musée du Louvre, Translation and Language Editing centimetres – Height H, Breadth B, Depth D, Paris/Hervé Lewandowski (p. PMF Gabriella Berggren and Martin Naylor. Length L, Width W, and Diameter Diam. © The J. Paul Getty Museum, Los Angeles – except for those of drawings and prints, which (Fig. QI p. PN ) Publications are given in millimetres. © RMN Grand Palais/Musée du Louvre, Ingrid Lindell (Publications Manager), Paris/René-Gabriel Ojéda (Fig. RI p. PN ) Janna Herder (Editor). Cover Illustration © Guilhem Scherf (p. PO ) Alexander Roslin ( NTNU ÓNTVP ), The Artist and his © Bridgeman/Institute of Arts, Detroit (p. PP ) Art Bulletin of Nationalmuseum is published Wife Marie Suzanne Giroust Portraying Henrik © Musée des Arts décoratifs, Paris/Jean Tholance annually and contains articles on the history Wilhelm Peill, NTST . -
Genealogía Y Esperanza En La Filosofía De La Existencia De Ingmar Bergman
Genealogía y esperanza en la Filosofía de la Existencia de Ingmar Bergman Jordi Puigdomènech López Marta Al meu pare 2 Í N D I C E INTRODUCCIÓN .............................................................................................................. 4 I. INGMAR BERGMAN Y LA CINEMATOGRAFÍA NÓRDICA 1.1 La tradición nórdica: de Snörri Sturlsson a Ingmar Bergman .......... 22 1.2 Ingmar Bergman: arte y metafísica .................................................. 36 1.2.1 Bergman y su mundo ....................................................... 37 1.2.2 Elementos para una clasificación de la obra bergmaniana .. 46 1.2.2.1 La obra literaria ................................................ 48 1.2.2.2 La obra escénica .............................................. 52 1.2.2.3 La obra cinematográfica ................................... 58 II. ANÁLISIS DEL DISCURSO FÍLMICO BERGMANIANO 2.1 Poética fílmica: imágenes y símbolos .............................................. 90 2.1.1 Estética fílmica: la tragedia y el romanticismo nórdico ........ 91 2.1.2 La metafísica del artista ..................................................... 102 2.2 Filosofía de la imagen: estructura del discurso fílmico ..................... 109 2.2.1 Producción y guión ............................................................. 110 2.2.2 Imagen y encuadre .............................................................. 118 2.2.3 Ambientación y decorados ................................................... 124 2.2.4 Montaje y banda sonora ...................................................... -
Retrospektive (PDF)
61. Internationale Filmfestspiele Berlin Retrospektive Ingmar Bergman Ansikte mot ansikte (Von Angesicht zu Angesicht/Face to Face) von Ingmar Bergman mit Liv Ullmann, Erland Josephson, Aino Taube, Schweden 1975/76, schwedisch mit deutsch/französischen Untertiteln, Kopie: Cinémathèque suisse, Lausanne Ansiktet (Das Gesicht/The Magician) von Ingmar Bergman mit Max von Sydow, Ingrid Thulin, Gunnar Björnstrand, Schweden 1958, schwedisch mit englischen elektronischen Untertiteln, Kopie: Swedish Film Institute, Stockholm Aus dem Leben der Marionetten (Aus dem Leben der Marionetten/From the Life of the Marionettes) von Ingmar Bergman mit Christine Buchegger, Robert Atzorn, Martin Benrath, Rita Russek, BRD 1979/80, deutsch mit englischen Untertiteln, Kopie: Swedish Institute, Stockholm Beröringen / The Touch von Ingmar Bergman mit Elliott Gould, Bibi Andersson, Max von Sydow, Schweden/USA 1970/71, englisch/schwedisch mit englischen Untertiteln, Kopie: Swedish Film Institute, Stockholm Bilder från lekstugan (Images from the Playground) von Stig Björkman mit Ingmar Bergman, Harriet Andersson, Bibi Andersson, Schweden 2009, schwedisch mit englischen Untertiteln, Digibeta: Swedish Film Institute, Stockholm Bris Reklamfilmer von Ingmar Bergman mit Bibi Andersson, Barbro Larsson, John Botvid, Schweden 1951-53, schwedisch mit englischen Untertiteln, Kopie: Swedish Institute, Stockholm Daniel (Episode aus Stimulantia) von Ingmar Bergman mit Ingmar Bergman, Käbi Laretei, Daniel Sebastian Bergman, Schweden 1964–67, schwedisch mit englischen Untertiteln, -
New Distributed Titles Fall 2009
The David Brown Book Company New Distributed Titles Fall 2009 New Distributed Titles Fall 2009 Distributed Titles Fall New Ancient Egypt & the Near East y Archaeology y Art History y Classical Studies y Languages & Literature y Medieval Studies y Modern History y Philosophy y Religion The David Brown Book Company Brown The David the david brown book company Contents This catalog features all new and forthcoming titles to be distributed by DBBC for the remainder of The Middle East 3 Equinox Publishing 4–6 2009. It is, by far, our largest catalog ever, reflecting a raft of new publishers we will be handling. World Archaeology 7–11 Here is our "welcome list:" American Archaeology 12–13 Ancient Egypt 14–21 Pindar Press, London-based publisher of authoritative art history studies, are now distributed in North The Ancient Near East 22–25 America for the first time. Their books on Medieval, Byzantine, Renaissance and Islamic art are scat- Aegean Prehistory 26 Classical Archaeology 27–28 tered throughout the catalog. Rome & Ancient Italy 29 British Archaeology 30–37 Grant & Cutler's guides to the important works of French, German and Spanish literature have been Classical Studies 38–41 going strong for a number of years. Their new publishing broadens the range a little and includes guides Byzantine & Late Antique Studies 42–43 Medieval Studies 44–54 to the great works of Spanish-language cinema and literature (p. 82). We are delighted to have taken on Renaissance Studies 54–61 these new titles and the entire Grant & Cutler backlist. Art 62–69 Arts & Crafts 70 Edizioni Polistampa, based in Florence, represent our first major Italian client. -
Univerzita Palackého V Olomouci Filozofická Fakulta Bakalářská Práce
Univerzita Palackého v Olomouci Filozofická fakulta Bakalářská práce Olomouc 2017 Patritciia Andreeva Univerzita Palackého v Olomouci Filozofická fakulta EXISTENCIALISMUS VE TVORBĚ INGMARA BERGMANA Bakalářská práce Autor: Patritciia Andreeva Vedoucí práce: Mgr. Martin Jabůrek, Ph.D. Olomouc 2017 Prohlášení Čestně prohlašuji, že jsem svoji bakalářskou práci Existencialismus ve tvorbě Ingmara Bergmana vypracovala samostatně, pod odborným dohledem vedoucího bakalářské diplomové práce a všechny použité prameny řádně uvedla. V Olomouci dne Podpis Poděkování: Velmi bych chtěla poděkovat panu Mgr. Martinu Jabůrkovi, Ph.D., za odborné vedení práce a cenné rady, které mi při psaní pomohly. Anotace Bakalářská práce Existencialismus ve tvorbě Ingmara Bergmana se zabývá studiem díla tohoto filmového režiséra a porovnáním základních témat s idejemi existenciální filozofie. Hlavní myšlenkou práce je hypotéza, že Bergmanova filmová díla zejména z šedesátých let lze označit za existencialismus v umělecké podobě. Prostřednictvím analýzy vybraných filmů, mezi něž patří Jako v zrcadle, Hosté Večeře Páně, Mlčení, Persona, Obřad, Šepoty a výkřiky, Podzimní sonáta, je analyzována problematika existenciální krize, vztahu člověka a Boha, tělesnosti jako existenciálního faktoru a genderu. Klíčová slova existencialismus, Ingmar Bergman, švédský národní film, Dasein, Martin Heidegger, náboženská existence, Søren Kierkegaard, druhé pohlaví, Simone de Beauvoirová Abstract My bachelor thesis, Existentialism in the art of Ingmar Bergman, focuses on exploring the works of this film director and drawing a parallel with the themes of existential philosophy. The aim is to make an attempt to render Bergman’s film works created mainly in the sixties as existentialism in art. Through the analysis of selected films, including such works as Through a Glass Darkly, Winter Light, Silence, Persona, Ritual, Cries and Whispers, Autumn Sonata, the problems of existential crisis, relations between man and God, physicality and gender as existential factors, are analyzed. -
Essai D'analyse Sur Les Rapports De Domination Dans Les Œuvres De
Université de Lyon Université Lumière Lyon II Institut d’Etudes Politiques de Lyon Du cynisme comique au pessimisme révolté : essai d’analyse sur les rapports de domination dans les œuvres de jeunesse d’Ingmar Bergman (1945-1950) Jacques de Chauvelin Mémoire de Master Récits, médias, fiction : comprendre et analyser 2016-2017 Sous la direction de Jean-Michel Rampon Membres du jury Jean-Michel Rampon, Maître de Conférences à l’Institut d’Études Politiques de Lyon Max Sanier, Maître de Conférences à l’Institut d’Etudes Politiques de Lyon Soutenance le 4 septembre 2017 2 3 Sommaire Remerciements ........................................................................................................................... 6 Avant-propos ............................................................................................................................... 7 Introduction .................................................................................................................................. 9 La critique de la société traditionnelle suédoise dans les premiers films d’Ingmar Bergman : Un tableau cynique des clivages et des rapports de domination. ................. 18 Chapitre 1 : Une société construite autour de clivages : analyse des rapports de domination dans les premiers films d’Ingmar Bergman. ........................................................................... 20 a. Le conflit générationnel dans Crise et Ville Portuaire. ................................. 21 b. Tranquillité villageoise contre perversion de la ville, -
2154-Buyulu Fener-Ingmar Bergman-Gokchin Dashqin-2011-349S.Pdf
AFA-Sinema: 17 AFA-Yayınları: 129 ISBN 975-414-040-5 A{lustos, 1990 ©lngmar Bergman ve Norstedis Forlag, 1987 ONK Ajans ©Laterna Magica adlı bu kitap İngilizceden çevrilmiştir. Türkçe hakları AFA Yayıncılık A.Ş.'ye aittir. Dizgi: AFA Yayıncılık A.Ş. Baskı: AFA Matbaacılık Kapak: Reyo Basımevi AFA Yayın cılık A.Ş., Sıhhiye Ap t. 19/8 CaQaloQlu- İSTANBUL 1Zl526 39 80 INGMAR BERGMAN Büyülü Fener Çeviren: Gökçin Taşkın � .. AFA YAYINLARI -1- 1918 yılında ben doğduğum zaman annem İspanyol gribi geçi riyormuş. Benim durumum da kötüymüş, ne olur ne olmaz diye hastahanede vaftiz edilmişim. Bir gün aile doktorumuz eve ziyarete geldiğindebana bakıp "Yetersiz beslenmeden ölü yor," demiş. Anneannem beni yanına alıp trenle Dalarna'da ki yazlık evine götürmüş. O zamanlar tüm bir günü alan yol culuk boyunca beni suya batırılmış pandispanyayla beslemiş, sonunda Dalarna'ya vardığımda yarı ölüymüşüm. Annean nem gene de bana bir sütannebulmuş -- komşu köyden sarı şın, canayakın bir kız. Yavaş yavaş düzelmişim, ama hep ku suyor, süreklimide ağrısı çekiyormuşum. Ne olduğu pek anlaşılamayan birkaç hastalık da geçirdim ve yaşamak isteyip istemediğime bir türlü karar veremedim. O zamanki durumu bilincimin derinliklerinde anımsayabili yorum: Bedenimdeki salgıların kötü kokusu, seıt, nemli, ba tanelbiseler, gece lambasından yayılanyumu şak aydınlık, bi tişik odaya açılan aralanmış kapı, dadının derin solukları, pı tır pıtır adımlar, fısıldaşan sesler, güneşin sürahideki suda yansımaları. Bunları-p.tümünü anımsayabilirim ama hiç kor ku anımsamıyorum. Korku sonradan geldi. Yemek odası, tuvalet, çöp tenekeleri, şişman farelerve bir halı dövme askısı olan yüksek kiremit duvarlı, karanlık bir av luya bakıyordu. Birisinin kucağına oturmuş, yulaf lapasıyla 5 besleniyorum. Kenarları kırmızı çizgili muşambada duran mavi çiçeklibeyaz emaye tabak, pencereden giren dağınık ışı ğı yansıtıyor. -
1. August Strindberg, Letters to the Intimate Theatre, Tr. Walter Johnson (London, 1967) P
Notes Chapter 1 Te:xtual, Aural, Audiovisual 1. August Strindberg, Letters to the Intimate Theatre, tr. Walter Johnson (London, 1967) p. 37. 2. Cf. Keir Elam's distinction between dramatic text ('that composed for the theatre') and performance text ('that produced in the theatre'): The Semiotics of Theatre and Drama (London, 1980) p. 3. Similarly, Erika Fischer-Lichte contrasts the literary text (literarische Text) with the theatrical text (theatralische Text): Semiotik des Theaters (Tiibingen, 1983) ill, 10-22. We may, in addition, distinguish between the performance text (the species) and the individual, factual perform ance. 3. Anne Ubersfeld, Lire Ie theatre (Paris, 1977) p. 8. 4. Ibid., p. 16. 5. Ibid. 6. Eric Bentley, The Life of the Drama (London, 1965) p. 148. 7. Julian Hilton, Performance (London, 1987) p. 6. 8. Cf. Wiebe Hogendoorn, Lezen en zien spelen: een studie over simultanefteit in het drama (Leiden, 1976); with a summary in French. 9. Peter Piitz, Die Zeit im Drama: zur Technik dramatischer Spannung (Gottingen, 1970) pp. 15-16. 10. a. Seymour Chatman, Story and Discourse: Narrative Structure in Fiction and Film (Ithaca, NY, 1978) pp. 62-84. 11. Manfred Pfister, Das Drama (Munich, 1977) pp. 7~9. 12. A recent contribution is Egil Tornqvist and Barry Jacobs, Strindberg's 'Miss Julie': A Play and its Transpositions (Norwich, 1988). 13. Most studies of adaptations concern the transposition from prose work (usually novel) to teleplay (TV series) or film. Thus, of the twenty-three film adaptations analysed in Andrew S. Horton and Joan Magretta (eds), Modem European Filmmakers and the Art of Adaptation (New York, 1981), only two are based on plays. -
Taikalyhtyjä Ja Pontikkapannuja
Jan-Peter Gustafsson Taikalyhtyjä ja pontikkapannuja Ruotsalainen ja suomalainen hyvinvointivaltio Ingmar Bergmanin ja Mikko Niskasen elokuvissa Yleisen historian Pro gradu Historian ja etnologian laitos Jyväskylän Yliopisto Toukokuu 2019 Sisällysluettelo 1. Johdanto ..................................................................................................................... 1 1.1. Elokuva historiantutkimuksen lähteenä .......................................................................... 1 1.2. Metodit ja tutkimuskysymykset ...................................................................................... 4 1.3. Suomalaisen ja ruotsalaisen yhteiskunnan eroista ja yhtäläisyyksistä ............................ 9 2. Ohjaajien ja elokuvien esittelyt ................................................................................ 16 2.1. Lyhyesti Ingmar Bergmanin ja Mikko Niskasen elämänvaiheista .................................. 16 2.2. Elokuvien esittely .......................................................................................................... 20 3. Niskasen ja Bergmanin elokuvien sukupuoliroolit ................................................... 32 3.1. Avioliitto ja perhe-elämä ............................................................................................... 33 3.2. Naiset, miehet ja työelämä ........................................................................................... 46 4. Niskasen ja Bergmanin elokuvat ja yhteiskunnan rakennemuutos ......................... 58 4.1. Päihteet -
Ingmar Bergman – His Autobiography the Magic
INGMAR BERGMAN – HIS AUTOBIOGRAPHY THE MAGIC LANTERN Ingmar Bergman is considered by many to be the world’s greatest living film director and is also internationally well known as a theatre, television and opera director. He was born in 1918 in Uppsala, Sweden, and studied at Stockholm University. From 1943 to 1946 he was a producer and scriptwriter for Svensk Filmindustri and, later, Artistic Adviser. He has directed at theatres throughout Sweden as well as abroad and was Head of the Royal Dramatic Theatre in Stockholm from 1963 to 1966. His many films include The Seventh Seal, Smiles of a Summer Night, Persona, The Virgin Spring, Through a Glass Darkly, Cries and Whispers, Scenes from a Marriage, Face to Face, Autumn Sonata, The Serpent’s Egg, From the Life of the Marionettes and Fanny and Alexander, winner of four Academy Awards. Ingmar Bergman has received many international awards and prizes for his films, including the Goethe Prize in 1976 and the Swedish Gold Medal in 1977. I When I was born in 1918, my mother had Spanish influenza. I was in a bad way and was baptized as a precaution at the hospital. One day the family was visited by the old house doctor, who looked at me and said: ‘He’s dying of under nourishment.’ My maternal grandmother took me with her to her summer house in Dalarna, and on the train journey, which in those days took a whole day; she fed me with sponge cake soaked in water. By the time we finally arrived, I was practically dead, but Grandmother managed to find a wet nurse — a kindly, fair-haired girl from a neighbouring village.