Autechre EP7.1 Mp3, Flac, Wma

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Autechre EP7.1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: EP7.1 Country: UK Released: 1999 Style: Abstract, IDM, Experimental MP3 version RAR size: 1860 mb FLAC version RAR size: 1594 mb WMA version RAR size: 1969 mb Rating: 4.3 Votes: 775 Other Formats: FLAC MOD WAV XM VOC AA TTA Tracklist A1 Rpeg 6:00 A2 Ccec 4:57 A3 Squeller 4:37 B1 Left Blank 6:33 B2 Outpt 7:12 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Published By – Warp Music Published By – Electric And Musical Industries Credits Design [Uncredited] – Autechre Mastered By – Frank Arkwright Producer [Production] – Ae* Written-By – Brown*, Booth* Notes p+c 1999 Warp Records Ltd. Published by Warp Music/Electric and Musical Industries. Made in England. Design credit taken from the Warp20 Complete Catalogue. Barcode and Other Identifiers Barcode (Text, cover): 5 021603 120020 Barcode (Text, spine): 5021603120020 Matrix / Runout (Side A, stamped): WAPEP7-01 A-1-1-1 Matrix / Runout (Side B, stamped): WAPEP7-01 B-1-1-1 Other versions Category Artist Title (Format) Label Category Country Year wapep7cd Autechre EP7 (CD, EP) Warp Records wapep7cd UK 1999 wapep7.1, EP7 (2x12", EP, Warp Records, wapep7.1, Autechre UK 1999 wapep7.2 Promo) Warp Records wapep7.2 Nothing INTD-90999 Autechre EP7 (CD, EP) INTD-90999 US 1999 Records wapep7cd Autechre EP7 (CD, EP) Warp Records wapep7cd UK 1999 EP7.1 (12", EP, wapep7.1 Autechre Warp Records wapep7.1 UK 1999 Promo, W/Lbl) Comments about EP7.1 - Autechre FLIDER Worth the crazy asking prices being given out on ebay for the track Ccec alone. Superbly distorted and garbled hip-hop vocals that have been combined with ae's trademark killer production and majestic dischordant sounds. One of the first pieces of truly abstract hip-hop I ever heard. Awesome. Related Music albums to EP7.1 by Autechre The Warp - The Warp Marc Fleury - Pe Warp Warp 11 - Autechre - Quaristice.subrange.ep.ae Autechre - EP7 Autechre - Untilted LFO - Warp20 (Classics²) Frequencies / Sheath Autechre - Gantz Graf Autechre - LP5 Autechre - EPs 1991 - 2002 (Part 2).

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Felix Issue 1131, 1999
issue 1145 University Teachers Approve Strikes The Association of University Teachers voted for other actions less severe than (AUT) has voted to take industrial By Ed Sexton striking. The AUT claims that its mem• action, following a ballot of its mem• bers have not received the pay bers held last month. This will most increases that they are due, with the likely manifest itself as a one day strike General Secretary, David Friesman, later this month, which could affect commenting "vice-chancellors can pay lectures and exams for many students. themselves nearly 7% extra this year, The strike is the result of a failure to but offer their staff only half that reach agreement in the current pay amount, the more we do the less we dispute, which has gone on for several get." months. The debate on whether to go In late March the AUT authorised a ahead with the strike was due to be ballot of its members after rejecting held last Thursday, after Felix went to the 3% pay increase offered by the press. According to the AUT document University and Colleges Employers Asso• "Action for a fair deal" the most likely ciation (UCEA). Determined to pursue date for a 24 hour strike is Tuesday 25 a 10% pay increase, a ballot was May, but the text warns that "the Exec• announced for April, with a possible utive Committee is instructed to con• strike taking place at the end of May. sider calling further strike or strikes in In early April UCEA put forward their the early part of the next academic final offer of 3.5%, which was immedi• year".
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Autechre Confield Mp3, Flac, Wma
Autechre Confield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Confield Country: UK Released: 2001 Style: Abstract, IDM, Experimental MP3 version RAR size: 1635 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1308 mb Rating: 4.3 Votes: 182 Other Formats: AU DXD AC3 MPC MP4 TTA MMF Tracklist 1 VI Scose Poise 6:56 2 Cfern 6:41 3 Pen Expers 7:08 4 Sim Gishel 7:14 5 Parhelic Triangle 6:03 6 Bine 4:41 7 Eidetic Casein 6:12 8 Uviol 8:35 9 Lentic Catachresis 8:30 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Published By – Warp Music Published By – Electric And Musical Industries Made By – Universal M & L, UK Credits Mastered By – Frank Arkwright Producer [AE Production] – Brown*, Booth* Notes Published by Warp Music Electric and Musical Industries p and c 2001 Warp Records Limited Made In England Packaging: White tray jewel case with four page booklet. As with some other Autechre releases on Warp, this album was assigned a catalogue number that was significantly ahead of the normal sequence (i.e. WARPCD127 and WARPCD129 weren't released until February and March 2005 respectively). Some copies came with miniature postcards with a sheet a stickers on the front that say 'autechre' in the Confield font. Barcode and Other Identifiers Barcode (Sticker): 5 021603 128125 Barcode (Printed): 5021603128125 Matrix / Runout (Variant 1 to 3): WARPCD128 03 5 Matrix / Runout (Variant 1 to 3, Etched In Inner Plastic Hub): MADE IN THE UK BY UNIVERSAL M&L Mastering SID Code
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UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà Di Scienze Matematiche, Fisiche E Naturali Intelligent Dance Music
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Autechre Envane Mp3, Flac, Wma
Autechre Envane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Envane Country: UK Released: 1997 Style: Abstract, IDM MP3 version RAR size: 1213 mb FLAC version RAR size: 1665 mb WMA version RAR size: 1291 mb Rating: 4.2 Votes: 410 Other Formats: MMF XM ADX AHX APE MP1 FLAC Tracklist 1 Goz Quarter 9:43 2 Latent Quarter 7:37 3 Laughing Quarter 7:05 4 Draun Quarter 10:50 Companies, etc. Published By – Warp Music Published By – EMI Music Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Credits Design – The Designers Republic Producer – Ae* Written-By – Brown*, Booth* Notes Warp Music EMI Music. (P) 1997 Warp Records Ltd (C) 1997 Warp Records Ltd. Made In England. Released in a standard jewel case with clear tray and 4-page booklet. "Goz Quarter" samples a lyric from Dr. Octagon's "No Awareness". Barcode and Other Identifiers Barcode (Printed): 5021603089020 Matrix / Runout (Variant 1): 83191 WAP89CD Matrix / Runout (Variant 2): 95637 WAP89CD 1:1:1 Matrix / Runout (Variant 3): 83191 WAP89CD 1:1:3: Matrix / Runout (Variant 4): WAP89CD Matrix / Runout (Variant 5): 83191 WAP89CD 1:1:4 Matrix / Runout (Variant 6): 83191 WAP89CD I:1:8 Mastering SID Code (Variant 1, 3, 5, 6): IFPI L042 Mastering SID Code (Variant 2): IFPI L041 Mastering SID Code (Variant 4): IFPI LR61 Mould SID Code (Variant 1, 5): none Mould SID Code (Variant 2): IFPI 7306 Mould SID Code (Variant 3): IFPI 7305 Mould SID Code (Variant 4): IFPI RZ08 Mould SID Code (Variant 6): IFPI 7303 Other versions Category Artist Title (Format) Label Category Country Year WAP 89 CDP Autechre Envane (CD, EP, Promo) Warp Records WAP 89 CDP UK 1997 WAP 89 Autechre Envane (12") Warp Records WAP 89 UK 1997 WAP89 Autechre Envane (12", W/Lbl, Sti) Warp Records WAP89 UK 1997 WAP 89X Autechre Envane (12") Warp Records WAP 89X UK 1997 WAP 89CD Autechre Envane (CD, EP, RP) Warp Records WAP 89CD UK Unknown Comments about Envane - Autechre Quendant One of my faves in the Autechre catalog.
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Think Issue 44 Kor5.Indd
FREE! 44 FFEB/MARCHEB/MARCH 0088 READ ANYTIME- READNOW Prague’s citymagazine Made You Look INTRO So, welcome to the (Chinese) year of that unjustly maligned Plastique, Caribou, Dead Kids, Black Lips, Whitest Boy denizen of laboratories, treadmills, and sewers—the rat. Rats Alive, etc.; and, of course, the Saint Patrick’s Day and Easter are truly given the short shrift of things in the west—it’s the Celebrations to liven things up. You’ll fi nd more about every name given to you if you ‘squeal’ on your partners in crime one of the above events in this very magazine. You’ll also or betray a cause, they’re considered dirty, are frequently still fi nd us taking a look at things such as the new Starbucks, the blamed for the spread of bubonic plague (the fl eas and the Tranzitdisplay Gallery, Diesel’s latest collection and more. squalid conditions were the actual culprits) and are subjected There are the usual critiques of fi lms (this will be an excellent to all kinds of nasty experiments in the name of a science month to hit the cinemas by the way) and a number of Woody they never get any benefi t from. What a deal. Fortunately, Allen fi lms available on video. You’ll also have a chance to the Chinese see the rat-people (those born in a rat-year) as meet and learn about the very interesting Seattle-based leaders, organized, intelligent and cunning, but likely to face designer and illustrator Shawn Wolfe and fi nd out why he a crisis of suff ering at some time.
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Alwakeel IDM As A
IDM as a “Minor” Literature: The Treatment of Cultural and Musical Norms by “Intelligent Dance Music” RAMZY ALWAKEEL UNIVERSITY OF LEEDS (UK) Abstract This piece opens with a consideration of the etymology and application of the term “IDM”, before examining the treatment of normative standards by the work associated therewith. Three areas in particular will be focused upon: identity, tradition, and morphology. The discussion will be illuminated by three case studies, the first of which will consider Warp Records’ relationship to narrative; the two remaining will explore the work of Autechre and Aphex Twin with some reference to the areas outlined above. The writing of Deleuze and Guattari will inform the ideas presented, with particular focus being made upon the notions of “minority”, “deterritorialisation”, and “continuous variation”. Based upon the interaction of the wider IDM “text” with existing “constants”, and its treatment of itself, the present work will conclude with the suggestion that IDM be read as a “minor” literature. Keywords IDM, Deleuze, minority, genre, morphology, subjectivity, Autechre, Aphex Twin, Warp Can you really kiss the sky with your tongue in cheek? Simon Reynolds (1999: 193) Why have we kept our own names? Out of habit, purely out of habit. […] Also be- cause it’s nice to talk like everybody else, to say the sun rises, when everybody knows it’s only a matter of speaking. To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I. Deleuze and Guattari (2004: 3-4) Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 1-21 ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DOI 10.12801/1947-5403.2009.01.01.01 2 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 Introduction Etymologically, an attempt to determine what “IDM” actually signifies is problematic.
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